.,¨,,¨&§¨¨ .,.,,¨.¨¨¨
§@#£§..¨.& §¤#@@&&@&@
¤¤££¨.¤¤.¨ @§#@@§££££
¤¤@,,¨,,¨. @££¤@§§§¤§
#§..&££&¤& .#¤&§#
&¨,¨,&@££. statuette ¨.£&£@£¤¤¤
.¨§¤,¨&§,, ¤..¤£@¤&§@
,¨.¨,.¨,¨¨ £$£&$%¤§§£%%*@£%~~~~=~==%¤$£%%@$&¤$$%$*£ ,,¨¨#§§££.
¤##@§&¤#&§ &$%£§¤§¤% ££¤,¨£@¤,.
.@&¤&@##§# §£,,.¨¤,.¨
,.£¤&#&§ forests around my childhood home. thick §¨¨#@¨¨¨
¨.¨¤@£@£## pine arcades that were planted and ¨¨¨,¨¨¤..,
#@¨,£££§£& forgotten. wild boars roaming .@£#£¨¨,#@
¤,,¨.£#, underneath, sniffing at the ground. it ,.§¤,.@,¨¤
,,£#¨,&&¨. is dark and moist, the canopy having #,.,,..,..
&¨.¨,,.,,& already soaked up all the sun. ,¨¤@@£@&
.,£§¤#§&¨, ¤,,##£##
,,¨¤&§¤..& there's a river passing by, from east ..,.@§§¤@.
¤£¨.£¤¨¨,¨ to west, getting broader and deeper and £&@,.§@@,.
.,,,.,,. slower as it goes. equisetum grow just #£.,,¨£.,¨
@&£§¨.¨¨ where the pine hands start to let §¨,¤§.¨¨£¤
¤££§¤,.¤£# through light, horsemint on the rocky ¨,¨,,.&¨¨@
@@¤¤.,,.&@ river bed. £#@@#¨¨..¨
.§£.¨##¨.# &¤§&,.¤§£.
¨¨,,.¨,,., \ §§§,,..§,,
£&@§@£§, £&,¨&&.¨¨¤
¤§£££¤., the riverbanks reek of magic. tonight ,..¨,.,#..
.#§§#£#,,¤ they had been a swampworld with sylvan &&&££¤¨¨,¨
¨,#¤§#..¨, water, stone rings and floating moss. ¤¤§#&¨.&¤#
.,.@@.¨&&¤ you could've found me wallowing around ££@@¨¨,¨£¨
££,.,...¤¤ on the southern shores until i got §@@,¨¤§.¨¨
,,.&§#@,,. bitten. #¤,¨,,,,¤¨
@§¨¨#§,,§¤ .,¨@¤,,¨
,¨¨¨,,,¨.£ but now i'm further back, on solid ¤§,,@#¨¨#.
#¤#&&&,¨ ground, in shoulder-high grass, with an &,¨¨.¨,.,.
.¤¤£§.¨§ orange tin radio and a translucent .,&¤¤£#£¤¨
,¨@&@¤...¨ umbrella which i'm sitting on. ,.¨¤££¨¨
£¨,,.&&¨ §¤¨¨@&&,¨§
,...¨,..¨, \ ,..¨.§..,¨
#§@@&&&§¤. ££¤&.,¨#£¤
&@§@@£§§¨. somethings moving in the grass. it's &§&,.#.¨§&
#£#§@¤§,,. invisible to my eyes but i can feel £§.¨¨¨¨¨,£
£#@§&§,.@@ through the ground just how large it is. #¨,¤@##¤¨¨
¨@@¤&,,.¨& ,,.¨£¤¤.,.
.¨¤¤¨.£#.. the soil is muddy. i slip when trying ,&£.,¤,¨£§
¨¨¨.¨.¨,,. to get up, still looking at the .¨¨,,...¨.
#¤&£§££&&§ direction of sound rather than at my ¤§§§#§¤£¤#
§#§@£¤£§@¤ hands, who are busy putting things in &¤#£&&&&
&¤¤#@£@£#& my pockets. @§£##£&£#¤
¤#§&@£@@#¤ £#@¤@§@&£§
£#¤#§@£¤ then i run east toward my home. @&&&@#£§@£
§@@##§§£@§ #£@£@§£¤£¤
§#§#¤¤¤¤ ; £&§&¤###@§
§£@##§&§&@ &¤§¤&&§£
@&£¤###§ i am not followed, and slow down in the §£¤#&£#¤
§§@@££§¤@@ clearing where you at first can spot #¤§&§&¤£#¤
¤@&¤§#¤@&§ the house, not yet really in the ¤&&¤@#@£#¤
##¤¤#£§@@@ backyard. from my pockets i retrieve my £#@@£¤##@§
£#@#@¤§@&@ radio (now dented) but also a small §¤@§¤#@&£#
&§£¤¤§@£&£ clay figure i've never seen before. it @&§§@#¤#&¤
&@@§§§¤§£¤ must have been laying in the wet dirt, @@&§£¤£@§&
@££@¤#§§@# and i must've picked it up with my @£@¤§¤¤#
@@#¤@§@##£ other belongings. §¤¤@@&§£
§@&¤¤§£@§§ &§#&£#&§@£
£¤#¤@@¤& it's a statuette of a girl laying naked &¤¤¤#@£#&§
§£¤@&¤#§¤§ on her stomach, feet in the air, @¤&£££@#@&
&§####£§#£ roughly seven centimeters long. it's ¤#£&§§
&§§@¤##@#§ freshly made, not yet completely dried. §¤@££§&£#£
£§¤§§#@£@& @#@§#£¤¤@&
#@£&&§@&£§ my mom is here now. i ask her for some &@@£¤#§@&§
@¤§¤#@§¤£& particle board for it to dry on, but §£##§#¤£&&
@&§&#@¤& she is worried and wants me to @£§#§¤§§
§##@@¤£&@# throw it away. £&£@@@§§&&
@§###@§£#@ @£&&¤£#§¤@
@#£§&¤¤#§# &@£§¤¤£§#&
£&&&@#£@¤¤ ¤£§£@£##@§
@#¤&£@@#§@ #¤¤¤@£##&£
¤@¤¤£#¤¤@¤ &&§££&¤¤£&
¤£#@##@§## §@#§#£@&§¤