#..###.#.#                                          #.#.#.##.#
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#.#..#.#.#                                          #.#.#.##.#
#.#.##.#.#                                          #.#.#..#..
#.#..#.#.#                                          #.#.#.##.#
#.#.##.#.#                                          #.#.#..#..
#.#..#.#.#                 ..&@#@&..                #.#.#.##.#
#.#.##.#.#       ,, Pittsburgh Electronics ,,       #.#.#..#..
#.#..#.#.#             -- Lifeforms --              #.#.#.##.#
#.#.##.#.#               ** Sv One **               #.#.#..#..
#.#..#.#.#                                          #.#.#.##.#
#.#.##.#.# This Is  A  Eurorack Module But I Bought #.#.#..#..
#.#..#.#.# The  Blackbox  One  So  It'S  Also  Not. #.#.#.##.#
#.#.##.#.#                                          #.#.#..#..
#.#..#.#.# It  Ships With  Too  Few  Patch  Cables. #.#.#.##.#
#.#.##.#.#                                          #.#.#..#..
#.#..#.#.#             .*£ Contains £*.             #.#.#.##.#
#.#.##.#.#           Midi To Cv Converter           #.#.#..#..
#.#..#.#.#                Two Vco'S                 #.#.#.##.#
#.#.##.#.# Four Channel Or Two  X Two Channel Mixer #.#.#..#..
#.#..#.#.#       Two Sub Oscillators I Think        #.#.#.##.#
#.#.##.#.#         Two One To Two Splitters         #.#.#..#..
#.#..#.#.#           White Noise Generator          #.#.#.##.#
#.#.##.#.#             Sample And Hold              #.#.#..#..
#.#..#.#.#          Lfo Plus A Digital Lfo          #.#.#.##.#
#.#.##.#.#   Filter (Lowpass, Bandpass, Highpass)   #.#.#..#..
#.#..#.#.#               Adsr Envelope              #.#.#.##.#
#.#.##.#.#                 One Vca                  #.#.#..#..
#.#..#.#.#              Headphone Amp               #.#.#.##.#
#.#.##.#.#         Fourty Nine Patchpoints!         #.#.#..#..
#.#..#.#.#                                          #.#.#.##.#
#.#.##.#.#                 .,@#@,.                  #.#.#..#..
#.#..#.#.#           -** So What Now **-            #.#.#.##.#
#.#.##.#.#                  .,@#@,.                 #.#.#..#..
#.#..#.#.#                                          #.#.#.##.#
#.#.##.#.# Clock  Io  Goes To Asdr  In  I Think And #.#.#..#..
#.#..#.#.# Maybe Also To  The Sample And  Hold. Put #.#.#.##.#
#.#.##.#.# Subbase And  Noise In Channel Three  And #.#.#..#..
#.#..#.#.# Four.  Oscillator  One  Saw  To  Channel #.#.#.##.#
#.#.##.#.# Two, And Oscillator  Two Saw  To Channel #.#.#..#..
#.#..#.#.# One.   Sample  And   Hold   Out  To  The #.#.#.##.#
#.#.##.#.#  Filter... Maybe... Resonance At Half.   #.#.#..#..
#.#..#.#.# Some  Frequency In The First  Oscillator #.#.#.##.#
#.#.##.#.# And Then The  Second Osc  Four Semitones #.#.#..#..
#.#..#.#.#                 Higher.                  #.#.#.##.#
#.#.##.#.#                                          #.#.#..#..
#.#..#.#.#                  ,-#£#-,                 #.#.#.##.#
#.#.##.#.#          *&& Desktop Synth &&*           #.#.#..#..
#.#..#.#.#                 ,-#£#-,                  #.#.#.##.#
#.#.##.#.#                                          #.#.#..#..
#.#..#.#.#                                          #.#.#.##.#
#.#.##.#.#                                          #.#.#..#..
#.#..#.#.#                                          #.#.#.##.#
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