,^-:*%@###                                          ###@%*:-^,
,,,,,^-*%@                                          @%*-^,,,,,
,^-:*%¤@##                                          ##@¤%*:-^,
,^-:*%¤@##                                          ##@¤%*:-^,
,^-:**%¤¤@                                          @¤¤%**:-^,
,^-:*%¤@##                                          ##@¤%*:-^,
,^-:*%¤@##                 ,,%###%,,                ##@¤%*:-^,
,^-:*%¤###       ^^ PITTSBURGH ELECTRONICS ^^       ###¤%*:-^,
,^-:*%¤@##             -- LIFEFORMS --              ##@¤%*:-^,
,^-:*%¤@##               :: SV ONE ::               ##@¤%*:-^,
,,,,-::%%@                                          @%%::-,,,,
,,,^::*¤¤# THIS IS  A EURORACK MODULE BUT I  BOUGHT #¤¤*::^,,,
,^-:*%@### THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ###@%*:-^,
,^-:*%¤@##                                          ##@¤%*:-^,
,^-:*%¤¤@# IT  SHIPS  WITH  TOO FEW  PATCH  CABLES. #@¤¤%*:-^,
,^-:%¤@###                                          ###@¤%:-^,
,,,,,,^-*¤             ,*@ CONTAINS @*,             ¤*-^,,,,,,
,,,,,,^-*¤           MIDI TO CV CONVERTER           ¤*-^,,,,,,
,^-:*%¤@##                TWO VCO'S                 ##@¤%*:-^,
,,,,^-*%%@ FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER @%%*-^,,,,
,,,,,^-*¤@        TWO SUB OSCILLATORS I THINK       @¤*-^,,,,,
,,,^--:%%¤         TWO ONE TO TWO SPLITTERS         ¤%%:--^,,,
,^-:*%¤@##          WHITE NOISE GENERATOR           ##@¤%*:-^,
,,,^^:**¤¤             SAMPLE AND HOLD              ¤¤**:^^,,,
,^-:*%¤@##          LFO PLUS A DIGITAL LFO          ##@¤%*:-^,
,^-:*%¤@@@   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @@@¤%*:-^,
,^-:*%¤@##               ADSR ENVELOPE              ##@¤%*:-^,
,,,^:**¤@@                 ONE VCA                  @@¤**:^,,,
,^-::**¤¤¤               HEADPHONE AMP              ¤¤¤**::-^,
,^-:*%¤@##         FOURTY NINE PATCHPOINTS!         ##@¤%*:-^,
,,^^--:**¤                                          ¤**:--^^,,
,^---::%¤¤                  ,^###^,                 ¤¤%::---^,
,,,,,^-:*¤            -** SO WHAT NOW **-           ¤*:-^,,,,,
,^-:*%¤¤@#                  ,^###^,                 #@¤¤%*:-^,
^-:*%¤@###                                          ###@¤%*:-^
,^-:*%¤@## CLOCK  IO GOES TO ASDR  IN  I  THINK AND ##@¤%*:-^,
,,,,-:%¤¤@ MAYBE ALSO TO  THE SAMPLE AND HOLD.  PUT @¤¤%:-,,,,
,^^^::*¤¤@ SUBBASE AND NOISE  IN CHANNEL THREE  AND @¤¤*::^^^,
,^-:*%¤@## FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ##@¤%*:-^,
,^-:*%¤@## TWO, AND OSCILLATOR  TWO  SAW TO CHANNEL ##@¤%*:-^,
,^-:*%%¤¤¤ ONE.   SAMPLE  AND  HOLD  OUT   TO   THE ¤¤¤%%*:-^,
,,,^^-:%¤@   FILTER... MAYBE... RESONANCE AT HALF.  @¤%:-^^,,,
,,,,,-:%%¤ SOME  FREQUENCY  IN THE FIRST OSCILLATOR ¤%%:-,,,,,
,^-:*%¤@## AND  THEN THE  SECOND OSC FOUR SEMITONES ##@¤%*:-^,
,^-:*%¤@##                  HIGHER.                 ##@¤%*:-^,
,^-:*%¤@##                                          ##@¤%*:-^,
,^-:*%¤@##                  ^-¤@¤-^                 ##@¤%*:-^,
,^-:*%%%%@           :%% DESKTOP SYNTH %%:          @%%%%*:-^,
,^-:*%¤@##                  ^-¤@¤-^                 ##@¤%*:-^,
,^-:*%¤@##                                          ##@¤%*:-^,
,,,,,-*%¤¤                                          ¤¤%*-,,,,,
,^-:*%¤###                                          ###¤%*:-^,
,^-:*%¤@##                                          ##@¤%*:-^,
,^-:*%¤@##                                          ##@¤%*:-^,
,^-:*%¤@##                                          ##@¤%*:-^,