¨,«\§@## ##@#&§\«,¨
¨¨:~\*%# ##&%*\~:¨¨
¨,»\†$#### ####$†\»,¨
.¨,»/**### ###**/»,¨.
¨,==$§££## ##££§$==,¨
¨..-^%£¤## statuette ##¤£%^-..¨
,~«/=£££## ##£££=/«~,
.,,«^§$#@# ¤%@%£¤§£*&$§*&*%~»=~»-»»$§§%£&*%£@§§£*%£ #@#$§^«,,.
¨-«\§§£¶## £@$$&¤@*£ ##¶£§§\«-¨
...-/=££¶# #¶££=/-...
¨:~\%%#### forests around my childhood home. thick ####%%\~:¨
.¨,=:§$#£# pine arcades that were planted and #£#$§:=,¨.
¨,-\%¶## forgotten. wild boars roaming ##¶#&%\-,¨
..-»*%@&@# underneath, sniffing at the ground. it #@&@%*»-..
.^=†^§£¶## is dark and moist, the canopy having ##¶£§^†=^.
.,,~/§*§¶# already soaked up all the sun. #¶§*§/~,,.
.^=†*$§### ###§$*†=^.
..,~*=£### there's a river passing by, from east ###£=*~,..
.~»;$@££## to west, getting broader and deeper and ##££@$;»~.
..-»/%@# slower as it goes. equisetum grow just ##&@%/»-..
.,»\§£§### where the pine hands start to let ###§£§\»,.
¨.,«\%$£@# through light, horsemint on the rocky #@£$%\«,.¨
,:~=%£#### river bed. ####£%=~:,
¨¨:«:§%§£# #£§%§:«:¨¨
¨--:*&&@## * ##@&&*:--¨
,,.~:%£# ##&£%:~.,,
¨:-†$@§@## the riverbanks reek of magic. tonight ##@§@$†-:¨
¨,,-;*&&@# they had been a swampworld with sylvan #@&&*;-,,¨
¨,=*%£¤### water, stone rings and floating moss. ###¤£%*=,¨
..,»/%*¤@# you could've found me wallowing around #@¤*%/»,..
.~«:†*#@## on the southern shores until i got ##@#*†:«~.
¨.-~*§¤# bitten. ##&¤§*~-.¨
.:«=%£&£## ##£&£%=«:.
..:~\*$#¶# but now i'm further back, on solid #¶#$*\~:..
¨--*†£@@## ground, in shoulder-high grass, with an ##@@£†*--¨
.,,-*$$# orange tin radio and a translucent ##&$$*-,,.
,:=†%$¤@## umbrella which i'm sitting on. ##@¤$%†=:,
,¨.~;^$@## ##@$^;~.¨,
,,~;*££¶## \ ##¶££*;~,,
,,~~;†£¤## ##¤£†;~~,,
,,=^$$&@## somethings moving in the grass. it's ##@&$$^=,,
,,,=/%£@## invisible to my eyes but i can feel ##@£%/=,,,
¨.-:$¤¤¶## through the ground just how large it is. ##¶¤¤$:-.¨
..~«\=£££# #£££=\«~..
,:-\%$£### the soil is muddy. i slip when trying ###£$%\-:,
,.,=/^%@## to get up, still looking at the ##@%^/=,.,
¨,~:%£@### direction of sound rather than at my ###@£%:~,¨
..,»=^&@£# hands, who are busy putting things in #£@&^=»,..
¨,~*^*@### my pockets. ###@*^*~,¨
,,:«:%$§£# #£§$%:«:,,
.,-/†§#£## then i run east toward my home. ##£#§†/-,.
,.^»;%@£@# #@£@%;»^.,
.~~:$£§### \ ###§£$:~~.
.,:»:§££@# #@££§:»:,.
¨,=:%£#### i am not followed, and slow down in the ####£%:=,¨
.¨~-^$§££# clearing where you at first can spot #££§$^-~¨.
,-«^$$#### the house, not yet really in the ####$$^«-,
.,,~^$$§@# backyard. from my pockets i retrieve my #@§$$^~,,.
.^=\*%£### radio (now dented) but also a small ###£%*\=^.
¨¨~«*%$§## clay figure i've never seen before. it ##§$%*«~¨¨
¨,«;†&¤### must have been laying in the wet dirt, ###¤&†;«,¨
,,,-=%£¤¶# and i must've picked it up with my #¶¤£%=-,,,
,.=/%¤§@## other belongings. ##@§¤%/=.,
,.-=;†¤@@# #@@¤†;=-.,
.^»=**§£## it's a statuette of a girl laying naked ##£§**=»^.
.,-~††*#@# on her stomach, feet in the air, #@#*††~-,.
.,~^%%#@## roughly seven centimeters long. it's ##@#%%^~,.
¨,:~/%§§@# freshly made, not yet completely dried. #@§§%/~:,¨
.,«;%%£### ###£%%;«,.
¨,:»/^*#@# my mom is here now. i ask her for some #@#*^/»:,¨
,:»†*£¤£## particle board for it to dry on, but ##£¤£*†»:,
,,,«=*$@## she is worried and wants me to ##@$*=«,,,
,.~†**&@## throw it away. ##@&**†~.,
.¨.~*§*£## ##£*§*~.¨.
¨--=$£## ###&£$=--¨
,¨-»*$£§## ##§£$*»-¨,
..»*^££### ###££^*»..
,¨~»*$¤#£# #£#¤$*»~¨,
,,«^%$§@## ##@§$%^«,,