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* the glass factory. *
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#@¶¤§*;~.¨ several centuries after it had last ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ belonged to us, we went on an outing to ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ the glass factory that bore our family ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ name. it had changed owners many times ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ since our ancestors death, and then ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ stood abandoned for a long while. ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ finally, the natural end station for ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ the buildings that survive: a museum, ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ and a gift shop. ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ there's a long time since my family ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ made anything. by many, we would be ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ considered poor. ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ there are two main factory buildings, ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ domed things of several floors, made in ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ yellow brick. large but narrow windows, ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ reminescent of some cathedral. ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ custom-made glass, of course, large and ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ leaded, and ashen. a bit too dark to be ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ practical. on the eastern building, ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ some are shattered. ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ the other one is publicly open. there's ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ a museum, with wax figures of my great ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ great great grandfather, or something. ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ various tools (or replicas) laid out on ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ tables, with explaining texts. a lot of ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ glass of varying thickness. ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ ** ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ** ** ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ ~~~~~~~ * * ~~~~~~~ ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ** ** ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ ** ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ i quickly sneak out, and climb into the ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ other building. the contrast is ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ overwhelming. it must have stood ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ derelict for a long time, windows ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ broken, metallic trash and pools of ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ dark glass all over the floor. no ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ electric lights, but i can see by the ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ light that shines in wherever the dark ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ windows are missing a pane. ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ however, the greatest difference is the ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ higher floors: this building has none. ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ it is one massive hall, stretching away ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ infinitely above me. somewhere up there ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ is some great iron latticework, from ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ where chains are suspended, and parts ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ of machinery has been falling down. ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ there is, in the middle of the great ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ hall, a thin spiral staircase that ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ leads up there. i sneak over there, and ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ take a few reluctant steps. after just ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ a revolution, i notice that for each ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ step the building starts to glow, the ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ bricks turning a dark red, and then ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ orange, all the piled up debree being ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ lit from behind. ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ i stop ready to run down and out, but ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ there's someone else on the staircase ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ with me now, pressed close. he's ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ looking like me, short hair and thin ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ arms, but with ears from some animal, ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ and more disturbingly, completely made ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ of dark liquid glass. ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ ** ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ** ** ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ ~~~~~~~ * * ~~~~~~~ ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ** ** ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ ** ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ my fear holds me in place while he ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ starts operating levers and dials set ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ in the center of the staircase. slowly, ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ it starts spinning, circling upwards. ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ it's an elevator! i start to run ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ downwards, but now the liquid boy ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ creature grabs hold of me. i try to ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ shake him off, but he's too strong, and ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ pulls me back up beside him. ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ this time, i turn angry instead. what ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ the hell? who is this guy, acting like ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ this? i reach out my free arm and slam ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ a random lever. some metal bar is ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ suddenly released between us, hitting ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ him on the arm, forcing my release. i ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ shove him off of me, and he falls into ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ the levers, messing them up. ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ immediately, a thin rusty chainmail ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ curtain is dropped around me. but the ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ elevator also speeds up significantly. ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ the walls are flaring now, yellow, ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ white, almost blue. i close my eyes and ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ curl into a ball. but then, the glass ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ boy screams, a piercing sound that ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ forces my eyes back open. i watch as he ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ becomes too liquid, his body pooling ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ down in his now massive tail, and the ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ tip of it suddenly breaks of in a glass ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ drop that falls toward the factory ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ floor. ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ he's crawling on the stairs, unable to ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ keep his body upright. can't reach the ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ levers, claws at my chainmail cage, ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ while his body is turning into dark ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ pearls. finally, he's lost too much of ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ himself and the scream is cut short. ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ the last of him rains down. ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ i still can't reach the levers from ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ within my cage. looking up, i try to ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ make out the ceiling, but it's all a ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ whirling sea of colours. below me glows ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ the hellfire of the factory walls, but ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ very faint. i sit down, curl back up, ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ become still. ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ** ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ ** ** ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ~~~~~~~ * * ~~~~~~~ ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ ** ** ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ** ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ a large clunk shakes my entire body, ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ and snaps me back into reality. i'm ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ back at the factory floor, but the ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ stairs are still moving slightly, ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ clicking in place, carrying me the last ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ few centimeters. i came from below, ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ somehow. the chainmail is retracted, ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ and i slowly dismount the stairs. ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ shaking and crying, i make my way over ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ the factory floor, wading through dark ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ glass marbles. a quick glance down, and ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ i see there's something faint inside ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ them. embryos? are these eggs? ¨.~;*§¤¶@#
@¶¤§*;~.¨¨ ¨¨.~;*§¤¶@
#@¶¤§*;~.¨ i shudder, and climb back out. ¨.~;*§¤¶@#
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