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.#.#.#.##.                                          .#.#.#.##.
##.#.#..#.                                          ##.#.#..#.
.#.#.#.##.                                          .#.#.#.##.
##.#.#..#.             $ DREAM PALACE $             ##.#.#..#.
.#.#.#.##.             ~ ----- ------ ~             .#.#.#.##.
##.#.#..#.             $ ..... ...... $             ##.#.#..#.
.#.#.#.##.             † ..... ...... †             .#.#.#.##.
##.#.#..#.             ~ ..... ...... ~             ##.#.#..#.
.#.#.#.##.             ~ ..... ...... ~             .#.#.#.##.
##.#.#..#.             . ..... ...... .             ##.#.#..#.
.#.#.#.##.                                          .#.#.#.##.
##.#.#..#.                                          ##.#.#..#.
.#.#.#.##. NOT ACTUALLY A PALACE. A  COTTAGE IN THE .#.#.#.##.
##.#.#..#.   WOODS (TEMPERATE CLIMATE, RAINS EVERY  ##.#.#..#.
.#.#.#.##. OTHER  DAY,  SPRINGS  AND  STREAMS   AND .#.#.#.##.
##.#.#..#.   MYSTERIOUS IRON AND STONE ARTIFACTS,   ##.#.#..#.
.#.#.#.##.     BIRDLAND-ISH ETERNAL SPRING (LATE    .#.#.#.##.
##.#.#..#.                 SPRING))                 ##.#.#..#.
.#.#.#.##.                                          .#.#.#.##.
##.#.#..#.                    ~                     ##.#.#..#.
.#.#.#.##.                                          .#.#.#.##.
##.#.#..#. I WAKE UP EVERY MORNING  AT SIX AM. IT'S ##.#.#..#.
.#.#.#.##. DARK, AND  THE STARS ARE  OUT,  BUT  THE .#.#.#.##.
##.#.#..#. SUN  IS ABOUT TO RISE.  ITS A  LONG DAY, ##.#.#..#.
.#.#.#.##. BEFORE  IT  FADES  TO NIGHT  AGAIN,  AND .#.#.#.##.
##.#.#..#. THEN  IT  STAYS SO UNTIL I  FALL ASLEEP. ##.#.#..#.
.#.#.#.##. IT  DOESN'T  RISE  UNLESS  I'VE  HAD  MY .#.#.#.##.
##.#.#..#.                  DREAMS.                 ##.#.#..#.
.#.#.#.##.                                          .#.#.#.##.
##.#.#..#.                     *                    ##.#.#..#.
.#.#.#.##.                                          .#.#.#.##.
##.#.#..#. IN THIS  COTTAGE THERE'S A LOT  OF RADIO ##.#.#..#.
.#.#.#.##.   EQUIPMENT, SOUND STUFF, SYNTHS, TAPE   .#.#.#.##.
##.#.#..#. PLAYERS. PEN  AND PAPER, BOOKS, CAMERAS, ##.#.#..#.
.#.#.#.##. MIRRORS,  PRISMS, AND VARIOUS  THINGS TO .#.#.#.##.
##.#.#..#. DO ART WITH. THE FRIDGE IS  FILLED  WITH ##.#.#..#.
.#.#.#.##. DIFFERET FOODS,  ALL OF THEM INTRIGUING, .#.#.#.##.
##.#.#..#.             SLIGHTLY WEIRD.              ##.#.#..#.
.#.#.#.##.                                          .#.#.#.##.
##.#.#..#.                    #                     ##.#.#..#.
.#.#.#.##.                                          .#.#.#.##.
##.#.#..#. I HAVE  FRIENDS - THERE'S A  CAT, AND  A ##.#.#..#.
.#.#.#.##. DOG  (WHO  IS  RIDICOLOUSLY  LARGE   AND .#.#.#.##.
##.#.#..#. WANTS TO BE  THE BIG SPOON). I LISTEN TO ##.#.#..#.
.#.#.#.##. THE SHORTWAVE  RADIO, AND TRANSMIT A BIT .#.#.#.##.
##.#.#..#. MYSELF,  SONGS  AND  POETRY,  AND  FOUND ##.#.#..#.
.#.#.#.##. SOUNDS FROM THE FOREST.  THE OTHERS TELL .#.#.#.##.
##.#.#..#. OF THEIR LIVES, PLAY THE GUITAR  FOR ME, ##.#.#..#.
.#.#.#.##. AND  TELL  TALES  OF  THE OLD  WORLD.  I .#.#.#.##.
##.#.#..#.      CONSIDER THEM FRIENDS AS WELL.      ##.#.#..#.
.#.#.#.##.                                          .#.#.#.##.
##.#.#..#.                     @                    ##.#.#..#.
.#.#.#.##.                                          .#.#.#.##.
##.#.#..#. MOST IMPORTANTLY, THERE'S A  TWO  SQUARE ##.#.#..#.
.#.#.#.##. METER  AREA  ON THE FLOOR  WHERE  I  CAN .#.#.#.##.
##.#.#..#. "SAVE" THINGS. WHATEVER I  PUT  IN  HERE ##.#.#..#.
.#.#.#.##. WILL  NOT  BE  AFFECTED  BY  THE NIGHTLY .#.#.#.##.
##.#.#..#.    RESET. EVERYTHING ELSE, HOWEVER, IS   ##.#.#..#.
.#.#.#.##.    COMPLETELY RESET OVERNIGHT: SYNTH     .#.#.#.##.
##.#.#..#.   PATCHES REMOVED, FOOD UNEATEN, WOUNDS  ##.#.#..#.
.#.#.#.##. HEALED, AND WHEREVER  AND  WHENEVER  I'D .#.#.#.##.
##.#.#..#. FALL  ASLEEP I'D ALWAYS  WAKE  UP  FULLY ##.#.#..#.
.#.#.#.##. RESTED  IN  MY  BED.  SOMETIMES  THERE'S .#.#.#.##.
##.#.#..#. ACCIDENTS  WHERE   I   LOSE   STUFF   BY ##.#.#..#.
.#.#.#.##. FORGETTING  TO PUT  THEM IN  THE SQUARE. .#.#.#.##.
##.#.#..#.                                          ##.#.#..#.
.#.#.#.##.                    .                     .#.#.#.##.
##.#.#..#.                                          ##.#.#..#.
.#.#.#.##. AT   NIGHT,  I  HAVE  DEMI-LUCID  DREAMS .#.#.#.##.
##.#.#..#. WHERE THE  SPIRITS OF THE FOREST  AROUND ##.#.#..#.
.#.#.#.##. THE COTTAGE  TRIES TO COMMUNICATE. HERE, .#.#.#.##.
##.#.#..#. IT'S  NOT  ENDLESS  BUT  CONNECTED  TO A ##.#.#..#.
.#.#.#.##. LARGE  SPRAWLING  CITY, WHERE  MY  RADIO .#.#.#.##.
##.#.#..#. FRIENDS LIVE.  WE  GO EXPLORING TOGETHER ##.#.#..#.
.#.#.#.##. - THINGS ARE DEEP AND DARK - BUT  UNLIKE .#.#.#.##.
##.#.#..#. ME,  THEY NEVER REMEMBER DURING THE DAY. ##.#.#..#.
.#.#.#.##. THIS IS  A  MYSTERY  WE  OFTEN  DISCUSS. .#.#.#.##.
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