.,=:=¤§### ###§¤=:=,.
.,«\*§#@#@ @#@#§*\«,.
,..,,=%$§& &§$%=,,..,
.¨¨,=^§§#@ @#§§^=,¨¨.
.¨^^,-^$#£ £#$^-,^^¨.
..»=^%%&§¤ statuette ¤§&%%^=»..
,,«\**&@@# #@@&**\«,,
..¨.,=/*¤# @&*$%@*$£¤£$$$¤@~~»«-~-=&§$%§&¤%@@§¤$£$@ #¤*/=,.¨..
,¨,«-=%#@@ @£§*$£%$% @@#%=-«,¨,
.~=^%%@# #@#&%%^=~.
.,«\†%£### forests around my childhood home. thick ###£%†\«,.
,,»\*$&£@@ pine arcades that were planted and @@£&$*\»,,
,:~†§¤@¶## forgotten. wild boars roaming ##¶@¤§†~:,
,,=^*££@@# underneath, sniffing at the ground. it #@@££*^=,,
¨^»†§%§@## is dark and moist, the canopy having ##@§%§†»^¨
.:-:*%§£## already soaked up all the sun. ##£§%*:-:.
¨,«†=§##@# #@##§=†«,¨
,,,..¨»*@£ there's a river passing by, from east £@*»¨..,,,
,:-†§&@### to west, getting broader and deeper and ###@&§†-:,
..,^~†^^$@ slower as it goes. equisetum grow just @$^^†~^,..
¨,«:%£§@## where the pine hands start to let ##@§£%:«,¨
,:-:*:^%@# through light, horsemint on the rocky #@%^:*:-:,
¨..,,~«†$@ river bed. @$†«~,,..¨
,^~:*@#£## ##£#@*:~^,
,,¨.,/†=%@ * @%=†/,.¨,,
¨.¨,/=%%#@ @#%%=/,¨.¨
.,¨..-«~*£ the riverbanks reek of magic. tonight £*~«-..¨,.
¨,»;*@## they had been a swampworld with sylvan ###&@*;»,¨
,..,,,:«*# water, stone rings and floating moss. #*«:,,,..,
,:»*=*§£## you could've found me wallowing around ##£§*=*»:,
.:-:§$@# on the southern shores until i got #@#&$§:-:.
,¨,,...=^# bitten. #^=...,,¨,
¨¨¨..,^@## ##@^,..¨¨¨
.:=\%£¤### but now i'm further back, on solid ###¤£%\=:.
,.~^;:*§£# ground, in shoulder-high grass, with an #£§*:;^~.,
,:-/=$££## orange tin radio and a translucent ##££$=/-:,
¨,.-^=§†££ umbrella which i'm sitting on. ££†§=^-.,¨
,-»:§%@@@# #@@@%§:»-,
¨--;†*#¶## / ##¶#*†;--¨
.^»;%@£### ###£@%;»^.
.^-\*£@¶## somethings moving in the grass. it's ##¶@£*\-^.
¨^~*%£#£#@ invisible to my eyes but i can feel @#£#£%*~^¨
,:~:§*£@## through the ground just how large it is. ##@£*§:~:,
¨,¨,,.«=¤¶ ¶¤=«.,,¨,¨
..¨,¨~:/*§ the soil is muddy. i slip when trying §*/:~¨,¨..
¨-~=§@¤¶#@ to get up, still looking at the @#¶¤@§=~-¨
¨.»/%¤@@## direction of sound rather than at my ##@@¤%/».¨
¨~^~,,/%%@ hands, who are busy putting things in @%%/,,~^~¨
,^»†$&&@@# my pockets. #@@&&$†»^,
.~«\^$@@## ##@@$^\«~.
...¨^~*### then i run east toward my home. ###*~^¨...
¨,¨,,^%&&@ @&&%^,,¨,¨
,¨¨,,,»:§& / &§:»,,,¨¨,
,,,~:~:§¤§ §¤§:~:~,,,
,¨.,^;%*$@ i am not followed, and slow down in the @$*%;^,.¨,
.:»†%%§@## clearing where you at first can spot ##@§%%†»:.
.-»*§£@&¤@ the house, not yet really in the @¤&@£§*»-.
,.,~*;†%£¶ backyard. from my pockets i retrieve my ¶£%†;*~,.,
¨^~^**§#@# radio (now dented) but also a small #@#§**^~^¨
¨..,¨,»\£¶ clay figure i've never seen before. it ¶£\»,¨,..¨
,,,,,-=*£# must have been laying in the wet dirt, #£*=-,,,,,
,¨..,,./%& and i must've picked it up with my &%/.,,..¨,
..»=%$¤£@# other belongings. #@£¤$%=»..
¨¨,.-\$$¤§ §¤$$\-.,¨¨
.¨,¨¨~**¤¶ it's a statuette of a girl laying naked ¶¤**~¨¨,¨.
..»\$@@### on her stomach, feet in the air, ###@@$\»..
.,=;$@§& roughly seven centimeters long. it's &§@#&$;=,.
¨.,,^%%$%@ freshly made, not yet completely dried. @%$%%^,,.¨
..»†%¤§¶@# #@¶§¤%†»..
.--/%@## my mom is here now. i ask her for some ##@#&%/--.
¨¨,¨,^~=§# particle board for it to dry on, but #§=~^,¨,¨¨
.¨.,^,»^%# she is worried and wants me to #%^»,^,.¨.
,,.,,.~:@@ throw it away. @@:~.,,.,,
,,«;%&&£@# #@£&&%;«,,
¨¨,,,~*££@ @££*~,,,¨¨
,~-†^%¤¶@# #@¶¤%^†-~,
¨.,¨.¨,==@ @==,¨.¨,.¨
,-«;=%¤@@# #@@¤%=;«-,
,-~;^$§¶## ##¶§$^;~-,