,¨¨,¨.,&&¨ ¤¨.¨.¨.#@¨
§§@§££..,¨ ¨,&&£¤,¨,.
,£&@&,,¤&. #,,&@,.£&.
¨,##.¨,¨,. ,,¨¨¨.¨..,
#.¨,¨§§§£, ¤&¤¤£¤&¤§£
¨.@&¨.&§., statuette #§#¤&@¤§@@
.,¨,¨¨¨.., @#¤§@§£#£.
§@&¤£§£@@§ $$@§$*¤%@£%£&§§¤~~»=«»«~§&$¤$$$*%%§$§%%$ £§£@@#,.
,¤££&¤¤£ §@&*@§&$% ,£¤¤&§£,.¨
¨¨£§#§&@ ¨¨¤&¤@.,£&
¨¨¨¤#&&& forests around my childhood home. thick ¤¨,§¤¨,¨¨,
£§,¨¤£@@£# pine arcades that were planted and ..¨¨,,&¤§§
¤,...@§££§ forgotten. wild boars roaming ¨£@§£.¨#&¤
.,¤£,.§@£§ underneath, sniffing at the ground. it ¨¨¤&,..¨££
¨.,..,,@&§ is dark and moist, the canopy having &¨,..§§¨¨.
££#££&,¨§§ already soaked up all the sun. ¨,#§...,¤£
£§§§§,...¤ #,¨¨,&@..¤
@@£§¨,#&.. there's a river passing by, from east .,##.,,¨.,
,#@..,¨.¨¨ to west, getting broader and deeper and ¨,.¨.&¤£§.
¨¨.¨@§¤&@& slower as it goes. equisetum grow just #&§&..§@,.
§#¤¨,#§@¤¤ where the pine hands start to let &,.,.,,§
¤§¨,,.§@#@ through light, horsemint on the rocky #£,¨@&¤£¨.
.¨,#£,,@§§ river bed. ..,..&@,¨.
@¤.¨¨,,¨@@ §&@§¨,¨¨££
&,.&@@#,.# : ¤§£¨,¤§¨.&
¨¨.,¤£..., ##,¨.¨,¨,¨
&¤§¨,¨¨§#¨ the riverbanks reek of magic. tonight £,.#£&£§&¤
¤#.,&&,¨¨¨ they had been a swampworld with sylvan ,.¨¨¤§£#¤&
#¨..,.¨¤#. water, stone rings and floating moss. ,@@.¨#@&&£
¨.£@#¤..., you could've found me wallowing around ,¨¨¨¨¨@¤¤¤
..,#@,.&&& on the southern shores until i got .¤£§#,¨§#¨
§#¨¨¨,¨,£¤ bitten. ¨¨§¤¨¨¨.¨,
..¨@¤##¨., @,¨,.&¤##¨
##,.¤§.,£§ but now i'm further back, on solid .,@§¨.&§,.
,¨¨¨.¨.¨., ground, in shoulder-high grass, with an ..¨.,¨,,,,
&§§#&£&§¤§ orange tin radio and a translucent &£@##¤§&
££##&§¤¤£§ umbrella which i'm sitting on. #&£§&@@@&&
#£§§&¤¤@£# ££¤@&&§¤£§
@@§&¤& † #§£§#§@@£&
@@@##¤§§@# #@¤#£@¤§#§
@£§¤£¤@@£& somethings moving in the grass. it's #@¤&§#@§
&@£@@£@#¤# invisible to my eyes but i can feel &§§¤#&£#¤&
#§#¤¤#&££# through the ground just how large it is. &§#&@@£&§£
£§§¤§£§¤¤& §&£@£§£¤§@
&£#&££## the soil is muddy. i slip when trying £§¤¤£@¤§&@
§&¤¤¤@§£§# to get up, still looking at the #§#&&@&¤
@§#££#£¤&& direction of sound rather than at my @¤¤&§@@£
&&£@£§¤@£@ hands, who are busy putting things in §£¤¤&@##&@
@@§#£@&¤£¤ my pockets. £#¤££§@&
#§§&§&§@ @£@¤¤&§¤§#
£#&§¤#§@#§ then i run east toward my home. @£&£#§#@#&
§£#&@@##££ §¤£##¤&¤@@
@§&£#££¤§& : ¤¤¤£#@¤§£@
@##&§¤##§& &¤£§§#&§@&
§&@£#¤£¤ i am not followed, and slow down in the &&&¤§@¤§#@
¤#&§#§§@£@ clearing where you at first can spot @&¤¤@#£§£¤
#§§&§@£@¤§ the house, not yet really in the &£¤§@§¤¤@£
§£#&§£¤££¤ backyard. from my pockets i retrieve my @@@#&§¤¤#&
£@&§££@#&& radio (now dented) but also a small §&&@§@@@£@
¤#@@#§§¤§¤ clay figure i've never seen before. it @@§££&@¤&@
@@§£#§@£&& must have been laying in the wet dirt, &¤#£&&§§¤#
&&£&§£¤@¤@ and i must've picked it up with my £#@£§@¤&
¤#@#¤##&£§ other belongings. #£@£&@@#¤¤
@¤¤¤@£ §¤§&£&¤&£§
@#@@@&@¤§& it's a statuette of a girl laying naked §£&£££&@&£
@##¤#¤£§#@ on her stomach, feet in the air, @#£££#@&&&
£@@##¤¤&¤& roughly seven centimeters long. it's ¤&£§@§§¤##
§@£@§£¤§ freshly made, not yet completely dried. £¤¤§§§#&@§
£&£§¤#§§&& ##§&£#@@&§
@£@&¤¤§£¤@ my mom is here now. i ask her for some §§§¤#&&£
#£¤¤¤£§£§@ particle board for it to dry on, but §£¤@&§@&&£
£###@#£§¤@ she is worried and wants me to §§#§¤§&&&£
#£¤#&@¤&§§ throw it away. #£#@¤@£@@@
£#@¤¤§&¤@@ ¤£¤#§#¤£#£
¤&£&@§@&¤£ #&£¤£&¤¤£#
@&£@§§@§£¤ @£&@&¤¤@
#§§#¤¤&§£¤ &¤#£§£#£@£
¤¤&§#¤¤&¤£ ¤@@£§£#@§£
¤£#§££#¤¤§ @§&¤#@££¤&