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~undefined . ETHEREAL VOID CONVENIENCE STORE . undefined~
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~undefined TWENTY-FOUR/SEVEN? SO CLOSE-MINDED. SO undefined~
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~undefined = INFINITY/INFINITY DINER » undefined~
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~undefined DIRECTIONS? I MEAN, I DON'T THINK YOU undefined~
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¶#¤@¤%:--, IT'S VERY DARK IN HERE. DARK AND BIG, A ,--:%¤@¤#¶
##@¤$^==~¨ FEW COLORED LIGHTS SCATTERED IN AN ¨~==^$¤@##
#@#¤£*†=,¨ ENORMOUS HALL. COINCIDENTALLY, THIS IS ¨,=†*£¤#@#
##@¤&$†~,¨ WHERE I WORK. ¨,~†$&¤@##
###@@**-:, ,:-**@@###
##@¤$%*«.. I MUST HAVE EATEN A DRUG, OR MAYBE IT'S ..«*%$¤@##
@¶&£@=*=.¨ JUST THE NATURE OF THE PLACE, BUT IT ¨.=*=@£&¶@
#¤==.,.¨¨, FEELS LIKE I HAVE EATEN A DRUG. TOO ,¨¨.,.==¤#
###¤¤^=«:. CONFIDENT, TOO MALLEABLE. I FEEL GOOD, .:«=^¤¤###
##£&£=^~~. TOO GOOD TO BE BORED, WHICH I GUESS IS .~~^=£&£##
##¶§£†*~:. THE POINT. .:~*†£§¶##
##@#&$;--¨ ¨--;$@##
##@@@%:~,, I DOZE OFF, DAYDREAM... OR MAYBE I FALL ,,~:%@@@##
#&%*«»~,,¨ ASLEEP FOR REAL. I DREAM OF WORK, AND ¨,,~»«*%
#¶@#$§\~~, WAKE UP AT WORK, SO THE LINE IS BLURRY. ,~~\§$#@¶#
@&¤==¨.,.. ..,.¨==¤&@
###&*%;~,, SOMEONE NEW HAS COME WHEN I WAS OUT. ,,~;%*##
###&@†;«-. THEIR BLACK SILLHOUETTE CONTRASTS WITH .-«;†@##
##@§¤$=«:, THE HAZY NEBULOSAS MIRRORED IN THE ,:«=$¤§@##
###@$†*«.. OBSIDIAN FLOOR. I TAKE THEIR MONEY, ..«*†$@###
§=*-¨.,,¨, WHICH I DON'T UNDERSTAND, BUT THE ,¨,,.¨-*=§
@#%=»¨.,.¨ MACHINE ACCEPTS IT. ¨.,.¨»=%#@
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###&&*;~., FROM OUTSIDE THERE'S A BUNCH OF WHINING ,.~;*&##
@@%::,¨¨,. TONES, LIKE A CHORD. THE BEVERAGE .,¨¨,::%@@
§§%;;,-,,. FRIDGE ADDS A SHARP, DARK DRONE. THE .,,-,;;%§§
£%£^;.~,.. DINING AREA IS VAST AND PEOPLE ARE ..,~.;^£%£
####%$^«-¨ CLUTTERED LIKE CHARCOAL ISLANDS, THEIR ¨-«^$%####
#&**†~..¨. VOICES IN ANOTHER LANGUAGE. OR IN .¨..~†**
##@¤%$;~-¨ ANOTHER MEDIUM, AND I'M ONLY ABLE TO ¨-~;$%¤@##
##@¤$§†~~¨ PERCIEVE THE WAKE OF THEIR WORDS. ¨~~†§$¤@##
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