.¨¨,,.^*£& &£*^.,,¨¨.
,,¨.,,,\§@ @§\,,,.¨,,
,.,¨^.\¤@§ §@¤\.^¨,.,
,,.¨¨»^#¶# #¶#^»¨¨.,,
¨,,,¨»/@@@ @@@/»¨,,,¨
,,-:†£#@@# statuette #@@#£†:-,,
¨.«=*§@# #@#&§*=«.¨
¨.¨:/§$= *&**&*££¤§@£%$%§««--»«=«%£*§£*¤$¤¤*$£$¤% #&=$§/:¨.¨
.~,»»^$%&@ @$$$%£%*$ @&%$^»»,~.
,:»\%§¤¶@# #@¶¤§%\»:,
.,~/%@##@# forests around my childhood home. thick #@##@%/~,.
,-~††%@¤¤# pine arcades that were planted and #¤¤@%††~-,
¨^«/§=^=§@ forgotten. wild boars roaming @§=^=§/«^¨
¨:~†%£¤¶## underneath, sniffing at the ground. it ##¶¤£%†~:¨
.~»/§%£¶@# is dark and moist, the canopy having #@¶£%§/»~.
.,¨.-=%$¶@ already soaked up all the sun. @¶$%=-.¨,.
.-~\^£¤### ###¤£^\~-.
,^-^†$§@¶@ there's a river passing by, from east @¶@§$†^-^,
.~»^=@§¶@# to west, getting broader and deeper and #@¶§@=^»~.
¨,,.,¨:=%& slower as it goes. equisetum grow just &%=:¨,.,,¨
..«†§£§£## where the pine hands start to let ##£§£§†«..
,«*§%£@### through light, horsemint on the rocky ###@£%§*«,
.,=/%%%$¤@ river bed. @¤$%%%/=,.
,:=^%%#@## ##@#%%^=:,
,~«=$$§@## = ##@§$$=«~,
¨,«†^¤£#@# #@#£¤^†«,¨
.¨,...~~*# the riverbanks reek of magic. tonight #*~~...,¨.
,,¨,=/*$@£ they had been a swampworld with sylvan £@$*/=,¨,,
.,»=%*¤@#@ water, stone rings and floating moss. @#@¤*%=»,.
¨,.¨-§§%@# you could've found me wallowing around #@%§§-¨.,¨
¨.~/§£@#@# on the southern shores until i got #@#@£§/~.¨
,..¨,-»=†£ bitten. £†=»-,¨..,
,,~\%¤#### ####¤%\~,,
.¨,,¨-^^%& but now i'm further back, on solid &%^^-¨,,¨.
¨¨¨¨-^†%%@ ground, in shoulder-high grass, with an @%%†^-¨¨¨¨
.~«†%%@£#@ orange tin radio and a translucent @#£@%%†«~.
,-~\*@@¶## umbrella which i'm sitting on. ##¶@@*\~-,
¨~=^=%¤@¶# #¶@¤%=^=~¨
¨:~^**£¶## = ##¶£**^~:¨
¨^-;^$#¶## ##¶#$^;-^¨
¨,,,~-»-*¤ somethings moving in the grass. it's ¤*-»-~,,,¨
,:,,=§†££@ invisible to my eyes but i can feel @££†§=,,:,
.-~:*$&@¶@ through the ground just how large it is. @¶@&$*:~-.
¨-~/@@#@## ##@#@@/~-¨
¨:«*§^†¤§# the soil is muddy. i slip when trying #§¤†^§*«:¨
,,~=*§$$§¶ to get up, still looking at the ¶§$$§*=~,,
,,=\=£&@## direction of sound rather than at my ##@&£=\=,,
,:-^§£## hands, who are busy putting things in ###&£§^-:,
.~-/%$¤#&@ my pockets. @¤$%/-~.
.,,,,,-»%§ §%»-,,,,,.
¨:«:†%@@@# then i run east toward my home. #@@@%†:«:¨
,~\*£§¶### ###¶§£*\~,
,,~=†£#@@# : #@@#£†=~,,
¨..¨,.:*£@ @£*:.,¨..¨
..,¨~†@@@@ i am not followed, and slow down in the @@@@†~¨,..
..,¨-»**£# clearing where you at first can spot #£**»-¨,..
,,~††*#&@# the house, not yet really in the #@*††~,,
,¨¨.,«;%## backyard. from my pockets i retrieve my ##%;«,.¨¨,
.:=/*&¤£¶£ radio (now dented) but also a small £¶£¤&*/=:.
.:~:%$@# clay figure i've never seen before. it #@#&$%:~:.
.,«-»-^%%§ must have been laying in the wet dirt, §%%^-»-«,.
¨-=$%¤@### and i must've picked it up with my ###@¤%$=-¨
,.=;%$#### other belongings. ####$%;=.,
¨¨,,,,/@£¶ ¶£@/,,,,¨¨
.~~^%&¤£## it's a statuette of a girl laying naked ##£¤&%^~~.
¨^=^*¤@@@# on her stomach, feet in the air, #@@@¤*^=^¨
¨...,:=*££ roughly seven centimeters long. it's ££*=:,...¨
,,«;=%§@## freshly made, not yet completely dried. ##@§%=;«,,
¨~»***§### ###§***»~¨
¨,~*§@§### my mom is here now. i ask her for some ###§@§*~,¨
¨.,:;=*¤ particle board for it to dry on, but ¤#&*=;:,.¨
.,~=%¤$£§& she is worried and wants me to &§£$¤%=~,.
,¨¨..;=¤&§ throw it away. §&¤=;..¨¨,
¨^»\=^^£§# #§£^^=\»^¨
,.«\§$@# #@#&$§\«.,
,,-:†@#@## ##@#@†:-,,
¨:~*^*@### ###@*^*~:¨
,^~*$£¤¤ ¤¤#&£$*~^,
..»\*%&¶@# #@¶&%*\»..