###@$%*~-¨                                          ¨-~*%$@###
##@$%*~-¨¨                                          ¨¨-~*%$@##
###@$%*~-¨                                          ¨-~*%$@###
##@$%*~-¨¨                                          ¨¨-~*%$@##
###@$%*~-¨                                          ¨-~*%$@###
##@$%*~-¨¨                                          ¨¨-~*%$@##
###@$%*~-¨                ¨¨$###$¨¨                 ¨-~*%$@###
##@$%*~-¨¨       -- PITTSBURGH ELECTRONICS --       ¨¨-~*%$@##
###@$%*~-¨              ~~ LIFEFORMS ~~             ¨-~*%$@###
##@$%*~-¨¨               ** SV ONE **               ¨¨-~*%$@##
###@$%*~-¨                                          ¨-~*%$@###
##@$%*~-¨¨ THIS IS A  EURORACK MODULE BUT I  BOUGHT ¨¨-~*%$@##
###@$%*~-¨ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ¨-~*%$@###
##@$%*~-¨¨                                          ¨¨-~*%$@##
###@$%*~-¨ IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. ¨-~*%$@###
##@$%*~-¨¨                                          ¨¨-~*%$@##
###@$%*~-¨             ¨%# CONTAINS #%¨             ¨-~*%$@###
##@$%*~-¨¨           MIDI TO CV CONVERTER           ¨¨-~*%$@##
###@$%*~-¨                TWO VCO'S                 ¨-~*%$@###
##@$%*~-¨¨ FOUR CHANNEL OR TWO X  TWO CHANNEL MIXER ¨¨-~*%$@##
###@$%*~-¨       TWO SUB OSCILLATORS I THINK        ¨-~*%$@###
##@$%*~-¨¨         TWO ONE TO TWO SPLITTERS         ¨¨-~*%$@##
###@$%*~-¨          WHITE NOISE GENERATOR           ¨-~*%$@###
##@$%*~-¨¨             SAMPLE AND HOLD              ¨¨-~*%$@##
###@$%*~-¨          LFO PLUS A DIGITAL LFO          ¨-~*%$@###
##@$%*~-¨¨   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ¨¨-~*%$@##
###@$%*~-¨              ADSR ENVELOPE               ¨-~*%$@###
##@$%*~-¨¨                  ONE VCA                 ¨¨-~*%$@##
###@$%*~-¨              HEADPHONE AMP               ¨-~*%$@###
##@$%*~-¨¨         FOURTY NINE PATCHPOINTS!         ¨¨-~*%$@##
###@$%*~-¨                                          ¨-~*%$@###
##@$%*~-¨¨                 ¨-###-¨                  ¨¨-~*%$@##
###@$%*~-¨           ~%% SO WHAT NOW %%~            ¨-~*%$@###
##@$%*~-¨¨                  ¨-###-¨                 ¨¨-~*%$@##
###@$%*~-¨                                          ¨-~*%$@###
##@$%*~-¨¨ CLOCK IO GOES  TO ASDR  IN I  THINK  AND ¨¨-~*%$@##
###@$%*~-¨ MAYBE  ALSO TO THE SAMPLE AND HOLD.  PUT ¨-~*%$@###
##@$%*~-¨¨ SUBBASE AND NOISE IN  CHANNEL  THREE AND ¨¨-~*%$@##
###@$%*~-¨ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ¨-~*%$@###
##@$%*~-¨¨ TWO,  AND OSCILLATOR  TWO SAW TO CHANNEL ¨¨-~*%$@##
###@$%*~-¨ ONE.   SAMPLE   AND  HOLD   OUT  TO  THE ¨-~*%$@###
##@$%*~-¨¨   FILTER... MAYBE... RESONANCE AT HALF.  ¨¨-~*%$@##
###@$%*~-¨ SOME  FREQUENCY IN  THE FIRST OSCILLATOR ¨-~*%$@###
##@$%*~-¨¨ AND  THEN THE SECOND OSC FOUR  SEMITONES ¨¨-~*%$@##
###@$%*~-¨                  HIGHER.                 ¨-~*%$@###
##@$%*~-¨¨                                          ¨¨-~*%$@##
###@$%*~-¨                  -~@#@~-                 ¨-~*%$@###
##@$%*~-¨¨           *$$ DESKTOP SYNTH $$*          ¨¨-~*%$@##
###@$%*~-¨                  -~@#@~-                 ¨-~*%$@###
##@$%*~-¨¨                                          ¨¨-~*%$@##
###@$%*~-¨                                          ¨-~*%$@###
##@$%*~-¨¨                                          ¨¨-~*%$@##
###@$%*~-¨                                          ¨-~*%$@###
##@$%*~-¨¨                                          ¨¨-~*%$@##
###@$%*~-¨                                          ¨-~*%$@###