,^~:†*££@# #@££*†:~^,
,^~:†*££@# #@££*†:~^,
,^~:†££@## ##@££†:~^,
,^~:†*££@# #@££*†:~^,
,^~:†*££@# #@££*†:~^,
,^~:†*££## train dream ##££*†:~^,
,^~:†*££@# ######,,,,^~^^,,##################### #@££*†:~^,
,,,^^:††££ ::: ££††:^^,,,
,^~:†*£££@ ~ @£££*†:~^,
,^~:†*££@@ ~ @@££*†:~^,
,,,^:††*££ ££*††:^,,,
,^~:†*££@# (situation) #@££*†:~^,
,^~:†**£££ £££**†:~^,
,^~:†*££@# you find yourself in a rift - a #@££*†:~^,
,^~:†*££@# clearing, narrow but immeasurably long. #@££*†:~^,
,,,,,,~:*£ to your sides are walls made of trees, £*:~,,,,,,
,^~:†*££@# thick and ready to swallow you. the sun #@££*†:~^,
,^~:†*££@# is nowhere to be seen, but nontheless #@££*†:~^,
,,,,,^~:*£ it is very bright - the air feels light £*:~^,,,,,
,,,,,~:*££ blue, almost white. ££*:~,,,,,
,,,,,^:†£@ @£†:^,,,,,
,,,,~:**£@ along the span of the clearing lay two @£**:~,,,,
,,,,,~:*£@ parallel silvery lines, dark hard @£*:~,,,,,
,^~::†*£££ metal. somehow you can see how heavy £££*†::~^,
,,,^^~~†*£ they are. £*†~~^^,,,
,,,,,,^:†£ £†:^,,,,,,
,^~:†††*££ they emit a high pitched whine... ££*†††:~^,
,,,^^^~:*£ £*:~^^^,,,
,^~:†*£@## ~ ##@£*†:~^,
,^~:†*££## ,,†,, ##££*†:~^,
,^~:†*£@## ~ ##@£*†:~^,
,,,,,^~:*£ £*:~^,,,,,
,^~:†*£@## (situation) ##@£*†:~^,
,,,,~††£££ £££††~,,,,
,^~:††***£ youre at the train station, on a £***††:~^,
,^~:†*££££ catwalk above the rails. your train is ££££*†:~^,
,^~:†*£@## late, or you are late to the train. ##@£*†:~^,
,^~:†*££@# it's a summer afternoon and the station #@££*†:~^,
,^~:†*££@# is busy, full of relaxed confidence. #@££*†:~^,
,^~:†*££@# #@££*†:~^,
,^~:†****£ you're in high spirits, although a bit £****†:~^,
,,,,,,~†*£ stressed about the time, while moving £*†~,,,,,,
,^~:†*££@# up the stairs to your platform. the #@££*†:~^,
,^~:†*££@@ station is in several levels, all @@££*†:~^,
,,,^:††£££ placed within eachother by some £££††:^,,,
,^~:†*££@# intelligent designer, and full of #@££*†:~^,
,^~:†*££@# stairs, elevators, shortcuts, #@££*†:~^,
,^~:†*££@@ bazaars... you sight your train through @@££*†:~^,
,^~:†*£@## some glass windows. it's... not where ##@£*†:~^,
,,,,,~:*£@ it's supposed to be? @£*:~,,,,,
,^~:†*££@# #@££*†:~^,
,^~:†*£@## ~ ##@£*†:~^,
,^^^^:::†£ ^^*^^ £†:::^^^^,
,^~:†*££@# ~ #@££*†:~^,
,,,^^:**£@ @£**:^^,,,
,,,,,^:*£@ (situation) @£*:^,,,,,
,^~:†*££@# #@££*†:~^,
,^~:†*£@## you're finally entering the city. while ##@£*†:~^,
,^~:†*££££ it is indeed a very high speed train ££££*†:~^,
,^~:††*£££ you're traveling in, the journey has £££*††:~^,
,^~:†*£££@ been long. but it's about to end! @£££*†:~^,
,^~:†*££@# #@££*†:~^,
,^~:::*£££ society is growing denser around you, £££*:::~^,
,,,^~†*££@ through the windows you see first small @££*†~^,,,
,^~:†*££@@ shacks, built of metal and stone, then @@££*†:~^,
,,^^~†**£@ proper houses with mortar to keep them @£**†~^^,,
,^~:†*££@@ together... who in turn make way for @@££*†:~^,
,,,,~:††££ the industrial buildings, the urban ££††:~,,,,
,^~:†*££@# maze, protective walls, jungle #@££*†:~^,
,,^^::††*£ network... £*††::^^,,
,^~:†*££@# #@££*†:~^,
,^~:†*££@# the tracks leave the ground, which is #@££*†:~^,
,^~:†*£@## needed for other purposes. you are ##@£*†:~^,
,^^^~~†**£ carried gently, curving upwards until £**†~~^^^,
,^^^~::*££ you're moving upward along the wall of ££*::~^^^,
,^~:†*££@# a building. it's made of slabby stone, #@££*†:~^,
,,,~~~~†££ with great glassless window holes ££†~~~~,,,
,,,,,,^:*£ looking out the way you came. it is £*:^,,,,,,
,,,~::†£££ pitch black inside. £££†::~,,,
,,,,,^:*££ ££*:^,,,,,
,^~:†*££@# #@££*†:~^,
,^~:†*££@# #@££*†:~^,
,^~:†****£ £****†:~^,
,^~:†*££@@ @@££*†:~^,