.¨.-^*@£@# #@£@*^-.¨.
,,.--†%@@# #@@%†--.,,
¨.,=\%$§## ##§$%\=,.¨
,:»\$%@@## ##@@%$\»:,
¨.~=;*&£@# #@£&*;=~.¨
,¨,,-;*¤#@ statuette @#¤*;-,,¨,
.¨--\=%@@# #@@%=\--¨.
,^=†^%¤### @&§$*$%*%@*$*@£%=~~~»~~~£%££%¤§*$§@&%%$@ ###¤%^†=^,
¨.^~\$$£## $%%$£&¤¤£ ##£$$\~^.¨
,.,,»/$$ #&$$/»,,.,
.¨,~/**¤@# forests around my childhood home. thick #@¤**/~,¨.
.-=:*§§### pine arcades that were planted and ###§§*:=-.
,.,-=§%@## forgotten. wild boars roaming ##@%§=-,.,
.¨¨,~†^£## underneath, sniffing at the ground. it ##£^†~,¨¨.
.¨-»=*&§@# is dark and moist, the canopy having #@§&*=»-¨.
.,~/†§£### already soaked up all the sun. ###£§†/~,.
,¨,»†%*¤## ##¤*%†»,¨,
¨.,:»^%%§@ there's a river passing by, from east @§%%^»:,.¨
,.~»/$¤#@# to west, getting broader and deeper and #@#¤$/»~.,
,~~;^&@@## slower as it goes. equisetum grow just ##@@&^;~~,
.¨^-†*£¤## where the pine hands start to let ##¤£*†-^¨.
¨¨,-~==¤&@ through light, horsemint on the rocky @&¤==~-,¨¨
¨¨^»\^££@# river bed. #@££^\»^¨¨
¨^~\%§£### ###£§%\~^¨
¨.-»†%$@## * ##@$%†»-.¨
.,¨.=/^%¤# #¤%^/=.¨,.
,¨:=*§*### the riverbanks reek of magic. tonight ###*§*=:¨,
.-~†§@@### they had been a swampworld with sylvan ###@@§†~-.
,,.~*%%&@# water, stone rings and floating moss. #@&%%*~.,,
.¨¨,~^*$§@ you could've found me wallowing around @§$*^~,¨¨.
¨,,~:*§¤@# on the southern shores until i got #@¤§*:~,,¨
.^~^*%£### bitten. ###£%*^~^.
¨..«=*£### ###£*=«..¨
.,¨,~:=¤£# but now i'm further back, on solid #£¤=:~,¨,.
¨¨~»:*$# ground, in shoulder-high grass, with an ##&$*:»~¨¨
,--:%&§### orange tin radio and a translucent ###§&%:--,
¨¨:~:$§£@# umbrella which i'm sitting on. #@£§$:~:¨¨
,¨..«**@## ##@**«..¨,
,.,~*§%¤@# = #@¤%§*~,.,
,,~:†%¤### ###¤%†:~,,
..,~\*§### somethings moving in the grass. it's ###§*\~,..
¨,,.=*%¤ invisible to my eyes but i can feel #&¤%*=.,,¨
.¨,»=†$¤## through the ground just how large it is. ##¤$†=»,¨.
¨^=:§$¤### ###¤$§:=^¨
,..-:=@£## the soil is muddy. i slip when trying ##£@=:-..,
¨,,~~^%%@# to get up, still looking at the #@%%^~~,,¨
..~=/*§£## direction of sound rather than at my ##£§*/=~..
,~«†§&§@## hands, who are busy putting things in ##@§&§†«~,
,,-=;%$¤@# my pockets. #@¤$%;=-,,
¨..:~;$££# #££$;~:..¨
¨.~~^†*@## then i run east toward my home. ##@*†^~~.¨
¨~»^*%¤@## ##@¤%*^»~¨
,¨,=\$*@## \ ##@*$\=,¨,
,.¨~==†£@@ @@£†==~¨.,
¨..~=*@&@# i am not followed, and slow down in the #@&@*=~..¨
.:»:=&## clearing where you at first can spot ###&&=:»:.
,,:~/^%£@# the house, not yet really in the #@£%^/~:,,
,...~^=@## backyard. from my pockets i retrieve my ##@=^~...,
,¨~=\%¤¤@# radio (now dented) but also a small #@¤¤%\=~¨,
,~~^%*¤@## clay figure i've never seen before. it ##@¤*%^~~,
¨,.=\^*### must have been laying in the wet dirt, ###*^\=.,¨
¨¨,-=/%£## and i must've picked it up with my ##£%/=-,¨¨
¨,-==†$£## other belongings. ##£$†==-,¨
,,~/%§§### ###§§%/~,,
¨¨.==*&£@# it's a statuette of a girl laying naked #@£&*==.¨¨
,.,^~;§¤@@ on her stomach, feet in the air, @@¤§;~^,.,
,..===%@@# roughly seven centimeters long. it's #@@%===..,
¨^~††*£@## freshly made, not yet completely dried. ##@£*††~^¨
.,,=^§$¤## ##¤$§^=,,.
.¨,,«:*&@@ my mom is here now. i ask her for some @@&*:«,,¨.
.,~»\%$§@# particle board for it to dry on, but #@§$%\»~,.
..-==%§@## she is worried and wants me to ##@§%==-..
,¨^=*%¤### throw it away. ###¤%*=^¨,
¨..:«/*% #&%*/«:..¨
..--*$&@@# #@@&$*--..
,,~=*&§@## ##@§&*=~,,
.¨.=*%$@@# #@@$%*=.¨.
¨,¨~~;%$#@ @#$%;~~¨,¨
.,,-*§@§@# #@§@§*-,,.