.-=†*%@@@@                                          @@@@%*†=-.
.-=††**@@@                                          @@@**††=-.
.-=†*%@@@#                                          #@@@%*†=-.
.-=†****%@                                          @%****†=-.
.-=†***%@@                                          @@%***†=-.
...--=*%@@                                          @@%*=--...
.-=†*%@@@#                 ..%@#@%..                #@@@%*†=-.
.-=†*%@@@#       -- pittsburgh electronics --       #@@@%*†=-.
...==*%@@@             == lifeforms ==              @@@%*==...
.-=†*%@@@#               †† sv one ††               #@@@%*†=-.
.-=†*%@@@@                                          @@@@%*†=-.
.-=†*%@@@# this is  a eurorack module  but i bought #@@@%*†=-.
...-==*@@@ the  blackbox  one  so  it's  also  not. @@@*==-...
.-=†*%@@@@                                          @@@@%*†=-.
.-=†*%@@## it  ships  with  too  few  patch cables. ##@@%*†=-.
.-=†*%@@@#                                          #@@@%*†=-.
.-=†*%@@##             .*@ contains @*.             ##@@%*†=-.
....==*@@@           midi to cv converter           @@@*==....
.....=††%@                two vco's                 @%††=.....
.-=†*%@@@# four channel  or two x two channel mixer #@@@%*†=-.
...=††%@@@       two sub oscillators i think        @@@%††=...
...--===*@         two one to two splitters         @*===--...
.----†**@@           white noise generator          @@**†----.
.-=†*%@@##             sample and hold              ##@@%*†=-.
.-=†*%@@##          lfo plus a digital lfo          ##@@%*†=-.
.-=†*%@@@#   filter (lowpass, bandpass, highpass)   #@@@%*†=-.
.-=†***%@@              adsr envelope               @@%***†=-.
....==*%@@                 one vca                  @@%*==....
.-=††**%@@              headphone amp               @@%**††=-.
.....=**%@         fourty nine patchpoints!         @%**=.....
.-=†*%@@@@                                          @@@@%*†=-.
......=*@@                  .-@#@-.                 @@*=......
.....==*@@            =** so what now **=           @@*==.....
......=†%@                  .-@#@-.                 @%†=......
.-=†*@@@##                                          ##@@@*†=-.
....-=†%@@ clock io goes  to asdr in  i  think  and @@%†=-....
.-=†*%@@@@ maybe also to the sample  and  hold. put @@@@%*†=-.
.-=†*%%@@@ subbase and noise  in channel  three and @@@%%*†=-.
......-†%@ four.  oscillator  one  saw  to  channel @%†-......
...--††%@@ two,  and oscillator  two saw to channel @@%††--...
....-†**@@ one.  sample   and  hold  out   to   the @@**†-....
.-=†*%@@@#  filter... maybe... resonance at half.   #@@@%*†=-.
.-=†*%@@@@ some frequency  in  the first oscillator @@@@%*†=-.
.-=†*%@@## and  then the  second osc four semitones ##@@%*†=-.
.-=†*%@@##                  higher.                 ##@@%*†=-.
.-=†*%@@@#                                          #@@@%*†=-.
.-=†*%@@@#                 -=@@@=-                  #@@@%*†=-.
.....==*@@           †%% desktop synth %%†          @@*==.....
.-=†%@@@##                  -=@@@=-                 ##@@@%†=-.
......==*@                                          @*==......
....=††*%@                                          @%*††=....
.-=†*%%%@@                                          @@%%%*†=-.
.---††%%%@                                          @%%%††---.
....=†%%@@                                          @@%%†=....
.....=†%@@                                          @@%†=.....