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#.#..#.#.#    #                                     .#.#.#..#.
#.#.##.#.#              .LIZARDRY                   .#.#.#.##.
#.#..#.#.# »           £ #£ ###  ################## .#.#.#..#.
#.#.##.#.# ##      THE ART OF C:NNECTING            .#.#.#.##.
#.#..#.#.#        .    WITH THE OLD MIND            .#.#.#..#.
#.#.##.#.#                                          .#.#.#.##.
#.#..#.#.#             MY MIND IS BEING SKEWED. MI  .#.#.#..#.
#.#.##.#.#  SKELETON IS STRINGY AND OLD AND ALIEN   .#.#.#.##.
#.#..#.#.#             THE SITUATION IS LITERALLY   .#.#.#..#.
#.#.##.#.# PRESSED OUT THROUGH MY EYES, IT'S        .#.#.#.##.
#.#..#.#.# ECHOING LIKE                             .#.#.#..#.
#.#.##.#.#             THE SUNSET OF THE ETERNAL    .#.#.#.##.
#.#..#.#.# OCEAN                                    .#.#.#..#.
#.#.##.#.#         PERSISTENTLY AGAINST MY EMULSION .#.#.#.##.
#.#..#.#.#                                          .#.#.#..#.
#.#.##.#.#    IT'S UNGRASPABLE TO ME, WHAT OTHER    .#.#.#.##.
#.#..#.#.#   HUMANS ARE DOING AND ABSTRACTING,      .#.#.#..#.
#.#.##.#.#  AND ABOVE ALL ELSE, WHAT TIME THEY USE? .#.#.#.##.
#.#..#.#.# HOW LONG A TIME HAS PASSED, FOR THEM?    .#.#.#..#.
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#.#.##.#.#   CONTINUOUSLY I'M CROWDING THROUGH      .#.#.#.##.
#.#..#.#.# . THE FOURTH WALL  :OUTWARDS IS WHAT   . .#.#.#..#.
#.#.##.#.# .. I'M THINKING BUT IT'S WRONG.. A NEW   .#.#.#.##.
#.#..#.#.# . . NARRATOR IS INTRODUCED, OCCASIONALLY .#.#.#..#.
#.#.##.#.# :  : AWARE OF THE PREVIOUS ONE, DEEPER . .#.#.#.##.
#.#..#.#.# :   : DOWN IN THE DRAGONS THROAT.        .#.#.#..#.
#.#.##.#.#      :                                   .#.#.#.##.
#.#..#.#.#       :                                  .#.#.#..#.
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