,.=*%@§@## ##@§@%*=.,
,,.=*%@§@# #@§@%*=.,,
,.=*%@§@## ##@§@%*=.,
,,.=*%@§@# #@§@%*=.,,
,.=*%@§@## ##@§@%*=.,
,,.=*%@§@# #### ##### #@§@%*=.,,
,.=*%@§@## TAPE DREAM ##@§@%*=.,
,,.=*%@§@# #### ##### #@§@%*=.,,
,.=*%@§@## ##@§@%*=.,
,,.=*%@§@# FOR STORING MUSIC ON. ALSO DATA BUT #@§@%*=.,,
,.=*%@§@## AT THIS POINT IN TIME THAT'S NOT ##@§@%*=.,
,,.=*%@§@# REALLY IMPORTANT I THINK. #@§@%*=.,,
,.=*%@§@## ##@§@%*=.,
,,.=*%@§@# #@§@%*=.,,
,.=*%@§@## ******** TYPES OF TAPE ******** ##@§@%*=.,
,,.=*%@§@# #@§@%*=.,,
,.=*%@§@## CLASS I - "BAD" IRON ##@§@%*=.,
,,.=*%@§@# CLASS II - GOOD CHROMIUM #@§@%*=.,,
,.=*%@§@## CLASS III - BAD IRON PART TWO ##@§@%*=.,
,,.=*%@§@# CLASS IV - DANGEROUS METALS #@§@%*=.,,
,.=*%@§@## ##@§@%*=.,
,,.=*%@§@# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #@§@%*=.,,
,.=*%@§@## THAT IS ACTUALLY USEFUL. ##@§@%*=.,
,,.=*%@§@# #@§@%*=.,,
,.=*%@§@## ** BIAS ** ##@§@%*=.,
,,.=*%@§@# #@§@%*=.,,
,.=*%@§@## CLASS I USES ONE HUNDRED AND TWENTY ##@§@%*=.,
,,.=*%@§@# MICRO-SOMETHING WHILE THE OTHERS ALL #@§@%*=.,,
,.=*%@§@## USE SEVENTY OF THE SAME UNIT. ##@§@%*=.,
,,.=*%@§@# #@§@%*=.,,
,.=*%@§@## ##@§@%*=.,
,,.=*%@§@# %%%%%%%%% AHA AND %%%%%%%%% #@§@%*=.,,
,.=*%@§@## ##@§@%*=.,
,,.=*%@§@# CLASS IV IS APPARENTLY TOO STRONG TO #@§@%*=.,,
,.=*%@§@## BE USED ON CLASS I PLAYERS. IT WILL ##@§@%*=.,
,,.=*%@§@# SOUND TOO LOUND AND IT CANNOT BE #@§@%*=.,,
,.=*%@§@## COMPLETELY ERASED. THIS IS VERY WELL. ##@§@%*=.,
,,.=*%@§@# MAYBE SOME WONDERFUL BLENDING EFFECTS #@§@%*=.,,
,.=*%@§@## COULD BE ACHIEVED? ##@§@%*=.,
,,.=*%@§@# #@§@%*=.,,
,.=*%@§@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@§@%*=.,
,,.=*%@§@# BETTER THAN EARLIER TAPE TYPES. #@§@%*=.,,
,.=*%@§@## ##@§@%*=.,
,,.=*%@§@# #@§@%*=.,,
,.=*%@§@## ******** ARTIFACTS ******** ##@§@%*=.,
,,.=*%@§@# #@§@%*=.,,
,.=*%@§@## GOOD TAPES ARE DECENT AND HAVE A GOOD ##@§@%*=.,
,,.=*%@§@# HIGH FREQUENCY PRESENCE, BAD TAPES ARE #@§@%*=.,,
,.=*%@§@## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##@§@%*=.,
,,.=*%@§@# LIKE IT. #@§@%*=.,,
,.=*%@§@## ##@§@%*=.,
,,.=*%@§@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@§@%*=.,,
,.=*%@§@## KNOWS WHATS EVEN ON THERE ANYMORE ##@§@%*=.,
,,.=*%@§@# #@§@%*=.,,
,.=*%@§@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@§@%*=.,
,,.=*%@§@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@§@%*=.,,
,.=*%@§@## ##@§@%*=.,
,,.=*%@§@# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #@§@%*=.,,
,.=*%@§@## SECONDS LONG. WHAT UP. BOTH OF THESE ##@§@%*=.,
,,.=*%@§@# INCREASE WHEN TAPE SPEED DECREASES. #@§@%*=.,,
,.=*%@§@## ##@§@%*=.,
,,.=*%@§@# PRINT THROUGH: TAPES RUB SOUND ON EACH #@§@%*=.,,
,.=*%@§@## OTHER IF THEYRE ALONE FOR TOO LONG ##@§@%*=.,
,,.=*%@§@# #@§@%*=.,,
,.=*%@§@## ##@§@%*=.,
,,.=*%@§@# #@§@%*=.,,
,.=*%@§@## ##@§@%*=.,
,,.=*%@§@# #@§@%*=.,,
,.=*%@§@## ##@§@%*=.,