,:-/*§@¶## ##¶@§*/-:,
,:-/*§@### ###@§*/-:,
,:--/*§@@¶ ¶@@§*/--:,
,:-/*§@¶## ##¶@§*/-:,
,:-/*§@¶## ##¶@§*/-:,
,:-/***@@¶ #### ##### ¶@@***/-:,
,,,::-/§¶¶ tape dream ¶¶§/-::,,,
,:-/*§@¶## #### ##### ##¶@§*/-:,
,:-/*§@¶## ##¶@§*/-:,
,:-/*§@¶¶¶ for storing music on. also data but ¶¶¶@§*/-:,
,,,,:-/*§@ at this point in time that's not @§*/-:,,,,
,:-/*§@¶## really important i think. ##¶@§*/-:,
,,:--*§§¶# #¶§§*--:,,
,,,,,::-*@ @*-::,,,,,
,,:---*@¶¶ //////// types of tape //////// ¶¶@*---:,,
,,,,-///§@ @§///-,,,,
,,:::/§@¶# class i - "bad" iron #¶@§/:::,,
,:-/*§@@¶# class ii - good chromium #¶@@§*/-:,
,:-/*§@¶¶¶ class iii - bad iron part two ¶¶¶@§*/-:,
,:-/**§§¶# class iv - dangerous metals #¶§§**/-:,
,,,,,:-*§¶ ¶§*-:,,,,,
,,,,:/***@ rumors exist about a secret class v tape @***/:,,,,
,:-/*§@¶## that is actually useful. ##¶@§*/-:,
,,,,,://§¶ ¶§//:,,,,,
,,:::--*§@ // bias // @§*--:::,,
,,,,,:-/§¶ ¶§/-:,,,,,
,:-/*§@¶¶¶ class i uses one hundred and twenty ¶¶¶@§*/-:,
,:-/*§@¶## micro-something while the others all ##¶@§*/-:,
,:-/*§@¶## use seventy of the same unit. ##¶@§*/-:,
,:-/****@# #@****/-:,
,,:://**@¶ ¶@**//::,,
,,,,,,:/§@ ********* aha and ********* @§/:,,,,,,
,:-/*§@¶## ##¶@§*/-:,
,:-/*§@¶## class iv is apparently too strong to ##¶@§*/-:,
,:-/*§@¶¶¶ be used on class i players. it will ¶¶¶@§*/-:,
,,,,,:-/*@ sound too lound and it cannot be @*/-:,,,,,
,,,,,::-*@ completely erased. this is very well. @*-::,,,,,
,:-/*§@¶## maybe some wonderful blending effects ##¶@§*/-:,
,:-/*§@¶## could be achieved? ##¶@§*/-:,
,,,,:/§§@# #@§§/:,,,,
,,,,:-*@@@ they also gnaw at the tape heads a bit @@@*-:,,,,
,,,,:/§@¶# better than earlier tape types. #¶@§/:,,,,
,,,,:-/*@¶ ¶@*/-:,,,,
,:-/*§@¶## ##¶@§*/-:,
,:-/*§@¶## //////// artifacts //////// ##¶@§*/-:,
,:-/*§@@¶# #¶@@§*/-:,
,:-/*§@¶## good tapes are decent and have a good ##¶@§*/-:,
,:::-//*@# high frequency presence, bad tapes are #@*//-:::,
,,,,:::/§¶ lofi if not outright bad. idk, i kinda ¶§/:::,,,,
,:-/*§@¶¶# like it. #¶¶@§*/-:,
,:-/*§@¶## ##¶@§*/-:,
,:-/*§@¶## bias loss: if you forget the bias who ##¶@§*/-:,
,,,:://§@# knows whats even on there anymore #@§//::,,,
,,,,,:-*@@ @@*-:,,,,,
,:-/*§@¶## flutter: kinda quick pitch variations. ##¶@§*/-:,
,:-/*§@¶## beautiful, wonderful, extraordinary. ##¶@§*/-:,
,:-/**§@@@ @@@§**/-:,
,,,,:-**@@ wow: a slower flutter, usually several @@**-:,,,,
,:-/*§@¶## seconds long. what up. both of these ##¶@§*/-:,
,,:--/**@# increase when tape speed decreases. #@**/--:,,
,,,,::/*@¶ ¶@*/::,,,,
,:-/*§@¶## print through: tapes rub sound on each ##¶@§*/-:,
,,,,,,,-*@ other if theyre alone for too long @*-,,,,,,,
,:-/**§@¶# #¶@§**/-:,
,,,,,,:/§@ @§/:,,,,,,
,:-/*§@¶¶¶ ¶¶¶@§*/-:,
,:-/*§@¶## ##¶@§*/-:,
,:---**§@@ @@§**---:,
,,,,,:--*@ @*--:,,,,,