##@£&=^~,¨                                          ¨,~^=&£@##
#@£&=^~,¨¨                                          ¨¨,~^=&£@#
##@£&=^~,¨                                          ¨,~^=&£@##
#@£&=^~,¨¨                                          ¨¨,~^=&£@#
##@£&=^~,¨                                          ¨,~^=&£@##
#@£&=^~,¨¨                                          ¨¨,~^=&£@#
##@£&=^~,¨                ¨¨&@#@&¨¨                 ¨,~^=&£@##
#@£&=^~,¨¨       ,, PITTSBURGH ELECTRONICS ,,       ¨¨,~^=&£@#
##@£&=^~,¨              ~~ LIFEFORMS ~~             ¨,~^=&£@##
#@£&=^~,¨¨               ^^ SV ONE ^^               ¨¨,~^=&£@#
##@£&=^~,¨                                          ¨,~^=&£@##
#@£&=^~,¨¨ THIS IS A  EURORACK  MODULE BUT I BOUGHT ¨¨,~^=&£@#
##@£&=^~,¨ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ¨,~^=&£@##
#@£&=^~,¨¨                                          ¨¨,~^=&£@#
##@£&=^~,¨ IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. ¨,~^=&£@##
#@£&=^~,¨¨                                          ¨¨,~^=&£@#
##@£&=^~,¨             ¨=£ CONTAINS £=¨             ¨,~^=&£@##
#@£&=^~,¨¨           MIDI TO CV CONVERTER           ¨¨,~^=&£@#
##@£&=^~,¨                TWO VCO'S                 ¨,~^=&£@##
#@£&=^~,¨¨ FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER ¨¨,~^=&£@#
##@£&=^~,¨        TWO SUB OSCILLATORS I THINK       ¨,~^=&£@##
#@£&=^~,¨¨         TWO ONE TO TWO SPLITTERS         ¨¨,~^=&£@#
##@£&=^~,¨          WHITE NOISE GENERATOR           ¨,~^=&£@##
#@£&=^~,¨¨             SAMPLE AND HOLD              ¨¨,~^=&£@#
##@£&=^~,¨          LFO PLUS A DIGITAL LFO          ¨,~^=&£@##
#@£&=^~,¨¨   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ¨¨,~^=&£@#
##@£&=^~,¨               ADSR ENVELOPE              ¨,~^=&£@##
#@£&=^~,¨¨                  ONE VCA                 ¨¨,~^=&£@#
##@£&=^~,¨               HEADPHONE AMP              ¨,~^=&£@##
#@£&=^~,¨¨         FOURTY NINE PATCHPOINTS!         ¨¨,~^=&£@#
##@£&=^~,¨                                          ¨,~^=&£@##
#@£&=^~,¨¨                  ¨,@#@,¨                 ¨¨,~^=&£@#
##@£&=^~,¨           ~== SO WHAT NOW ==~            ¨,~^=&£@##
#@£&=^~,¨¨                  ¨,@#@,¨                 ¨¨,~^=&£@#
##@£&=^~,¨                                          ¨,~^=&£@##
#@£&=^~,¨¨ CLOCK IO  GOES TO  ASDR  IN I THINK  AND ¨¨,~^=&£@#
##@£&=^~,¨ MAYBE ALSO  TO  THE SAMPLE AND HOLD. PUT ¨,~^=&£@##
#@£&=^~,¨¨ SUBBASE AND NOISE IN  CHANNEL THREE  AND ¨¨,~^=&£@#
##@£&=^~,¨ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ¨,~^=&£@##
#@£&=^~,¨¨ TWO, AND  OSCILLATOR  TWO SAW TO CHANNEL ¨¨,~^=&£@#
##@£&=^~,¨ ONE.   SAMPLE   AND  HOLD   OUT  TO  THE ¨,~^=&£@##
#@£&=^~,¨¨  FILTER... MAYBE... RESONANCE AT HALF.   ¨¨,~^=&£@#
##@£&=^~,¨ SOME FREQUENCY  IN  THE FIRST OSCILLATOR ¨,~^=&£@##
#@£&=^~,¨¨ AND  THEN THE  SECOND OSC FOUR SEMITONES ¨¨,~^=&£@#
##@£&=^~,¨                 HIGHER.                  ¨,~^=&£@##
#@£&=^~,¨¨                                          ¨¨,~^=&£@#
##@£&=^~,¨                  ,~£££~,                 ¨,~^=&£@##
#@£&=^~,¨¨          ^&& DESKTOP SYNTH &&^           ¨¨,~^=&£@#
##@£&=^~,¨                 ,~£££~,                  ¨,~^=&£@##
#@£&=^~,¨¨                                          ¨¨,~^=&£@#
##@£&=^~,¨                                          ¨,~^=&£@##
#@£&=^~,¨¨                                          ¨¨,~^=&£@#
##@£&=^~,¨                                          ¨,~^=&£@##
#@£&=^~,¨¨                                          ¨¨,~^=&£@#
##@£&=^~,¨                                          ¨,~^=&£@##