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&.&.&&.&.& # # # &.&.&.&.&.
&.&..&.&.& # £ £ # &.&.&.&.&.
&.&.&&.&.& # # & # # &.&.&.&.&.
&.&..&.&.& THE TRAIN IS A DASHING ARROW &.&.&.&.&.
&.&.&&.&.& OVER THE SEA. &.&.&.&.&.
&.&..&.&.& # £ ^ £ # &.&.&.&.&.
&.&.&&.&.& # £ = = £ # &.&.&.&.&.
&.&..&.&.& # £ ^ £ # &.&.&.&.&.
&.&.&&.&.& LOOK CLOSER - IT'S NOT WATER. &.&.&.&.&.
&.&..&.&.& # £ ^ ^ £ # &.&.&.&.&.
&.&.&&.&.& # = = . . = = # &.&.&.&.&.
&.&..&.&.& # = ^ ^ = # &.&.&.&.&.
&.&.&&.&.& THE LOWLAND WHICH WAS ONCE THE MIDRIFF &.&.&.&.&.
&.&..&.&.& OF SWEDEN. THE SALT FLATS SPAN FOR &.&.&.&.&.
&.&.&&.&.& HUNDREDS OF MILES. FROM A NARROW LINE &.&.&.&.&.
&.&..&.&.& OF HILLS THE TRAIN LOWERS ITSELF ONTO &.&.&.&.&.
&.&.&&.&.& THE CRYSTALS AND SHOOTS NORTH, LIKE A &.&.&.&.&.
&.&..&.&.& SYRINGE INTO A BALOON. &.&.&.&.&.
&.&.&&.&.& # * ^ . . ^ * # &.&.&.&.&.
&.&..&.&.& # = ^ . . . . ^ = # &.&.&.&.&.
&.&.&&.&.& # * ^ . . ^ * # &.&.&.&.&.
&.&..&.&.& # = ^ . . . . ^ = # &.&.&.&.&.
&.&.&&.&.& # * ^ . . ^ * # &.&.&.&.&.
&.&..&.&.& THEY CALL IT THE "MANDELBROT CRATER", &.&.&.&.&.
&.&.&&.&.& AND IT IS THE REST OF A MINING DISASTER. &.&.&.&.&.
&.&..&.&.& # = ^ ^ = # &.&.&.&.&.
&.&.&&.&.& # = = . = = # &.&.&.&.&.
&.&..&.&.& # £ ^ ^ £ # &.&.&.&.&.
&.&.&&.&.& SUN HITS THE FOUR-RAILED TRACK, AS IT &.&.&.&.&.
&.&..&.&.& FRACTURES INTO VILLAGES OR PAST THEM. &.&.&.&.&.
&.&.&&.&.& THE PEOPLE HERE ARE PALE BUT CRISP, &.&.&.&.&.
&.&..&.&.& REFLECTIONS OF SOME OTHER WORLD &.&.&.&.&.
&.&.&&.&.& # £ ^ £ # &.&.&.&.&.
&.&..&.&.& # £ = = £ # &.&.&.&.&.
&.&.&&.&.& # £ ^ £ # &.&.&.&.&.
&.&..&.&.& THEY ALWAYS SEEM A BIT ANNOYED THAT YOU &.&.&.&.&.
&.&.&&.&.& ARE MANIFESTING THEM INTO PHYSICAL &.&.&.&.&.
&.&..&.&.& FORM. LIKE IF YOU WEREN'T HERE, THEY &.&.&.&.&.
&.&.&&.&.& WOULD BE NOTHING MORE THAN THE SUN &.&.&.&.&.
&.&..&.&.& AGAINST THE PLATFORM &.&.&.&.&.
&.&.&&.&.& # # & # # &.&.&.&.&.
&.&..&.&.& # £ £ # &.&.&.&.&.
&.&.&&.&.& # # # &.&.&.&.&.
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