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,,=†$%£@## TRAIN DREAM ##@£%$†=,,
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,,=†$%£££@ (SITUATION) @£££%$†=,,
,,=†$%£@## ##@£%$†=,,
,,,,===†%# YOU FIND YOURSELF IN A RIFT - A #%†===,,,,
,,,,,†$%£@ CLEARING, NARROW BUT IMMEASURABLY LONG. @£%$†,,,,,
,,=†$%£#@# TO YOUR SIDES ARE WALLS MADE OF TREES, #@#£%$†=,,
,,,,=†$%%£ THICK AND READY TO SWALLOW YOU. THE SUN £%%$†=,,,,
,,,,,,†$£@ IS NOWHERE TO BE SEEN, BUT NONTHELESS @£$†,,,,,,
,,=††$$%%# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #%%$$††=,,
,,,,=†$%%£ BLUE, ALMOST WHITE. £%%$†=,,,,
,,=†$$%%%# #%%%$$†=,,
,,,,,,=$£# ALONG THE SPAN OF THE CLEARING LAY TWO #£$=,,,,,,
,,,,,,,=$£ PARALLEL SILVERY LINES, DARK HARD £$=,,,,,,,
,,,====†$£ METAL. SOMEHOW YOU CAN SEE HOW HEAVY £$†====,,,
,,,,,,=†%£ THEY ARE. £%†=,,,,,,
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,,=†$%£### CATWALK ABOVE THE RAILS. YOUR TRAIN IS ###£%$†=,,
,,=†$%£#@# LATE, OR YOU ARE LATE TO THE TRAIN. #@#£%$†=,,
,,=†$%£#@# IT'S A SUMMER AFTERNOON AND THE STATION #@#£%$†=,,
,,=†$%£### IS BUSY, FULL OF RELAXED CONFIDENCE. ###£%$†=,,
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,,,,,,,†$£ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT £$†,,,,,,,
,,,,,††%#@ STRESSED ABOUT THE TIME, WHILE MOVING @#%††,,,,,
,,,,,,=$$£ UP THE STAIRS TO YOUR PLATFORM. THE £$$=,,,,,,
,,,,,=†$££ STATION IS IN SEVERAL LEVELS, ALL ££$†=,,,,,
,,=†$%£#@# PLACED WITHIN EACHOTHER BY SOME #@#£%$†=,,
,,,,,,=†%# INTELLIGENT DESIGNER, AND FULL OF #%†=,,,,,,
,,,,,=†%%# STAIRS, ELEVATORS, SHORTCUTS, #%%†=,,,,,
,,=†$%£#@# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #@#£%$†=,,
,,=†$%%%£@ SOME GLASS WINDOWS. IT'S... NOT WHERE @£%%%$†=,,
,,=†$%£#@# IT'S SUPPOSED TO BE? #@#£%$†=,,
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,,,,==†%££ IT IS INDEED A VERY HIGH SPEED TRAIN ££%†==,,,,
,,,,,,†%£@ YOU'RE TRAVELING IN, THE JOURNEY HAS @£%†,,,,,,
,,=†%£#@## BEEN LONG. BUT IT'S ABOUT TO END! ##@#£%†=,,
,,,,,†%%£@ @£%%†,,,,,
,,=†$$%%#@ SOCIETY IS GROWING DENSER AROUND YOU, @#%%$$†=,,
,,,,=$%%#@ THROUGH THE WINDOWS YOU SEE FIRST SMALL @#%%$=,,,,
,,,,,,=$£@ SHACKS, BUILT OF METAL AND STONE, THEN @£$=,,,,,,
,,,,,=†$%£ PROPER HOUSES WITH MORTAR TO KEEP THEM £%$†=,,,,,
,,,=†$$%££ TOGETHER... WHO IN TURN MAKE WAY FOR ££%$$†=,,,
,,,,,,,=$£ THE INDUSTRIAL BUILDINGS, THE URBAN £$=,,,,,,,
,,===$%%%£ MAZE, PROTECTIVE WALLS, JUNGLE £%%%$===,,
,,,,,,††%# NETWORK... #%††,,,,,,
,,,,=†$%£# #£%$†=,,,,
,,=†$%£@## THE TRACKS LEAVE THE GROUND, WHICH IS ##@£%$†=,,
,,=†$%£### NEEDED FOR OTHER PURPOSES. YOU ARE ###£%$†=,,
,,,,,,††%# CARRIED GENTLY, CURVING UPWARDS UNTIL #%††,,,,,,
,,=†$%£##@ YOU'RE MOVING UPWARD ALONG THE WALL OF @##£%$†=,,
,,=†$%%££@ A BUILDING. IT'S MADE OF SLABBY STONE, @££%%$†=,,
,,,,,,,†%# WITH GREAT GLASSLESS WINDOW HOLES #%†,,,,,,,
,,=†$%£#@@ LOOKING OUT THE WAY YOU CAME. IT IS @@#£%$†=,,
,=†$%£#@## PITCH BLACK INSIDE. ##@#£%$†=,
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