....~**§§@ @§§**~....
......~*%@ @%*~......
.~-*§%@@## ##@@%§*-~.
.....~**%@ @%**~.....
....~*%@@@ @@@%*~....
..~---**%@ TRAIN DREAM @%**---~..
.~-*§%@@## ######....~-~~..##################### ##@@%§*-~.
..~~~*§%@# *** #@%§*~~~..
.~~~~*%%%@ - @%%%*~~~~.
....~--*%@ - @%*--~....
.~-*§%@@## ##@@%§*-~.
.~-*§%@### (SITUATION) ###@%§*-~.
.~-*§%@@## ##@@%§*-~.
.~----§§@@ YOU FIND YOURSELF IN A RIFT - A @@§§----~.
.~-*§%@@## CLEARING, NARROW BUT IMMEASURABLY LONG. ##@@%§*-~.
.~-*§%@@## TO YOUR SIDES ARE WALLS MADE OF TREES, ##@@%§*-~.
.~-*§%%@@@ THICK AND READY TO SWALLOW YOU. THE SUN @@@%%§*-~.
.~-*§%@@@@ IS NOWHERE TO BE SEEN, BUT NONTHELESS @@@@%§*-~.
.~-*§%@@## IT IS VERY BRIGHT - THE AIR FEELS LIGHT ##@@%§*-~.
......-*%@ BLUE, ALMOST WHITE. @%*-......
.~-*§%@@@# #@@@%§*-~.
.~-*§%@@## ALONG THE SPAN OF THE CLEARING LAY TWO ##@@%§*-~.
.~-*§%@@## PARALLEL SILVERY LINES, DARK HARD ##@@%§*-~.
....~-§§@# METAL. SOMEHOW YOU CAN SEE HOW HEAVY #@§§-~....
.~-*§%@@@# THEY ARE. #@@@%§*-~.
.-*§%@@### ###@@%§*-.
.~-*§%@### THEY EMIT A HIGH PITCHED WHINE... ###@%§*-~.
.....~*§%@ @%§*~.....
...~--*%%@ - @%%*--~...
....~~-*%@ ..§.. @%*-~~....
.~-*§%@@## - ##@@%§*-~.
.~-*§%@@@@ @@@@%§*-~.
.~-*§%@@@# (SITUATION) #@@@%§*-~.
....--§§%@ @%§§--....
.~-*§%@@## YOURE AT THE TRAIN STATION, ON A ##@@%§*-~.
.~-*§@@### CATWALK ABOVE THE RAILS. YOUR TRAIN IS ###@@§*-~.
.~~--*§%@@ LATE, OR YOU ARE LATE TO THE TRAIN. @@%§*--~~.
.~-*§%@@## IT'S A SUMMER AFTERNOON AND THE STATION ##@@%§*-~.
.....~*%%@ IS BUSY, FULL OF RELAXED CONFIDENCE. @%%*~.....
.~-*§%@@@@ @@@@%§*-~.
.~-*§%@@## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##@@%§*-~.
.....~-§§@ STRESSED ABOUT THE TIME, WHILE MOVING @§§-~.....
.~--*§%@@# UP THE STAIRS TO YOUR PLATFORM. THE #@@%§*--~.
.~-*§%@@## STATION IS IN SEVERAL LEVELS, ALL ##@@%§*-~.
.~-*§%@@## PLACED WITHIN EACHOTHER BY SOME ##@@%§*-~.
.....~-*%@ INTELLIGENT DESIGNER, AND FULL OF @%*-~.....
.~-*§%@@## STAIRS, ELEVATORS, SHORTCUTS, ##@@%§*-~.
...~~~-§@# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #@§-~~~...
...~-§%@@@ SOME GLASS WINDOWS. IT'S... NOT WHERE @@@%§-~...
.~-*%@@### IT'S SUPPOSED TO BE? ###@@%*-~.
.....-§§§@ @§§§-.....
...~~-*§@# - #@§*-~~...
...~~~*%@@ ~~%~~ @@%*~~~...
...~*§§@@@ - @@@§§*~...
.~-*§%@@## ##@@%§*-~.
.~-§%@@### (SITUATION) ###@@%§-~.
....~-§%%@ @%%§-~....
....-§§%@@ YOU'RE FINALLY ENTERING THE CITY. WHILE @@%§§-....
.~-*§%@@@# IT IS INDEED A VERY HIGH SPEED TRAIN #@@@%§*-~.
.~-*§%@@## YOU'RE TRAVELING IN, THE JOURNEY HAS ##@@%§*-~.
.~-*§%@### BEEN LONG. BUT IT'S ABOUT TO END! ###@%§*-~.
.~-*§%@@@# #@@@%§*-~.
.~-*§%@### SOCIETY IS GROWING DENSER AROUND YOU, ###@%§*-~.
.~-*§%@@## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##@@%§*-~.
.....-*%%@ SHACKS, BUILT OF METAL AND STONE, THEN @%%*-.....
.~-*§%%%%@ PROPER HOUSES WITH MORTAR TO KEEP THEM @%%%%§*-~.
......~*%@ TOGETHER... WHO IN TURN MAKE WAY FOR @%*~......
.~-*§%@@## THE INDUSTRIAL BUILDINGS, THE URBAN ##@@%§*-~.
.~-*§%@@## MAZE, PROTECTIVE WALLS, JUNGLE ##@@%§*-~.
...~-*§%@@ NETWORK... @@%§*-~...
.~-*§%@@## ##@@%§*-~.
.~-**§§@@@ THE TRACKS LEAVE THE GROUND, WHICH IS @@@§§**-~.
...~-**§@# NEEDED FOR OTHER PURPOSES. YOU ARE #@§**-~...
.~-*§%@@## CARRIED GENTLY, CURVING UPWARDS UNTIL ##@@%§*-~.
.~-*§%@### YOU'RE MOVING UPWARD ALONG THE WALL OF ###@%§*-~.
......-§%@ A BUILDING. IT'S MADE OF SLABBY STONE, @%§-......
.~-*§%@@## WITH GREAT GLASSLESS WINDOW HOLES ##@@%§*-~.
.~-*§%@@@@ LOOKING OUT THE WAY YOU CAME. IT IS @@@@%§*-~.
.~-*§%@@## PITCH BLACK INSIDE. ##@@%§*-~.
.~-*§%@@## ##@@%§*-~.
.~-*§%@@## ##@@%§*-~.
.....-*§%@ @%§*-.....
.~-*§%@### ###@%§*-~.
.~-*§%@@@# #@@@%§*-~.