##§§†---¨¨                                          ¨¨---†§§##
###§§--¨¨¨                                          ¨¨¨--§§###
@§§---¨¨¨¨                                          ¨¨¨¨---§§@
#§-¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨-§#
##@#§§†--¨                                          ¨--†§§#@##
##@#§§†--¨                                          ¨--†§§#@##
##@#§§†--¨                 ¨¨§###§¨¨                ¨--†§§#@##
##@#§§†--¨       -- PITTSBURGH ELECTRONICS --       ¨--†§§#@##
####§§†--¨             -- LIFEFORMS --              ¨--†§§####
#§--¨¨¨¨¨¨               †† SV ONE ††               ¨¨¨¨¨¨--§#
####§§†--¨                                          ¨--†§§####
##§††††--¨ THIS  IS A EURORACK MODULE BUT I  BOUGHT ¨--††††§##
##@#§§†--¨ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ¨--†§§#@##
##@#§§†--¨                                          ¨--†§§#@##
##@#§§†--¨ IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. ¨--†§§#@##
##@#§§†--¨                                          ¨--†§§#@##
#§††††---¨             ¨§@ CONTAINS @§¨             ¨---††††§#
@#§§§----¨           MIDI TO CV CONVERTER           ¨----§§§#@
##@#§§†--¨                 TWO VCO'S                ¨--†§§#@##
##@#§§†--¨ FOUR CHANNEL OR TWO X TWO  CHANNEL MIXER ¨--†§§#@##
@#§†---¨¨¨       TWO SUB OSCILLATORS I THINK        ¨¨¨---†§#@
@§§§§§†--¨         TWO ONE TO TWO SPLITTERS         ¨--†§§§§§@
##@#§§†--¨          WHITE NOISE GENERATOR           ¨--†§§#@##
@#§§§§†--¨              SAMPLE AND HOLD             ¨--†§§§§#@
@§§§-¨¨¨¨¨          LFO PLUS A DIGITAL LFO          ¨¨¨¨¨-§§§@
##@#§§†--¨   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ¨--†§§#@##
##@#§§†--¨              ADSR ENVELOPE               ¨--†§§#@##
##@#§§†--¨                 ONE VCA                  ¨--†§§#@##
@§§§†-¨¨¨¨               HEADPHONE AMP              ¨¨¨¨-†§§§@
##@#§§†--¨         FOURTY NINE PATCHPOINTS!         ¨--†§§#@##
##§†††--¨¨                                          ¨¨--†††§##
##@#§§†--¨                  ¨-###-¨                 ¨--†§§#@##
##§§----¨¨           -§§ SO WHAT NOW §§-            ¨¨----§§##
@@@#§§†--¨                 ¨-###-¨                  ¨--†§§#@@@
###@§§†--¨                                          ¨--†§§@###
###@#§†--¨ CLOCK  IO GOES TO  ASDR IN  I THINK  AND ¨--†§#@###
#§§§-¨¨¨¨¨ MAYBE  ALSO TO THE SAMPLE AND HOLD.  PUT ¨¨¨¨¨-§§§#
#§--¨¨¨¨¨¨ SUBBASE AND  NOISE IN  CHANNEL THREE AND ¨¨¨¨¨¨--§#
##@#§§†--¨ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ¨--†§§#@##
#§†-¨¨¨¨¨¨ TWO,  AND OSCILLATOR TWO  SAW TO CHANNEL ¨¨¨¨¨¨-†§#
##@#§§†--¨ ONE.  SAMPLE  AND  HOLD   OUT   TO   THE ¨--†§§#@##
##@#§§†--¨  FILTER... MAYBE... RESONANCE AT HALF.   ¨--†§§#@##
##§§§§†--¨ SOME FREQUENCY  IN THE FIRST  OSCILLATOR ¨--†§§§§##
##@#§§†--¨ AND THEN  THE SECOND  OSC FOUR SEMITONES ¨--†§§#@##
#@@#§§†--¨                 HIGHER.                  ¨--†§§#@@#
#§§§§-¨¨¨¨                                          ¨¨¨¨-§§§§#
@###§§†--¨                  --#@#--                 ¨--†§§###@
#§§§§§†--¨           †§§ DESKTOP SYNTH §§†          ¨--†§§§§§#
##@#§§†--¨                 --#@#--                  ¨--†§§#@##
#§†--¨¨¨¨¨                                          ¨¨¨¨¨--†§#
##§-¨¨¨¨¨¨                                          ¨¨¨¨¨¨-§##
##@#§§†--¨                                          ¨--†§§#@##
##@#§§†--¨                                          ¨--†§§#@##
##@#§§†--¨                                          ¨--†§§#@##
@@#§†††--¨                                          ¨--†††§#@@