,-~/†@#### ####@†/~-,
,-~/†@#### ####@†/~-,
,,,,,--/@# #@/--,,,,,
,-~/†@#### ####@†/~-,
,-~/†@#### ####@†/~-,
,-~/†@#### train dream ####@†/~-,
,-~/†@#### ######,,,,-~--,,##################### ####@†/~-,
,,,-////@# /// #@////-,,,
,-~/†@#### ~ ####@†/~-,
,-~/†@#### ~ ####@†/~-,
,-~/†@#### ####@†/~-,
,-~/†@#### (situation) ####@†/~-,
,,,,,,,~†# #†~,,,,,,,
,-~/†@#### you find yourself in a rift - a ####@†/~-,
,-~/†@#### clearing, narrow but immeasurably long. ####@†/~-,
,,,-~†††@# to your sides are walls made of trees, #@†††~-,,,
,-~/†@#### thick and ready to swallow you. the sun ####@†/~-,
,,,,~/††## is nowhere to be seen, but nontheless ##††/~,,,,
,-~/†@#### it is very bright - the air feels light ####@†/~-,
-~/†@##### blue, almost white. #####@†/~-
,-~/†@#### ####@†/~-,
,-~/†@#### along the span of the clearing lay two ####@†/~-,
,-~/†@#### parallel silvery lines, dark hard ####@†/~-,
,-~/†@#### metal. somehow you can see how heavy ####@†/~-,
,-~/†@#### they are. ####@†/~-,
,-~/†@#### ####@†/~-,
,-~/†@#### they emit a high pitched whine... ####@†/~-,
,-~/†@#### ####@†/~-,
,,,,,~/@@# ~ #@@/~,,,,,
,,,-~~/@## ,,†,, ##@/~~-,,,
,-~/†@#### ~ ####@†/~-,
,-~/†@#### ####@†/~-,
,-~/††@### (situation) ###@††/~-,
,,,,-/@### ###@/-,,,,
,-~~~†@### youre at the train station, on a ###@†~~~-,
,,,,-~†@@# catwalk above the rails. your train is #@@†~-,,,,
,-~/†@#### late, or you are late to the train. ####@†/~-,
,-~/†@#### it's a summer afternoon and the station ####@†/~-,
,,,,-~~†@# is busy, full of relaxed confidence. #@†~~-,,,,
,-~/†@#### ####@†/~-,
,,,--~~†## you're in high spirits, although a bit ##†~~--,,,
,,-~///@@# stressed about the time, while moving #@@///~-,,
,-~/†@#### up the stairs to your platform. the ####@†/~-,
,-~/†@#### station is in several levels, all ####@†/~-,
,-~/†@#### placed within eachother by some ####@†/~-,
,-~/†@#### intelligent designer, and full of ####@†/~-,
,-~/†@#### stairs, elevators, shortcuts, ####@†/~-,
,,,,,-/@## bazaars... you sight your train through ##@/-,,,,,
,-~/†@#### some glass windows. it's... not where ####@†/~-,
,-~/†@#### it's supposed to be? ####@†/~-,
,-~/†@@@@# #@@@@†/~-,
,-~/†@#### ~ ####@†/~-,
,,,,,-/@## --@-- ##@/-,,,,,
,-~/†@#### ~ ####@†/~-,
,-~/†@#### ####@†/~-,
,-~/†@#### (situation) ####@†/~-,
,-~/††††## ##††††/~-,
,,--///†@# you're finally entering the city. while #@†///--,,
,,,,-/@@## it is indeed a very high speed train ##@@/-,,,,
,-~/†@#### you're traveling in, the journey has ####@†/~-,
,-~/†@#### been long. but it's about to end! ####@†/~-,
,-/†@##### #####@†/-,
,,,,,-~/@# society is growing denser around you, #@/~-,,,,,
,-~/†@#### through the windows you see first small ####@†/~-,
,-~/†@#### shacks, built of metal and stone, then ####@†/~-,
,-~/†@#### proper houses with mortar to keep them ####@†/~-,
,-~/†@#### together... who in turn make way for ####@†/~-,
-~/†@##### the industrial buildings, the urban #####@†/~-
,-~/†@#### maze, protective walls, jungle ####@†/~-,
,-~/†@#### network... ####@†/~-,
,,,,,-/@## ##@/-,,,,,
,-~/†@#### the tracks leave the ground, which is ####@†/~-,
,,,-///@## needed for other purposes. you are ##@///-,,,
,-~/@##### carried gently, curving upwards until #####@/~-,
,-~/†@#### you're moving upward along the wall of ####@†/~-,
,,,,~†@@@# a building. it's made of slabby stone, #@@@†~,,,,
,-~/†@#### with great glassless window holes ####@†/~-,
,-~/†@#### looking out the way you came. it is ####@†/~-,
,-~/†@#### pitch black inside. ####@†/~-,
,-~/†@#### ####@†/~-,
,-~/†@#### ####@†/~-,
,-~/†@#### ####@†/~-,
,-~/†@@### ###@@†/~-,
,-~/†@#### ####@†/~-,