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¨,==†*£#@#                                          #@#£*†==,¨
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¨,==†*£#@#                ¨¨*@#@*¨¨                 #@#£*†==,¨
¨,==†*££££       ,, pittsburgh electronics ,,       ££££*†==,¨
¨,,===*£#@              == lifeforms ==             @#£*===,,¨
¨,==†*£#@@               == sv one ==               @@#£*†==,¨
¨,==†***#@                                          @#***†==,¨
¨,====†*## this is a  eurorack  module but i bought ##*†====,¨
¨,==†*£#@# the  blackbox  one  so  it's  also  not. #@#£*†==,¨
¨,==†*£#@#                                          #@#£*†==,¨
¨,==†*£#@# it  ships  with too  few  patch  cables. #@#£*†==,¨
¨,==†*£#@#                                          #@#£*†==,¨
¨,==†*£#@@             ¨†# contains #†¨             @@#£*†==,¨
¨,==*£#@##           midi to cv converter           ##@#£*==,¨
¨,==†*£@##                two vco's                 ##@£*†==,¨
¨,,===*£££ four channel  or two x two channel mixer £££*===,,¨
¨,==†*£###       two sub oscillators i think        ###£*†==,¨
¨,==†****£         two one to two splitters         £****†==,¨
¨,==†*£#@#          white noise generator           #@#£*†==,¨
¨,==†*£££#             sample and hold              #£££*†==,¨
¨¨¨¨¨,=*##          lfo plus a digital lfo          ##*=,¨¨¨¨¨
,==†*£#@##   filter (lowpass, bandpass, highpass)   ##@#£*†==,
¨,==†*££#@               adsr envelope              @#££*†==,¨
¨,==†*£#@#                 one vca                  #@#£*†==,¨
¨,==†***£@               headphone amp              @£***†==,¨
¨¨¨¨¨¨,=*#         fourty nine patchpoints!         #*=,¨¨¨¨¨¨
¨,==†*£#@#                                          #@#£*†==,¨
¨¨¨¨,==**#                 ¨,@#@,¨                  #**==,¨¨¨¨
¨,==†*£###           =†† so what now ††=            ###£*†==,¨
¨,==†*£#@#                  ¨,@#@,¨                 #@#£*†==,¨
¨¨,,=†*£££                                          £££*†=,,¨¨
¨,==†*#@## clock io  goes  to asdr in i  think  and ##@#*†==,¨
¨,==†*£##@ maybe also  to  the sample and hold. put @##£*†==,¨
¨,==†*£#@# subbase  and noise  in channel three and #@#£*†==,¨
¨¨,====*££ four.  oscillator  one  saw  to  channel ££*====,¨¨
¨¨¨,=†*££@ two, and oscillator two  saw  to channel @££*†=,¨¨¨
¨¨¨¨¨¨,=†£ one.   sample  and  hold   out  to   the £†=,¨¨¨¨¨¨
¨¨,==†**##   filter... maybe... resonance at half.  ##**†==,¨¨
¨,==†*£#@# some frequency in the  first  oscillator #@#£*†==,¨
¨,==†*£#@# and then  the second  osc four semitones #@#£*†==,¨
¨,==†*£#@#                  higher.                 #@#£*†==,¨
¨,==†*£#@#                                          #@#£*†==,¨
¨,==†*£###                  ,=£#£=,                 ###£*†==,¨
¨,==†*£###           =** desktop synth **=          ###£*†==,¨
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