¨,~^@@@@## ##@@@@^~,¨
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,¨,-*$@¶## ##¶@$*-,¨,
.:»:§§#### ####§§:»:.
,.,-*$@@## statuette ##@@$*-,.,
.,-;¤@#@## ##@#@¤;-,.
,,,«;$§#@# $%%%%$$*%$%%$$££=~=««~~-§§£@£@$§*&%@&§¤* #@#§$;«,,,
.:~\$§@@## *¤¤%£&*$* ##@@§$\~:.
¨.:=\££#@# #@#££\=:.¨
,^«=¤@@### forests around my childhood home. thick ###@@¤=«^,
¨,:~\&§@@# pine arcades that were planted and #@@§&\~:,¨
¨.~*%£¶### forgotten. wild boars roaming ###¶£%*~.¨
¨¨.«\%#@## underneath, sniffing at the ground. it ##@#%\«.¨¨
¨.~=%£#### is dark and moist, the canopy having ####£%=~.¨
.,:==@¤¶## already soaked up all the sun. ##¶¤@==:,.
¨,-^&&@@## ##@@&&^-,¨
¨,-~:$§@## there's a river passing by, from east ##@§$:~-,¨
,,~;£@#### to west, getting broader and deeper and ####@£;~,,
.,,==¤§### slower as it goes. equisetum grow just ###§¤==,,.
¨,~/&§#### where the pine hands start to let ####§&/~,¨
.¨~~:&¤@@# through light, horsemint on the rocky #@@¤&:~~¨.
,:~\%#¶### river bed. ###¶#%\~:,
¨,.»:*##@# #@##*:».,¨
,:~:$¤#### ^ ####¤$:~:,
,,:»:%@£## ##£@%:»:,,
.,~:$@@### the riverbanks reek of magic. tonight ###@@$:~,.
,.,~*$¤@## they had been a swampworld with sylvan ##@¤$*~,.,
.~~:$@@@## water, stone rings and floating moss. ##@@@$:~~.
¨..-†§@@## you could've found me wallowing around ##@@§†-..¨
.^~:$§#### on the southern shores until i got ####§$:~^.
.¨:-=*#¶## bitten. ##¶#*=-:¨.
..-;¤&@### ###@&¤;-..
.,,~:$¤£@# but now i'm further back, on solid #@£¤$:~,,.
.~~:%#£### ground, in shoulder-high grass, with an ###£#%:~~.
,,,~=%£### orange tin radio and a translucent ###£%=~,,,
¨--*¤£@### umbrella which i'm sitting on. ###@£¤*--¨
,.^«^%¤### ###¤%^«^.,
.:=†£#@### † ###@#£†=:.
.,--:$§¶## ##¶§$:--,.
,-«;§£#### somethings moving in the grass. it's ####£§;«-,
¨¨:-/£§@## invisible to my eyes but i can feel ##@§£/-:¨¨
.,«/@§#### through the ground just how large it is. ####§@/«,.
.,-~^$¤£## ##£¤$^~-,.
,-«^£¤#### the soil is muddy. i slip when trying ####¤£^«-,
¨.:~:£¤£## to get up, still looking at the ##£¤£:~:.¨
¨.»;¤££### direction of sound rather than at my ###££¤;».¨
,,~«/$¤### hands, who are busy putting things in ###¤$/«~,,
.~«=%§#### my pockets. ####§%=«~.
.¨.=/¤¤£## ##£¤¤/=.¨.
,,»=%@@@## then i run east toward my home. ##@@@%=»,,
.¨~«^££#@# #@#££^«~¨.
¨.~/£@#### ^ ####@£/~.¨
¨,,-*£#@@# #@@#£*-,,¨
,.«\*¤@@## i am not followed, and slow down in the ##@@¤*\«.,
.¨,~:*¤#@# clearing where you at first can spot #@#¤*:~,¨.
,-«†&¤@### the house, not yet really in the ###@¤&†«-,
¨..~:¤£@## backyard. from my pockets i retrieve my ##@£¤:~..¨
,-»;¤@¶### radio (now dented) but also a small ###¶@¤;»-,
,,^«;$@### clay figure i've never seen before. it ###@$;«^,,
.^~/&§#@## must have been laying in the wet dirt, ##@#§&/~^.
.¨.«\&§¶## and i must've picked it up with my ##¶§&\«.¨.
,~«;§¤#@## other belongings. ##@#¤§;«~,
.¨.~:$&¶## ##¶&$:~.¨.
.~«*%#@@## it's a statuette of a girl laying naked ##@@#%*«~.
,,,~=@£@@# on her stomach, feet in the air, #@@£@=~,,,
.:~:££@### roughly seven centimeters long. it's ###@££:~:.
,.~»/¤@¶@# freshly made, not yet completely dried. #@¶@¤/»~.,
,,-\$£¶### ###¶£$\-,,
¨¨^~†$¤£## my mom is here now. i ask her for some ##£¤$†~^¨¨
,.-†£§#@## particle board for it to dry on, but ##@#§£†-.,
.¨,~/*#### she is worried and wants me to ####*/~,¨.
.,=/%¤@@## throw it away. ##@@¤%/=,.
¨,,~\&§#@# #@#§&\~,,¨
.^=^£§£### ###£§£^=^.
,.--=££@## ##@££=--.,
.,»\%§@### ###@§%\»,.
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