¨^\§@¤£### ###£¤@§\^¨
,.,=*§@### ###@§*=,.,
.¨.~;*§§## ##§§*;~.¨.
.¨,,,=†$@@ @@$†=,,,¨.
,¨..¨^:=%§ §%=:^¨..¨,
.¨.,,.~/*% statuette %*/~.,,.¨.
.,¨,¨,/*¤& &¤*/,¨,¨,.
¨,.¨.=%§## %§%&$$%$@$¤£¤*§§~~~-=-«~$%%%**@§$%$§¤§@¤ ##§%=.¨.,¨
,.,~/*£# %%$&%@££§ ##&£*/~,.,
¨.~\*¤££## ##££¤*\~.¨
.:\§$&¶### forests around my childhood home. thick ###¶&$§\:.
.,:^^%@@## pine arcades that were planted and ##@@%^^:,.
.,¨^:§$#@# forgotten. wild boars roaming #@#$§:^¨,.
,¨¨,,*$*£# underneath, sniffing at the ground. it #£*$*,,¨¨,
¨...,-/†@§ is dark and moist, the canopy having §@†/-,...¨
.¨¨,,.^:%£ already soaked up all the sun. £%:^.,,¨¨.
,¨¨,.,*%$£ £$%*,.,¨¨,
,¨,¨,;%£§@ there's a river passing by, from east @§£%;,¨,¨,
.,,~:%&¤@# to west, getting broader and deeper and #@¤&%:~,,.
,,~:†$#@@# slower as it goes. equisetum grow just #@@#$†:~,,
..†*$&£### where the pine hands start to let ###£&$*†..
¨¨~=§$¤@## through light, horsemint on the rocky ##@¤$§=~¨¨
,¨,,^§£##@ river bed. @##£§^,,¨,
,.¨..\*$§# #§$*\..¨.,
¨¨,.¨~††*@ : @*††~¨.,¨¨
.,¨¨,¨,:*% %*:,¨,¨¨,.
.,.,,:†§£& the riverbanks reek of magic. tonight &£§†:,,.,.
,¨¨.:**@#@ they had been a swampworld with sylvan @#@**:.¨¨,
¨..,†§@¤£# water, stone rings and floating moss. #£¤@§†,..¨
,.~\%$¤@@# you could've found me wallowing around #@@¤$%\~.,
,^*$¤£#@## on the southern shores until i got ##@#£¤$*^,
,¨^*§£¤@## bitten. ##@¤£§*^¨,
..¨-/§&@ @#&&§/-¨..
,,.,^\*$£¶ but now i'm further back, on solid ¶£$*\^,.,,
,,¨¨¨:;%£§ ground, in shoulder-high grass, with an §£%;:¨¨¨,,
¨.,,.¨~/†£ orange tin radio and a translucent £†/~¨.,,.¨
.,.¨,:\*&@ umbrella which i'm sitting on. @&*\:,¨.,.
¨¨.¨-^=¤¤# #¤¤=^-¨.¨¨
¨,¨::*$§#@ / @#§$*::¨,¨
,¨-=§£@@## ##@@£§=-¨,
,-\%££#### somethings moving in the grass. it's ####££%\-,
.,:\§§£#@# invisible to my eyes but i can feel #@#£§§\:,.
,,.^†%&§## through the ground just how large it is. ##§&%†^.,,
¨¨..~*†&§@ @§&†*~..¨¨
¨,.¨.-=%%¤ the soil is muddy. i slip when trying ¤%%=-.¨.,¨
.¨.¨,,:\$$ to get up, still looking at the $$\:,,¨.¨.
¨,.,¨.^*@# direction of sound rather than at my #@*^.¨,.,¨
¨.,../=&§£ hands, who are busy putting things in £§&=/..,.¨
.,.,=*¤££# my pockets. #££¤*=,.,.
,.-\$&&¶## ##¶&&$\-.,
,,†*&@#@## then i run east toward my home. ##@#@&*†,,
,¨-=*£&¶## ##¶&£*=-¨,
.¨,~**£¤¶@ / @¶¤£**~,¨.
.¨,¨-^*¤¤£ £¤¤*^-¨,¨.
,.¨¨.^*%£§ i am not followed, and slow down in the §£%*^.¨¨.,
¨,,.¨,:^=¤ clearing where you at first can spot ¤=^:,¨.,,¨
.,,..-/†£# the house, not yet really in the #£†/-..,,.
.,..,=§¤¤@ backyard. from my pockets i retrieve my @¤¤§=,..,.
¨..-\%£¤£@ radio (now dented) but also a small @£¤£%\-..¨
..^;*$&@## clay figure i've never seen before. it ##@&$*;^..
,,*=£@@@## must have been laying in the wet dirt, ##@@@£=*,,
.¨,^^&£#@# and i must've picked it up with my #@#£&^^,¨.
.¨.,^%%§¶@ other belongings. @¶§%%^,.¨.
,¨,..^^%£# #£%^^..,¨,
¨,.,¨./$&@ it's a statuette of a girl laying naked @&$/.¨,.,¨
....¨,.:=& on her stomach, feet in the air, &=:.,¨....
¨.¨,.,*$%@ roughly seven centimeters long. it's @%$*,.,¨.¨
..¨.:\^@§# freshly made, not yet completely dried. #§@^\:.¨..
¨,¨,/$$£¶@ @¶£$$/,¨,¨
..,*$$@¶## my mom is here now. i ask her for some ##¶@$$*,..
,,/%%#£@## particle board for it to dry on, but ##@£#%%/,,
.,:*%*¤£## she is worried and wants me to ##£¤*%*:,.
,.¨,††$£@# throw it away. #@£$††,¨.,
¨¨,,~;$&¤£ £¤&$;~,,¨¨
¨,.,,-=%££ ££%=-,,.,¨
,¨¨,.,.=^% %^=.,.,¨¨,
¨,..,-\**¤ ¤**\-,..,¨
¨.,.:;$% #&%$;:.,.¨
¨¨.^**%££# #££%**^.¨¨