,,¨..:~=*§ §*=~:..¨,,
.~-^=@§### ###§@=^-~.
,,,-«%=*&@ @&*=%«-,,,
.¨,~^=†@*¶ ¶*@†=^~,¨.
¨,.,,;^%£# #£%^;,,.,¨
¨,¨,:~%£¤@ statuette @¤£%~:,¨,¨
,....~:^&¤ ¤&^:~....,
¨.¨¨¨.~§¤@ ¤*$%§$&%¤%&££$%@~~=~»~~-&@§@*¤&¤@%&¤¤%&* @¤§~.¨¨¨.¨
.-»†^&§@## &$$$@*£&$ ##@§&^†»-.
.,,,...:&§ §&:...,,,.
¨-=^&£#### forests around my childhood home. thick ####£&^=-¨
.:-;$%¤£#£ pine arcades that were planted and £#£¤%$;-:.
.,-=^$£### forgotten. wild boars roaming ###£$^=-,.
,:«;§%¤¤§# underneath, sniffing at the ground. it #§¤¤%§;«:,
¨.-†%§£¶## is dark and moist, the canopy having ##¶£§%†-.¨
..¨.,^\$ already soaked up all the sun. #&$\^,.¨..
.^:~-=%§@# #@§%=-~:^.
,,-;*¤¤£#@ there's a river passing by, from east @#£¤¤*;-,,
,¨.,,¨^-%# to west, getting broader and deeper and #%-^¨,,.¨,
¨:~*§$##£# slower as it goes. equisetum grow just #£##$§*~:¨
¨~=/$¤£### where the pine hands start to let ###£¤$/=~¨
,.¨,.«\¤£# through light, horsemint on the rocky #£¤\«.,¨.,
¨-»/%¤¶### river bed. ###¶¤%/»-¨
,,¨.¨,~^§# #§^~,¨.¨,,
,¨.^:=§@ * @#&§=:^.¨,
¨.¨-«-%@#¶ ¶#@%-«-¨.¨
¨--/%%@@@# the riverbanks reek of magic. tonight #@@@%%/--¨
,~~--*$# they had been a swampworld with sylvan ##&$*--~~,
¨.=†*%#&&& water, stone rings and floating moss. &&%*†=.¨
.,»=%*§### you could've found me wallowing around ###§*%=»,.
¨--†*$§@## on the southern shores until i got ##@§$*†--¨
....~*\^££ bitten. ££^\*~....
¨^»=§%£@@# #@@£%§=»^¨
¨.¨,=~\%¶@ but now i'm further back, on solid @¶%\~=,¨.¨
,,.¨,»\*§@ ground, in shoulder-high grass, with an @§*\»,¨.,,
,~-;†%#¶#@ orange tin radio and a translucent @#¶#%†;-~,
.,.¨,:%*£# umbrella which i'm sitting on. #£*%:,¨.,.
.,~~=-*=£§ §£=*-=~~,.
.-«*%*§£## \ ##£§*%*«-.
,¨¨,,//**@ @**//,,¨¨,
¨,«^*%#@@# somethings moving in the grass. it's #@@#%*^«,¨
,¨.¨.¨,=%@ invisible to my eyes but i can feel @%=,¨.¨.¨,
¨,¨.,.«†§# through the ground just how large it is. #§†«.,.¨,¨
,:«\=$&@## ##@&$=\«:,
¨-~/^*%=££ the soil is muddy. i slip when trying ££=%*^/~-¨
¨,~/=¤&@£# to get up, still looking at the #£@&¤=/~,¨
¨:»/$@#### direction of sound rather than at my ####@$/»:¨
,.»†$@@### hands, who are busy putting things in ###@@$†».,
,~-;†%£### my pockets. ###£%†;-~,
,:«†%#@# #@##&%†«:,
,~»;^$#@@# then i run east toward my home. #@@#$^;»~,
,~»/*$@¶@# #@¶@$*/»~,
,,¨,^=/& \ &/=^,¨,,
¨..~»;/¤#@ @#¤/;»~..¨
,:-:=¤@@## i am not followed, and slow down in the ##@@¤=:-:,
,,=††£§### clearing where you at first can spot ###§£††=,,
^=/*@&¶### the house, not yet really in the ###¶&@*/=^
,^-††¤&¶@# backyard. from my pockets i retrieve my #@¶&¤††-^,
.¨.,,..~†¤ radio (now dented) but also a small ¤†~..,,.¨.
,¨.,^~%§£# clay figure i've never seen before. it #£§%~^,.¨,
,:=^*¤¶### must have been laying in the wet dirt, ###¶¤*^=:,
¨^-/^$@#@# and i must've picked it up with my #@#@$^/-^¨
.,~=*%@§@@ other belongings. @@§@%*=~,.
¨¨¨¨~%†§ #&§†%~¨¨¨¨
,.,,.¨=*%@ it's a statuette of a girl laying naked @%*=¨.,,.,
,:~=%%¤##@ on her stomach, feet in the air, @##¤%%=~:,
,~«\*§#@## roughly seven centimeters long. it's ##@#§*\«~,
,,-=*%## freshly made, not yet completely dried. ###&%*=-,,
,¨¨¨.~$£## ##£$~.¨¨¨,
¨.¨..=*=&@ my mom is here now. i ask her for some @&=*=..¨.¨
,:»:†¤&¶@# particle board for it to dry on, but #@¶&¤†:»:,
,¨¨,,~/@§# she is worried and wants me to #§@/~,,¨¨,
,,-==§£### throw it away. ###£§==-,,
,~~\%£#### ####£%\~~,
.-~=§%§&@# #@&§%§=~-.
,,¨.,,,-§& &§-,,,.¨,,
,,~:†£¤£## ##£¤£†:~,,
.,.¨-*^&¤¤ ¤¤&^*-¨.,.
,~«:^£#@## ##@#£^:«~,