¨,~=*@&§@# #@§&@*=~,¨
.,-†§*£¶@# #@¶£*§†-,.
,:=†§$£### ###£$§†=:,
,.^^†%@# ##&@%†^^.,
¨~»\†%§£## ##£§%†\»~¨
¨.=†§*§### statuette ###§*§†=.¨
.¨,.~=^£#§ §#£^=~.,¨.
,.¨.,,=%@£ @&%%&¤¤@*@££$%*¤-~~«»~~«@£¤%@££&%&*@$$£% £@%=,,.¨.,
,,,-:»%# £££¤¤@%%% ##&%»:-,,,
.,-*^$##@# #@##$^*-,.
¨,.¨,~/§ forests around my childhood home. thick #&§/~,¨.,¨
.:«:§@&¶## pine arcades that were planted and ##¶&@§:«:.
,,»*$%&¶@# forgotten. wild boars roaming #@¶&%$*»,,
.^.,-=%¤§# underneath, sniffing at the ground. it #§¤%=-,.^.
~~;%&### is dark and moist, the canopy having ####&&%;~~
,.¨,,=§&§# already soaked up all the sun. #§&§=,,¨.,
¨:«==*@@## ##@@*==«:¨
¨-~†^%££@# there's a river passing by, from east #@££%^†~-¨
,¨.,,=-^§# to west, getting broader and deeper and #§^-=,,.¨,
,^«†=£&@## slower as it goes. equisetum grow just ##@&£=†«^,
¨.«:=%&£#@ where the pine hands start to let @#£&%=:«.¨
.~,:=%†*#@ through light, horsemint on the rocky @#*†%=:,~.
,.¨.,,,»%& river bed. &%»,,,.¨.,
¨,.-,=†^£@ @£^†=,-.,¨
.,~^**@@@# ; #@@@**^~,.
¨.,,.¨^:¤# #¤:^¨.,,.¨
,,¨¨,-=/¤¶ the riverbanks reek of magic. tonight ¶¤/=-,¨¨,,
¨.«**&## they had been a swampworld with sylvan ###&&**«.¨
¨,«\†*¤@£# water, stone rings and floating moss. #£@¤*†\«,¨
.:~^=*¤### you could've found me wallowing around ###¤*=^~:.
,.,:*%*%§@ on the southern shores until i got @§%*%*:,.,
,--=†¤¤@## bitten. ##@¤¤†=--,
¨~==%#£### ###£#%==~¨
.,.^††$$@# but now i'm further back, on solid #@$$††^.,.
,^»*§&§@## ground, in shoulder-high grass, with an ##@§&§*»^,
.~~^*%##@# orange tin radio and a translucent #@##%*^~~.
¨,¨¨,~«$†§ umbrella which i'm sitting on. §†$«~,¨¨,¨
,.«=:†%&¶@ @¶&%†:=«.,
.^«/*@£¶## \ ##¶£@*/«^.
¨:»=§££@@# #@@££§=»:¨
,:^==†%¤¶£ somethings moving in the grass. it's £¶¤%†==^:,
,,,,,,~=*& invisible to my eyes but i can feel &*=~,,,,,,
¨,~†*%###@ through the ground just how large it is. @###%*†~,¨
¨~=:^£¤### ###¤£^:=~¨
..-==%@@## the soil is muddy. i slip when trying ##@@%==-..
.^~*%@£¶## to get up, still looking at the ##¶£@%*~^.
.,,..-/^¤@ direction of sound rather than at my @¤^/-..,,.
,~»=*§¤### hands, who are busy putting things in ###¤§*=»~,
¨,¨,¨,~§*& my pockets. &*§~,¨,¨,¨
¨~~;%*¤@@# #@@¤*%;~~¨
.¨.¨,,,~*& then i run east toward my home. &*~,,,¨.¨.
...,:-\§§@ @§§\-:,...
,..,\§%%%# : #%%%§\,..,
.,-;^&## ###&&^;-,.
.^~†^§#¶## i am not followed, and slow down in the ##¶#§^†~^.
.:-;†£¤¶## clearing where you at first can spot ##¶¤£†;-:.
¨~=†*@## the house, not yet really in the ###&@*†=~¨
.:-^§*@### backyard. from my pockets i retrieve my ###@*§^-:.
¨--;§¤@### radio (now dented) but also a small ###@¤§;--¨
...¨~~=£¶# clay figure i've never seen before. it #¶£=~~¨...
..~*§*@@## must have been laying in the wet dirt, ##@@*§*~..
¨~=;%£&¶@# and i must've picked it up with my #@¶&£%;=~¨
.:~/†$#### other belongings. ####$†/~:.
.¨¨,.,,-$& &$-,,.,¨¨.
.-=†=%&@#@ it's a statuette of a girl laying naked @#@&%=†=-.
¨--*$¤§£## on her stomach, feet in the air, ##£§¤$*--¨
.~«*%$&¶@# roughly seven centimeters long. it's #@¶&$%*«~.
¨-=^%£#### freshly made, not yet completely dried. ####£%^=-¨
,,~\=¤§### ###§¤=\~,,
,,«;†££#@# my mom is here now. i ask her for some #@#££†;«,,
¨-~\§%£%@# particle board for it to dry on, but #@%£%§\~-¨
¨:«:*=*£§# she is worried and wants me to #§£*=*:«:¨
¨^-^†$&@@# throw it away. #@@&$†^-^¨
,.,~=\:§&¤ ¤&§:\=~,.,
¨^«\=$£@@# #@@£$=\«^¨
¨:=:†*£@## ##@£*†:=:¨
,-»;*=$#£& &£#$=*;»-,
.^«;†$@#@# #@#@$†;«^.
¨¨¨:«\=/*£ £*/=\«:¨¨¨