¨,.-=^&¤¶# #¶¤&^=-.,¨
.-==§@¤@## ##@¤@§==-.
¨,,-/*@£## ##£@*/-,,¨
¨.¨-~\*@ @#&*\~-¨.¨
,.,»:%%# ##&%%:»,.,
.,=/%$@### statuette ###@$%/=,.
.,,-^§%#¶# #¶#%§^-,,.
,¨.:-^%&§@ ££*¤$$@£@£§£§§%&~~«~»~==%£$&¤£&@@&%%£*@* @§&%^-:.¨,
¨¨,-=§$@¶# $$£@§***% #¶@$§=-,¨¨
,~-/$£#£## ##£#£$/-~,
,¨^~^%%¤£# forests around my childhood home. thick #£¤%%^~^¨,
.,¨^=†%%@# pine arcades that were planted and #@%%†=^¨,.
,¨^~:%&¤@# forgotten. wild boars roaming #@¤&%:~^¨,
,,~*%*§@## underneath, sniffing at the ground. it ##@§*%*~,,
¨,:-=*$§@# is dark and moist, the canopy having #@§$*=-:,¨
,,¨^»:$££# already soaked up all the sun. #££$:»^¨,,
.¨-»^§§#@# #@#§§^»-¨.
.~~==§@@## there's a river passing by, from east ##@@§==~~.
¨,,~=*%§£# to west, getting broader and deeper and #£§%*=~,,¨
.¨.,~†%¤ slower as it goes. equisetum grow just #&¤%†~,.¨.
,.-~*=£§@# where the pine hands start to let #@§£=*~-.,
¨,==%$§### through light, horsemint on the rocky ###§$%==,¨
,,,»†^@### river bed. ###@^†»,,,
.,¨.~\*&¤¶ ¶¤&*\~.¨,.
,,^~†%&£@# † #@£&%†~^,,
¨:»†$%£@## ##@£%$†»:¨
,.,«:*$££# the riverbanks reek of magic. tonight #££$*:«,.,
.,.^-:%%§£ they had been a swampworld with sylvan £§%%:-^.,.
¨¨^»^%£§£# water, stone rings and floating moss. #£§£%^»^¨¨
.~»==*¤£## you could've found me wallowing around ##£¤*==»~.
¨.~~;$%#£# on the southern shores until i got #£#%$;~~.¨
.,,.~^$¤£@ bitten. @£¤$^~.,,.
¨.,»=^¤§@# #@§¤^=»,.¨
¨.«=*$&¶## but now i'm further back, on solid ##¶&$*=«.¨
.,.==%&¤## ground, in shoulder-high grass, with an ##¤&%==.,.
.¨.-»\†% orange tin radio and a translucent #&%†\»-.¨.
.,,==$$££# umbrella which i'm sitting on. #££$$==,,.
¨,=^=$#### ####$=^=,¨
.,,«=*£# \ ##&£*=«,,.
.,,.»*§&§# #§&§*».,,.
,.,-/§£#£# somethings moving in the grass. it's #£#£§/-,.,
,^»;^$&£## invisible to my eyes but i can feel ##£&$^;»^,
,.:»;*&§## through the ground just how large it is. ##§&*;»:.,
¨,.:-/§££# #££§/-:.,¨
,..~^%%§¶# the soil is muddy. i slip when trying #¶§%%^~..,
¨.~:=$§@## to get up, still looking at the ##@§$=:~.¨
,,,»:$%# direction of sound rather than at my ##&%$:»,,,
,¨.~»/*$## hands, who are busy putting things in ##$*/»~.¨,
.,.~\*£&@# my pockets. #@&£*\~.,.
,,-^%%## ###&%%^-,,
.,:-^**§£# then i run east toward my home. #£§**^-:,.
¨,¨--\*@¤£ £¤@*\--¨,¨
,,:=†*$¤£# † #£¤$*†=:,,
,.=;$&&£## ##£&&$;=.,
.,,~\§%§£# i am not followed, and slow down in the #£§%§\~,,.
¨..-==^$§¶ clearing where you at first can spot ¶§$^==-..¨
.,:«†%@&¶# the house, not yet really in the #¶&@%†«:,.
.,«***§### backyard. from my pockets i retrieve my ###§***«,.
.,~~;§$£@# radio (now dented) but also a small #@£$§;~~,.
¨..,»^=% clay figure i've never seen before. it #&%=^»,..¨
¨¨,«†%%@## must have been laying in the wet dirt, ##@%%†«,¨¨
,:~=^&££## and i must've picked it up with my ##££&^=~:,
..~~\*¤#£# other belongings. #£#¤*\~~..
,.,,~;*¤¤@ @¤¤*;~,,.,
¨,-~^*$@## it's a statuette of a girl laying naked ##@$*^~-,¨
¨:»;*%§¶## on her stomach, feet in the air, ##¶§%*;»:¨
¨,,»/*££## roughly seven centimeters long. it's ##££*/»,,¨
.,¨,-\%%¤@ freshly made, not yet completely dried. @¤%%\-,¨,.
,,.-^*%@£# #£@%*^-.,,
¨^=**&¤### my mom is here now. i ask her for some ###¤&**=^¨
.¨,«††$# particle board for it to dry on, but ##&$††«,¨.
,¨,~~:§$ she is worried and wants me to #&$§:~~,¨,
¨,^»=§$&@# throw it away. #@&$§=»^,¨
.^~;§§#@## ##@#§§;~^.
,¨,»^%&@@# #@@&%^»,¨,
,,¨,~/^%&£ £&%^/~,¨,,
.,-«=$@#@# #@#@$=«-,.
.~~\*§#£## ##£#§*\~~.
¨¨:~:$%§£# #£§%$:~:¨¨