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,,,-^§&&@#                                          #@&&§^-,,,
,,-^§&&@##                                          ##@&&§^-,,
,,,-^§&&@#    #                                     #@&&§^-,,,
,,-^§&&@##              ,LIZARDRY                   ##@&&§^-,,
,,,-^§&&@# -           @ #@ ###  ################## #@&&§^-,,,
,,-^§&&@## ##      THE ART OF C,NNECTING            ##@&&§^-,,
,,,-^§&&@#        ,    WITH THE OLD MIND            #@&&§^-,,,
,,-^§&&@##                                          ##@&&§^-,,
,,,-^§&&@#             MY MIND IS BEING SKEWED. MI  #@&&§^-,,,
,,-^§&&@##  SKELETON IS STRINGY AND OLD AND ALIEN   ##@&&§^-,,
,,,-^§&&@#             THE SITUATION IS LITERALLY   #@&&§^-,,,
,,-^§&&@## PRESSED OUT THROUGH MY EYES, IT'S        ##@&&§^-,,
,,,-^§&&@# ECHOING LIKE                             #@&&§^-,,,
,,-^§&&@##             THE SUNSET OF THE ETERNAL    ##@&&§^-,,
,,,-^§&&@# OCEAN                                    #@&&§^-,,,
,,-^§&&@##         PERSISTENTLY AGAINST MY EMULSION ##@&&§^-,,
,,,-^§&&@#                                          #@&&§^-,,,
,,-^§&&@##    IT'S UNGRASPABLE TO ME, WHAT OTHER    ##@&&§^-,,
,,,-^§&&@#   HUMANS ARE DOING AND ABSTRACTING,      #@&&§^-,,,
,,-^§&&@##  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##@&&§^-,,
,,,-^§&&@# HOW LONG A TIME HAS PASSED, FOR THEM?    #@&&§^-,,,
,,-^§&&@##                                     ,    ##@&&§^-,,
,,,-^§&&@#  , ,,, ,  ,,,,,,,,,,,,,,,,   @@@@@@@     #@&&§^-,,,
,,-^§&&@##   CONTINUOUSLY I'M CROWDING THROUGH      ##@&&§^-,,
,,,-^§&&@# , THE FOURTH WALL  ,OUTWARDS IS WHAT   , #@&&§^-,,,
,,-^§&&@## ,, I'M THINKING BUT IT'S WRONG.. A NEW   ##@&&§^-,,
,,,-^§&&@# , , NARRATOR IS INTRODUCED, OCCASIONALLY #@&&§^-,,,
,,-^§&&@## ,  , AWARE OF THE PREVIOUS ONE, DEEPER , ##@&&§^-,,
,,,-^§&&@# ,   , DOWN IN THE DRAGONS THROAT.        #@&&§^-,,,
,,-^§&&@##      ,                                   ##@&&§^-,,
,,,-^§&&@#       ,                                  #@&&§^-,,,
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