,¨..§.,¨¨, &§¤§.¨§,.,
@£¤¨,,¤&&. ,¤£¨,,¨.£@
§#.,&.¨§,. .,.¨¤#§,¨@
@,¨.¨,.,., £#@,¨£,¨¨,
¨.¤¤§§&@¤& @¤,¨¨¨¨¤£.
§.,#§@@&@# statuette .,¨#&@..,¨
,.¨¨&@£#¤@ @#,.£¨,#¤.
§&§¨,¤¤# %$£$%¤*@&§&&$@*£~=~»«=»«%£%¤%£&§@£%@&$*£ ¨,,¨¨,¨¨,.
,&.,..&£#& $%%%%£*%§ @£@##£&¨
..,@&¨.@@& &£¤£¤£§£¨¨
£#¨,¨,¨¨#& forests around my childhood home. thick £§¤&&£§.,¤
£,.@&£@.,# pine arcades that were planted and @##&&&¨..¨
¨..,&&.,,. forgotten. wild boars roaming ££&££¨.#£,
##@,,¨.&@, underneath, sniffing at the ground. it §@¤&,.,,¨,
,¤.¨@§¨¨,¨ is dark and moist, the canopy having ,&£¨,#£,
.,¨¨,¨¨@§. already soaked up all the sun. ¨,,¨,,£&¨.
###@.,., ,&&@&,.,¨&
¤@&§&,,#£# there's a river passing by, from east ,,¨.§&.,
,@@§,.¨.&§ to west, getting broader and deeper and ,.¨,,,.¨¨,
,.#.¨#&.¨¤ slower as it goes. equisetum grow just ##£§#£@£@§
.,¨....,,. where the pine hands start to let @&¤&§§§@¤,
#@&§&# through light, horsemint on the rocky §#@#¤&¨,
,#&£§§¤£§£ river bed. ¨&&§¤¤£..¨
¨,§§§&£&§& ,¨£¤##¨,#¤
..¨££@#¤£& * ..,¤£¨¨.,,
§@,¨&¤¤££¤ @¤¨¨¨,@¤@@
#¨,.¨&¤@£§ the riverbanks reek of magic. tonight ¨,,&§,¨§&&
.,¤¤.¨¤@ they had been a swampworld with sylvan &@..,¨..@@
.¨¨.,¨.&¤# water, stone rings and floating moss. @¨,@§,¨.
@##§@§¨,@§ you could've found me wallowing around ..,.@#.,@&
#§¤¤§¨¨,,& on the southern shores until i got @£#,¨¨..¨#
#¤¤§.¨&£,, bitten. §#,.§&@&,¨
,¤&,.¨.,¨¨ ¨.,,,£¤¨¨,
¨,.¨#@@@ but now i'm further back, on solid &£,,..§&
¨##¨.£@§&, ground, in shoulder-high grass, with an #&£¨.§@.,¨
¨¨¨...£§¨¨ orange tin radio and a translucent &&,,¨¨,¨&&
.@£¤§¨¨.,§ umbrella which i'm sitting on. ,..#@£#,,,
¨,£§¨¨., &¤¨.@¤¨,#&
..,¨,..¨¨. / ,¨¨.,...¨¨
&#@¤#&@£ #¤§&§##§#@
£@£#¤§§££# somethings moving in the grass. it's #§@§#@¤£&¤
@@#&££&@§@ invisible to my eyes but i can feel §&#§@¤&&
§@&@#@@&§¤ through the ground just how large it is. #§£&@£@§&&
&£§£¤£¤¤¤¤ ¤#@¤@§@£@§
#@&¤£@## the soil is muddy. i slip when trying §¤#¤@&§¤#¤
&§£§#&¤#¤@ to get up, still looking at the §£@£¤¤§&&&
¤#@££&&§#¤ direction of sound rather than at my ##¤@@§#¤&&
@£§§@&§@££ hands, who are busy putting things in &¤§#&&@&@&
§¤§&£¤@¤§& my pockets. ¤@#@&§&£¤§
@£@£££##@# @@£&@¤§¤¤&
§§§@@§&&@# then i run east toward my home. #£&¤&@#@
§£§§@§#@ @#¤£@¤¤§&§
&¤£§¤&@#££ : ££@§&¤@§&@
@££&¤#@@ ##£¤&&&£&&
#§§##££#¤¤ i am not followed, and slow down in the @¤§¤&&§#@£
@§&§#&¤§¤£ clearing where you at first can spot §#&§§£@£¤@
¤@¤¤¤§&§&& the house, not yet really in the @£&§§@@§#¤
#£§@£&§¤§¤ backyard. from my pockets i retrieve my ¤§¤&@£#&§@
§¤@££¤§§£§ radio (now dented) but also a small @¤¤¤¤&£&&@
¤§#@£§£§¤& clay figure i've never seen before. it ##§¤&££@
&§¤¤£&£# must have been laying in the wet dirt, ¤§££@#@§
@£¤§#§@££¤ and i must've picked it up with my #§@§¤¤££@§
##&£##£&@¤ other belongings. @¤¤¤##¤§
£¤&@@£§#¤@ #¤#£@#£&
#£&¤@¤§§££ it's a statuette of a girl laying naked £&§&£¤§¤§&
##&¤@£§¤¤# on her stomach, feet in the air, §@¤¤@@£#££
&@#&¤@&&£# roughly seven centimeters long. it's ¤&¤#@@
@&¤&¤¤¤¤@£ freshly made, not yet completely dried. ¤§§££&@£@¤
£&£###@¤@¤ ¤&§&@¤#&&@
§§§&&¤£#@@ my mom is here now. i ask her for some §@¤&§@@&¤£
#£¤@#£@¤&¤ particle board for it to dry on, but &§#£@¤£¤¤¤
§§#§@£&& she is worried and wants me to ¤@@@££#§
£#£§@§¤##§ throw it away. §&¤£¤#§#@#
@¤@¤@£@& ##£&££&§#&
§@¤#@#&££¤ #¤£@§¤£¤
&&@#@@£¤ @£#¤@§¤£
@§@¤@#¤&&@ @§¤££#&@§¤
&&¤£#£##&@ @§#§@¤@#¤¤
¤&§@@#¤@&£ &@§£&§¤§#@