,~=†*$&@## ##@&$*†=~,
,~=†*$&@## ##@&$*†=~,
,,,,~~†*&& &&*†~~,,,,
,~=†*$&@## ##@&$*†=~,
,~=†*$&&&& &&&&$*†=~,
,,,,,~=*&# # #&*=~,,,,,
,~=†*$&### ,LIZARDRY ###&$*†=~,
,~=†*$&### = @ #@ ### ################## ###&$*†=~,
,~=†*$$$$@ ## THE ART OF C~NNECTING @$$$$*†=~,
,~=†*$&@## , WITH THE OLD MIND ##@&$*†=~,
,~=†*$&@## ##@&$*†=~,
,,,,,~=*$@ MY MIND IS BEING SKEWED. MI @$*=~,,,,,
,~=†*$&@## SKELETON IS STRINGY AND OLD AND ALIEN ##@&$*†=~,
,~=†*$$&@@ THE SITUATION IS LITERALLY @@&$$*†=~,
,,,==††*&# PRESSED OUT THROUGH MY EYES, IT'S #&*††==,,,
,~=†*$&@## ECHOING LIKE ##@&$*†=~,
,~=†*$&@## THE SUNSET OF THE ETERNAL ##@&$*†=~,
,~=†*$$&@@ OCEAN @@&$$*†=~,
,~~~~††$$& PERSISTENTLY AGAINST MY EMULSION &$$††~~~~,
,,,,,,~=*& &*=~,,,,,,
,~=†*$&@## IT'S UNGRASPABLE TO ME, WHAT OTHER ##@&$*†=~,
,~=†††$&&& HUMANS ARE DOING AND ABSTRACTING, &&&$†††=~,
,~=†*$&@## AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##@&$*†=~,
,,,~=†$&@# HOW LONG A TIME HAS PASSED, FOR THEM? #@&$†=~,,,
,~=†*$&@## , ##@&$*†=~,
,~=†*$@### , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ###@$*†=~,
,,,,~†$&@@ CONTINUOUSLY I'M CROWDING THROUGH @@&$†~,,,,
,,,,,~†*&@ , THE FOURTH WALL ~OUTWARDS IS WHAT , @&*†~,,,,,
,~=†††***& ,, I'M THINKING BUT IT'S WRONG.. A NEW &***†††=~,
,,,,,=†$&@ , , NARRATOR IS INTRODUCED, OCCASIONALLY @&$†=,,,,,
,~=†*$&@## ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER , ##@&$*†=~,
,~=†*$&@## ~ ~ DOWN IN THE DRAGONS THROAT. ##@&$*†=~,
,~=†*$&@## ~ ##@&$*†=~,
,~=†*$&@## ~ ##@&$*†=~,
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,~=†*$&@@# #@@&$*†=~,
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