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##@§%%;~^,    #                                     ,^~;%%§@##
@%%;;;;~^,              ,LIZARDRY                   ,^~;;;;%%@
##@§%%;~^, ~           @ #@ ###  ################## ,^~;%%§@##
§%~^,,,,,, ##      THE ART OF C^NNECTING            ,,,,,,^~%§
###§%%;~^,        ,    WITH THE OLD MIND            ,^~;%%§###
#@§%%%;~^,                                          ,^~;%%%§@#
@%%;^,,,,,             MY MIND IS BEING SKEWED. MI  ,,,,,^;%%@
#§%%%;~~^,  SKELETON IS STRINGY AND OLD AND ALIEN   ,^~~;%%%§#
§§%;^,,,,,             THE SITUATION IS LITERALLY   ,,,,,^;%§§
§%%%~,,,,, PRESSED OUT THROUGH MY EYES, IT'S        ,,,,,~%%%§
##@§%%;~^, ECHOING LIKE                             ,^~;%%§@##
#§%%%%;~^,             THE SUNSET OF THE ETERNAL    ,^~;%%%%§#
@§§%;;^,,, OCEAN                                    ,,,^;;%§§@
@%;~~^,,,,         PERSISTENTLY AGAINST MY EMULSION ,,,,^~~;%@
##@§%%;~^,                                          ,^~;%%§@##
##@§%%;~^,    IT'S UNGRASPABLE TO ME, WHAT OTHER    ,^~;%%§@##
##@§%%;~^,   HUMANS ARE DOING AND ABSTRACTING,      ,^~;%%§@##
#@%;~,,,,,  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,,,,~;%@#
###@§%;~^, HOW LONG A TIME HAS PASSED, FOR THEM?    ,^~;%§@###
#§§§%%;~^,                                     ,    ,^~;%%§§§#
#@@§%%;~^,  , ,,, ,  ,,,,,,,,,,,,,,,,   @@@@@@@     ,^~;%%§@@#
#§%%;~^,,,   CONTINUOUSLY I'M CROWDING THROUGH      ,,,^~;%%§#
@@%%%;~,,, , THE FOURTH WALL  ^OUTWARDS IS WHAT   , ,,,~;%%%@@
##@§%%;~^, ,, I'M THINKING BUT IT'S WRONG.. A NEW   ,^~;%%§@##
##@§%%;~^, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,^~;%%§@##
##@§%%;~^, ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER , ,^~;%%§@##
###@§%;~^, ^   ^ DOWN IN THE DRAGONS THROAT.        ,^~;%§@###
##@§%%;~^,      ^                                   ,^~;%%§@##
@%%;^^,,,,       ^                                  ,,,,^^;%%@
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