&@¨.@.,@ §£.,,,¨¨¨.
¨....#,,¨, ,.¨#§£¤£§.
&@§£¨.¨#&, ,¨§#@@,,
.&@,.£.¨,, ¨,.,.£@,¨¨
,,.,...¤§, ##@£.¨,.¤&
¨#£§£@.¨,. statuette &§&¨,£§.¨.
¨¨¤¤§,.¤&@ #¤,.,¨,,@£
¨,¨@.¨,¨£¤ %$£$&$¤£§$¤¤££@$-~-=~»~~$§&¤%§¤£$*£%%$£& ¨.,§£§§.¨¨
¤¤,¨.¤£,¨¨ %%%@@%%%£ §£,,@§,.&£
@.¨£..¨,¤@ &,.,¨¨.,¨¤
¨,,.,¤§¨¨¨ forests around my childhood home. thick ¨¨§§@@¤¤.¨
£§¨¨,.¤& pine arcades that were planted and ¤¨.§#§#¨¨£
#¤¤,.@&.,# forgotten. wild boars roaming .¨¨,&£..¨¨
¨@,¨¨¨¨¨¨¨ underneath, sniffing at the ground. it ¤#£..¨,§@¨
¨¨,&&@£¤&, is dark and moist, the canopy having §&¨,¤¤.,¨,
@#..#@¤§,. already soaked up all the sun. ..,¨,,¨§#@
#,,,¨£&,.@ ¤§£&&§.,@&
,,&¤¨¨,.,, there's a river passing by, from east ,¤@&@¨,¨,&
¨,,¨¨@@£#§ to west, getting broader and deeper and .¨§#,.#¤¨¨
#§#£¨.£§§£ slower as it goes. equisetum grow just .¨..,¨,,,#
§¤#,¨.¨@§, where the pine hands start to let &&§@¤@#¤¨.
¨#.¨.,¨¨ through light, horsemint on the rocky ¨¤£¤§.¨.
¨...¨¨.#&, river bed. ..&£§&.,£&
.@££&&,..¨ ¤,¨¤£¨.¨¨¨
,,#@§.,£§. * .,,.,.#¤£@
..¨@....,. ,£¤§@.,@@¨
¨¨¨&§§#. the riverbanks reek of magic. tonight ,.&£,..¨,,
...&,,&§,¨ they had been a swampworld with sylvan .,¨..¤@§#.
@£¨,.,,.,¤ water, stone rings and floating moss. @@£@,¨£@.,
,.¨£#££@.. you could've found me wallowing around ¤@#,¨,¨.¨,
££.,&§@.¨@ on the southern shores until i got @§¨¨£&@#££
§¨,,,#.,¨. bitten. #..,,#£&§¤
¨.§#,.¨#¤¨ .¨¤#..#£@#
.¨,¨.#,,.. but now i'm further back, on solid #¨.,,..&£¨
@¤#@.¨,&§# ground, in shoulder-high grass, with an .,¤§&&,,,¨
,§§¨¨#,.#¤ orange tin radio and a translucent #¨.#§¨.&@¨
..¨..¨¨..¨ umbrella which i'm sitting on. ¨¨,.¨..¨..
£&@&£@§§£@ &@¤#@££§§&
£@&&¤§&@£& † #§§¤@#¤@§&
£¤¤#&@@¤#@ ¤£&¤&£@&
#£§@#¤£@£@ somethings moving in the grass. it's £#§¤&&¤#
&£#&&¤@¤ invisible to my eyes but i can feel ¤£§£#§§¤¤¤
¤&&#¤£@¤ through the ground just how large it is. §£§§££¤£
&@#&£@§&&£ &§@@&&££#¤
@££&§£#¤ the soil is muddy. i slip when trying ¤£&¤¤¤£¤£¤
&§#§@##@¤& to get up, still looking at the ¤£#£§§££#¤
#&@¤&§@#§@ direction of sound rather than at my ££¤£§#&@#§
§##&@@#£ hands, who are busy putting things in ##@£@¤@¤&&
&&&£#§###§ my pockets. £&§@#¤#£&&
§¤££#¤#§#@ ¤§§¤#¤#¤¤@
@#¤#@@¤§&& then i run east toward my home. £§£#§§@@
#§&¤&£@£&¤ §##§##§£
£#&£§£¤@ ; @#£#&&@#
&&@£¤£@&@§ &£¤§£#&&§£
§¤@@¤£¤# i am not followed, and slow down in the £§£¤§¤##&§
££¤§£§&& clearing where you at first can spot ££§#¤#£@§#
@¤§#£@§£#& the house, not yet really in the £&¤§@£@£¤¤
&¤£&§¤&¤£& backyard. from my pockets i retrieve my §¤§¤#£#@&@
&&&§&@§@££ radio (now dented) but also a small £§§¤@&£#@#
¤#&@@&§#¤£ clay figure i've never seen before. it £¤£&§§#§§§
&£&£#¤#§¤& must have been laying in the wet dirt, #@@§¤£§#@¤
#@¤¤¤@@£@& and i must've picked it up with my §&¤¤§#&@¤£
&@£#§&&££¤ other belongings. ¤@@&¤§££¤§
£&¤¤§§££ &#&@@&
§@@@#&£@@@ it's a statuette of a girl laying naked ¤@§¤£#¤¤
##§¤§@&@£@ on her stomach, feet in the air, @£££&¤§@#§
¤§&&@£§£ roughly seven centimeters long. it's §§¤&£@£¤&£
#£§¤§£§¤¤# freshly made, not yet completely dried. £§@£@£§§£§
@£¤££¤#@ #&£@£#@&§§
&¤¤&£¤@¤ my mom is here now. i ask her for some §#&£#§§&@@
@£#£#§¤¤@£ particle board for it to dry on, but ¤&§£¤&¤&§£
£#&££§#@ she is worried and wants me to @§#&&@£@
£#&&¤@#@££ throw it away. ££¤§&£§&@#
&¤£§&¤#@ #@£¤§§&¤#&
&#§#§¤ £@#£@#§¤§@
#@&§§¤£§¤£ £§@£¤@##
#&@£&¤&¤££ &§#¤@@@£¤§
£@&@£¤#@¤@ &@@£#&§££§
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