#*%^=.,,,,                                          ,,,,.=^%*#
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,,,,,,,,,,                 ,,*###*,,                ,,,,,,,,,,
,,,,,,,,,,       .. PITTSBURGH ELECTRONICS ..       ,,,,,,,,,,
,,,,,,,,,,             == LIFEFORMS ==              ,,,,,,,,,,
.,,,,,,,,,               ^^ SV ONE ^^               ,,,,,,,,,.
=.,,,,,,,,                                          ,,,,,,,,.=
^=.,,,,,,, THIS  IS A EURORACK MODULE  BUT I BOUGHT ,,,,,,,.=^
%^=.,,,,,, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,,,,,,.=^%
*%^=.,,,,,                                          ,,,,,.=^%*
#*%^=.,,,, IT  SHIPS  WITH  TOO  FEW  PATCH CABLES. ,,,,.=^%*#
##*%^=.,,,                                          ,,,.=^%*##
###*%^=.,,             ,%# CONTAINS #%,             ,,.=^%*###
####*%^=.,           MIDI TO CV CONVERTER           ,.=^%*####
###*%^=.,,                 TWO VCO'S                ,,.=^%*###
##*%^=.,,, FOUR CHANNEL OR TWO X TWO CHANNEL  MIXER ,,,.=^%*##
#*%^=.,,,,       TWO SUB OSCILLATORS I THINK        ,,,,.=^%*#
*%^=.,,,,,         TWO ONE TO TWO SPLITTERS         ,,,,,.=^%*
%^=.,,,,,,           WHITE NOISE GENERATOR          ,,,,,,.=^%
^=.,,,,,,,              SAMPLE AND HOLD             ,,,,,,,.=^
=.,,,,,,,,          LFO PLUS A DIGITAL LFO          ,,,,,,,,.=
.,,,,,,,,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,,,,,,,,,.
,,,,,,,,,,               ADSR ENVELOPE              ,,,,,,,,,,
,,,,,,,,,,                  ONE VCA                 ,,,,,,,,,,
,,,,,,,,,,               HEADPHONE AMP              ,,,,,,,,,,
.,,,,,,,,,         FOURTY NINE PATCHPOINTS!         ,,,,,,,,,.
=.,,,,,,,,                                          ,,,,,,,,.=
^=.,,,,,,,                 ,.###.,                  ,,,,,,,.=^
%^=.,,,,,,            =%% SO WHAT NOW %%=           ,,,,,,.=^%
*%^=.,,,,,                  ,.###.,                 ,,,,,.=^%*
#*%^=.,,,,                                          ,,,,.=^%*#
##*%^=.,,, CLOCK  IO GOES TO  ASDR  IN I THINK  AND ,,,.=^%*##
###*%^=.,, MAYBE ALSO TO  THE SAMPLE  AND HOLD. PUT ,,.=^%*###
####*%^=., SUBBASE AND NOISE IN CHANNEL  THREE  AND ,.=^%*####
###*%^=.,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,,.=^%*###
##*%^=.,,, TWO, AND OSCILLATOR TWO  SAW  TO CHANNEL ,,,.=^%*##
#*%^=.,,,, ONE.  SAMPLE  AND   HOLD  OUT   TO   THE ,,,,.=^%*#
*%^=.,,,,,   FILTER... MAYBE... RESONANCE AT HALF.  ,,,,,.=^%*
%^=.,,,,,, SOME  FREQUENCY IN THE FIRST  OSCILLATOR ,,,,,,.=^%
^=.,,,,,,, AND THEN  THE SECOND OSC  FOUR SEMITONES ,,,,,,,.=^
=.,,,,,,,,                 HIGHER.                  ,,,,,,,,.=
.,,,,,,,,,                                          ,,,,,,,,,.
,,,,,,,,,,                 .=###=.                  ,,,,,,,,,,
,,,,,,,,,,          ^** DESKTOP SYNTH **^           ,,,,,,,,,,
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%^=.,,,,,,                                          ,,,,,,.=^%
*%^=.,,,,,                                          ,,,,,.=^%*
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