.#.#.####. .#...#.##.
##.#..###. ##..##..#.
.#.#.#.##. .#.#.#.##.
##.#.#..#. ##.#.#..#.
.#.#.#.##. .#.#.#.##.
##.#.#..#. $ DREAM PALACE $ ##.#.#..#.
.#.#.#.##. ~ ----- ------ ~ .#.#.#.##.
##.#.#..#. $ ..... ...... $ ##.#.#..#.
.#.#.#.##. † ..... ...... † .#.#.#.##.
##.#.#..#. ~ ..... ...... ~ ##.#.#..#.
.#.#.#.##. ~ ..... ...... ~ .#.#.#.##.
##.#.#..#. . ..... ...... . ##.#.#..#.
.#.#.#.##. .#.#.#.##.
##.#.#..#. ##.#.#..#.
.#.#.#.##. NOT ACTUALLY A PALACE. A COTTAGE IN THE .#.#.#.##.
##.#.#..#. WOODS (TEMPERATE CLIMATE, RAINS EVERY ##.#.#..#.
.#.#.#.##. OTHER DAY, SPRINGS AND STREAMS AND .#.#.#.##.
##.#.#..#. MYSTERIOUS IRON AND STONE ARTIFACTS, ##.#.#..#.
.#.#.#.##. BIRDLAND-ISH ETERNAL SPRING (LATE .#.#.#.##.
##.#.#..#. SPRING)) ##.#.#..#.
.#.#.#.##. .#.#.#.##.
##.#.#..#. ~ ##.#.#..#.
.#.#.#.##. .#.#.#.##.
##.#.#..#. I WAKE UP EVERY MORNING AT SIX AM. IT'S ##.#.#..#.
.#.#.#.##. DARK, AND THE STARS ARE OUT, BUT THE .#.#.#.##.
##.#.#..#. SUN IS ABOUT TO RISE. ITS A LONG DAY, ##.#.#..#.
.#.#.#.##. BEFORE IT FADES TO NIGHT AGAIN, AND .#.#.#.##.
##.#.#..#. THEN IT STAYS SO UNTIL I FALL ASLEEP. ##.#.#..#.
.#.#.#.##. IT DOESN'T RISE UNLESS I'VE HAD MY .#.#.#.##.
##.#.#..#. DREAMS. ##.#.#..#.
.#.#.#.##. .#.#.#.##.
##.#.#..#. * ##.#.#..#.
.#.#.#.##. .#.#.#.##.
##.#.#..#. IN THIS COTTAGE THERE'S A LOT OF RADIO ##.#.#..#.
.#.#.#.##. EQUIPMENT, SOUND STUFF, SYNTHS, TAPE .#.#.#.##.
##.#.#..#. PLAYERS. PEN AND PAPER, BOOKS, CAMERAS, ##.#.#..#.
.#.#.#.##. MIRRORS, PRISMS, AND VARIOUS THINGS TO .#.#.#.##.
##.#.#..#. DO ART WITH. THE FRIDGE IS FILLED WITH ##.#.#..#.
.#.#.#.##. DIFFERET FOODS, ALL OF THEM INTRIGUING, .#.#.#.##.
##.#.#..#. SLIGHTLY WEIRD. ##.#.#..#.
.#.#.#.##. .#.#.#.##.
##.#.#..#. # ##.#.#..#.
.#.#.#.##. .#.#.#.##.
##.#.#..#. I HAVE FRIENDS - THERE'S A CAT, AND A ##.#.#..#.
.#.#.#.##. DOG (WHO IS RIDICOLOUSLY LARGE AND .#.#.#.##.
##.#.#..#. WANTS TO BE THE BIG SPOON). I LISTEN TO ##.#.#..#.
.#.#.#.##. THE SHORTWAVE RADIO, AND TRANSMIT A BIT .#.#.#.##.
##.#.#..#. MYSELF, SONGS AND POETRY, AND FOUND ##.#.#..#.
.#.#.#.##. SOUNDS FROM THE FOREST. THE OTHERS TELL .#.#.#.##.
##.#.#..#. OF THEIR LIVES, PLAY THE GUITAR FOR ME, ##.#.#..#.
.#.#.#.##. AND TELL TALES OF THE OLD WORLD. I .#.#.#.##.
##.#.#..#. CONSIDER THEM FRIENDS AS WELL. ##.#.#..#.
.#.#.#.##. .#.#.#.##.
##.#.#..#. @ ##.#.#..#.
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##.#.#..#. MOST IMPORTANTLY, THERE'S A TWO SQUARE ##.#.#..#.
.#.#.#.##. METER AREA ON THE FLOOR WHERE I CAN .#.#.#.##.
##.#.#..#. "SAVE" THINGS. WHATEVER I PUT IN HERE ##.#.#..#.
.#.#.#.##. WILL NOT BE AFFECTED BY THE NIGHTLY .#.#.#.##.
##.#.#..#. RESET. EVERYTHING ELSE, HOWEVER, IS ##.#.#..#.
.#.#.#.##. COMPLETELY RESET OVERNIGHT: SYNTH .#.#.#.##.
##.#.#..#. PATCHES REMOVED, FOOD UNEATEN, WOUNDS ##.#.#..#.
.#.#.#.##. HEALED, AND WHEREVER AND WHENEVER I'D .#.#.#.##.
##.#.#..#. FALL ASLEEP I'D ALWAYS WAKE UP FULLY ##.#.#..#.
.#.#.#.##. RESTED IN MY BED. SOMETIMES THERE'S .#.#.#.##.
##.#.#..#. ACCIDENTS WHERE I LOSE STUFF BY ##.#.#..#.
.#.#.#.##. FORGETTING TO PUT THEM IN THE SQUARE. .#.#.#.##.
##.#.#..#. ##.#.#..#.
.#.#.#.##. . .#.#.#.##.
##.#.#..#. ##.#.#..#.
.#.#.#.##. AT NIGHT, I HAVE DEMI-LUCID DREAMS .#.#.#.##.
##.#.#..#. WHERE THE SPIRITS OF THE FOREST AROUND ##.#.#..#.
.#.#.#.##. THE COTTAGE TRIES TO COMMUNICATE. HERE, .#.#.#.##.
##.#.#..#. IT'S NOT ENDLESS BUT CONNECTED TO A ##.#.#..#.
.#.#.#.##. LARGE SPRAWLING CITY, WHERE MY RADIO .#.#.#.##.
##.#.#..#. FRIENDS LIVE. WE GO EXPLORING TOGETHER ##.#.#..#.
.#.#.#.##. - THINGS ARE DEEP AND DARK - BUT UNLIKE .#.#.#.##.
##.#.#..#. ME, THEY NEVER REMEMBER DURING THE DAY. ##.#.#..#.
.#.#.#.##. THIS IS A MYSTERY WE OFTEN DISCUSS. .#.#.#.##.
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