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,.«†%¤£###              ,LIZARDRY                   ###£¤%†«.,
,.«†%¤£### «           # ## ###  ################## ###£¤%†«.,
,.«†%¤£### ##      THE ART OF C.NNECTING            ###£¤%†«.,
,,,,.†%¤£#        ,    WITH THE OLD MIND            #£¤%†.,,,,
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,.«†%¤£###             MY MIND IS BEING SKEWED. MI  ###£¤%†«.,
,.«†%¤£###  SKELETON IS STRINGY AND OLD AND ALIEN   ###£¤%†«.,
,.«†%£####             THE SITUATION IS LITERALLY   ####£%†«.,
,.«†%¤£££# PRESSED OUT THROUGH MY EYES, IT'S        #£££¤%†«.,
,,,,,«†¤## ECHOING LIKE                             ##¤†«,,,,,
,.«††††¤¤£             THE SUNSET OF THE ETERNAL    £¤¤††††«.,
,,,,,,«†¤# OCEAN                                    #¤†«,,,,,,
,,.«†††%%£         PERSISTENTLY AGAINST MY EMULSION £%%†††«.,,
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,.«†%¤£###    IT'S UNGRASPABLE TO ME, WHAT OTHER    ###£¤%†«.,
.«†%¤£####   HUMANS ARE DOING AND ABSTRACTING,      ####£¤%†«.
,,..††¤¤¤#  AND ABOVE ALL ELSE, WHAT TIME THEY USE? #¤¤¤††..,,
,,,,..†%£# HOW LONG A TIME HAS PASSED, FOR THEM?    #£%†..,,,,
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,,,,,.†¤¤£  , ,,, ,  ,,,,,,,,,,,,,,,,   #######     £¤¤†.,,,,,
,,,,.†%%%£   CONTINUOUSLY I'M CROWDING THROUGH      £%%%†.,,,,
,.«†%¤#### , THE FOURTH WALL  .OUTWARDS IS WHAT   , ####¤%†«.,
,.«†%¤£### ,, I'M THINKING BUT IT'S WRONG.. A NEW   ###£¤%†«.,
,.«†%¤£### , , NARRATOR IS INTRODUCED, OCCASIONALLY ###£¤%†«.,
,.«†%¤¤¤£# .  . AWARE OF THE PREVIOUS ONE, DEEPER , #£¤¤¤%†«.,
,,,,,«%£## .   . DOWN IN THE DRAGONS THROAT.        ##£%«,,,,,
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