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.,-†^%££## ##££%^†-,.
¨:«^*£&### ###&£*^«:¨
,^=^%%&¶@# #@¶&%%^=^,
,^-^§%&@## statuette ##@&%§^-^,
...,.,~§=§ §=§~,.,...
¨.,¨¨^:=&# £$%£@%£$*$¤%§$&¤««~=~-~~£¤*%§£§$£%£$£$@* #&=:^¨¨,.¨
¨-«*£@@### ££¤££*&%$ ###@@£*«-¨
¨,,~/;/§=£ £=§/;/~,,¨
¨.,..-:\%& forests around my childhood home. thick &%\:-..,.¨
,^-\=%§#@# pine arcades that were planted and #@#§%=\-^,
,¨¨¨-:^§@# forgotten. wild boars roaming #@§^:-¨¨¨,
.::.=:@%£¶ underneath, sniffing at the ground. it ¶£%@:=.::.
,:~\†&@### is dark and moist, the canopy having ###@&†\~:,
,^~=§&¤@@# already soaked up all the sun. #@@¤&§=~^,
.,.~,=†^$# #$^†=,~.,.
¨-«:^&@@#@ there's a river passing by, from east @#@@&^:«-¨
¨,=«;*&£@¤ to west, getting broader and deeper and ¤@£&*;«=,¨
.-~\$@§### slower as it goes. equisetum grow just ###§@$\~-.
,.~^$@¤¶## where the pine hands start to let ##¶¤@$^~.,
.,.^-«~\&# through light, horsemint on the rocky #&\~«-^.,.
..¨.,¨~%%£ river bed. £%%~¨,.¨..
..~/*¤¤£## ##£¤¤*/~..
¨^,-«~%*@# / #@*%~«-,^¨
,.«\%%&£@@ @@£&%%\«.,
¨,¨.¨~-\*& the riverbanks reek of magic. tonight &*\-~¨.¨,¨
...-«~:**@ they had been a swampworld with sylvan @**:~«-...
,:=†$@$§&# water, stone rings and floating moss. #&§$@$†=:,
,~=/^@§£#£ you could've found me wallowing around £#£§@^/=~,
¨~~*%£@@## on the southern shores until i got ##@@£%*~~¨
.,,,~»~†§# bitten. #§†~»~,,,.
.,.,~\¤&§# #§&¤\~,.,.
,.»\%&£¶@@ but now i'm further back, on solid @@¶£&%\».,
¨-«*§@£#@# ground, in shoulder-high grass, with an #@#£@§*«-¨
¨-=^^§£### orange tin radio and a translucent ###£§^^=-¨
.,.~^:§%@¤ umbrella which i'm sitting on. ¤@%§:^~.,.
.,=:*&£@## ##@£&*:=,.
,,¨.-/:^%¤ = ¤%^:/-.¨,,
,:~\=%§@## ##@§%=\~:,
...¨.^,:¤# somethings moving in the grass. it's #¤:,^.¨...
.,~/§¤¤&## invisible to my eyes but i can feel ##&¤¤§/~,.
¨,~/§§§@@# through the ground just how large it is. #@@§§§/~,¨
,,~†*§*&§@ @§&*§*†~,,
¨.,¨,^~*$& the soil is muddy. i slip when trying &$*~^,¨,.¨
.,-/%$&@## to get up, still looking at the ##@&$%/-,.
.¨.=*=$£## direction of sound rather than at my ##£$=*=.¨.
.,«=§§#¶@# hands, who are busy putting things in #@¶#§§=«,.
¨,~^§$&#@# my pockets. #@#&$§^~,¨
¨^~/*§#### ####§*/~^¨
,,~=$*¤@@# then i run east toward my home. #@@¤*$=~,,
..,.-/%¤#@ @#¤%/-.,..
.^«†%@$¤§& \ &§¤$@%†«^.
,:-\$&£### ###£&$\-:,
.^«*†£@### i am not followed, and slow down in the ###@£†*«^.
¨.,¨=§^@@@ clearing where you at first can spot @@@^§=¨,.¨
¨,»/=¤¤@## the house, not yet really in the ##@¤¤=/»,¨
,,.,.-»/@£ backyard. from my pockets i retrieve my £@/»-.,.,,
.¨.¨.,,»$@ radio (now dented) but also a small @$»,,.¨.¨.
.-~†%%&¶#@ clay figure i've never seen before. it @#¶&%%†~-.
¨-»***#### must have been laying in the wet dirt, ####***»-¨
..«†=@¤### and i must've picked it up with my ###¤@=†«..
.^~\^%#£## other belongings. ##£#%^\~^.
,:~^%§#### ####§%^~:,
.¨,¨,††£@@ it's a statuette of a girl laying naked @@£††,¨,¨.
¨¨.,,-«*$@ on her stomach, feet in the air, @$*«-,,.¨¨
,.~\†*^¤§¤ roughly seven centimeters long. it's ¤§¤^*†\~.,
¨,»/*§#@## freshly made, not yet completely dried. ##@#§*/»,¨
¨:-:§*¤@@@ @@@¤*§:-:¨
¨~-†%$@£## my mom is here now. i ask her for some ##£@$%†-~¨
¨¨,..:-:%§ particle board for it to dry on, but §%:-:..,¨¨
.:~;§%§### she is worried and wants me to ###§%§;~:.
¨-»†*§££#@ throw it away. @#££§*†»-¨
.,»;*@#¶@@ @@¶#@*;»,.
,:»\§¤#@## ##@#¤§\»:,
,.,-;/§**# #**§/;-,.,
.¨,.¨,:*@@ @@*:,¨.,¨.
,..¨»=%@§£ £§@%=»¨..,
,,¨^-~»%§@ @§%»~-^¨,,