.@¤¨¨#,,.. ,.¨¨.¨¨,§.
¨.,.¨..£¤£ §&&¤¤@£,.¨
£&&§§§¨¨&& #§&£&£,.@@
§#¤££¨.,.¤ @@@§#¨¨.,§
£§¤&¨¨#§., #@#£,.&@,,
.@§,.¨,,,, statuette £§£¨.,¨¨¨.
,¨.,§#¤@¤§ #¤¨¨@&@@#@
,#&¨.@&£#, @@@@&£$$%$%£&@£§»=»==-»«$£$%§$$&£@%%@%*% @,,,¨#§.
.¨¨...#£.. **£¤$$$$@ .,##,¨@£¨¨
§¤@&@¨.,,, ,...¨,.¨¨§
£§#§¨,§&§£ forests around my childhood home. thick @@§£@££#.,
,§§¨¨,¨@#¨ pine arcades that were planted and ¨£§&§£#¨..
,¨..£@.,.¨ forgotten. wild boars roaming ¨¨#¤#¤,.@¤
.§&..,,¤&£ underneath, sniffing at the ground. it ¤¨,@£..,.¨
.,..@@¨.## is dark and moist, the canopy having ,¨,.,¨£#&¤
,£#,¨,¨¨¨£ already soaked up all the sun. ¨&§§@.,§&¨
.,¨¨&£#§., ¨.££.¨¨.,¨
££@,¨§@.¨¤ there's a river passing by, from east .¨..,@£#§¤
@&,,.¨¨.¨, to west, getting broader and deeper and £&@£¨.&§£&
§¨¨@#@£¤£¨ slower as it goes. equisetum grow just @#¤..,,§
¨..¨&£§§,. where the pine hands start to let #§,.§¤,¨§@
.§#¨¨¤£¨,. through light, horsemint on the rocky £¨,.,¨,¨,,
.¨,.,,,¨&£ river bed. .¨§£¤&£¤££
.&¤#&§#.., .,.@£#@&£,
¨¨#£..@# = @¤¨¨£@¤¤,.
#..§§¨¨.,¨ ,.¨.¨.¨£
¨...,,¤§#§ the riverbanks reek of magic. tonight £@£#,,¨,.,
@@£¤§¨,, they had been a swampworld with sylvan ,§£,.§¤§##
£¤&¤,,,¨¨. water, stone rings and floating moss. ,.¨.¨¨£@&£
##¤.,§#¤£@ you could've found me wallowing around &..&§@
¤&,,¨.¤¤#& on the southern shores until i got ¤@##¨¨..##
£.,#&..§@, bitten. ¨##¨.#§.,£
.¨,.,¨..,. ,,...,¨.,.
@#§&&@¤§ but now i'm further back, on solid #@#&§#§§
@§#§&¤@# ground, in shoulder-high grass, with an #@¤&££¤££¤
§@£#¤&@§#@ orange tin radio and a translucent §£#¤@£#@¤#
#¤&£#¤£@ umbrella which i'm sitting on. £@¤££§@£#£
§¤#&@¤&&&§ £¤@§¤&£#¤@
#£§##§@§@@ / §@£@£&&§
§£##¤§£@§@ @#&£¤&&§
&£§@§£¤¤&¤ somethings moving in the grass. it's @§##£¤¤@
¤&@§£#£&@¤ invisible to my eyes but i can feel £&&§@¤£#@@
¤¤#§¤§&§£@ through the ground just how large it is. #¤£@§#£££#
§#&¤#& £#£@#£@§
§¤£&¤§££¤@ the soil is muddy. i slip when trying £¤@¤&&@§¤@
#¤#&§##¤ to get up, still looking at the &@§§§#££
###¤§§£§§§ direction of sound rather than at my ¤£¤£@§#££§
&£§¤&£§& hands, who are busy putting things in &¤&&§&§¤§&
£§£§£@@§ my pockets. §£#&@§@@£@
¤¤£¤£§£¤¤@ @§£&§#&@§#
&@¤£§&@#¤& then i run east toward my home. ££#¤¤@§§#§
@#£&@@&@£& £#£§&¤#@##
¤£@££&&§ * ¤£#§@£@£##
§£#§@@§§££ §£§§@§#&£@
£@&&§#@¤## i am not followed, and slow down in the ¤@&@@£#@@§
&¤@#¤§#£¤§ clearing where you at first can spot &@£§£¤§§¤&
@&§@##¤@¤# the house, not yet really in the #@¤££§&£##
¤¤&£@&@@£¤ backyard. from my pockets i retrieve my #§&@§@£¤@#
#¤£££§@# radio (now dented) but also a small #&@&£&¤§§¤
&§§@@#¤£@& clay figure i've never seen before. it #&£§¤£§¤§£
#@@&&£@¤££ must have been laying in the wet dirt, @§&¤¤§¤¤&£
#§&§&£#££§ and i must've picked it up with my &§###@¤@£¤
££@£@§@&¤¤ other belongings. £&¤£§£¤#
¤@&#£&&¤ &¤¤£#@¤#&&
£&¤¤§&@£¤# it's a statuette of a girl laying naked #@§@#£@§¤@
¤£#¤&&££ on her stomach, feet in the air, #&§§¤@#¤
##£&¤&§¤£¤ roughly seven centimeters long. it's ##¤§#¤£££@
@¤¤¤¤§£@¤& freshly made, not yet completely dried. §£#&&§¤£#@
¤£&¤£§¤@ &¤§#&§¤¤
@#@##§&¤@§ my mom is here now. i ask her for some £§@§##£##£
#&§@¤£&&&@ particle board for it to dry on, but @#¤@§&¤#&£
¤§§§@#¤#&@ she is worried and wants me to &&¤£@@&&@&
#@@#¤¤¤&@# throw it away. #¤§§#¤@&&§
##¤¤&&£¤£& ¤£@¤§&§@&£
#¤£@&§§@£& §£&££§&§¤@
@&@@¤@£¤ £@¤#§@§@§¤
&¤&&§&££#§ ¤&¤¤¤§&¤
§@#£¤§¤#@§ @&&@#¤§#¤£
££&£@&£#£¤ ¤£@¤§@¤&