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...^=;==£@ @@ the art of c^nnecting @£==;=^...
.^=;=££@@# . with the old mind #@@££=;=^.
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.^=;££@@## my mind is being skewed. mi ##@@££;=^.
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.^=;=££££@ the situation is literally @££££=;=^.
.^=;=££@## pressed out through my eyes, it's ##@££=;=^.
.^=;=££@@@ echoing like @@@££=;=^.
.^=;=££@@# the sunset of the eternal #@@££=;=^.
...^^==;££ ocean ££;==^^...
.^=;=££@@# persistently against my emulsion #@@££=;=^.
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.^=;=££@@@ it's ungraspable to me, what other @@@££=;=^.
.^=;==£££@ humans are doing and abstracting, @£££==;=^.
.^=;=££@## and above all else, what time they use? ##@££=;=^.
.^=;=££@@# how long a time has passed, for them? #@@££=;=^.
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.^=;=££@@# continuously i'm crowding through #@@££=;=^.
.^=;=££@@@ . the fourth wall ^outwards is what . @@@££=;=^.
.^=;=££@## .. i'm thinking but it's wrong.. a new ##@££=;=^.
.^=;=££@## . . narrator is introduced, occasionally ##@££=;=^.
.^=;=££@@# ^ ^ aware of the previous one, deeper . #@@££=;=^.
.^=;=££@@# ^ ^ down in the dragons throat. #@@££=;=^.
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