§,¨#..¨.,. ,£@,,¨,,,§
¨..,¨¤¤§ ¨.¨.§&£&..
§&&&¨.@#£& ,£¤¨,§#¨.§
¤£#,,,¨@@£ ¨.¨,,¨¨¨,,
.#,.&&¨,&. ##&&§@@£@¨
¨,.,¨¨¨.¨, statuette #&&@@¤¨.
§&@&§#&&&¨ ,@¤@§¤&.,¤
§&&¤@#@#,, %¤&£¤@$$$*£¤%&$%~~»»»=~=$¤$**¤%£%££$$§%§ ,.#§¨.,.
.@§§&£@¨.. §%*%$$£&% &¨.§§..@@.
.,£&&@..§@ ,,,¨..¨..¨
£,.@&¨.¨.§ forests around my childhood home. thick ¨@@¤@&¤@&¤
,,.¨..&£.. pine arcades that were planted and .,#&¤@£¤#§
¨#&¨..¨@ forgotten. wild boars roaming £¨¨@###¤#.
¨..,#£,, underneath, sniffing at the ground. it .,,,£&££¨.
#.,¨..,,,¤ is dark and moist, the canopy having ¨&§¨,£§..&
¨,§&£@@¤,. already soaked up all the sun. ,,,,¨¨.,,,
§..##§£¨.¨ @@#&££
,¨,¨@#¨.@§ there's a river passing by, from east £#§£&¤¤£
.@£,¨...., to west, getting broader and deeper and #§&§§££¤#,
.,¨,§§&&§& slower as it goes. equisetum grow just £#£#@¤§£¨¨
##§.¨¤ where the pine hands start to let ##§£@¤¤¨¨£
§¤.¨.,@@#@ through light, horsemint on the rocky §£§§§£¨.¨,
¨¨.£¤,,¤@, river bed. ¨£¤£§,,§&.
§¤,,,¨,¨., ¨.¤¤.¨¨.¨,
,¨,#§¤@##¤ * £.,,¨£#££¨
&§,.£#¤¤&& ¨.¤#..¤@..
.,.¨.#@&§, the riverbanks reek of magic. tonight ¨¨¨,¨.,,¨.
££§¤.,&¤,. they had been a swampworld with sylvan §&¤§&@#§¤#
#¤§¨.,¨¨¨¨ water, stone rings and floating moss. £¤¤&¤@¤¤#&
£¤..¤¤£@&¤ you could've found me wallowing around £&£&¤£§&§&
#¨,¨¨§@&¤¤ on the southern shores until i got &§§£§£@##£
¨.#£¨,¤#&@ bitten. £@##§@§¤¤&
¨¨..,,.¤#& ¨#£¤£,
#¤§#¤£,,#¤ but now i'm further back, on solid ,.@#§&£§¨.
¨#¤£&¨,¨.& ground, in shoulder-high grass, with an ¨¨¨##&¤¨¨¨
.¨&£¨¨##¨. orange tin radio and a translucent @£¨.¤£.¨§#
,,..,¨.¨¨. umbrella which i'm sitting on. .,¨,.¨.,¨.
£¤§£&@@§@& £@&@&§£&£#
&¤@@¤¤¤@@§ ; §££#&&££##
##£§#¤&¤¤§ #&£@§£§£
£#&£&&&¤ somethings moving in the grass. it's &¤&££¤¤§
##£§¤¤@#§& invisible to my eyes but i can feel @¤£&£¤#§
¤#¤¤&&¤§&§ through the ground just how large it is. §#&@£@@###
#§#¤§##§&@ §#@@§#&¤#&
¤§£#¤@§@£§ the soil is muddy. i slip when trying ¤@&§££&¤§¤
@@&§@££@££ to get up, still looking at the &§£¤&@#&£&
§@¤@¤£#§@§ direction of sound rather than at my #@¤§#£&&£¤
§§££¤#¤@ hands, who are busy putting things in §#§£@#@&
§£@&@££@£@ my pockets. @¤#@£@#§@&
@¤§¤&¤§#&@ #&&@@#§@@#
&&£@#&§§&@ then i run east toward my home. &&§¤@@#¤&¤
@§#@§§£# #££§£&@¤
@¤§§£@#@@¤ : @&@&§&¤#@#
&££@##&¤¤§ &@¤#£§£§
@@£&&¤&@ i am not followed, and slow down in the ¤¤&@@£¤£§£
&&@¤§##£§@ clearing where you at first can spot ¤§#¤£&@¤¤¤
§#§§§§#@£# the house, not yet really in the §¤&§&@£#§#
@¤£&£§&£¤# backyard. from my pockets i retrieve my £¤¤¤§@£#¤£
£#@£§££&¤& radio (now dented) but also a small §§£@#§§¤#£
¤¤§§£#@#£& clay figure i've never seen before. it £§§@#@§§¤¤
§£¤¤¤¤#@¤§ must have been laying in the wet dirt, £@£§£@&@##
#§&§£§¤# and i must've picked it up with my §§##@¤#§
£¤£&¤@¤£&¤ other belongings. ¤¤¤§¤@£¤§@
@@&¤@£@£#§ &@#&£§£#@&
#£&§¤@££#§ it's a statuette of a girl laying naked £&§&§@#£
&¤@&¤@&§&& on her stomach, feet in the air, @£¤#&¤¤&§#
@¤#¤£#§¤#§ roughly seven centimeters long. it's @¤#&&@§£#§
¤#@§§#@& freshly made, not yet completely dried. #¤£#&£#¤##
###¤§¤£&&§ &@£§@#@@£#
£§@&§#&& my mom is here now. i ask her for some @£#£#§£§
¤&££@§&¤ particle board for it to dry on, but #@&¤&¤@£@@
##§¤£&§@ she is worried and wants me to £&£¤&@&@§@
¤@§@§§£§ throw it away. @£§&£@¤#&¤
#&&£§¤§##¤ #£££§£&@#&
@#@£@#¤¤&§ @@¤§#§@£¤¤
@¤###@§§#§ ¤¤#§§@¤&
£¤§§¤§£¤¤¤ @&@#@&@¤@§
&§££@§#¤¤& @£¤@#@£###
#@@@&££§ &¤@&§£&¤