,~====/$@@ @@$/====~,
,~=/$£@### ###@£$/=~,
,~=/^$£@## ##@£$^/=~,
,~=/^$£@## ##@£$^/=~,
,~=/^$£@## ##@£$^/=~,
,~=/$£@### #### ##### ###@£$/=~,
,~=/^$£@## tape dream ##@£$^/=~,
,~=/^$£@## #### ##### ##@£$^/=~,
,~=/^$@### ###@$^/=~,
,,,,~/^££# for storing music on. also data but #££^/~,,,,
,~=/^$££@@ at this point in time that's not @@££$^/=~,
,,~=//^^£@ really important i think. @£^^//=~,,
,~=/^$£@## ##@£$^/=~,
,,,,===^^£ £^^===,,,,
~=/^$£@### //////// types of tape //////// ###@£$^/=~
,~=/^^^^^£ £^^^^^/=~,
,~=/^^^$@@ class i - "bad" iron @@$^^^/=~,
,~=/^$£@## class ii - good chromium ##@£$^/=~,
,~=/^$£### class iii - bad iron part two ###£$^/=~,
,,~~=/^$@@ class iv - dangerous metals @@$^/=~~,,
,~=/^$$$@@ @@$$$^/=~,
,~=/^$£@## rumors exist about a secret class v tape ##@£$^/=~,
,,,=///$£@ that is actually useful. @£$///=,,,
,,,,~=^$$@ @$$^=~,,,,
,~=/^$£@## // bias // ##@£$^/=~,
,~=/^$£@## ##@£$^/=~,
,,,,~~/^£# class i uses one hundred and twenty #£^/~~,,,,
,~=/^$£@@@ micro-something while the others all @@@£$^/=~,
,,,,,~//^£ use seventy of the same unit. £^//~,,,,,
,,,,~///$@ @$///~,,,,
,~=/^$£££# #£££$^/=~,
,,,,,,=/$£ ^^^^^^^^^ aha and ^^^^^^^^^ £$/=,,,,,,
,~=/^$£@## ##@£$^/=~,
,~=/^$£@## class iv is apparently too strong to ##@£$^/=~,
,~=/^$£@## be used on class i players. it will ##@£$^/=~,
,~=/^$£@## sound too lound and it cannot be ##@£$^/=~,
,,,,=//$$£ completely erased. this is very well. £$$//=,,,,
,~=/^$£@## maybe some wonderful blending effects ##@£$^/=~,
,,~~/^^££@ could be achieved? @££^^/~~,,
,,,~//$$$@ @$$$//~,,,
,~=/^$£££# they also gnaw at the tape heads a bit #£££$^/=~,
,,,~===^$£ better than earlier tape types. £$^===~,,,
,,,,~~=^$@ @$^=~~,,,,
,~=/^$£@## ##@£$^/=~,
,~=////$£# //////// artifacts //////// #£$////=~,
,~=/^$£@## ##@£$^/=~,
,~=/^$£@## good tapes are decent and have a good ##@£$^/=~,
,~=/^$£@## high frequency presence, bad tapes are ##@£$^/=~,
,~=/^$£@## lofi if not outright bad. idk, i kinda ##@£$^/=~,
,,,,,,=^££ like it. ££^=,,,,,,
,~=/^$£@## ##@£$^/=~,
,~===^^^£# bias loss: if you forget the bias who #£^^^===~,
,~=/^$£@## knows whats even on there anymore ##@£$^/=~,
,,,,,=^^^£ £^^^=,,,,,
,~=/^$£@## flutter: kinda quick pitch variations. ##@£$^/=~,
,,,,~/$£@@ beautiful, wonderful, extraordinary. @@£$/~,,,,
,~=/^$£### ###£$^/=~,
,~=/^$£@## wow: a slower flutter, usually several ##@£$^/=~,
,,,~~/$£@@ seconds long. what up. both of these @@£$/~~,,,
,,,,,=^$$£ increase when tape speed decreases. £$$^=,,,,,
,,,,~=^££@ @££^=~,,,,
,~=/^$£££# print through: tapes rub sound on each #£££$^/=~,
,~=/^$£@## other if theyre alone for too long ##@£$^/=~,
,,,===/^£# #£^/===,,,
,~=/^$£@## ##@£$^/=~,
,~=/^$£@## ##@£$^/=~,
,~=///^^£@ @£^^///=~,
,,,,,,=/^£ £^/=,,,,,,
,~=/^£@### ###@£^/=~,