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£&@£$*†~,¨ IT'S VERY DARK IN HERE. DARK AND BIG, A ¨,~†*$£@&£
#@@@@†;--. FEW COLORED LIGHTS SCATTERED IN AN .--;†@@@@#
#@£§£*\~~¨ ENORMOUS HALL. COINCIDENTALLY, THIS IS ¨~~\*£§£@#
@£§†§==».. WHERE I WORK. ..»==§†§£@
##@@@%^--, ,--^%@@@##
#&$*\,¨.,, I MUST HAVE EATEN A DRUG, OR MAYBE IT'S ,,.¨,\*$
#@@§@†:«-¨ JUST THE NATURE OF THE PLACE, BUT IT ¨-«:†@§@@#
£@*§^†,,,¨ FEELS LIKE I HAVE EATEN A DRUG. TOO ¨,,,†^§*@£
##@@£=/-:. CONFIDENT, TOO MALLEABLE. I FEEL GOOD, .:-/=£@@##
##¶§*†*-,. TOO GOOD TO BE BORED, WHICH I GUESS IS .,-*†*§¶##
£&&^\†=~,¨ THE POINT. ¨,~=†\^&&£
@#¶#@$^-.. ..-^$@#¶#@
#@@#%†;~^, I DOZE OFF, DAYDREAM... OR MAYBE I FALL ,^~;†%#@@#
#@@&@*/~:. ASLEEP FOR REAL. I DREAM OF WORK, AND .:~/*@&@@#
§¤**†:,,,. WAKE UP AT WORK, SO THE LINE IS BLURRY. .,,,:†**¤§
#@#§*††«,¨ ¨,«††*§#@#
###&§$\-,¨ SOMEONE NEW HAS COME WHEN I WAS OUT. ¨,-\$§##
#@£¤$%\=.¨ THEIR BLACK SILLHOUETTE CONTRASTS WITH ¨.=\%$¤£@#
£@$==¨,,,¨ THE HAZY NEBULOSAS MIRRORED IN THE ¨,,,¨==$@£
§£^,:¨.... OBSIDIAN FLOOR. I TAKE THEIR MONEY, ....¨:,^£§
#§§$;~.¨ WHICH I DON'T UNDERSTAND, BUT THE ¨.~;$§§#
#§%$††^=., MACHINE ACCEPTS IT. ,.=^††$%§#
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¤¤*\*-,.¨, FROM OUTSIDE THERE'S A BUNCH OF WHINING ,¨.,-*\*¤¤
###¶£†=~.¨ TONES, LIKE A CHORD. THE BEVERAGE ¨.~=†£¶###
###@%^\~~¨ FRIDGE ADDS A SHARP, DARK DRONE. THE ¨~~\^%@###
#££*\..,¨¨ DINING AREA IS VAST AND PEOPLE ARE ¨¨,..\*££#
£¤&%†;†»,. CLUTTERED LIKE CHARCOAL ISLANDS, THEIR .,»†;†%&¤£
@^~=....¨¨ VOICES IN ANOTHER LANGUAGE. OR IN ¨¨....=~^@
#@¶££*/-~. ANOTHER MEDIUM, AND I'M ONLY ABLE TO .~-/*££¶@#
###@§*/~~. PERCIEVE THE WAKE OF THEIR WORDS. .~~/*§@###
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