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.^-=^%@###                 ..%###%..                ###@%^=-^.
..^-=^%@##       ^^ PITTSBURGH ELECTRONICS ^^       ##@%^=-^..
.^-=^%@###             -- LIFEFORMS --              ###@%^=-^.
..^-=^%@##               == SV ONE ==               ##@%^=-^..
.^-=^%@###                                          ###@%^=-^.
..^-=^%@## THIS  IS A  EURORACK MODULE BUT I BOUGHT ##@%^=-^..
.^-=^%@### THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ###@%^=-^.
..^-=^%@##                                          ##@%^=-^..
.^-=^%@### IT  SHIPS  WITH  TOO FEW  PATCH  CABLES. ###@%^=-^.
..^-=^%@##                                          ##@%^=-^..
.^-=^%@###             .^@ CONTAINS @^.             ###@%^=-^.
..^-=^%@##           MIDI TO CV CONVERTER           ##@%^=-^..
.^-=^%@###                TWO VCO'S                 ###@%^=-^.
..^-=^%@## FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER ##@%^=-^..
.^-=^%@###        TWO SUB OSCILLATORS I THINK       ###@%^=-^.
..^-=^%@##         TWO ONE TO TWO SPLITTERS         ##@%^=-^..
.^-=^%@###           WHITE NOISE GENERATOR          ###@%^=-^.
..^-=^%@##              SAMPLE AND HOLD             ##@%^=-^..
.^-=^%@###          LFO PLUS A DIGITAL LFO          ###@%^=-^.
..^-=^%@##   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ##@%^=-^..
.^-=^%@###               ADSR ENVELOPE              ###@%^=-^.
..^-=^%@##                  ONE VCA                 ##@%^=-^..
.^-=^%@###               HEADPHONE AMP              ###@%^=-^.
..^-=^%@##         FOURTY NINE PATCHPOINTS!         ##@%^=-^..
.^-=^%@###                                          ###@%^=-^.
..^-=^%@##                 .^###^.                  ##@%^=-^..
.^-=^%@###           -^^ SO WHAT NOW ^^-            ###@%^=-^.
..^-=^%@##                 .^###^.                  ##@%^=-^..
.^-=^%@###                                          ###@%^=-^.
..^-=^%@## CLOCK  IO GOES  TO  ASDR IN I  THINK AND ##@%^=-^..
.^-=^%@### MAYBE ALSO TO THE SAMPLE AND  HOLD.  PUT ###@%^=-^.
..^-=^%@## SUBBASE  AND NOISE IN CHANNEL  THREE AND ##@%^=-^..
.^-=^%@### FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ###@%^=-^.
..^-=^%@## TWO, AND OSCILLATOR TWO SAW  TO  CHANNEL ##@%^=-^..
.^-=^%@### ONE.   SAMPLE   AND  HOLD   OUT  TO  THE ###@%^=-^.
..^-=^%@##   FILTER... MAYBE... RESONANCE AT HALF.  ##@%^=-^..
.^-=^%@### SOME FREQUENCY IN  THE  FIRST OSCILLATOR ###@%^=-^.
..^-=^%@## AND THEN THE SECOND OSC  FOUR  SEMITONES ##@%^=-^..
.^-=^%@###                 HIGHER.                  ###@%^=-^.
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.^-=^%@###                 ^-@@@-^                  ###@%^=-^.
..^-=^%@##           =%% DESKTOP SYNTH %%=          ##@%^=-^..
.^-=^%@###                 ^-@@@-^                  ###@%^=-^.
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