#§**;«^... ...^«;**§#
###@&*;«^. .^«;*&@###
##@§&*;«^. .^«;*&§@##
§§§*;;«^.. ..^«;;*§§§
@@&;««^^.. ..^^««;&@@
@§§**;^... #### ##### ...^;**§§@
@§*;;^^... TAPE DREAM ...^^;;*§@
###@§*;«^. #### ##### .^«;*§@###
##@§&*;«^. .^«;*&§@##
@&****;«^. FOR STORING MUSIC ON. ALSO DATA BUT .^«;****&@
##@§&*;«^. AT THIS POINT IN TIME THAT'S NOT .^«;*&§@##
@§§&&*;«^. REALLY IMPORTANT I THINK. .^«;*&&§§@
§§*«...... ......«*§§
##@§&*;«^. .^«;*&§@##
§§&*«^^^^. ;;;;;;;; TYPES OF TAPE ;;;;;;;; .^^^^«*&§§
##@§&*;«^. .^«;*&§@##
@§§&&*;«^. CLASS I - "BAD" IRON .^«;*&&§§@
@§**;^.... CLASS II - GOOD CHROMIUM ....^;**§@
§§§*««.... CLASS III - BAD IRON PART TWO ....««*§§§
#@§*;«««^. CLASS IV - DANGEROUS METALS .^«««;*§@#
§§*«««.... ....«««*§§
§**«...... RUMORS EXIST ABOUT A SECRET CLASS V TAPE ......«**§
##@§&*;«^. THAT IS ACTUALLY USEFUL. .^«;*&§@##
#§&&;^^^.. ..^^^;&&§#
§§&*««^^^. ;; BIAS ;; .^^^««*&§§
##@§&*;«^. .^«;*&§@##
§*;^^^.... CLASS I USES ONE HUNDRED AND TWENTY ....^^^;*§
##@§&*;«^. MICRO-SOMETHING WHILE THE OTHERS ALL .^«;*&§@##
##@§&*;«^. USE SEVENTY OF THE SAME UNIT. .^«;*&§@##
###§&*;«^. .^«;*&§###
##@§&*;«^. .^«;*&§@##
##@§&*;«^. ********* AHA AND ********* .^«;*&§@##
§*««^..... .....^««*§
##@§&*;«^. CLASS IV IS APPARENTLY TOO STRONG TO .^«;*&§@##
#§§&**;«^. BE USED ON CLASS I PLAYERS. IT WILL .^«;**&§§#
#§*;^..... SOUND TOO LOUND AND IT CANNOT BE .....^;*§#
§§§§&*;«^. COMPLETELY ERASED. THIS IS VERY WELL. .^«;*&§§§§
@§&&&*;«^. MAYBE SOME WONDERFUL BLENDING EFFECTS .^«;*&&&§@
##@§&*;«^. COULD BE ACHIEVED? .^«;*&§@##
###§&*;«^. .^«;*&§###
##@§&*;«^. THEY ALSO GNAW AT THE TAPE HEADS A BIT .^«;*&§@##
##@§&*;«^. BETTER THAN EARLIER TAPE TYPES. .^«;*&§@##
@§&**«.... ....«**&§@
###§&*;«^. .^«;*&§###
##@§&*;«^. ;;;;;;;; ARTIFACTS ;;;;;;;; .^«;*&§@##
##@§&*;«^. .^«;*&§@##
##@§&*;«^. GOOD TAPES ARE DECENT AND HAVE A GOOD .^«;*&§@##
§*;;^..... HIGH FREQUENCY PRESENCE, BAD TAPES ARE .....^;;*§
@@&*«^^^^. LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA .^^^^«*&@@
§&*;^^^... LIKE IT. ...^^^;*&§
##@§&*;«^. .^«;*&§@##
##@§&*;«^. BIAS LOSS: IF YOU FORGET THE BIAS WHO .^«;*&§@##
#§§&;;;«^. KNOWS WHATS EVEN ON THERE ANYMORE .^«;;;&§§#
##@§&*;«^. .^«;*&§@##
§§§*«..... FLUTTER: KINDA QUICK PITCH VARIATIONS. .....«*§§§
@@@§&*;«^. BEAUTIFUL, WONDERFUL, EXTRAORDINARY. .^«;*&§@@@
##@§&*;«^. .^«;*&§@##
##@§&*;«^. WOW: A SLOWER FLUTTER, USUALLY SEVERAL .^«;*&§@##
##@§&*;«^. SECONDS LONG. WHAT UP. BOTH OF THESE .^«;*&§@##
#§*«...... INCREASE WHEN TAPE SPEED DECREASES. ......«*§#
§&;;««.... ....««;;&§
##@§&*;«^. PRINT THROUGH: TAPES RUB SOUND ON EACH .^«;*&§@##
##@§&*;«^. OTHER IF THEYRE ALONE FOR TOO LONG .^«;*&§@##
###@&*;«^. .^«;*&@###
§*;;;;^... ...^;;;;*§
#§*;^..... .....^;*§#
##@§&*;«^. .^«;*&§@##
§*«^^..... .....^^«*§
#@&;;«.... ....«;;&@#