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#&¤*;-,,,, ,LIZARDRY ,,,,-;*¤&#
##&¤*;-,,, - @ #@ ### ################## ,,,-;*¤&##
###&¤*;-,, ## THE ART OF C,NNECTING ,,-;*¤&###
##&¤*;-,,, , WITH THE OLD MIND ,,,-;*¤&##
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&¤*;-,,,,, MY MIND IS BEING SKEWED. MI ,,,,,-;*¤&
¤*;-,,,,,, SKELETON IS STRINGY AND OLD AND ALIEN ,,,,,,-;*¤
*;-,,,,,,, THE SITUATION IS LITERALLY ,,,,,,,-;*
;-,,,,,,,, PRESSED OUT THROUGH MY EYES, IT'S ,,,,,,,,-;
*;-,,,,,,, ECHOING LIKE ,,,,,,,-;*
¤*;-,,,,,, THE SUNSET OF THE ETERNAL ,,,,,,-;*¤
&¤*;-,,,,, OCEAN ,,,,,-;*¤&
#&¤*;-,,,, PERSISTENTLY AGAINST MY EMULSION ,,,,-;*¤&#
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###&¤*;-,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,-;*¤&###
##&¤*;-,,, HUMANS ARE DOING AND ABSTRACTING, ,,,-;*¤&##
#&¤*;-,,,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,,,-;*¤&#
&¤*;-,,,,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,,,,-;*¤&
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*;-,,,,,,, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,,,,,,,-;*
;-,,,,,,,, CONTINUOUSLY I'M CROWDING THROUGH ,,,,,,,,-;
*;-,,,,,,, , THE FOURTH WALL ,OUTWARDS IS WHAT , ,,,,,,,-;*
¤*;-,,,,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,,,,,-;*¤
&¤*;-,,,,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,,,,-;*¤&
#&¤*;-,,,, , , AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,-;*¤&#
##&¤*;-,,, , , DOWN IN THE DRAGONS THROAT. ,,,-;*¤&##
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