@@$:~~~...                                          ...~~~:$@@
&&$$::~...                                          ...~::$$&&
##@&$*:~:.                                          .:~:*$&@##
#@@&$*:~:.                                          .:~:*$&@@#
@$$**~:...                                          ...:~**$$@
##@&$*:~:.                                          .:~:*$&@##
@$::......                ..$###$..                 ......::$@
@@@&$*:~:.       :: pittsburgh electronics ::       .:~:*$&@@@
&&$:::::..              ~~ lifeforms ~~             ..:::::$&&
##@&$*:~:.               :: sv one ::               .:~:*$&@##
##@&$*:~:.                                          .:~:*$&@##
##@&$*:~:. this is a  eurorack module  but i bought .:~:*$&@##
###&$*:~:. the  blackbox  one  so  it's  also  not. .:~:*$&###
##@&$*:~:.                                          .:~:*$&@##
@&$$**:~:. it  ships  with too  few  patch  cables. .:~:**$$&@
@@@&$*:~:.                                          .:~:*$&@@@
&*~.......             .*@ contains @*.             .......~*&
###@$*:~:.           midi to cv converter           .:~:*$@###
&&$$:::...                 two vco's                ...:::$$&&
&*:::::... four channel or two x  two channel mixer ...:::::*&
##@&$*:~:.        two sub oscillators i think       .:~:*$&@##
##@&$*:~:.         two one to two splitters         .:~:*$&@##
@&*~......           white noise generator          ......~*&@
##@&$*:~:.             sample and hold              .:~:*$&@##
##@&$*:~:.          lfo plus a digital lfo          .:~:*$&@##
#&*~~::...   filter (lowpass, bandpass, highpass)   ...::~~*&#
##@&$*:~:.              adsr envelope               .:~:*$&@##
&$$::::::.                 one vca                  .::::::$$&
##@&$*:~:.              headphone amp               .:~:*$&@##
##@&$*:~:.         fourty nine patchpoints!         .:~:*$&@##
@@$$*::~:.                                          .:~::*$$@@
##@&$*:~:.                  .:###:.                 .:~:*$&@##
##@&$*:~:.            ~** so what now **~           .:~:*$&@##
###@$*:~:.                 .:###:.                  .:~:*$@###
#@@&$*:~:.                                          .:~:*$&@@#
#@@&$*:~:. clock io goes  to  asdr  in  i think and .:~:*$&@@#
##@&$*:~:. maybe also  to the sample  and hold. put .:~:*$&@##
##@&$*:~:. subbase  and  noise in channel three and .:~:*$&@##
#@@&$*:~:. four.  oscillator  one  saw  to  channel .:~:*$&@@#
##@&$*:~:. two, and oscillator two  saw to  channel .:~:*$&@##
##@&$*:~:. one.   sample  and  hold   out  to   the .:~:*$&@##
#&**:~....   filter... maybe... resonance at half.  ....~:**&#
##@&$*:~:. some  frequency  in the first oscillator .:~:*$&@##
##@&$*:~:. and  then the second  osc four semitones .:~:*$&@##
&$:~:.....                  higher.                 .....:~:$&
##@&$*:~:.                                          .:~:*$&@##
@&$::~:::.                  :~&@&~:                 .:::~::$&@
##@&$*:~:.           :$$ desktop synth $$:          .:~:*$&@##
##@&$*:~:.                  :~&@&~:                 .:~:*$&@##
@$$$$*:~:.                                          .:~:*$$$$@
##@&$*:~:.                                          .:~:*$&@##
##@&$*:~:.                                          .:~:*$&@##
@&**:~....                                          ....~:**&@
&&&&$*:~:.                                          .:~:*$&&&&
&*:::.....                                          .....:::*&