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....^«^%%#              .lizardry                   #%%^«^....
...^«^%%#£ «           £ @£ @@@  @@@@@@@@@@@@@@@@@@ £#%%^«^...
..^«^%%#£@ @@      the art of c^nnecting            @£#%%^«^..
.^«^%%#£@#        .    with the old mind            #@£#%%^«^.
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...^«^%%#£             my mind is being skewed. mi  £#%%^«^...
....^«^%%#  skeleton is stringy and old and alien   #%%^«^....
.....^«^%%             the situation is literally   %%^«^.....
......^«^% pressed out through my eyes, it's        %^«^......
.......^«^ echoing like                             ^«^.......
........^«             the sunset of the eternal    «^........
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........^«         persistently against my emulsion «^........
.......^«^                                          ^«^.......
......^«^%    it's ungraspable to me, what other    %^«^......
.....^«^%%   humans are doing and abstracting,      %%^«^.....
....^«^%%#  and above all else, what time they use? #%%^«^....
...^«^%%#£ how long a time has passed, for them?    £#%%^«^...
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.^«^%%#£@#  . ... .  ................   £££££££     #@£#%%^«^.
..^«^%%#£@   continuously i'm crowding through      @£#%%^«^..
...^«^%%#£ . the fourth wall  ^outwards is what   . £#%%^«^...
....^«^%%# .. i'm thinking but it's wrong.. a new   #%%^«^....
.....^«^%% . . narrator is introduced, occasionally %%^«^.....
......^«^% ^  ^ aware of the previous one, deeper . %^«^......
.......^«^ ^   ^ down in the dragons throat.        ^«^.......
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