¨:-^$££@## ##@££$^-:¨
,.-=:%£¤## ##¤£%:=-.,
¨..~~†%%§@ @§%%†~~..¨
¨.¨¨,«†%§¤ ¤§%†«,¨¨.¨
.,,:-†%£@# #@£%†-:,,.
¨.~==^@### statuette ###@^==~.¨
,.-*$¤£### ###£¤$*-.,
.,-~;§*¤## ££@¤%%$%@$%£&§&$--~=»-«»&%&$¤%*&§§$£@£%¤ ##¤*§;~-,.
¨,..==*¤£# @&*¤*£*§$ #£¤*==..,¨
¨.¨.-~:% #&%:~-.¨.¨
.,¨:~†$$§# forests around my childhood home. thick #§$$†~:¨,.
.¨~~\=§# pine arcades that were planted and ##&§=\~~¨.
,,~*%%§@## forgotten. wild boars roaming ##@§%%*~,,
,.:-***# underneath, sniffing at the ground. it ##&***-:.,
¨..^«:%££# is dark and moist, the canopy having #££%:«^..¨
.,,¨,=***@ already soaked up all the sun. @***=,¨,,.
¨...»/†%@# #@%†/»...¨
,¨:=/†¤£@# there's a river passing by, from east #@£¤†/=:¨,
.,=†%%¤### to west, getting broader and deeper and ###¤%%†=,.
,,~«†^$¤## slower as it goes. equisetum grow just ##¤$^†«~,,
¨¨.,«=†@¤# where the pine hands start to let #¤@†=«,.¨¨
..¨.~=†%%@ through light, horsemint on the rocky @%%†=~.¨..
...~~/^*£# river bed. #£*^/~~...
,¨:-†*¤¤## ##¤¤*†-:¨,
,^«:=§§### † ###§§=:«^,
,.,«*†§§## ##§§†*«,.,
¨.,-=\%$§@ the riverbanks reek of magic. tonight @§$%\=-,.¨
¨¨¨¨~~:†$¤ they had been a swampworld with sylvan ¤$†:~~¨¨¨¨
.,,,-*†%@@ water, stone rings and floating moss. @@%†*-,,,.
,¨-=/=§### you could've found me wallowing around ###§=/=-¨,
,,«†*¤@### on the southern shores until i got ###@¤*†«,,
¨.-~/^*£## bitten. ##£*^/~-.¨
,.,^~\§*#@ @#*§\~^,.,
,,,¨--;*@£ but now i'm further back, on solid £@*;--¨,,,
,,.^-†%% ground, in shoulder-high grass, with an #&%%†-^.,,
,,,»†%$§@# orange tin radio and a translucent #@§$%†»,,,
¨:~=%%¤@## umbrella which i'm sitting on. ##@¤%%=~:¨
¨¨^»^=¤@## ##@¤=^»^¨¨
,.,~«=$@§# † #§@$=«~,.,
¨¨,.-»**§¤ ¤§**»-.,¨¨
,¨¨:-;^£@# somethings moving in the grass. it's #@£^;-:¨¨,
...~;%£&@# invisible to my eyes but i can feel #@&£%;~...
¨:-/*%£### through the ground just how large it is. ###£%*/-:¨
¨.^~†§@# #@#&§†~^.¨
..,,«^$£## the soil is muddy. i slip when trying ##£$^«,,..
....^»;%%§ to get up, still looking at the §%%;»^....
¨¨,^»†$££# direction of sound rather than at my #££$†»^,¨¨
,,.=*†@# hands, who are busy putting things in ##&@†*=.,,
¨.~/=$£@## my pockets. ##@£$=/~.¨
,,,-;=%£## ##£%=;-,,,
.,¨~-*$££@ then i run east toward my home. @££$*-~¨,.
¨¨,..=^*¤¤ ¤¤*^=..,¨¨
¨.¨~»:*$§# ; #§$*:»~¨.¨
.,~«^§¤§@# #@§¤§^«~,.
¨~~\*@## i am not followed, and slow down in the ###&@*\~~¨
,¨-~**£### clearing where you at first can spot ###£**~-¨,
¨,..~=$$¤# the house, not yet really in the #¤$$=~..,¨
¨,¨,~~;$%# backyard. from my pockets i retrieve my #%$;~~,¨,¨
¨,.^»^†§£# radio (now dented) but also a small #£§†^»^.,¨
..~~=^@§@# clay figure i've never seen before. it #@§@^=~~..
,^=:§$#### must have been laying in the wet dirt, ####$§:=^,
¨,--*%$£## and i must've picked it up with my ##£$%*--,¨
,.,^=\$*## other belongings. ##*$\=^,.,
.¨..-«\*$¤ ¤$*\«-..¨.
¨¨.,-;=§#@ it's a statuette of a girl laying naked @#§=;-,.¨¨
,¨~~^$$§## on her stomach, feet in the air, ##§$$^~~¨,
.^~/§§## roughly seven centimeters long. it's ###&§§/~^.
.¨,~/*£#@# freshly made, not yet completely dried. #@#£*/~,¨.
¨,.~~:%&£# #£&%:~~.,¨
,,.,.~/%$§ my mom is here now. i ask her for some §$%/~.,.,,
.¨.:»;*£#@ particle board for it to dry on, but @#£*;»:.¨.
,.-«=%$£## she is worried and wants me to ##£$%=«-.,
.^-^†### throw it away. ####&†^-^.
,¨,~^*%# ##&%*^~,¨,
.¨,:«;=£ #&£=;«:,¨.
.¨,¨^»=†$£ £$†=»^¨,¨.
,.¨-~*%£&@ @&£%*~-¨.,
.¨~«*§§@## ##@§§*«~¨.
,~~^%@## ###&@%^~~,