@#&&§*;»^, ,^»;*§&@
@&§*;^,,,, ,,,,^;*§&@
&§;»,,,,,, ,,,,,,»;§&
@#&*»,,,,, ,,,,,»*@
&&*»,,,,,, ,,,,,,»*&&
#@#&§*;»^, @@@@ ##### ,^»;*§@#
&*;;;»»^,, TAPE DREAM ,,^»»;;;*&
&*;^^^,,,, #### @@@@@ ,,,,^^^;*&
@#&§;»»^^, ,^^»»;§@
#§§§;;^,,, FOR STORING MUSIC ON. ALSO DATA BUT ,,,^;;§§§#
#@#&§*;»^, AT THIS POINT IN TIME THAT'S NOT ,^»;*§@#
&*;;»»,,,, REALLY IMPORTANT I THINK. ,,,,»»;;*&
##@&§*;»^, ,^»;*§&@##
&*;»^^^,,, ,,,^^^»;*&
#@#&§*;»^, ;;;;;;;; TYPES OF TAPE ;;;;;;;; ,^»;*§@#
#§;;;^,,,, ,,,,^;;;§#
##@#&§;»^, CLASS I - "BAD" IRON ,^»;§@##
#§**;^,,,, CLASS II - GOOD CHROMIUM ,,,,^;**§#
@#§;;»,,,, CLASS III - BAD IRON PART TWO ,,,,»;;§#@
##@#&§*;»^ CLASS IV - DANGEROUS METALS ^»;*§@##
&****;^,,, ,,,^;****&
&*»,,,,,,, RUMORS EXIST ABOUT A SECRET CLASS V TAPE ,,,,,,,»*&
@@#&§*;»^, THAT IS ACTUALLY USEFUL. ,^»;*§@@
#@#&§*;»^, ,^»;*§@#
&&&&§*;»^, ;; BIAS ;; ,^»;*§&&&&
#@#&§*;»^, ,^»;*§@#
#@#&§*;»^, CLASS I USES ONE HUNDRED AND TWENTY ,^»;*§@#
#@#&§*;»^, MICRO-SOMETHING WHILE THE OTHERS ALL ,^»;*§@#
&&****;»^, USE SEVENTY OF THE SAME UNIT. ,^»;****&&
#&&§*;^^,, ,,^^;*§&
&*»,,,,,,, ,,,,,,,»*&
##@#§*;»^, ********* AHA AND ********* ,^»;*§#@##
&§*;^,,,,, ,,,,,^;*§&
##@#&§*;^, CLASS IV IS APPARENTLY TOO STRONG TO ,^;*§@##
###&§*;»^, BE USED ON CLASS I PLAYERS. IT WILL ,^»;*§##
&§****;»^, SOUND TOO LOUND AND IT CANNOT BE ,^»;****§&
&*;^^^,,,, COMPLETELY ERASED. THIS IS VERY WELL. ,,,,^^^;*&
#@#&§*;»^, MAYBE SOME WONDERFUL BLENDING EFFECTS ,^»;*§@#
@#&§§*;»^, COULD BE ACHIEVED? ,^»;*§§@
#@#&§*;»^, ,^»;*§@#
###&§*;»^, THEY ALSO GNAW AT THE TAPE HEADS A BIT ,^»;*§##
@#&**;;»^, BETTER THAN EARLIER TAPE TYPES. ,^»;;**@
#@#&§*;»^, ,^»;*§@#
#&§§;^,,,, ,,,,^;§§
&*;^,,,,,, ;;;;;;;; ARTIFACTS ;;;;;;;; ,,,,,,^;*&
#&&*;;»^,, ,,^»;;*&
#@#&§*;»^, GOOD TAPES ARE DECENT AND HAVE A GOOD ,^»;*§@#
&&&§;^^^^, HIGH FREQUENCY PRESENCE, BAD TAPES ARE ,^^^^;§&&&
#@#&§*;»^, LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ,^»;*§@#
&*;^^,,,,, LIKE IT. ,,,,,^^;*&
@@#&§*;»^, ,^»;*§@@
@&§;;;^,,, BIAS LOSS: IF YOU FORGET THE BIAS WHO ,,,^;;;§&@
#§;»,,,,,, KNOWS WHATS EVEN ON THERE ANYMORE ,,,,,,»;§#
#&&*;^^^,, ,,^^^;*&
&§§***;»^, FLUTTER: KINDA QUICK PITCH VARIATIONS. ,^»;***§§&
@#§**»^^^, BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ,^^^»**§#@
#@#&§*;»^, ,^»;*§@#
&&*»»^,,,, WOW: A SLOWER FLUTTER, USUALLY SEVERAL ,,,,^»»*&&
#§§*»^^,,, SECONDS LONG. WHAT UP. BOTH OF THESE ,,,^^»*§§#
#@#&§*;»^, INCREASE WHEN TAPE SPEED DECREASES. ,^»;*§@#
#§;;;;;»^, ,^»;;;;;§#
@#§*»,,,,, PRINT THROUGH: TAPES RUB SOUND ON EACH ,,,,,»*§#@
&&*;^^,,,, OTHER IF THEYRE ALONE FOR TOO LONG ,,,,^^;*&&
#@#&§*;»^, ,^»;*§@#
@@#&§*;»^, ,^»;*§@@
###&§*;»^, ,^»;*§##
&**;;»^,,, ,,,^»;;**&
#@#&§*;»^, ,^»;*§@#
#@#&§*;»^, ,^»;*§@#