#¨¨¨#¨#¨##                                          #¨¨¨¨¨#¨#¨
#¨¨##¨#¨¨#                                          #¨¨¨¨##¨#¨
#¨#¨#¨#¨##                                          #¨¨¨#¨#¨#¨
#¨#¨#¨#¨¨#                                          #¨¨##¨#¨#¨
#¨#¨#¨#¨##                                          #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#                                          #¨#¨#¨#¨#¨
#¨#¨#¨#¨##                ¨¨%###%¨¨                 #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#       .. PITTSBURGH ELECTRONICS ..       #¨#¨#¨#¨#¨
#¨#¨#¨#¨##              ~~ LIFEFORMS ~~             #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#               :: SV ONE ::               #¨#¨#¨#¨#¨
#¨#¨#¨#¨##                                          #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨# THIS  IS A  EURORACK MODULE BUT I BOUGHT #¨#¨#¨#¨#¨
#¨#¨#¨#¨## THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#                                          #¨#¨#¨#¨#¨
#¨#¨#¨#¨## IT  SHIPS  WITH  TOO  FEW PATCH  CABLES. #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#                                          #¨#¨#¨#¨#¨
#¨#¨#¨#¨##             ¨*# CONTAINS #*¨             #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#           MIDI TO CV CONVERTER           #¨#¨#¨#¨#¨
#¨#¨#¨#¨##                 TWO VCO'S                #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨# FOUR CHANNEL OR TWO X TWO  CHANNEL MIXER #¨#¨#¨#¨#¨
#¨#¨#¨#¨##       TWO SUB OSCILLATORS I THINK        #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#         TWO ONE TO TWO SPLITTERS         #¨#¨#¨#¨#¨
#¨#¨#¨#¨##          WHITE NOISE GENERATOR           #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#              SAMPLE AND HOLD             #¨#¨#¨#¨#¨
#¨#¨#¨#¨##          LFO PLUS A DIGITAL LFO          #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#   FILTER (LOWPASS, BANDPASS, HIGHPASS)   #¨#¨#¨#¨#¨
#¨#¨#¨#¨##              ADSR ENVELOPE               #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#                  ONE VCA                 #¨#¨#¨#¨#¨
#¨#¨#¨#¨##               HEADPHONE AMP              #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#         FOURTY NINE PATCHPOINTS!         #¨#¨#¨#¨#¨
#¨#¨#¨#¨##                                          #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#                 ¨.###.¨                  #¨#¨#¨#¨#¨
#¨#¨#¨#¨##            ~** SO WHAT NOW **~           #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#                  ¨.###.¨                 #¨#¨#¨#¨#¨
#¨#¨#¨#¨##                                          #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨# CLOCK  IO GOES TO  ASDR IN  I THINK  AND #¨#¨#¨#¨#¨
#¨#¨#¨#¨## MAYBE  ALSO TO THE  SAMPLE AND HOLD. PUT #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨# SUBBASE AND  NOISE  IN CHANNEL THREE AND #¨#¨#¨#¨#¨
#¨#¨#¨#¨## FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨# TWO, AND OSCILLATOR TWO  SAW TO  CHANNEL #¨#¨#¨#¨#¨
#¨#¨#¨#¨## ONE.   SAMPLE  AND  HOLD   OUT  TO   THE #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#   FILTER... MAYBE... RESONANCE AT HALF.  #¨#¨#¨#¨#¨
#¨#¨#¨#¨## SOME  FREQUENCY  IN THE FIRST OSCILLATOR #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨# AND THEN  THE SECOND OSC  FOUR SEMITONES #¨#¨#¨#¨#¨
#¨#¨#¨#¨##                 HIGHER.                  #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#                                          #¨#¨#¨#¨#¨
#¨#¨#¨#¨##                 .~###~.                  #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#          :%% DESKTOP SYNTH %%:           #¨#¨#¨#¨#¨
#¨#¨#¨#¨##                 .~###~.                  #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#                                          #¨#¨#¨#¨#¨
#¨#¨#¨#¨##                                          #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#                                          #¨#¨#¨#¨#¨
#¨#¨#¨#¨##                                          #¨#¨#¨#¨#¨
#¨#¨#¨#¨¨#                                          #¨#¨#¨#¨#¨
#¨#¨#¨#¨##                                          #¨#¨#¨#¨#¨