¨¨:~;†%@##                                          ##@%†;~:¨¨
¨¨¨:~;†%@#                                          #@%†;~:¨¨¨
¨¨¨¨:~;†%@                                          @%†;~:¨¨¨¨
¨¨¨¨¨:~;†%                                          %†;~:¨¨¨¨¨
¨¨¨¨:~;†%@                                          @%†;~:¨¨¨¨
¨¨¨:~;†%@#                                          #@%†;~:¨¨¨
¨¨:~;†%@##                 ¨¨%@#@%¨¨                ##@%†;~:¨¨
¨:~;†%@###       :: Pittsburgh Electronics ::       ###@%†;~:¨
¨¨:~;†%@##              ~~ Lifeforms ~~             ##@%†;~:¨¨
¨¨¨:~;†%@#               ;; Sv One ;;               #@%†;~:¨¨¨
¨¨¨¨:~;†%@                                          @%†;~:¨¨¨¨
¨¨¨¨¨:~;†% This Is A Eurorack Module  But  I Bought %†;~:¨¨¨¨¨
¨¨¨¨:~;†%@ The  Blackbox  One  So  It'S  Also  Not. @%†;~:¨¨¨¨
¨¨¨:~;†%@#                                          #@%†;~:¨¨¨
¨¨:~;†%@## It  Ships  With  Too  Few  Patch Cables. ##@%†;~:¨¨
¨:~;†%@###                                          ###@%†;~:¨
¨¨:~;†%@##             ¨†# Contains #†¨             ##@%†;~:¨¨
¨¨¨:~;†%@#           Midi To Cv Converter           #@%†;~:¨¨¨
¨¨¨¨:~;†%@                Two Vco'S                 @%†;~:¨¨¨¨
¨¨¨¨¨:~;†% Four Channel Or Two X  Two Channel Mixer %†;~:¨¨¨¨¨
¨¨¨¨:~;†%@        Two Sub Oscillators I Think       @%†;~:¨¨¨¨
¨¨¨:~;†%@#         Two One To Two Splitters         #@%†;~:¨¨¨
¨¨:~;†%@##          White Noise Generator           ##@%†;~:¨¨
¨:~;†%@###             Sample And Hold              ###@%†;~:¨
¨¨:~;†%@##          Lfo Plus A Digital Lfo          ##@%†;~:¨¨
¨¨¨:~;†%@#   Filter (Lowpass, Bandpass, Highpass)   #@%†;~:¨¨¨
¨¨¨¨:~;†%@              Adsr Envelope               @%†;~:¨¨¨¨
¨¨¨¨¨:~;†%                  One Vca                 %†;~:¨¨¨¨¨
¨¨¨¨:~;†%@              Headphone Amp               @%†;~:¨¨¨¨
¨¨¨:~;†%@#         Fourty Nine Patchpoints!         #@%†;~:¨¨¨
¨¨:~;†%@##                                          ##@%†;~:¨¨
¨:~;†%@###                  ¨:@#@:¨                 ###@%†;~:¨
¨¨:~;†%@##            ~†† So What Now ††~           ##@%†;~:¨¨
¨¨¨:~;†%@#                 ¨:@#@:¨                  #@%†;~:¨¨¨
¨¨¨¨:~;†%@                                          @%†;~:¨¨¨¨
¨¨¨¨¨:~;†% Clock Io  Goes  To Asdr  In  I Think And %†;~:¨¨¨¨¨
¨¨¨¨:~;†%@ Maybe Also To The  Sample  And Hold. Put @%†;~:¨¨¨¨
¨¨¨:~;†%@# Subbase And Noise In Channel  Three  And #@%†;~:¨¨¨
¨¨:~;†%@## Four.  Oscillator  One  Saw  To  Channel ##@%†;~:¨¨
¨:~;†%@### Two, And  Oscillator  Two Saw To Channel ###@%†;~:¨
¨¨:~;†%@## One.   Sample   And  Hold  Out   To  The ##@%†;~:¨¨
¨¨¨:~;†%@#  Filter... Maybe... Resonance At Half.   #@%†;~:¨¨¨
¨¨¨¨:~;†%@ Some  Frequency In  The First Oscillator @%†;~:¨¨¨¨
¨¨¨¨¨:~;†% And Then The  Second Osc Four  Semitones %†;~:¨¨¨¨¨
¨¨¨¨:~;†%@                 Higher.                  @%†;~:¨¨¨¨
¨¨¨:~;†%@#                                          #@%†;~:¨¨¨
¨¨:~;†%@##                 :~@#@~:                  ##@%†;~:¨¨
¨:~;†%@###           ;%% Desktop Synth %%;          ###@%†;~:¨
¨¨:~;†%@##                 :~@#@~:                  ##@%†;~:¨¨
¨¨¨:~;†%@#                                          #@%†;~:¨¨¨
¨¨¨¨:~;†%@                                          @%†;~:¨¨¨¨
¨¨¨¨¨:~;†%                                          %†;~:¨¨¨¨¨
¨¨¨¨:~;†%@                                          @%†;~:¨¨¨¨
¨¨¨:~;†%@#                                          #@%†;~:¨¨¨
¨¨:~;†%@##                                          ##@%†;~:¨¨