.~»†*$&¶##                                          ##¶&$*†»~.
.~»†*$&¶##                                          ##¶&$*†»~.
.~»†*$&¶##                                          ##¶&$*†»~.
.~»†**$$¶¶                                          ¶¶$$**†»~.
..~»†*$$&¶                                          ¶&$$*†»~..
.~»†*$&¶¶¶                                          ¶¶¶&$*†»~.
.~»†*$&¶##                ..$###$..                 ##¶&$*†»~.
...~†††*$¶       ~~ PITTSBURGH ELECTRONICS ~~       ¶$*†††~...
.~»†**$&&#              »» LIFEFORMS »»             #&&$**†»~.
.~»†*&¶###               †† SV ONE ††               ###¶&*†»~.
.....»**&¶                                          ¶&**».....
....~~»*&& THIS IS  A  EURORACK MODULE BUT I BOUGHT &&*»~~....
....~»*&&# THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. #&&*»~....
....»»†$&¶                                          ¶&$†»»....
.~»†*$&¶## IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. ##¶&$*†»~.
....~††*&¶                                          ¶&*††~....
.~»†*$&¶##             .*¶ CONTAINS ¶*.             ##¶&$*†»~.
.....»†*&&           MIDI TO CV CONVERTER           &&*†».....
.~»†*$&¶¶#                TWO VCO'S                 #¶¶&$*†»~.
.~»†*$&### FOUR CHANNEL OR TWO X TWO  CHANNEL MIXER ###&$*†»~.
.~»†***$$&       TWO SUB OSCILLATORS I THINK        &$$***†»~.
.~»†*$¶###         TWO ONE TO TWO SPLITTERS         ###¶$*†»~.
....~»†$¶¶          WHITE NOISE GENERATOR           ¶¶$†»~....
.~»†*$&¶##              SAMPLE AND HOLD             ##¶&$*†»~.
.....»*$&¶          LFO PLUS A DIGITAL LFO          ¶&$*».....
.~»†*$&¶##   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ##¶&$*†»~.
.~»†*$&¶##               ADSR ENVELOPE              ##¶&$*†»~.
.~~~~»»**&                  ONE VCA                 &**»»~~~~.
.~»†*$&¶¶#              HEADPHONE AMP               #¶¶&$*†»~.
.~»»»**&&#         FOURTY NINE PATCHPOINTS!         #&&**»»»~.
.~»†*$&¶##                                          ##¶&$*†»~.
.~»†***&&#                 .~###~.                  #&&***†»~.
.....»*&&&            »** SO WHAT NOW **»           &&&*».....
..~»†**&¶¶                  .~###~.                 ¶¶&**†»~..
.~»†*$¶###                                          ###¶$*†»~.
.~»†*$$&&& CLOCK IO  GOES  TO  ASDR  IN I THINK AND &&&$$*†»~.
.~»»»†$&¶¶ MAYBE ALSO TO  THE SAMPLE  AND HOLD. PUT ¶¶&$†»»»~.
.~»†*$&### SUBBASE  AND NOISE IN CHANNEL THREE  AND ###&$*†»~.
.~»†*$&¶¶# FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL #¶¶&$*†»~.
.~»†*$&### TWO,  AND OSCILLATOR TWO SAW TO  CHANNEL ###&$*†»~.
.~»†*$&¶## ONE.  SAMPLE   AND  HOLD  OUT   TO   THE ##¶&$*†»~.
.~»†*$$&¶¶   FILTER... MAYBE... RESONANCE AT HALF.  ¶¶&$$*†»~.
..~~»††$$& SOME  FREQUENCY IN THE  FIRST OSCILLATOR &$$††»~~..
.~»†*$&¶## AND THEN THE  SECOND  OSC FOUR SEMITONES ##¶&$*†»~.
.~»†*$&¶##                 HIGHER.                  ##¶&$*†»~.
.~»†*$$&¶¶                                          ¶¶&$$*†»~.
.~»†*$&¶##                  ~»&¶&»~                 ##¶&$*†»~.
.....~»*&&           †$$ DESKTOP SYNTH $$†          &&*»~.....
.....~»*&&                 ~»&¶&»~                  &&*»~.....
.~»†***&&¶                                          ¶&&***†»~.
.~»†*$&¶##                                          ##¶&$*†»~.
.~»†*$&###                                          ###&$*†»~.
..~~~†*$¶¶                                          ¶¶$*†~~~..
...~~»*$&#                                          #&$*»~~...
.~»†*$&¶##                                          ##¶&$*†»~.