...,»†^¤§# #§¤^†»,...
..,»†^¤§## ##§¤^†»,..
.,»†^¤§### ###§¤^†»,.
..,»†^¤§## ##§¤^†»,..
...,»†^¤§# #§¤^†»,...
....,»†^¤§ # §¤^†»,....
.....,»†^¤ .LIZARDRY ¤^†»,.....
....,»†^¤§ » @ #@ ### ################## §¤^†»,....
...,»†^¤§# ## THE ART OF C,NNECTING #§¤^†»,...
..,»†^¤§## . WITH THE OLD MIND ##§¤^†»,..
.,»†^¤§### ###§¤^†»,.
..,»†^¤§## MY MIND IS BEING SKEWED. MI ##§¤^†»,..
...,»†^¤§# SKELETON IS STRINGY AND OLD AND ALIEN #§¤^†»,...
....,»†^¤§ THE SITUATION IS LITERALLY §¤^†»,....
.....,»†^¤ PRESSED OUT THROUGH MY EYES, IT'S ¤^†»,.....
....,»†^¤§ ECHOING LIKE §¤^†»,....
...,»†^¤§# THE SUNSET OF THE ETERNAL #§¤^†»,...
..,»†^¤§## OCEAN ##§¤^†»,..
.,»†^¤§### PERSISTENTLY AGAINST MY EMULSION ###§¤^†»,.
..,»†^¤§## ##§¤^†»,..
...,»†^¤§# IT'S UNGRASPABLE TO ME, WHAT OTHER #§¤^†»,...
....,»†^¤§ HUMANS ARE DOING AND ABSTRACTING, §¤^†»,....
.....,»†^¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¤^†»,.....
....,»†^¤§ HOW LONG A TIME HAS PASSED, FOR THEM? §¤^†»,....
...,»†^¤§# . #§¤^†»,...
..,»†^¤§## . ... . ................ @@@@@@@ ##§¤^†»,..
.,»†^¤§### CONTINUOUSLY I'M CROWDING THROUGH ###§¤^†»,.
..,»†^¤§## . THE FOURTH WALL ,OUTWARDS IS WHAT . ##§¤^†»,..
...,»†^¤§# .. I'M THINKING BUT IT'S WRONG.. A NEW #§¤^†»,...
....,»†^¤§ . . NARRATOR IS INTRODUCED, OCCASIONALLY §¤^†»,....
.....,»†^¤ , , AWARE OF THE PREVIOUS ONE, DEEPER . ¤^†»,.....
....,»†^¤§ , , DOWN IN THE DRAGONS THROAT. §¤^†»,....
...,»†^¤§# , #§¤^†»,...
..,»†^¤§## , ##§¤^†»,..
.,»†^¤§### ###§¤^†»,.
..,»†^¤§## ##§¤^†»,..
...,»†^¤§# #§¤^†»,...
....,»†^¤§ §¤^†»,....
.....,»†^¤ ¤^†»,.....
....,»†^¤§ §¤^†»,....