^«,¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨,«^
«,¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨,«
^«,¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨,«^
$^«,¨¨¨¨¨¨                                          ¨¨¨¨¨¨,«^$
@$^«,¨¨¨¨¨                                          ¨¨¨¨¨,«^$@
¶@$^«,¨¨¨¨                                          ¨¨¨¨,«^$@¶
#¶@$^«,¨¨¨                 ¨¨@###@¨¨                ¨¨¨,«^$@¶#
##¶@$^«,¨¨       ,, PITTSBURGH ELECTRONICS ,,       ¨¨,«^$@¶##
###¶@$^«,¨              «« LIFEFORMS ««             ¨,«^$@¶###
##¶@$^«,¨¨               ^^ SV ONE ^^               ¨¨,«^$@¶##
#¶@$^«,¨¨¨                                          ¨¨¨,«^$@¶#
¶@$^«,¨¨¨¨ THIS IS A  EURORACK MODULE BUT  I BOUGHT ¨¨¨¨,«^$@¶
@$^«,¨¨¨¨¨ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ¨¨¨¨¨,«^$@
$^«,¨¨¨¨¨¨                                          ¨¨¨¨¨¨,«^$
^«,¨¨¨¨¨¨¨ IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. ¨¨¨¨¨¨¨,«^
«,¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨,«
^«,¨¨¨¨¨¨¨             ¨$¶ CONTAINS ¶$¨             ¨¨¨¨¨¨¨,«^
$^«,¨¨¨¨¨¨           MIDI TO CV CONVERTER           ¨¨¨¨¨¨,«^$
@$^«,¨¨¨¨¨                TWO VCO'S                 ¨¨¨¨¨,«^$@
¶@$^«,¨¨¨¨ FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER ¨¨¨¨,«^$@¶
#¶@$^«,¨¨¨        TWO SUB OSCILLATORS I THINK       ¨¨¨,«^$@¶#
##¶@$^«,¨¨         TWO ONE TO TWO SPLITTERS         ¨¨,«^$@¶##
###¶@$^«,¨          WHITE NOISE GENERATOR           ¨,«^$@¶###
##¶@$^«,¨¨              SAMPLE AND HOLD             ¨¨,«^$@¶##
#¶@$^«,¨¨¨          LFO PLUS A DIGITAL LFO          ¨¨¨,«^$@¶#
¶@$^«,¨¨¨¨   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ¨¨¨¨,«^$@¶
@$^«,¨¨¨¨¨               ADSR ENVELOPE              ¨¨¨¨¨,«^$@
$^«,¨¨¨¨¨¨                  ONE VCA                 ¨¨¨¨¨¨,«^$
^«,¨¨¨¨¨¨¨               HEADPHONE AMP              ¨¨¨¨¨¨¨,«^
«,¨¨¨¨¨¨¨¨         FOURTY NINE PATCHPOINTS!         ¨¨¨¨¨¨¨¨,«
^«,¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨,«^
$^«,¨¨¨¨¨¨                  ¨,###,¨                 ¨¨¨¨¨¨,«^$
@$^«,¨¨¨¨¨            «$$ SO WHAT NOW $$«           ¨¨¨¨¨,«^$@
¶@$^«,¨¨¨¨                  ¨,###,¨                 ¨¨¨¨,«^$@¶
#¶@$^«,¨¨¨                                          ¨¨¨,«^$@¶#
##¶@$^«,¨¨ CLOCK  IO  GOES TO ASDR  IN I  THINK AND ¨¨,«^$@¶##
###¶@$^«,¨ MAYBE ALSO  TO THE SAMPLE AND  HOLD. PUT ¨,«^$@¶###
##¶@$^«,¨¨ SUBBASE AND NOISE IN  CHANNEL  THREE AND ¨¨,«^$@¶##
#¶@$^«,¨¨¨ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ¨¨¨,«^$@¶#
¶@$^«,¨¨¨¨ TWO,  AND OSCILLATOR TWO SAW  TO CHANNEL ¨¨¨¨,«^$@¶
@$^«,¨¨¨¨¨ ONE.  SAMPLE   AND  HOLD  OUT   TO   THE ¨¨¨¨¨,«^$@
$^«,¨¨¨¨¨¨  FILTER... MAYBE... RESONANCE AT HALF.   ¨¨¨¨¨¨,«^$
^«,¨¨¨¨¨¨¨ SOME FREQUENCY IN THE  FIRST  OSCILLATOR ¨¨¨¨¨¨¨,«^
«,¨¨¨¨¨¨¨¨ AND THEN THE SECOND  OSC FOUR  SEMITONES ¨¨¨¨¨¨¨¨,«
^«,¨¨¨¨¨¨¨                 HIGHER.                  ¨¨¨¨¨¨¨,«^
$^«,¨¨¨¨¨¨                                          ¨¨¨¨¨¨,«^$
@$^«,¨¨¨¨¨                 ,«¤¶¤«,                  ¨¨¨¨¨,«^$@
¶@$^«,¨¨¨¨          ^@@ DESKTOP SYNTH @@^           ¨¨¨¨,«^$@¶
#¶@$^«,¨¨¨                 ,«¤¶¤«,                  ¨¨¨,«^$@¶#
##¶@$^«,¨¨                                          ¨¨,«^$@¶##
###¶@$^«,¨                                          ¨,«^$@¶###
##¶@$^«,¨¨                                          ¨¨,«^$@¶##
#¶@$^«,¨¨¨                                          ¨¨¨,«^$@¶#
¶@$^«,¨¨¨¨                                          ¨¨¨¨,«^$@¶
@$^«,¨¨¨¨¨                                          ¨¨¨¨¨,«^$@