#@#&$%^=~. .~=^%$@#
@#&$%^=~.. ..~=^%$@
#&$%^=~... ...~=^%$
&$%^=~.... ....~=^%$&
#&$%^=~... ...~=^%$
@#&$%^=~.. @ ..~=^%$@
#@#&$%^=~. .LIZARDRY .~=^%$@#
@#&$%^=~.. = # @# @@@ @@@@@@@@@@@@@@@@@@ ..~=^%$@
#&$%^=~... @@ THE ART OF C~NNECTING ...~=^%$
&$%^=~.... . WITH THE OLD MIND ....~=^%$&
#&$%^=~... ...~=^%$
@#&$%^=~.. MY MIND IS BEING SKEWED. MI ..~=^%$@
#@#&$%^=~. SKELETON IS STRINGY AND OLD AND ALIEN .~=^%$@#
@#&$%^=~.. THE SITUATION IS LITERALLY ..~=^%$@
#&$%^=~... PRESSED OUT THROUGH MY EYES, IT'S ...~=^%$
&$%^=~.... ECHOING LIKE ....~=^%$&
#&$%^=~... THE SUNSET OF THE ETERNAL ...~=^%$
@#&$%^=~.. OCEAN ..~=^%$@
#@#&$%^=~. PERSISTENTLY AGAINST MY EMULSION .~=^%$@#
@#&$%^=~.. ..~=^%$@
#&$%^=~... IT'S UNGRASPABLE TO ME, WHAT OTHER ...~=^%$
&$%^=~.... HUMANS ARE DOING AND ABSTRACTING, ....~=^%$&
#&$%^=~... AND ABOVE ALL ELSE, WHAT TIME THEY USE? ...~=^%$
@#&$%^=~.. HOW LONG A TIME HAS PASSED, FOR THEM? ..~=^%$@
#@#&$%^=~. . .~=^%$@#
@#&$%^=~.. . ... . ................ ####### ..~=^%$@
#&$%^=~... CONTINUOUSLY I'M CROWDING THROUGH ...~=^%$
&$%^=~.... . THE FOURTH WALL ~OUTWARDS IS WHAT . ....~=^%$&
#&$%^=~... .. I'M THINKING BUT IT'S WRONG.. A NEW ...~=^%$
@#&$%^=~.. . . NARRATOR IS INTRODUCED, OCCASIONALLY ..~=^%$@
#@#&$%^=~. ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER . .~=^%$@#
@#&$%^=~.. ~ ~ DOWN IN THE DRAGONS THROAT. ..~=^%$@
#&$%^=~... ~ ...~=^%$
&$%^=~.... ~ ....~=^%$&
#&$%^=~... ...~=^%$
@#&$%^=~.. ..~=^%$@
#@#&$%^=~. .~=^%$@#
@#&$%^=~.. ..~=^%$@
#&$%^=~... ...~=^%$
&$%^=~.... ....~=^%$&