.:~*%$¤###                                          ###¤$%*~:.
.:~*%$¤###                                          ###¤$%*~:.
.:~*%$¤###                                          ###¤$%*~:.
.:~*%$¤###                                          ###¤$%*~:.
.....~%¤##                                          ##¤%~.....
.:~*%$¤###                                          ###¤$%*~:.
.:~*%$¤###                 ..$###$..                ###¤$%*~:.
.:~*%$¤###       :: pittsburgh electronics ::       ###¤$%*~:.
.:~*%$¤###             ~~ lifeforms ~~              ###¤$%*~:.
.~*%$¤####               ** sv one **               ####¤$%*~.
.:~*%$####                                          ####$%*~:.
.:~*%$¤### this  is a eurorack module but  i bought ###¤$%*~:.
...~~~*$¤# the  blackbox  one  so  it's  also  not. #¤$*~~~...
......~%$#                                          #$%~......
......~~%¤ it  ships with  too  few  patch  cables. ¤%~~......
.:~***%%%¤                                          ¤%%%***~:.
...::~*$##             .%# contains #%.             ##$*~::...
......~~%¤           midi to cv converter           ¤%~~......
...:~**$¤#                two vco's                 #¤$**~:...
.:~*%$¤### four channel or two x two channel  mixer ###¤$%*~:.
.....~**$#       two sub oscillators i think        #$**~.....
....:*$$¤#         two one to two splitters         #¤$$*:....
.:~*%$¤###          white noise generator           ###¤$%*~:.
.:~~~%$¤¤¤             sample and hold              ¤¤¤$%~~~:.
.:~*$¤####          lfo plus a digital lfo          ####¤$*~:.
.:~*%$¤###   filter (lowpass, bandpass, highpass)   ###¤$%*~:.
.:~*%%%%¤#              adsr envelope               #¤%%%%*~:.
..:~*%%%%¤                  one vca                 ¤%%%%*~:..
.:~%$¤####              headphone amp               ####¤$%~:.
.:~*%$¤###         fourty nine patchpoints!         ###¤$%*~:.
....:*$¤¤#                                          #¤¤$*:....
.:~*%$¤###                  .:###:.                 ###¤$%*~:.
.:~%$¤####           ~%% so what now %%~            ####¤$%~:.
.:~*%$¤###                  .:###:.                 ###¤$%*~:.
.:~*%%%$##                                          ##$%%%*~:.
.:~*%$¤### clock io  goes to  asdr  in i think  and ###¤$%*~:.
.:~*%$¤### maybe also  to  the sample and hold. put ###¤$%*~:.
.:~*%$¤### subbase and noise  in channel three  and ###¤$%*~:.
.:~*%$¤### four.  oscillator  one  saw  to  channel ###¤$%*~:.
...::*%¤¤# two, and oscillator two  saw to  channel #¤¤%*::...
....~%%¤## one.  sample   and  hold   out  to   the ##¤%%~....
....~*%$##   filter... maybe... resonance at half.  ##$%*~....
.:~*%$$¤## some frequency in the  first  oscillator ##¤$$%*~:.
.:~*%$¤¤## and then the second  osc four  semitones ##¤¤$%*~:.
.:~*%$¤###                  higher.                 ###¤$%*~:.
.:~*%$¤###                                          ###¤$%*~:.
.:~*%$¤¤¤#                 :~¤#¤~:                  #¤¤¤$%*~:.
...:~*%¤##          *$$ desktop synth $$*           ##¤%*~:...
.:~*%$¤###                  :~¤#¤~:                 ###¤$%*~:.
...::~%¤¤¤                                          ¤¤¤%~::...
.:~*%$$$##                                          ##$$$%*~:.
.:~*%$¤###                                          ###¤$%*~:.
.:~%$¤####                                          ####¤$%~:.
.:~*%$####                                          ####$%*~:.
.....~%$##                                          ##$%~.....