##£%%^~,,,                                          ,,,~^%%£##
###£%%^~,,                                          ,,~^%%£###
##£%%^~,,,                                          ,,,~^%%£##
#£%%^~,,,,                                          ,,,,~^%%£#
£%%^~,,,,,                                          ,,,,,~^%%£
%%^~,,,,,,                                          ,,,,,,~^%%
%^~,,,,,,,                ,,%###%,,                 ,,,,,,,~^%
^~,,,,,,,,       ,, PITTSBURGH ELECTRONICS ,,       ,,,,,,,,~^
~,,,,,,,,,             ~~ LIFEFORMS ~~              ,,,,,,,,,~
^~,,,,,,,,               ^^ SV ONE ^^               ,,,,,,,,~^
%^~,,,,,,,                                          ,,,,,,,~^%
%%^~,,,,,, THIS  IS A EURORACK MODULE BUT I  BOUGHT ,,,,,,~^%%
£%%^~,,,,, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,,,,,~^%%£
#£%%^~,,,,                                          ,,,,~^%%£#
##£%%^~,,, IT  SHIPS  WITH  TOO  FEW  PATCH CABLES. ,,,~^%%£##
###£%%^~,,                                          ,,~^%%£###
##£%%^~,,,             ,%£ CONTAINS £%,             ,,,~^%%£##
#£%%^~,,,,           MIDI TO CV CONVERTER           ,,,,~^%%£#
£%%^~,,,,,                 TWO VCO'S                ,,,,,~^%%£
%%^~,,,,,, FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER ,,,,,,~^%%
%^~,,,,,,,        TWO SUB OSCILLATORS I THINK       ,,,,,,,~^%
^~,,,,,,,,         TWO ONE TO TWO SPLITTERS         ,,,,,,,,~^
~,,,,,,,,,          WHITE NOISE GENERATOR           ,,,,,,,,,~
^~,,,,,,,,             SAMPLE AND HOLD              ,,,,,,,,~^
%^~,,,,,,,          LFO PLUS A DIGITAL LFO          ,,,,,,,~^%
%%^~,,,,,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,,,,,,~^%%
£%%^~,,,,,               ADSR ENVELOPE              ,,,,,~^%%£
#£%%^~,,,,                 ONE VCA                  ,,,,~^%%£#
##£%%^~,,,              HEADPHONE AMP               ,,,~^%%£##
###£%%^~,,         FOURTY NINE PATCHPOINTS!         ,,~^%%£###
##£%%^~,,,                                          ,,,~^%%£##
#£%%^~,,,,                  ,,###,,                 ,,,,~^%%£#
£%%^~,,,,,            ~%% SO WHAT NOW %%~           ,,,,,~^%%£
%%^~,,,,,,                 ,,###,,                  ,,,,,,~^%%
%^~,,,,,,,                                          ,,,,,,,~^%
^~,,,,,,,, CLOCK  IO  GOES  TO  ASDR IN I THINK AND ,,,,,,,,~^
~,,,,,,,,, MAYBE  ALSO TO THE SAMPLE AND  HOLD. PUT ,,,,,,,,,~
^~,,,,,,,, SUBBASE AND  NOISE IN CHANNEL THREE  AND ,,,,,,,,~^
%^~,,,,,,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,,,,,,,~^%
%%^~,,,,,, TWO,  AND OSCILLATOR TWO  SAW TO CHANNEL ,,,,,,~^%%
£%%^~,,,,, ONE.   SAMPLE  AND  HOLD   OUT  TO   THE ,,,,,~^%%£
#£%%^~,,,,  FILTER... MAYBE... RESONANCE AT HALF.   ,,,,~^%%£#
##£%%^~,,, SOME FREQUENCY  IN  THE FIRST OSCILLATOR ,,,~^%%£##
###£%%^~,, AND THEN  THE  SECOND OSC FOUR SEMITONES ,,~^%%£###
##£%%^~,,,                 HIGHER.                  ,,,~^%%£##
#£%%^~,,,,                                          ,,,,~^%%£#
£%%^~,,,,,                  ,~@£@~,                 ,,,,,~^%%£
%%^~,,,,,,          ^%% DESKTOP SYNTH %%^           ,,,,,,~^%%
%^~,,,,,,,                 ,~@£@~,                  ,,,,,,,~^%
^~,,,,,,,,                                          ,,,,,,,,~^
~,,,,,,,,,                                          ,,,,,,,,,~
^~,,,,,,,,                                          ,,,,,,,,~^
%^~,,,,,,,                                          ,,,,,,,~^%
%%^~,,,,,,                                          ,,,,,,~^%%
£%%^~,,,,,                                          ,,,,,~^%%£