##@#@%=~^,                                          ,^~=%@#@##
#@#@%=~^,,                                          ,,^~=%@#@#
##@#@%=~^,                                          ,^~=%@#@##
#@#@%=~^,,                                          ,,^~=%@#@#
##@#@%=~^,                                          ,^~=%@#@##
#@#@%=~^,,                                          ,,^~=%@#@#
##@#@%=~^,                 ,,$@#@$,,                ,^~=%@#@##
#@#@%=~^,,       ^^ PITTSBURGH ELECTRONICS ^^       ,,^~=%@#@#
##@#@%=~^,             ~~ LIFEFORMS ~~              ,^~=%@#@##
#@#@%=~^,,               == SV ONE ==               ,,^~=%@#@#
##@#@%=~^,                                          ,^~=%@#@##
#@#@%=~^,, THIS  IS A EURORACK MODULE BUT I  BOUGHT ,,^~=%@#@#
##@#@%=~^, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,^~=%@#@##
#@#@%=~^,,                                          ,,^~=%@#@#
##@#@%=~^, IT  SHIPS  WITH  TOO  FEW PATCH  CABLES. ,^~=%@#@##
#@#@%=~^,,                                          ,,^~=%@#@#
##@#@%=~^,             ,%# CONTAINS #%,             ,^~=%@#@##
#@#@%=~^,,           MIDI TO CV CONVERTER           ,,^~=%@#@#
##@#@%=~^,                TWO VCO'S                 ,^~=%@#@##
#@#@%=~^,, FOUR CHANNEL OR TWO X TWO  CHANNEL MIXER ,,^~=%@#@#
##@#@%=~^,       TWO SUB OSCILLATORS I THINK        ,^~=%@#@##
#@#@%=~^,,         TWO ONE TO TWO SPLITTERS         ,,^~=%@#@#
##@#@%=~^,           WHITE NOISE GENERATOR          ,^~=%@#@##
#@#@%=~^,,              SAMPLE AND HOLD             ,,^~=%@#@#
##@#@%=~^,          LFO PLUS A DIGITAL LFO          ,^~=%@#@##
#@#@%=~^,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,,^~=%@#@#
##@#@%=~^,              ADSR ENVELOPE               ,^~=%@#@##
#@#@%=~^,,                 ONE VCA                  ,,^~=%@#@#
##@#@%=~^,              HEADPHONE AMP               ,^~=%@#@##
#@#@%=~^,,         FOURTY NINE PATCHPOINTS!         ,,^~=%@#@#
##@#@%=~^,                                          ,^~=%@#@##
#@#@%=~^,,                 ,^@#@^,                  ,,^~=%@#@#
##@#@%=~^,           ~%% SO WHAT NOW %%~            ,^~=%@#@##
#@#@%=~^,,                  ,^@#@^,                 ,,^~=%@#@#
##@#@%=~^,                                          ,^~=%@#@##
#@#@%=~^,, CLOCK IO  GOES  TO ASDR IN  I THINK  AND ,,^~=%@#@#
##@#@%=~^, MAYBE ALSO TO THE  SAMPLE AND HOLD.  PUT ,^~=%@#@##
#@#@%=~^,, SUBBASE  AND NOISE  IN CHANNEL THREE AND ,,^~=%@#@#
##@#@%=~^, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,^~=%@#@##
#@#@%=~^,, TWO, AND OSCILLATOR TWO SAW  TO  CHANNEL ,,^~=%@#@#
##@#@%=~^, ONE.   SAMPLE  AND   HOLD  OUT   TO  THE ,^~=%@#@##
#@#@%=~^,,  FILTER... MAYBE... RESONANCE AT HALF.   ,,^~=%@#@#
##@#@%=~^, SOME FREQUENCY IN  THE FIRST  OSCILLATOR ,^~=%@#@##
#@#@%=~^,, AND  THEN THE SECOND  OSC FOUR SEMITONES ,,^~=%@#@#
##@#@%=~^,                 HIGHER.                  ,^~=%@#@##
#@#@%=~^,,                                          ,,^~=%@#@#
##@#@%=~^,                  ^~@#@~^                 ,^~=%@#@##
#@#@%=~^,,          =$$ DESKTOP SYNTH $$=           ,,^~=%@#@#
##@#@%=~^,                 ^~@#@~^                  ,^~=%@#@##
#@#@%=~^,,                                          ,,^~=%@#@#
##@#@%=~^,                                          ,^~=%@#@##
#@#@%=~^,,                                          ,,^~=%@#@#
##@#@%=~^,                                          ,^~=%@#@##
#@#@%=~^,,                                          ,,^~=%@#@#
##@#@%=~^,                                          ,^~=%@#@##