¨-=††&## ###&&††=-¨
,^-^*¤¤£#@ @#£¤¤*^-^,
¨~=;§@§¶## ##¶§@§;=~¨
,^~^=§#### ####§=^~^,
.¨¨¨¨»*@@& &@@*»¨¨¨¨.
,¨,.,.«*@# statuette #@*«.,.,¨,
¨¨¨~,;†§$# #$§†;,~¨¨¨
.~«:†££@## £§£@&£¤&$@@¤$$%£~««=~~~«¤$%*£§$*@&$$$§£§ ##@££†:«~.
,:==†$## §£@*¤%*%£ ###&$†==:,
,,~*%%¤£@# #@£¤%%*~,,
¨,~\§$#@ forests around my childhood home. thick @##&$§\~,¨
.,~*^£## pine arcades that were planted and ###&£^*~,.
¨:=\*£#@@# forgotten. wild boars roaming #@@#£*\=:¨
,^=^§%£¤§# underneath, sniffing at the ground. it #§¤£%§^=^,
.¨¨¨,¨»/£# is dark and moist, the canopy having #£/»¨,¨¨¨.
.,..~~§£¤& already soaked up all the sun. &¤£§~~..,.
..,^~=^*†@ @†*^=~^,..
,.~:=£## there's a river passing by, from east ###&£=:~.,
,..,:^:$$¤ to west, getting broader and deeper and ¤$$:^:,..,
¨-»;%$¤### slower as it goes. equisetum grow just ###¤$%;»-¨
.,,¨^:§£@# where the pine hands start to let #@£§:^¨,,.
,,=^^@§£## through light, horsemint on the rocky ##£§@^^=,,
,,.,/\§¤¶# river bed. #¶¤§\/,.,,
~~\^$@£@## ##@£@$^\~~
¨¨,,,¨:=%# † #%=:¨,,,¨¨
¨^»*=¤#£#@ @#£#¤=*»^¨
..,,»%*=§# the riverbanks reek of magic. tonight #§=*%»,,..
,¨,,,-»%*& they had been a swampworld with sylvan &*%»-,,,¨,
¨,~†^$§¶@# water, stone rings and floating moss. #@¶§$^†~,¨
,^~;%$¤### you could've found me wallowing around ###¤$%;~^,
.,¨,-=/*%# on the southern shores until i got #%*/=-,¨,.
¨,-:%$@### bitten. ###@$%:-,¨
.,^,--*#@@ @@#*--,^,.
.,=^%%££ but now i'm further back, on solid #&££%%^=,.
,-»;=@@@## ground, in shoulder-high grass, with an ##@@@=;»-,
¨:-**$@### orange tin radio and a translucent ###@$**-:¨
¨.,.¨=$¤§¤ umbrella which i'm sitting on. ¤§¤$=¨.,.¨
.~«\†*#@## ##@#*†\«~.
,--=*¤¶### † ###¶¤*=--,
...,.:=†£# #£†=:.,...
¨..¨,~:/§@ somethings moving in the grass. it's @§/:~,¨..¨
,:~%£¤@@## invisible to my eyes but i can feel ##@@¤£%~:,
.^»:%£§¶## through the ground just how large it is. ##¶§£%:»^.
¨,-/%&§@#@ @#@§&%/-,¨
.¨.,,,*$ the soil is muddy. i slip when trying #&$*,,,.¨.
,¨.,¨«** to get up, still looking at the #&**«¨,.¨,
,-~=^%¤£@# direction of sound rather than at my #@£¤%^=~-,
,¨^--=†*£# hands, who are busy putting things in #£*†=--^¨,
¨,=:*%#@## my pockets. ##@#%*:=,¨
¨.~†%$@@## ##@@$%†~.¨
,,¨.¨.~*%@ then i run east toward my home. @%*~.¨.¨,,
.~~*§*&¶## ##¶&*§*~~.
,^=^**££¤@ ^ @¤££**^=^,
¨-~\**@#@# #@#@**\~-¨
.,«:%£¶### i am not followed, and slow down in the ###¶£%:«,.
,,«=*$££## clearing where you at first can spot ##££$*=«,,
¨-»:$§§¶@# the house, not yet really in the #@¶§§$:»-¨
¨:~-=†;/*& backyard. from my pockets i retrieve my &*/;†=-~:¨
¨,¨,¨«*%$@ radio (now dented) but also a small @$%*«¨,¨,¨
,,-=^¤## clay figure i've never seen before. it ###&¤^=-,,
,:-=*£#§£@ must have been laying in the wet dirt, @£§#£*=-:,
,^«\=%#@## and i must've picked it up with my ##@#%=\«^,
,-«/†%#@@@ other belongings. @@@#%†/«-,
,,~†*£#@@# #@@#£*†~,,
,.^~†\&£#@ it's a statuette of a girl laying naked @#£&\†~^.,
.:-/%%¤@@# on her stomach, feet in the air, #@@¤%%/-:.
¨~«\%£## roughly seven centimeters long. it's ###&£%\«~¨
,:~\*§&£## freshly made, not yet completely dried. ##£&§*\~:,
¨:-^^§£@@# #@@£§^^-:¨
¨~-*%%&@## my mom is here now. i ask her for some ##@&%%*-~¨
,,»**$¤@## particle board for it to dry on, but ##@¤$**»,,
.^»;=$#@#@ she is worried and wants me to @#@#$=;»^.
,,.^-^%&£# throw it away. #£&%^-^.,,
¨.-^**¤@## ##@¤**^-.¨
.¨^-,«^¤¶# #¶¤^«,-^¨.
¨~=/^@§### ###§@^/=~¨
,,«†%%#£## ##£#%%†«,,
.,,-=^^& #&&^^=-,,.
¨-~~~*%%%@ @%%%*~~~-¨