¨¨.=:%§# ##&§%:=.¨¨
¨.=:%§## ###&§%:=.¨
¨¨.=:%§# ##&§%:=.¨¨
¨¨¨.=:%§ #&§%:=.¨¨¨
¨¨.=:%§# ##&§%:=.¨¨
¨.=:%§## ###&§%:=.¨
¨¨.=:%§# ¨¨§###§¨¨ ##&§%:=.¨¨
¨¨¨.=:%§ .. PITTSBURGH ELECTRONICS .. #&§%:=.¨¨¨
¨¨.=:%§# == LIFEFORMS == ##&§%:=.¨¨
¨.=:%§## :: SV ONE :: ###&§%:=.¨
¨¨.=:%§# ##&§%:=.¨¨
¨¨¨.=:%§ THIS IS A EURORACK MODULE BUT I BOUGHT #&§%:=.¨¨¨
¨¨.=:%§# THE BLACKBOX ONE SO IT'S ALSO NOT. ##&§%:=.¨¨
¨.=:%§## ###&§%:=.¨
¨¨.=:%§# IT SHIPS WITH TOO FEW PATCH CABLES. ##&§%:=.¨¨
¨¨¨.=:%§ #&§%:=.¨¨¨
¨¨.=:%§# ¨%¶ CONTAINS ¶%¨ ##&§%:=.¨¨
¨.=:%§## MIDI TO CV CONVERTER ###&§%:=.¨
¨¨.=:%§# TWO VCO'S ##&§%:=.¨¨
¨¨¨.=:%§ FOUR CHANNEL OR TWO X TWO CHANNEL MIXER #&§%:=.¨¨¨
¨¨.=:%§# TWO SUB OSCILLATORS I THINK ##&§%:=.¨¨
¨.=:%§## TWO ONE TO TWO SPLITTERS ###&§%:=.¨
¨¨.=:%§# WHITE NOISE GENERATOR ##&§%:=.¨¨
¨¨¨.=:%§ SAMPLE AND HOLD #&§%:=.¨¨¨
¨¨.=:%§# LFO PLUS A DIGITAL LFO ##&§%:=.¨¨
¨.=:%§## FILTER (LOWPASS, BANDPASS, HIGHPASS) ###&§%:=.¨
¨¨.=:%§# ADSR ENVELOPE ##&§%:=.¨¨
¨¨¨.=:%§ ONE VCA #&§%:=.¨¨¨
¨¨.=:%§# HEADPHONE AMP ##&§%:=.¨¨
¨.=:%§## FOURTY NINE PATCHPOINTS! ###&§%:=.¨
¨¨.=:%§# ##&§%:=.¨¨
¨¨¨.=:%§ ¨.###.¨ #&§%:=.¨¨¨
¨¨.=:%§# =%% SO WHAT NOW %%= ##&§%:=.¨¨
¨.=:%§## ¨.###.¨ ###&§%:=.¨
¨¨.=:%§# ##&§%:=.¨¨
¨¨¨.=:%§ CLOCK IO GOES TO ASDR IN I THINK AND #&§%:=.¨¨¨
¨¨.=:%§# MAYBE ALSO TO THE SAMPLE AND HOLD. PUT ##&§%:=.¨¨
¨.=:%§## SUBBASE AND NOISE IN CHANNEL THREE AND ###&§%:=.¨
¨¨.=:%§# FOUR. OSCILLATOR ONE SAW TO CHANNEL ##&§%:=.¨¨
¨¨¨.=:%§ TWO, AND OSCILLATOR TWO SAW TO CHANNEL #&§%:=.¨¨¨
¨¨.=:%§# ONE. SAMPLE AND HOLD OUT TO THE ##&§%:=.¨¨
¨.=:%§## FILTER... MAYBE... RESONANCE AT HALF. ###&§%:=.¨
¨¨.=:%§# SOME FREQUENCY IN THE FIRST OSCILLATOR ##&§%:=.¨¨
¨¨¨.=:%§ AND THEN THE SECOND OSC FOUR SEMITONES #&§%:=.¨¨¨
¨¨.=:%§# HIGHER. ##&§%:=.¨¨
¨.=:%§## ###&§%:=.¨
¨¨.=:%§# .=&¶&=. ##&§%:=.¨¨
¨¨¨.=:%§ :§§ DESKTOP SYNTH §§: #&§%:=.¨¨¨
¨¨.=:%§# .=&¶&=. ##&§%:=.¨¨
¨.=:%§## ###&§%:=.¨
¨¨.=:%§# ##&§%:=.¨¨
¨¨¨.=:%§ #&§%:=.¨¨¨
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¨¨.=:%§# ##&§%:=.¨¨