@,@,,@,@@@                                          ,@@,@@,@,,
@@@@,@@@,,                                          @@,@@,@@@,
@,,,@@,,@,                                          @,@@,@@,,@
,@,,@,@,@@                                          ,@@,@@,@,@
@@@,@@@@@,                                          @@,@@,@@@@
,,,@@,,,,@                                          @,@@,@@,,,
,,,@,@,,,@                 ,,@###@,,                ,@@,@@,@,,
,,,@@@@,,@       ,, Pittsburgh Electronics ,,       @@,@@,@@@,
,,,@,,,@,@              -- Lifeforms --             @,@@,@@,,@
@,,@@,,@@@               ** Sv One **               ,@@,@@,@,@
,@,@,@,@,,                                          ,@,@@,@@@@
@@@@@@@@@, This  Is A Eurorack Module But  I Bought ,@@@,@@,,,
@,,,,,,,,@ The  Blackbox  One  So  It'S  Also  Not. @@,,@@,@,,
@@,,,,,,,@                                          @,@,@,@@@,
@,@,,,,,,@ It  Ships  With Too  Few  Patch  Cables. ,@@@@@@,,@
,@@@,,,,,@                                          @@,,,,,@,@
@@,,@,,,,@             ,^@ Contains @^,             ,,@,,,,@@@
,,@,@@,,,@           Midi To Cv Converter           ,,@@,,,@,,
,,@@@,@,,@                 Two Vco'S                ,,@,@,,@@,
,,@,,@@@,@ Four Channel Or Two X  Two Channel Mixer ,,@@@@,@,@
@,@@,@,,@@       Two Sub Oscillators I Think        ,,@,,,@@@@
,@@,@@@,@,         Two One To Two Splitters         @,@@,,@,,,
,@,@@,,@@@           White Noise Generator          ,@@,@,@@,,
,@@@,@,@,,              Sample And Hold             ,@,@@@@,@,
,@,,@@@@@,          Lfo Plus A Digital Lfo          @@@@,,,@@@
@@@,@,,,,@   Filter (Lowpass, Bandpass, Highpass)   @,,,@,,@,,
@,,@@@,,,@               Adsr Envelope              @@,,@@,@@,
@@,@,,@,,@                 One Vca                  @,@,@,@@,@
,,@@@,@@,@               Headphone Amp              @@@@@@@,@@
@,@,,@@,@@         Fourty Nine Patchpoints!         ,,,,,,,@@,
@@@@,@,@@,                                          ,,,,,,,@,@
,,,,@@@@,@                 ,,###,,                  @,,,,,,@@@
@,,,@,,,@@           -^^ So What Now ^^-            @@,,,,,@,,
@@,,@@,,@,                 ,,###,,                  @,@,,,,@@,
@,@,@,@,@@                                          ,@@@,,,@,@
,@@@@@@@@, Clock  Io  Goes To Asdr In I  Think  And ,@,,@,,@@@
@@,,,,,,,@ Maybe Also To The Sample  And Hold.  Put ,@@,@@,@,,
@,@,,,,,,@ Subbase And Noise  In Channel  Three And ,@,@@,@@@,
@@@@,,,,,@ Four.  Oscillator  One  Saw  To  Channel ,@@@,@@,,@
,,,,@,,,,@ Two,  And Oscillator  Two Saw To Channel ,@,,@@,@,@
@,,,@@,,,@ One.  Sample   And   Hold  Out  To   The ,@@,@,@@@@
,@,,@,@,,@   Filter... Maybe... Resonance At Half.  @@,@@@@,,,
,@@,@@@@,@ Some  Frequency In The First  Oscillator @,@@,,,@,,
,@,@@,,,@@ And  Then The Second Osc  Four Semitones ,@@,@,,@@,
,@@@,@,,@,                  Higher.                 @@,@@@,@,@
@@,,@@@,@@                                          @,@@,,@@@@
,,@,@,,@@,                  ,-@@@-,                 @@@,@,@,,,
,,@@@@,@,@           *@@ Desktop Synth @@*          @,,@@@@@,,
,,@,,,@@@@                  ,-@@@-,                 @@,@,,,,@,
,,@@,,@,,,                                          ,,@@@,,,@@
@,@,@,@@,,                                          ,,@,,@,,@,
@@@@@@@,@,                                          @,@@,@@,@@
,,,,,,,@@@                                          ,@@,@@,@@,
,,,,,,,@,,                                          @@,@@,@@,@
@,,,,,,@@,                                          ,,@@,@@,@@