,,,--;$%@@ @@%$;--,,,
,~-;$%&@## ##@&%$;-~,
,,,,----$& &$----,,,,
,~-;$%&&&# #&&&%$;-~,
,~-;$%&### ###&%$;-~,
,~-;%&@### TRAIN DREAM ###@&%;-~,
,~-;$%&@## ######,,,,~-~~,,##################### ##@&%$;-~,
,~-;$%&&&# ;;; #&&&%$;-~,
,~-;$%&@## - ##@&%$;-~,
,,,,,,~-$& - &$-~,,,,,,
,~-;$%&@## ##@&%$;-~,
,,,,,-;$&& (SITUATION) &&$;-,,,,,
,~-;$%&@## ##@&%$;-~,
,,~~-$$&@@ YOU FIND YOURSELF IN A RIFT - A @@&$$-~~,,
,,,--;%&&# CLEARING, NARROW BUT IMMEASURABLY LONG. #&&%;--,,,
,,,,,~;$&& TO YOUR SIDES ARE WALLS MADE OF TREES, &&$;~,,,,,
,,,~~~;;%& THICK AND READY TO SWALLOW YOU. THE SUN &%;;~~~,,,
,~--;$$&&# IS NOWHERE TO BE SEEN, BUT NONTHELESS #&&$$;--~,
,~-;$%&@## IT IS VERY BRIGHT - THE AIR FEELS LIGHT ##@&%$;-~,
,,,,~--;%& BLUE, ALMOST WHITE. &%;--~,,,,
,~-;$%&@## ##@&%$;-~,
,~-;$%&@## ALONG THE SPAN OF THE CLEARING LAY TWO ##@&%$;-~,
,~-;$%&@## PARALLEL SILVERY LINES, DARK HARD ##@&%$;-~,
,~-;$%&### METAL. SOMEHOW YOU CAN SEE HOW HEAVY ###&%$;-~,
,~-;$%&@## THEY ARE. ##@&%$;-~,
,~-;;;%%&# #&%%;;;-~,
,~-;$%&@## THEY EMIT A HIGH PITCHED WHINE... ##@&%$;-~,
,~-;$%&### ###&%$;-~,
,~-;$%&@## - ##@&%$;-~,
,~-;$%&@## ,,$,, ##@&%$;-~,
,~~--$$%@@ - @@%$$--~~,
,,,,,~-$%@ @%$-~,,,,,
,,,,~;;$%& (SITUATION) &%$;;~,,,,
,~-;$%&@## ##@&%$;-~,
,~-;$&@### YOURE AT THE TRAIN STATION, ON A ###@&$;-~,
,~-;$%&@## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##@&%$;-~,
,,,,,~-$$& LATE, OR YOU ARE LATE TO THE TRAIN. &$$-~,,,,,
,~-;$%&@## IT'S A SUMMER AFTERNOON AND THE STATION ##@&%$;-~,
,~-;$%%%&& IS BUSY, FULL OF RELAXED CONFIDENCE. &&%%%$;-~,
,,,~~-;$%@ @%$;-~~,,,
,~-;$%&@## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##@&%$;-~,
,~-;$%&@## STRESSED ABOUT THE TIME, WHILE MOVING ##@&%$;-~,
,~-;$%&@## UP THE STAIRS TO YOUR PLATFORM. THE ##@&%$;-~,
,,,,,,~;%& STATION IS IN SEVERAL LEVELS, ALL &%;~,,,,,,
,~-;$%@### PLACED WITHIN EACHOTHER BY SOME ###@%$;-~,
,~-;$%&@@# INTELLIGENT DESIGNER, AND FULL OF #@@&%$;-~,
,~-;$%&@## STAIRS, ELEVATORS, SHORTCUTS, ##@&%$;-~,
,~-;$%&### BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ###&%$;-~,
,~-;$%&@## SOME GLASS WINDOWS. IT'S... NOT WHERE ##@&%$;-~,
,~-;$%&@## IT'S SUPPOSED TO BE? ##@&%$;-~,
,~-;$%&### ###&%$;-~,
,~-;$$$$$& - &$$$$$;-~,
,~-;$%%%%@ ~~%~~ @%%%%$;-~,
,~-;$%&@## - ##@&%$;-~,
,,~~~~-$&@ @&$-~~~~,,
,,,,~-$%&@ (SITUATION) @&%$-~,,,,
,~-;$%&&@@ @@&&%$;-~,
,~-;$%&&&@ YOU'RE FINALLY ENTERING THE CITY. WHILE @&&&%$;-~,
,~-;$%&@## IT IS INDEED A VERY HIGH SPEED TRAIN ##@&%$;-~,
,,~~-;$$$& YOU'RE TRAVELING IN, THE JOURNEY HAS &$$$;-~~,,
,~-;$%&@## BEEN LONG. BUT IT'S ABOUT TO END! ##@&%$;-~,
,~-;$%&@## ##@&%$;-~,
,,,,,--;%@ SOCIETY IS GROWING DENSER AROUND YOU, @%;--,,,,,
,~-;$%&@## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##@&%$;-~,
,~-;$%&@## SHACKS, BUILT OF METAL AND STONE, THEN ##@&%$;-~,
,,,~-$$$%& PROPER HOUSES WITH MORTAR TO KEEP THEM &%$$$-~,,,
,,,,,-$$&# TOGETHER... WHO IN TURN MAKE WAY FOR #&$$-,,,,,
,,,,-;;$&& THE INDUSTRIAL BUILDINGS, THE URBAN &&$;;-,,,,
,~-;$%&@## MAZE, PROTECTIVE WALLS, JUNGLE ##@&%$;-~,
,~~~~-;%&& NETWORK... &&%;-~~~~,
,,,--;$&&# #&&$;--,,,
,,,,,-$&&& THE TRACKS LEAVE THE GROUND, WHICH IS &&&$-,,,,,
,~-;$$$&&& NEEDED FOR OTHER PURPOSES. YOU ARE &&&$$$;-~,
,~-;$%&@## CARRIED GENTLY, CURVING UPWARDS UNTIL ##@&%$;-~,
,~-;$%&@@@ YOU'RE MOVING UPWARD ALONG THE WALL OF @@@&%$;-~,
,~-;$%&@## A BUILDING. IT'S MADE OF SLABBY STONE, ##@&%$;-~,
,,~-;;$&@# WITH GREAT GLASSLESS WINDOW HOLES #@&$;;-~,,
,,,,,-$$&# LOOKING OUT THE WAY YOU CAME. IT IS #&$$-,,,,,
,,,,,~~;%@ PITCH BLACK INSIDE. @%;~~,,,,,
,,,----$$& &$$----,,,
,~-;$%&@## ##@&%$;-~,
,,,,,~;$%@ @%$;~,,,,,
,~-;$%&@## ##@&%$;-~,
,~-;$%&&&# #&&&%$;-~,