@§$%;~:,,,                                          ,,,:~;%$§@
§$%;~:,,,,                                          ,,,,:~;%$§
@§$%;~:,,,                                          ,,,:~;%$§@
#@§$%;~:,,                                          ,,:~;%$§@#
##@§$%;~:,                                          ,:~;%$§@##
#@§$%;~:,,                                          ,,:~;%$§@#
@§$%;~:,,,                 ,,$###$,,                ,,,:~;%$§@
§$%;~:,,,,       :: PITTSBURGH ELECTRONICS ::       ,,,,:~;%$§
@§$%;~:,,,             ~~ LIFEFORMS ~~              ,,,:~;%$§@
#@§$%;~:,,               ;; SV ONE ;;               ,,:~;%$§@#
##@§$%;~:,                                          ,:~;%$§@##
#@§$%;~:,, THIS IS A  EURORACK  MODULE BUT I BOUGHT ,,:~;%$§@#
@§$%;~:,,, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,,,:~;%$§@
§$%;~:,,,,                                          ,,,,:~;%$§
@§$%;~:,,, IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. ,,,:~;%$§@
#@§$%;~:,,                                          ,,:~;%$§@#
##@§$%;~:,             ,%@ CONTAINS @%,             ,:~;%$§@##
#@§$%;~:,,           MIDI TO CV CONVERTER           ,,:~;%$§@#
@§$%;~:,,,                 TWO VCO'S                ,,,:~;%$§@
§$%;~:,,,, FOUR CHANNEL OR TWO X TWO  CHANNEL MIXER ,,,,:~;%$§
@§$%;~:,,,       TWO SUB OSCILLATORS I THINK        ,,,:~;%$§@
#@§$%;~:,,         TWO ONE TO TWO SPLITTERS         ,,:~;%$§@#
##@§$%;~:,           WHITE NOISE GENERATOR          ,:~;%$§@##
#@§$%;~:,,             SAMPLE AND HOLD              ,,:~;%$§@#
@§$%;~:,,,          LFO PLUS A DIGITAL LFO          ,,,:~;%$§@
§$%;~:,,,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,,,,:~;%$§
@§$%;~:,,,               ADSR ENVELOPE              ,,,:~;%$§@
#@§$%;~:,,                 ONE VCA                  ,,:~;%$§@#
##@§$%;~:,               HEADPHONE AMP              ,:~;%$§@##
#@§$%;~:,,         FOURTY NINE PATCHPOINTS!         ,,:~;%$§@#
@§$%;~:,,,                                          ,,,:~;%$§@
§$%;~:,,,,                 ,:###:,                  ,,,,:~;%$§
@§$%;~:,,,            ~%% SO WHAT NOW %%~           ,,,:~;%$§@
#@§$%;~:,,                 ,:###:,                  ,,:~;%$§@#
##@§$%;~:,                                          ,:~;%$§@##
#@§$%;~:,, CLOCK  IO GOES TO  ASDR  IN  I THINK AND ,,:~;%$§@#
@§$%;~:,,, MAYBE ALSO  TO THE SAMPLE AND HOLD.  PUT ,,,:~;%$§@
§$%;~:,,,, SUBBASE AND  NOISE  IN CHANNEL THREE AND ,,,,:~;%$§
@§$%;~:,,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,,,:~;%$§@
#@§$%;~:,, TWO, AND  OSCILLATOR TWO SAW  TO CHANNEL ,,:~;%$§@#
##@§$%;~:, ONE.  SAMPLE  AND   HOLD   OUT  TO   THE ,:~;%$§@##
#@§$%;~:,,   FILTER... MAYBE... RESONANCE AT HALF.  ,,:~;%$§@#
@§$%;~:,,, SOME FREQUENCY  IN THE  FIRST OSCILLATOR ,,,:~;%$§@
§$%;~:,,,, AND THEN THE  SECOND  OSC FOUR SEMITONES ,,,,:~;%$§
@§$%;~:,,,                 HIGHER.                  ,,,:~;%$§@
#@§$%;~:,,                                          ,,:~;%$§@#
##@§$%;~:,                  :~§@§~:                 ,:~;%$§@##
#@§$%;~:,,          ;$$ DESKTOP SYNTH $$;           ,,:~;%$§@#
@§$%;~:,,,                  :~§@§~:                 ,,,:~;%$§@
§$%;~:,,,,                                          ,,,,:~;%$§
@§$%;~:,,,                                          ,,,:~;%$§@
#@§$%;~:,,                                          ,,:~;%$§@#
##@§$%;~:,                                          ,:~;%$§@##
#@§$%;~:,,                                          ,,:~;%$§@#
@§$%;~:,,,                                          ,,,:~;%$§@