.,~;%§¤### ###¤§%;~,.
..,~;%§¤## ##¤§%;~,..
.,~;%§¤### ###¤§%;~,.
..,~;%§¤## ##¤§%;~,..
.,~;%§¤### ###¤§%;~,.
..,~;%§¤## TRAIN DREAM ##¤§%;~,..
.,~;%§¤### ######....,~,,..##################### ###¤§%;~,.
..,~;%§¤## ;;; ##¤§%;~,..
.,~;%§¤### ~ ###¤§%;~,.
..,~;%§¤## ~ ##¤§%;~,..
.,~;%§¤### ###¤§%;~,.
..,~;%§¤## (SITUATION) ##¤§%;~,..
.,~;%§¤### ###¤§%;~,.
..,~;%§¤## YOU FIND YOURSELF IN A RIFT - A ##¤§%;~,..
.,~;%§¤### CLEARING, NARROW BUT IMMEASURABLY LONG. ###¤§%;~,.
..,~;%§¤## TO YOUR SIDES ARE WALLS MADE OF TREES, ##¤§%;~,..
.,~;%§¤### THICK AND READY TO SWALLOW YOU. THE SUN ###¤§%;~,.
..,~;%§¤## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##¤§%;~,..
.,~;%§¤### IT IS VERY BRIGHT - THE AIR FEELS LIGHT ###¤§%;~,.
..,~;%§¤## BLUE, ALMOST WHITE. ##¤§%;~,..
.,~;%§¤### ###¤§%;~,.
..,~;%§¤## ALONG THE SPAN OF THE CLEARING LAY TWO ##¤§%;~,..
.,~;%§¤### PARALLEL SILVERY LINES, DARK HARD ###¤§%;~,.
..,~;%§¤## METAL. SOMEHOW YOU CAN SEE HOW HEAVY ##¤§%;~,..
.,~;%§¤### THEY ARE. ###¤§%;~,.
..,~;%§¤## ##¤§%;~,..
.,~;%§¤### THEY EMIT A HIGH PITCHED WHINE... ###¤§%;~,.
..,~;%§¤## ##¤§%;~,..
.,~;%§¤### ~ ###¤§%;~,.
..,~;%§¤## ..%.. ##¤§%;~,..
.,~;%§¤### ~ ###¤§%;~,.
..,~;%§¤## ##¤§%;~,..
.,~;%§¤### (SITUATION) ###¤§%;~,.
..,~;%§¤## ##¤§%;~,..
.,~;%§¤### YOURE AT THE TRAIN STATION, ON A ###¤§%;~,.
..,~;%§¤## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##¤§%;~,..
.,~;%§¤### LATE, OR YOU ARE LATE TO THE TRAIN. ###¤§%;~,.
..,~;%§¤## IT'S A SUMMER AFTERNOON AND THE STATION ##¤§%;~,..
.,~;%§¤### IS BUSY, FULL OF RELAXED CONFIDENCE. ###¤§%;~,.
..,~;%§¤## ##¤§%;~,..
.,~;%§¤### YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ###¤§%;~,.
..,~;%§¤## STRESSED ABOUT THE TIME, WHILE MOVING ##¤§%;~,..
.,~;%§¤### UP THE STAIRS TO YOUR PLATFORM. THE ###¤§%;~,.
..,~;%§¤## STATION IS IN SEVERAL LEVELS, ALL ##¤§%;~,..
.,~;%§¤### PLACED WITHIN EACHOTHER BY SOME ###¤§%;~,.
..,~;%§¤## INTELLIGENT DESIGNER, AND FULL OF ##¤§%;~,..
.,~;%§¤### STAIRS, ELEVATORS, SHORTCUTS, ###¤§%;~,.
..,~;%§¤## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##¤§%;~,..
.,~;%§¤### SOME GLASS WINDOWS. IT'S... NOT WHERE ###¤§%;~,.
..,~;%§¤## IT'S SUPPOSED TO BE? ##¤§%;~,..
.,~;%§¤### ###¤§%;~,.
..,~;%§¤## ~ ##¤§%;~,..
.,~;%§¤### ,,§,, ###¤§%;~,.
..,~;%§¤## ~ ##¤§%;~,..
.,~;%§¤### ###¤§%;~,.
..,~;%§¤## (SITUATION) ##¤§%;~,..
.,~;%§¤### ###¤§%;~,.
..,~;%§¤## YOU'RE FINALLY ENTERING THE CITY. WHILE ##¤§%;~,..
.,~;%§¤### IT IS INDEED A VERY HIGH SPEED TRAIN ###¤§%;~,.
..,~;%§¤## YOU'RE TRAVELING IN, THE JOURNEY HAS ##¤§%;~,..
.,~;%§¤### BEEN LONG. BUT IT'S ABOUT TO END! ###¤§%;~,.
..,~;%§¤## ##¤§%;~,..
.,~;%§¤### SOCIETY IS GROWING DENSER AROUND YOU, ###¤§%;~,.
..,~;%§¤## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##¤§%;~,..
.,~;%§¤### SHACKS, BUILT OF METAL AND STONE, THEN ###¤§%;~,.
..,~;%§¤## PROPER HOUSES WITH MORTAR TO KEEP THEM ##¤§%;~,..
.,~;%§¤### TOGETHER... WHO IN TURN MAKE WAY FOR ###¤§%;~,.
..,~;%§¤## THE INDUSTRIAL BUILDINGS, THE URBAN ##¤§%;~,..
.,~;%§¤### MAZE, PROTECTIVE WALLS, JUNGLE ###¤§%;~,.
..,~;%§¤## NETWORK... ##¤§%;~,..
.,~;%§¤### ###¤§%;~,.
..,~;%§¤## THE TRACKS LEAVE THE GROUND, WHICH IS ##¤§%;~,..
.,~;%§¤### NEEDED FOR OTHER PURPOSES. YOU ARE ###¤§%;~,.
..,~;%§¤## CARRIED GENTLY, CURVING UPWARDS UNTIL ##¤§%;~,..
.,~;%§¤### YOU'RE MOVING UPWARD ALONG THE WALL OF ###¤§%;~,.
..,~;%§¤## A BUILDING. IT'S MADE OF SLABBY STONE, ##¤§%;~,..
.,~;%§¤### WITH GREAT GLASSLESS WINDOW HOLES ###¤§%;~,.
..,~;%§¤## LOOKING OUT THE WAY YOU CAME. IT IS ##¤§%;~,..
.,~;%§¤### PITCH BLACK INSIDE. ###¤§%;~,.
..,~;%§¤## ##¤§%;~,..
.,~;%§¤### ###¤§%;~,.
..,~;%§¤## ##¤§%;~,..
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..,~;%§¤## ##¤§%;~,..