.,.£§@§§,. ..§§,.,¨..
&£,.¤#£.,# .¨,¨¨£@§##
§¨¨¨.@¨.,, £@££¨.¤¤@¤
.,##,¨,£@@ .¤@.¨,,&££
,,..,&¨,§¨ ¨,¨¨@£¨,#,
£§£#,,.¨.¨ statuette ¤&¤...,.¨,
.£#,.@&@ &@,,@£@.
,.¨..¨&@@# *$&&¤&£¤¤¤$$@%&£»~~-=»~~*¤$$£§*$%£$*%%%% ¨.,..£¤£,,
¤&§§£¨,£&. §@%*£§@§% ¤£#£.¨¤,.@
¤@@&¨..¨.¨ §¤@,,¨,...
,,,££#¤¨ forests around my childhood home. thick &£..@@&@#¨
¨,.¨¨.§#.. pine arcades that were planted and £,..¨££#,.
§@@££¨,¨¨¤ forgotten. wild boars roaming ¨.§£¨.#¨¨£
&£&§.¨@@¨, underneath, sniffing at the ground. it §..,¨.,,¨,
.&&¨¨....¨ is dark and moist, the canopy having ¨.£##¤@¤¤¨
¨,,.¤¤@##& already soaked up all the sun. ,¨,¤£¤££,,
£@@,.#&¤£& £§..§¤£,¨#
§&¨¨,,¤¤ there's a river passing by, from east ,,¨¨¨£¨¨.¨
¨¨,¤#.¨&§¨ to west, getting broader and deeper and £§&@,¨,§&,
§£¨...,.¨¨ slower as it goes. equisetum grow just ¨££.¨#,¨,,
.,¨¤&£¤#£. where the pine hands start to let ¨.¨,¨,.&@,
££.,£¤¤£,. through light, horsemint on the rocky ¨¤#£#@,..¨
.¨.,,££¨.@ river bed. ,.#¤£.¨¤¤¨
§§§@.¨,¨., ,.,&...¨,.
.@§,.####, † ¤£,..¤¤£@.
,.¨.¨.@¤.. .¨,&..§§¨,
@£§#&.¨,¨. the riverbanks reek of magic. tonight §§,,,¨,,.@
¤§££,,£¤@# they had been a swampworld with sylvan ,..§@&¤@,¨
.&£.¨..¤£, water, stone rings and floating moss. @¤¨,@#&..,
.,,¨#&,,¨. you could've found me wallowing around ¤¨¨¨,§¨.¤#
.¤#.¨,,¤¤¨ on the southern shores until i got ,.@&,¨¨,.,
.¨..§¤¨¨.. bitten. £.,,¨¤@¤#¤
¨§§¨...#§, ,¨@&¨.¤#&.
,,..&¤.¨¨, but now i'm further back, on solid #.¨...¨@¨,
¤@£¨,,.¤¤# ground, in shoulder-high grass, with an ¨,¤¤£§,.¨¤
¤§.,#§¨,£§ orange tin radio and a translucent ¤..@¤¨,¤¨,
..,..,¨,¨, umbrella which i'm sitting on. .,,,.,,,,.
&§£#§#§@¤£ §&&§&§#§&¤
§£@¤&@&¤#£ / @£§¤§££@¤&
@£&&¤£§@&¤ ¤¤§#£§@¤@§
¤¤¤£@£¤&&@ somethings moving in the grass. it's §§@#§@£§&¤
£££@¤@§& invisible to my eyes but i can feel #@§#¤¤#§££
#¤£§§& through the ground just how large it is. &§§&£@¤¤@§
#@£§§@¤£ #¤&@££§#§§
¤#¤£@§&@@§ the soil is muddy. i slip when trying ¤§£#@¤¤@¤§
##§@§££¤§& to get up, still looking at the §&£##@#@
¤#¤§¤#@§## direction of sound rather than at my @&&§§#§§§§
£¤§&§& hands, who are busy putting things in ¤&@¤&¤@@§§
§§£#&&§@££ my pockets. @§£¤###&&¤
££@@@§#¤ #¤§§¤#§#
§@£§£¤§§£§ then i run east toward my home. £#§§@§&£§&
£§@£§£¤§&& £&§@&¤@£@£
£@&@£§§@&& \ #££§££#@¤@
&@§¤¤@&££# §§£¤¤££@
@£@¤§£§&&£ i am not followed, and slow down in the ¤¤§@¤@§@@§
&£¤§§§@§¤§ clearing where you at first can spot &&@&£££&£§
£@¤@§&£¤ the house, not yet really in the &&££@@§£
#¤#¤@@§¤¤& backyard. from my pockets i retrieve my ##@£§¤&£#£
§#&¤#¤## radio (now dented) but also a small &¤@@#@¤¤@£
@¤&¤#£ clay figure i've never seen before. it §¤§§#£§#
@@§§¤¤@£#¤ must have been laying in the wet dirt, &§@¤&£§&
£&@££§&¤ and i must've picked it up with my ¤§#£¤&§#&@
@@#£§#£&&& other belongings. §¤£#@&@£§@
££#§¤§¤£§# #&§@&@£§£@
#@#§@§@#£# it's a statuette of a girl laying naked ¤§£§§§¤#§@
@§¤@#§ on her stomach, feet in the air, §&£&§@@§
@§§£¤§£@§¤ roughly seven centimeters long. it's #&@§§@§@@£
&§@@&£¤#§§ freshly made, not yet completely dried. #&§§#§£§
£¤£@§¤##£& &¤¤¤§#£§§@
#&&&§§@§#@ my mom is here now. i ask her for some §¤###§§¤
§£#&@¤§¤## particle board for it to dry on, but £@&¤#¤£§&§
£¤§§&§§£@& she is worried and wants me to ¤#£#&¤@#@£
§&§§§@§&£§ throw it away. &¤£#@£####
¤§£#¤§#&¤§ £&¤§&§¤&£&
&@§§£§§§§¤ @&§#£#@@#£
##&@£¤§@@£ §#&£¤&¤§£§
#£@&¤#§££@ #§#£§@&@#¤
§@&&¤@££§¤ @#¤¤&@#&§@
§##¤£@@#@@ @#@¤¤¤@£@§