##@§§*-,¨¨                                          ¨¨,-*§§@##
###@§§*-,¨                                          ¨,-*§§@###
##@§§*-,¨¨                                          ¨¨,-*§§@##
#@§§*-,¨¨¨                                          ¨¨¨,-*§§@#
##@§§*-,¨¨                                          ¨¨,-*§§@##
###@§§*-,¨                                          ¨,-*§§@###
##@§§*-,¨¨                ¨¨§###§¨¨                 ¨¨,-*§§@##
#@§§*-,¨¨¨       ,, PITTSBURGH ELECTRONICS ,,       ¨¨¨,-*§§@#
##@§§*-,¨¨             -- LIFEFORMS --              ¨¨,-*§§@##
###@§§*-,¨               ** SV ONE **               ¨,-*§§@###
##@§§*-,¨¨                                          ¨¨,-*§§@##
#@§§*-,¨¨¨ THIS  IS  A EURORACK MODULE BUT I BOUGHT ¨¨¨,-*§§@#
##@§§*-,¨¨ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ¨¨,-*§§@##
###@§§*-,¨                                          ¨,-*§§@###
##@§§*-,¨¨ IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. ¨¨,-*§§@##
#@§§*-,¨¨¨                                          ¨¨¨,-*§§@#
##@§§*-,¨¨             ¨§# CONTAINS #§¨             ¨¨,-*§§@##
###@§§*-,¨           MIDI TO CV CONVERTER           ¨,-*§§@###
##@§§*-,¨¨                TWO VCO'S                 ¨¨,-*§§@##
#@§§*-,¨¨¨ FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER ¨¨¨,-*§§@#
##@§§*-,¨¨       TWO SUB OSCILLATORS I THINK        ¨¨,-*§§@##
###@§§*-,¨         TWO ONE TO TWO SPLITTERS         ¨,-*§§@###
##@§§*-,¨¨          WHITE NOISE GENERATOR           ¨¨,-*§§@##
#@§§*-,¨¨¨              SAMPLE AND HOLD             ¨¨¨,-*§§@#
##@§§*-,¨¨          LFO PLUS A DIGITAL LFO          ¨¨,-*§§@##
###@§§*-,¨   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ¨,-*§§@###
##@§§*-,¨¨              ADSR ENVELOPE               ¨¨,-*§§@##
#@§§*-,¨¨¨                 ONE VCA                  ¨¨¨,-*§§@#
##@§§*-,¨¨               HEADPHONE AMP              ¨¨,-*§§@##
###@§§*-,¨         FOURTY NINE PATCHPOINTS!         ¨,-*§§@###
##@§§*-,¨¨                                          ¨¨,-*§§@##
#@§§*-,¨¨¨                  ¨,###,¨                 ¨¨¨,-*§§@#
##@§§*-,¨¨           -§§ SO WHAT NOW §§-            ¨¨,-*§§@##
###@§§*-,¨                 ¨,###,¨                  ¨,-*§§@###
##@§§*-,¨¨                                          ¨¨,-*§§@##
#@§§*-,¨¨¨ CLOCK IO GOES  TO  ASDR IN  I THINK  AND ¨¨¨,-*§§@#
##@§§*-,¨¨ MAYBE ALSO  TO  THE SAMPLE AND HOLD. PUT ¨¨,-*§§@##
###@§§*-,¨ SUBBASE AND  NOISE  IN CHANNEL THREE AND ¨,-*§§@###
##@§§*-,¨¨ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ¨¨,-*§§@##
#@§§*-,¨¨¨ TWO,  AND OSCILLATOR TWO SAW TO  CHANNEL ¨¨¨,-*§§@#
##@§§*-,¨¨ ONE.  SAMPLE  AND   HOLD  OUT   TO   THE ¨¨,-*§§@##
###@§§*-,¨   FILTER... MAYBE... RESONANCE AT HALF.  ¨,-*§§@###
##@§§*-,¨¨ SOME FREQUENCY  IN THE FIRST  OSCILLATOR ¨¨,-*§§@##
#@§§*-,¨¨¨ AND THEN THE  SECOND  OSC FOUR SEMITONES ¨¨¨,-*§§@#
##@§§*-,¨¨                  HIGHER.                 ¨¨,-*§§@##
###@§§*-,¨                                          ¨,-*§§@###
##@§§*-,¨¨                 ,-@#@-,                  ¨¨,-*§§@##
#@§§*-,¨¨¨           *§§ DESKTOP SYNTH §§*          ¨¨¨,-*§§@#
##@§§*-,¨¨                  ,-@#@-,                 ¨¨,-*§§@##
###@§§*-,¨                                          ¨,-*§§@###
##@§§*-,¨¨                                          ¨¨,-*§§@##
#@§§*-,¨¨¨                                          ¨¨¨,-*§§@#
##@§§*-,¨¨                                          ¨¨,-*§§@##
###@§§*-,¨                                          ¨,-*§§@###
##@§§*-,¨¨                                          ¨¨,-*§§@##