,,,.**$$ #&$$**.,,,
,.~*=$#### ####$=*~.,
,,,,,.*$## ##$*.,,,,,
,.~*=$## ###&$=*~.,
,.~*=$## ###&$=*~.,
,.~*=$## #&#&#&#&#&#&#&#&#&#& ###&$=*~.,
,.~*===&&& & BUILDINGS, TOWERS IN THE "GOLDEN & &&&===*~.,
,.~*=$## & BAY" (EVERYTHING MADE OF SANDSTONE). & ###&$=*~.,
,.~*=$## # FIVE PARTICULAR HOUSES FOURTY # ###&$=*~.,
,.~*=### # STORIES TALL, HUNDRED METERS APART, # ####&=*~.,
,.~*=$$$$& & IN A SLIGHT ARC INWARDS. & &$$$$=*~.,
,.~*=$## & & ###&$=*~.,
,,,,,.~=$# # BETWEEN TWO MOUNTAINS; TO THE RIGHT # #$=~.,,,,,
,.~*=$## # AND LEFT THE CITY CLIMBS QUICKLY. # ###&$=*~.,
,.~~~~~*=& & THE RIGHT PLATEAU HOSTS A LUSH AND & &=*~~~~~.,
,.~*=$## & SHADED GARDEN WHICH MORPHS INTO A & ###&$=*~.,
,.~=$### # TERRACE OVERLOOKING THE SEA AND # ####&$=~.,
,.~*=$## # THE BUILDINGS. # ###&$=*~.,
,.~*=$## & & ###&$=*~.,
,,,,,~==$# & TO THE LEFT THE HOUSES CLIMB & #$==~,,,,,
,,,,,~=$$& # SIMILARLY BUT A LOT OF TUNNELS AND # &$$=~,,,,,
,.~*=$## # HALLS HAVE BEEN DUG FROM THE # ###&$=*~.,
,,,,,,~=$# & MOUNTAIN. SOME HOUSES STAND & #$=~,,,,,,
,.~*=$$$## & COMPLETELY "INSIDE". BECAUSE OF CAVE & ##$$$=*~.,
,.~*=$## # CONDITIONS THE LOWER FLOORS HERE # ###&$=*~.,
,,,,..~==& # ARE COVERED IN DARK ALGAE THAT THE # &==~..,,,,
,.~*=$## & CITY LONG AGO STOPPED TRYING TO & ###&$=*~.,
,.~*=$## & REMOVE. ESTABLISHMENTS USE NEON & ###&$=*~.,
,,,~~~=$$# # SIGNS AS AN ACCENT TO THE DARK. # #$$=~~~,,,
,.~*=$## # THERE'S A CASINO. # ###&$=*~.,
,.~*=$## & THERE'S AN INTERNET CAFE. & ###&$=*~.,
,.~*=$## & & ###&$=*~.,
,,,..*=$$# # MOST PEOPLE LIVING HERE HAVE LONG # #$$=*..,,,
,.~*=$## # SNOUTS AND BIG EARS. ALL SPACE IS # ###&$=*~.,
,.~*=$&# & SHARED (FEW ROOMS HAVE LOCKS OR & ##&&$=*~.,
,.~*=$## & EVEN DOORS). INTERIOR DESIGN IS & ###&$=*~.,
,.*=$### # MOSTLY ART NOUVEAU AND MADE # ####&$=*.,
,,,..~**=& # OUT OF COPPER. # &=**~..,,,
,,,,,,~==& &#&#&#&#&###&#&#&#&#&& &==~,,,,,,
,.~*=$## ###&$=*~.,
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,.~*=$## ###&$=*~.,