¨¨¨¨=:::@§                                          §@:::=¨¨¨¨
¨-=::::@@@                                          @@@::::=-¨
¨-=:$@§@##                                          ##@§@$:=-¨
¨-=:$@§@##                                          ##@§@$:=-¨
¨-=:$@§§@#                                          #@§§@$:=-¨
¨-=:$@§@##                                          ##@§@$:=-¨
¨-=:$@§###                 ¨¨@###@¨¨                ###§@$:=-¨
¨-=:::@§§#       -- PITTSBURGH ELECTRONICS --       #§§@:::=-¨
¨-====:$$§              == LIFEFORMS ==             §$$:====-¨
¨-=:$@§@##               :: SV ONE ::               ##@§@$:=-¨
¨-===:$$§§                                          §§$$:===-¨
¨¨¨-==:@§§ THIS  IS A EURORACK MODULE BUT I  BOUGHT §§@:==-¨¨¨
¨¨¨===$@@# THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. #@@$===¨¨¨
¨-=:$@§@##                                          ##@§@$:=-¨
¨-=:$@§@## IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. ##@§@$:=-¨
¨-=:$@§@##                                          ##@§@$:=-¨
¨-=:$@§@##             ¨$@ CONTAINS @$¨             ##@§@$:=-¨
¨¨¨¨¨=$$§#           MIDI TO CV CONVERTER           #§$$=¨¨¨¨¨
¨-=:$@§@##                 TWO VCO'S                ##@§@$:=-¨
¨¨¨¨¨¨=$§@ FOUR CHANNEL  OR TWO X TWO CHANNEL MIXER @§$=¨¨¨¨¨¨
¨¨-=:$$@@#       TWO SUB OSCILLATORS I THINK        #@@$$:=-¨¨
¨¨¨¨-=$@@§         TWO ONE TO TWO SPLITTERS         §@@$=-¨¨¨¨
¨¨¨¨-:@@§§          WHITE NOISE GENERATOR           §§@@:-¨¨¨¨
¨¨¨¨¨--:$§             SAMPLE AND HOLD              §$:--¨¨¨¨¨
¨-=:$@§###          LFO PLUS A DIGITAL LFO          ###§@$:=-¨
¨-=:$@§@##   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ##@§@$:=-¨
¨-=:$@§@##               ADSR ENVELOPE              ##@§@$:=-¨
¨-=:$@@###                  ONE VCA                 ###@@$:=-¨
¨-=:$@§@##              HEADPHONE AMP               ##@§@$:=-¨
¨-=:$@§@##         FOURTY NINE PATCHPOINTS!         ##@§@$:=-¨
¨-=:$@§@@@                                          @@@§@$:=-¨
¨¨¨¨-::$§§                  ¨-###-¨                 §§$::-¨¨¨¨
¨¨¨¨¨=:$§@           =$$ SO WHAT NOW $$=            @§$:=¨¨¨¨¨
¨-=:$@§@@@                 ¨-###-¨                  @@@§@$:=-¨
¨¨¨¨¨-:@§@                                          @§@:-¨¨¨¨¨
¨-=:$@§@## CLOCK IO  GOES TO  ASDR IN I  THINK  AND ##@§@$:=-¨
¨-=:$@§@@@ MAYBE ALSO TO THE SAMPLE  AND  HOLD. PUT @@@§@$:=-¨
¨¨¨¨¨¨¨=$§ SUBBASE AND  NOISE IN CHANNEL  THREE AND §$=¨¨¨¨¨¨¨
¨¨¨¨¨-=:@@ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL @@:=-¨¨¨¨¨
¨-===:@@@§ TWO, AND OSCILLATOR TWO  SAW TO  CHANNEL §@@@:===-¨
¨-=:$@§@## ONE.   SAMPLE   AND  HOLD   OUT  TO  THE ##@§@$:=-¨
¨¨¨¨¨=$@@§   FILTER... MAYBE... RESONANCE AT HALF.  §@@$=¨¨¨¨¨
¨-=:$@§@## SOME FREQUENCY IN  THE  FIRST OSCILLATOR ##@§@$:=-¨
¨-=:$@§@## AND  THEN THE SECOND OSC  FOUR SEMITONES ##@§@$:=-¨
¨¨--==$§§§                  HIGHER.                 §§§$==--¨¨
¨¨¨¨¨=$$@@                                          @@$$=¨¨¨¨¨
¨-=:$§@###                 -=§@§=-                  ###@§$:=-¨
¨-=:$@§@##          :@@ DESKTOP SYNTH @@:           ##@§@$:=-¨
¨¨¨¨¨--=$§                 -=§@§=-                  §$=--¨¨¨¨¨
¨-=:$@§@##                                          ##@§@$:=-¨
¨¨¨¨-::$§@                                          @§$::-¨¨¨¨
¨-==:$$§§§                                          §§§$$:==-¨
¨¨¨¨=:@§@@                                          @@§@:=¨¨¨¨
¨¨¨¨-=:$§§                                          §§$:=-¨¨¨¨
¨¨¨¨¨-:@§@                                          @§@:-¨¨¨¨¨