,^»/%§¶### ###¶§%/»^,
,,^»/%§¶## ##¶§%/»^,,
,^»/%§¶### ###¶§%/»^,
,,^»/%§¶## ##¶§%/»^,,
,^»/%§¶### ###¶§%/»^,
,,^»/%§¶## train dream ##¶§%/»^,,
,^»/%§¶### ######,,,,^»^^,,##################### ###¶§%/»^,
,,^»/%§¶## /// ##¶§%/»^,,
,^»/%§¶### » ###¶§%/»^,
,,^»/%§¶## » ##¶§%/»^,,
,^»/%§¶### ###¶§%/»^,
,,^»/%§¶## (situation) ##¶§%/»^,,
,^»/%§¶### ###¶§%/»^,
,,^»/%§¶## you find yourself in a rift - a ##¶§%/»^,,
,^»/%§¶### clearing, narrow but immeasurably long. ###¶§%/»^,
,,^»/%§¶## to your sides are walls made of trees, ##¶§%/»^,,
,^»/%§¶### thick and ready to swallow you. the sun ###¶§%/»^,
,,^»/%§¶## is nowhere to be seen, but nontheless ##¶§%/»^,,
,^»/%§¶### it is very bright - the air feels light ###¶§%/»^,
,,^»/%§¶## blue, almost white. ##¶§%/»^,,
,^»/%§¶### ###¶§%/»^,
,,^»/%§¶## along the span of the clearing lay two ##¶§%/»^,,
,^»/%§¶### parallel silvery lines, dark hard ###¶§%/»^,
,,^»/%§¶## metal. somehow you can see how heavy ##¶§%/»^,,
,^»/%§¶### they are. ###¶§%/»^,
,,^»/%§¶## ##¶§%/»^,,
,^»/%§¶### they emit a high pitched whine... ###¶§%/»^,
,,^»/%§¶## ##¶§%/»^,,
,^»/%§¶### » ###¶§%/»^,
,,^»/%§¶## ,,§,, ##¶§%/»^,,
,^»/%§¶### » ###¶§%/»^,
,,^»/%§¶## ##¶§%/»^,,
,^»/%§¶### (situation) ###¶§%/»^,
,,^»/%§¶## ##¶§%/»^,,
,^»/%§¶### youre at the train station, on a ###¶§%/»^,
,,^»/%§¶## catwalk above the rails. your train is ##¶§%/»^,,
,^»/%§¶### late, or you are late to the train. ###¶§%/»^,
,,^»/%§¶## it's a summer afternoon and the station ##¶§%/»^,,
,^»/%§¶### is busy, full of relaxed confidence. ###¶§%/»^,
,,^»/%§¶## ##¶§%/»^,,
,^»/%§¶### you're in high spirits, although a bit ###¶§%/»^,
,,^»/%§¶## stressed about the time, while moving ##¶§%/»^,,
,^»/%§¶### up the stairs to your platform. the ###¶§%/»^,
,,^»/%§¶## station is in several levels, all ##¶§%/»^,,
,^»/%§¶### placed within eachother by some ###¶§%/»^,
,,^»/%§¶## intelligent designer, and full of ##¶§%/»^,,
,^»/%§¶### stairs, elevators, shortcuts, ###¶§%/»^,
,,^»/%§¶## bazaars... you sight your train through ##¶§%/»^,,
,^»/%§¶### some glass windows. it's... not where ###¶§%/»^,
,,^»/%§¶## it's supposed to be? ##¶§%/»^,,
,^»/%§¶### ###¶§%/»^,
,,^»/%§¶## » ##¶§%/»^,,
,^»/%§¶### ^^%^^ ###¶§%/»^,
,,^»/%§¶## » ##¶§%/»^,,
,^»/%§¶### ###¶§%/»^,
,,^»/%§¶## (situation) ##¶§%/»^,,
,^»/%§¶### ###¶§%/»^,
,,^»/%§¶## you're finally entering the city. while ##¶§%/»^,,
,^»/%§¶### it is indeed a very high speed train ###¶§%/»^,
,,^»/%§¶## you're traveling in, the journey has ##¶§%/»^,,
,^»/%§¶### been long. but it's about to end! ###¶§%/»^,
,,^»/%§¶## ##¶§%/»^,,
,^»/%§¶### society is growing denser around you, ###¶§%/»^,
,,^»/%§¶## through the windows you see first small ##¶§%/»^,,
,^»/%§¶### shacks, built of metal and stone, then ###¶§%/»^,
,,^»/%§¶## proper houses with mortar to keep them ##¶§%/»^,,
,^»/%§¶### together... who in turn make way for ###¶§%/»^,
,,^»/%§¶## the industrial buildings, the urban ##¶§%/»^,,
,^»/%§¶### maze, protective walls, jungle ###¶§%/»^,
,,^»/%§¶## network... ##¶§%/»^,,
,^»/%§¶### ###¶§%/»^,
,,^»/%§¶## the tracks leave the ground, which is ##¶§%/»^,,
,^»/%§¶### needed for other purposes. you are ###¶§%/»^,
,,^»/%§¶## carried gently, curving upwards until ##¶§%/»^,,
,^»/%§¶### you're moving upward along the wall of ###¶§%/»^,
,,^»/%§¶## a building. it's made of slabby stone, ##¶§%/»^,,
,^»/%§¶### with great glassless window holes ###¶§%/»^,
,,^»/%§¶## looking out the way you came. it is ##¶§%/»^,,
,^»/%§¶### pitch black inside. ###¶§%/»^,
,,^»/%§¶## ##¶§%/»^,,
,^»/%§¶### ###¶§%/»^,
,,^»/%§¶## ##¶§%/»^,,
,^»/%§¶### ###¶§%/»^,
,,^»/%§¶## ##¶§%/»^,,