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@@,@@,,@,@ ,LIZARDRY ,,,,@,,@@@
,,@@,@,@@@ ยป # ## ### ################## @,,,@@,@,,
,,@,@@@@,, ## THE ART OF C,NNECTING ,@,,@,@@@,
,,@@@,,,@, , WITH THE OLD MIND @@@,@@@,,@
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,@@@,@@,@, MY MIND IS BEING SKEWED. MI @@,@,@,@@@
@@,,@@,@@@ SKELETON IS STRINGY AND OLD AND ALIEN @,@@@@@@,,
@,@,@,@@,, THE SITUATION IS LITERALLY ,@@,,,,,@,
@@@@@@@,@, PRESSED OUT THROUGH MY EYES, IT'S @@,@,,,,@@
,,,,,,,@@@ ECHOING LIKE ,,@@@,,,@,
,,,,,,,@,, THE SUNSET OF THE ETERNAL @,@,,@,,@@
@,,,,,,@@, OCEAN ,@@@,@@,@,
@@,,,,,@,@ PERSISTENTLY AGAINST MY EMULSION @@,,@@,@@@
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,,@@,,,@,, IT'S UNGRASPABLE TO ME, WHAT OTHER @@@@@@@,@,
,,@,@,,@@, HUMANS ARE DOING AND ABSTRACTING, ,,,,,,,@@@
@,@@@@,@,@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,,,,,,@,,
@@@,,,@@@@ HOW LONG A TIME HAS PASSED, FOR THEM? ,,,,,,,@@,
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@@@@,@@,@, CONTINUOUSLY I'M CROWDING THROUGH ,@,,,,,@,,
@,,,@@,@@@ , THE FOURTH WALL ,OUTWARDS IS WHAT , @@@,,,,@@,
@@,,@,@@,, ,, I'M THINKING BUT IT'S WRONG.. A NEW @,,@,,,@,@
,,@,@@@,@, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,@,@@,,@@@
@,@@@,,@@@ , , AWARE OF THE PREVIOUS ONE, DEEPER , @@@@,@,@,,
@@@,,@,@,, , , DOWN IN THE DRAGONS THROAT. ,,,,@@@@@,
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