¨^«/=%##@# #@##%=/«^¨
.^~\^%£### ###£%^\~^.
,-»=%££@## ##@££%=»-,
,,=/$%@¶@# #@¶@%$/=,,
...¨,,=@$@ @$@=,,¨...
¨,,,.,-^§@ statuette @§^-,.,,,¨
..»/*\%$ #&$%\*/»..
.:~^%%%%¤# @&¤&£%*$%@%*%§*£-~~»-~==¤£¤%§££$%$§@§$*£ #¤%%%%^~:.
¨~»:*=§¤## ¤%%§*$$£$ ##¤§=*:»~¨
¨~«^=@## ##@#&=^«~¨
,^«^**@### forests around my childhood home. thick ###@**^«^,
¨:»/%£§¶## pine arcades that were planted and ##¶§£%/»:¨
,.¨¨¨=~;%@ forgotten. wild boars roaming @%;~=¨¨¨.,
¨¨,,,,-/%£ underneath, sniffing at the ground. it £%/-,,,,¨¨
¨:~:^$§£## is dark and moist, the canopy having ##£§$^:~:¨
.,«\$$§@## already soaked up all the sun. ##@§$$\«,.
,,,¨,~/$## ##$/~,¨,,,
..-:\^†$@¤ there's a river passing by, from east ¤@$†^\:-..
,,~:^$£@## to west, getting broader and deeper and ##@£$^:~,,
¨,~:$%§¶## slower as it goes. equisetum grow just ##¶§%$:~,¨
.:=/^$*@¤§ where the pine hands start to let §¤@*$^/=:.
.:^-\††@&@ through light, horsemint on the rocky @&@††\-^:.
,,.¨.~*†§¤ river bed. ¤§†*~.¨.,,
¨--==$@#@# #@#@$==--¨
¨,.¨,~%^## : ##^%~,¨.,¨
,,,,-~\**¤ ¤**\~-,,,,
¨.-:%@§¤£# the riverbanks reek of magic. tonight #£¤§@%:-.¨
.~«/§@@@## they had been a swampworld with sylvan ##@@@§/«~.
.,~/^&£#@# water, stone rings and floating moss. #@#£&^/~,.
,,~:†$#¶## you could've found me wallowing around ##¶#$†:~,,
¨-«\$%¤@## on the southern shores until i got ##@¤%$\«-¨
¨,«/*¤@### bitten. ###@¤*/«,¨
,,-\%@§#@# #@#§@%\-,,
,,»=†£#### but now i'm further back, on solid ####£†=»,,
¨^»==&@¶@# ground, in shoulder-high grass, with an #@¶@&==»^¨
.,~^¤#@### orange tin radio and a translucent ###@#¤^~,.
¨^-§@¤£### umbrella which i'm sitting on. ###£¤@§-^¨
..¨¨-~=$%& &%$=~-¨¨..
¨,«=†%## \ ###&%†=«,¨
,--^%*£¤#@ @#¤£*%^--,
¨.^,~~«†#£ somethings moving in the grass. it's £#†«~~,^.¨
¨.»:$£¤£@# invisible to my eyes but i can feel #@£¤£$:».¨
..«=%£§#@# through the ground just how large it is. #@#§£%=«..
¨,»^%£¤@## ##@¤£%^»,¨
,¨,,.¨,»§@ the soil is muddy. i slip when trying @§»,¨.,,¨,
,~«;^$#@## to get up, still looking at the ##@#$^;«~,
¨,..~/&%#@ direction of sound rather than at my @#%&/~..,¨
.¨.¨¨,»%†¤ hands, who are busy putting things in ¤†%»,¨¨.¨.
.:»\†$@¶#@ my pockets. @#¶@$†\»:.
,.-†*@§#¤@ @¤#§@*†-.,
¨.-,,\§$¶# then i run east toward my home. #¶$§\,,-.¨
.--\%££### ###££%\--.
¨^-/§$#£ / £##&$§/-^¨
¨,-\†&£### ###£&†\-,¨
¨..,=»~^¤# i am not followed, and slow down in the #¤^~»=,..¨
¨~~;§$@£@# clearing where you at first can spot #@£@$§;~~¨
.¨¨,¨-\*^¤ the house, not yet really in the ¤^*\-¨,¨¨.
¨,.,,=\*§@ backyard. from my pockets i retrieve my @§*\=,,.,¨
,¨.¨.~-=£§ radio (now dented) but also a small §£=-~.¨.¨,
..^†%§@### clay figure i've never seen before. it ###@§%†^..
.:~:$@@### must have been laying in the wet dirt, ###@@$:~:.
,~»;=&@@## and i must've picked it up with my ##@@&=;»~,
¨:-;%£@£## other belongings. ##£@£%;-:¨
.-~\†$&£## ##£&$†\~-.
...~~:†\^# it's a statuette of a girl laying naked #^\†:~~...
.¨.,~%^†¤# on her stomach, feet in the air, #¤†^%~,.¨.
.-»;*%¤@@# roughly seven centimeters long. it's #@@¤%*;»-.
..«†%%&¶@# freshly made, not yet completely dried. #@¶&%%†«..
¨,~=†$@@@# #@@@$†=~,¨
,.~;*¤£#¶¶ my mom is here now. i ask her for some ¶¶#£¤*;~.,
,.,~~«*%$# particle board for it to dry on, but #$%*«~~,.,
¨:~**§#¶## she is worried and wants me to ##¶#§**~:¨
¨~-;§$#### throw it away. ####$§;-~¨
,:~/$@#@@# #@@#@$/~:,
¨~=†%@@#@¶ ¶@#@@%†=~¨
,~~^=%§#@# #@#§%=^~~,
¨,=^$$#@@# #@@#$$^=,¨
.¨..,;†/†§ §†/†;,..¨.
.:«^*§¤£## ##£¤§*^«:.