&&**^^--,.                                          .,--^^**&&
#@@&%*^-,.                                          .,-^*%&@@#
#@@&%*^-,.                                          .,-^*%&@@#
#@@&%*^-,.                                          .,-^*%&@@#
@&%%*-,...                                          ...,-*%%&@
&&%%^,....                                          ....,^%%&&
@&%%**^-,.                ..%@#@%..                 .,-^**%%&@
@&&&%*^-,.       ,, PITTSBURGH ELECTRONICS ,,       .,-^*%&&&@
@&*-----,.             -- LIFEFORMS --              .,-----*&@
#@@&%*^-,.               ^^ SV ONE ^^               .,-^*%&@@#
@&***--...                                          ...--***&@
&%^,...... THIS IS  A EURORACK MODULE BUT  I BOUGHT ......,^%&
@&%%%*^-,. THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. .,-^*%%%&@
@&*-,,....                                          ....,,-*&@
@%%^^-.... IT  SHIPS  WITH  TOO  FEW  PATCH CABLES. ....-^^%%@
@@%**^,...                                          ...,^**%@@
&*^,......             .*@ CONTAINS @*.             ......,^*&
#@@&%*^-,.           MIDI TO CV CONVERTER           .,-^*%&@@#
@@@&%*^-,.                 TWO VCO'S                .,-^*%&@@@
@&&*-..... FOUR CHANNEL OR TWO X TWO  CHANNEL MIXER .....-*&&@
&%^,......        TWO SUB OSCILLATORS I THINK       ......,^%&
&&*^,.....         TWO ONE TO TWO SPLITTERS         .....,^*&&
#@@&%*^-,.          WHITE NOISE GENERATOR           .,-^*%&@@#
@@@&%*^-,.             SAMPLE AND HOLD              .,-^*%&@@@
&&&&%*^-,.          LFO PLUS A DIGITAL LFO          .,-^*%&&&&
#@@&%*^-,.   FILTER (LOWPASS, BANDPASS, HIGHPASS)   .,-^*%&@@#
&&%%^-,,..               ADSR ENVELOPE              ..,,-^%%&&
#@@&%*^-,.                 ONE VCA                  .,-^*%&@@#
&%^,......               HEADPHONE AMP              ......,^%&
##@@&%^-,.         FOURTY NINE PATCHPOINTS!         .,-^%&@@##
&&&%*-....                                          ....-*%&&&
@&&%*--,,.                  .,@#@,.                 .,,--*%&&@
@@@&%*^-,.           -** SO WHAT NOW **-            .,-^*%&@@@
#@@&%*^-,.                 .,@#@,.                  .,-^*%&@@#
@@&%^,....                                          ....,^%&@@
&***---... CLOCK IO  GOES TO  ASDR IN  I  THINK AND ...---***&
@@&%%*^-,. MAYBE ALSO TO THE SAMPLE  AND HOLD.  PUT .,-^*%%&@@
#@@&%*^-,. SUBBASE  AND  NOISE IN CHANNEL THREE AND .,-^*%&@@#
#@@&%*^-,. FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL .,-^*%&@@#
@@&*^-.... TWO,  AND OSCILLATOR TWO  SAW TO CHANNEL ....-^*&@@
&%**^,.... ONE.  SAMPLE  AND  HOLD   OUT   TO   THE ....,^**%&
@@@&%*^-,.  FILTER... MAYBE... RESONANCE AT HALF.   .,-^*%&@@@
@&&*-..... SOME FREQUENCY IN  THE FIRST  OSCILLATOR .....-*&&@
@@@&%*^-,. AND THEN THE  SECOND OSC  FOUR SEMITONES .,-^*%&@@@
@&%^-,....                  HIGHER.                 ....,-^%&@
#@@&%*^-,.                                          .,-^*%&@@#
&&%*--....                  ,-&@&-,                 ....--*%&&
@&%^-.....          ^%% DESKTOP SYNTH %%^           .....-^%&@
@%^^--,...                 ,-&@&-,                  ...,--^^%@
##@@&%*-,.                                          .,-*%&@@##
@%%**^-...                                          ...-^**%%@
#@@&%*^-,.                                          .,-^*%&@@#
&***^-,...                                          ...,-^***&
@&&**^,...                                          ...,^**&&@
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