..=*%$$$#@ @#$$$%*=..
..=*%$§### ###§$%*=..
..=*%$§§§§ §§§§$%*=..
.....=%%§# #§%%=.....
......=*%§ §%*=......
..=*%$§##@ @ @##§$%*=..
..=*%§#@## .lizardry ##@#§%*=..
....=%%$## = # @# @@@ @@@@@@@@@@@@@@@@@@ ##$%%=....
.....=%%%§ @@ the art of c.nnecting §%%%=.....
..=*%$§#@# . with the old mind #@#§$%*=..
..=**%$§#@ @#§$%**=..
.....*%$$§ my mind is being skewed. mi §$$%*.....
.....=%$## skeleton is stringy and old and alien ##$%=.....
..=*$§#@## the situation is literally ##@#§$*=..
..=*%%$§## pressed out through my eyes, it's ##§$%%*=..
..===*$§#@ echoing like @#§$*===..
..=*%$§#@# the sunset of the eternal #@#§$%*=..
.....**$## ocean ##$**.....
..=*%$§#@# persistently against my emulsion #@#§$%*=..
..=*%$§#@# #@#§$%*=..
..=*%$§### it's ungraspable to me, what other ###§$%*=..
..=*%$§@## humans are doing and abstracting, ##@§$%*=..
..=*%%%§§# and above all else, what time they use? #§§%%%*=..
......=%§# how long a time has passed, for them? #§%=......
......*%$§ . §$%*......
..=*%$§@## . ... . ................ ####### ##@§$%*=..
..=*%$§#@# continuously i'm crowding through #@#§$%*=..
.......*%§ . the fourth wall .outwards is what . §%*.......
..=*%$§@## .. i'm thinking but it's wrong.. a new ##@§$%*=..
..=*%$§#@# . . narrator is introduced, occasionally #@#§$%*=..
....=%$$#@ . . aware of the previous one, deeper . @#$$%=....
.....=%§§§ . . down in the dragons throat. §§§%=.....
..=*%$§#@@ . @@#§$%*=..
....=***$§ . §$***=....
....=*$§§§ §§§$*=....
..=*%$§#@# #@#§$%*=..
...==**$§@ @§$**==...
..=*%$§@## ##@§$%*=..
..=*%$§#@# #@#§$%*=..
..=*%$§#@# #@#§$%*=..