¨¨,@@,.# .¨¨¨¨.,..,
¤¤.,&¤¨.,¨ @@#@&¤#@@#
#.,¨.,¨£¤¤ ¤¤@@&@££§§
¨,&¤¤#¨,#& @¤£&@&¤£
,,¨@§,,,.¤ £§£¤#§§@@,
&¤,.,¨@@.¨ statuette ,£¤@§£§¤,.
.,¨&@¨¨.¨¤ ¨¨@&§#§..¨
§@¨.¨¨#&¨¨ *&*@%£%$$*$£%$%¤«=-~~--~$*$$%@£§&*£*¤¤*% &¨.¤#§.,§§
&,¨£@¨.¨,# ¤$&&§$%$$ ,¨¨¨#..¨¨£
.,¨¨..£#,¨ ,¤#,¨¨¤#¨¨
£###@,.¨.¨ forests around my childhood home. thick .¨..&¨¨.,&
&@¤§,.§§&§ pine arcades that were planted and §@¤¨.¨¤@¨,
¨@§¨,¨.§&, forgotten. wild boars roaming @&¨¨£,,¨,.
¨.¨,£@,,.. underneath, sniffing at the ground. it #,,...¤##¤
¨#£,,¨.£§¤ is dark and moist, the canopy having ,.§£&..@£,
,.¨¨£¤,,¤@ already soaked up all the sun. .¨,£,¨,,,,
¤£&¨¨...., §&¨¨¨¤££&¤
£@.,£@&§&§ there's a river passing by, from east §.,¤¨.£@&§
¤.,¨,¤£&@¨ to west, getting broader and deeper and ,,¨,..¨#&@
..§¤.¨&£,¨ slower as it goes. equisetum grow just .£¤§££..§¤
...,.¨¨,.. where the pine hands start to let .¨§¤¤..,.¨
@¤££#@§¤@# through light, horsemint on the rocky #¨¨¤..¤££&
§§&¤@¤&@§, river bed. .¨,.¨.¨#¤@
#¤§@&¤#@¨¨ @¤§§@#.¨§§
¤#¤&¤¤&.¨§ \ §&&&¤¨,,.#
§@§@££,.,. ,§#¤¨.#&¨.
.§#§£.,§&¨ the riverbanks reek of magic. tonight .,&,.¨..¨¨
,,£@¨¨¨¨,. they had been a swampworld with sylvan ,,,,#@¤&@&
.¨..¨&@#£, water, stone rings and floating moss. @§§,¨#¤£&¨
@§@&¨,#£¨, you could've found me wallowing around ¨#.,¨,¤§.¨
¨£#,¨...¨¤ on the southern shores until i got ...§£,¨¨¨,
¨.,,@¤@§¨¨ bitten. #£..¨.@#¤@
.&§.¨&&.¨& @,.§&..§£,
,,¨,.¨.¨.¨ but now i'm further back, on solid .¨,¨¨,...¨
£¤@§¤¤&§§@ ground, in shoulder-high grass, with an §§&¤£§&£¤&
@§@§£@£¤¤# orange tin radio and a translucent #@¤§§§##¤&
#@@#£@§@@¤ umbrella which i'm sitting on. #§£#@£§£#¤
@&@§¤&¤§ ¤@§@£@£§§#
#@#§&§§&£# / &¤§@£&§§¤@
£@£&¤£&¤§¤ &&£&@#@¤¤#
£¤&&£@£¤¤£ somethings moving in the grass. it's ¤¤#¤&@§&
£&§§&¤¤#££ invisible to my eyes but i can feel @&¤#&¤@§
&¤@@#£¤¤¤& through the ground just how large it is. £§§&&&££
£¤¤@¤§#§@¤ @@§§#@@§§#
&££#&§&§¤¤ the soil is muddy. i slip when trying ¤#§@¤#£¤
##@§££## to get up, still looking at the #§#&@#@£§#
¤@&§£#&&£@ direction of sound rather than at my @£@&¤§§§@#
¤§§¤&£&@&@ hands, who are busy putting things in §&¤#§§
#£&§§#§£ my pockets. @@¤@§###£@
§¤§¤#§&¤¤¤ §§&£#&@¤@£
¤@£&@&¤¤ then i run east toward my home. #£@§§§§§
@@#¤&£&§#¤ £¤#§§@#¤£&
#£@#@@£@@@ * ¤#¤&£§§##§
§£#§¤£##&¤ #@£££#§@#&
&@@#&§#§@# i am not followed, and slow down in the ###@&&£@£@
#@£#£§@§¤¤ clearing where you at first can spot §&@£@&@@@£
£¤§£¤£@@§§ the house, not yet really in the §££§£§§@#¤
¤&&§@@¤£¤# backyard. from my pockets i retrieve my §§¤§@@§&¤#
#£#£&§@#§§ radio (now dented) but also a small &§££@§£#
##&£#£££§# clay figure i've never seen before. it @@¤§@#¤#§§
¤§&§@#§£¤& must have been laying in the wet dirt, &£&@##@£
&&¤£§§§¤§§ and i must've picked it up with my ¤@¤@££#@#&
&££¤§@£& other belongings. &&@##@§&&§
£§&§&¤¤¤&¤ §¤@&£@#&
¤##£§##¤§@ it's a statuette of a girl laying naked §¤§@#&¤¤#¤
#@#§§£¤#@# on her stomach, feet in the air, ¤¤§¤#&§&§@
¤##§@#£§&@ roughly seven centimeters long. it's @@¤§&¤£¤¤#
§§§£¤#&@¤¤ freshly made, not yet completely dried. #¤@§#§§¤§¤
¤£¤&¤¤§@#£ #&¤§#&¤@@&
#&@£§£§##£ my mom is here now. i ask her for some @§#¤¤#£¤£¤
£#£&¤¤##££ particle board for it to dry on, but #£§@§@£¤£¤
¤§§@@@§### she is worried and wants me to £¤£@£@###&
£§&@#@§§ throw it away. §§#&¤@@££¤
§¤@&¤¤£§¤¤ £#§§§££#§§
@#@¤¤@#£ #§§£#¤@¤§@
@§§£@@@#§@ &£@¤¤£&§@&
¤&&¤¤§@#¤§ &@§¤&@#£&£
###¤#§&§¤# @@¤####£@¤
@£§¤¤§£&@@ §§&££@#¤