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§..§.§.§..                                          .§.§..§.§.
§.§§.§.§..                                          .§.§.§§.§.
§..§.§.§..                 ..£@#@£..                .§.§..§.§.
§.§§.§.§.§       .. pittsburgh electronics ..       .§.§.§§.§.
§..§.§.§..              »» lifeforms »»             .§.§..§.§.
§.§§.§.§.§               †† sv one ††               .§.§.§§.§.
§..§.§.§..                                          .§.§..§.§.
§.§§.§.§.§ this is  a eurorack  module but i bought .§.§.§§.§.
§..§.§.§.. the  blackbox  one  so  it's  also  not. .§.§..§.§.
§.§§.§.§.§                                          .§.§.§§.§.
§..§.§.§.. it  ships  with too  few  patch  cables. .§.§..§.§.
§.§§.§.§.§                                          .§.§.§§.§.
§..§.§.§..             .%@ contains @%.             .§.§..§.§.
§.§§.§.§.§           midi to cv converter           .§.§.§§.§.
§..§.§.§..                two vco's                 .§.§..§.§.
§.§§.§.§.§ four channel or two  x two channel mixer .§.§.§§.§.
§..§.§.§..       two sub oscillators i think        .§.§..§.§.
§.§§.§.§.§         two one to two splitters         .§.§.§§.§.
§..§.§.§..          white noise generator           .§.§..§.§.
§.§§.§.§.§              sample and hold             .§.§.§§.§.
§..§.§.§..          lfo plus a digital lfo          .§.§..§.§.
§.§§.§.§.§   filter (lowpass, bandpass, highpass)   .§.§.§§.§.
§..§.§.§..              adsr envelope               .§.§..§.§.
§.§§.§.§.§                 one vca                  .§.§.§§.§.
§..§.§.§..              headphone amp               .§.§..§.§.
§.§§.§.§.§         fourty nine patchpoints!         .§.§.§§.§.
§..§.§.§..                                          .§.§..§.§.
§.§§.§.§.§                  ..@#@..                 .§.§.§§.§.
§..§.§.§..           »%% so what now %%»            .§.§..§.§.
§.§§.§.§.§                 ..@#@..                  .§.§.§§.§.
§..§.§.§..                                          .§.§..§.§.
§.§§.§.§.§ clock  io goes  to asdr  in  i think and .§.§.§§.§.
§..§.§.§.. maybe also to  the  sample and hold. put .§.§..§.§.
§.§§.§.§.§ subbase and noise  in channel three  and .§.§.§§.§.
§..§.§.§.. four.  oscillator  one  saw  to  channel .§.§..§.§.
§.§§.§.§.§ two,  and oscillator two saw  to channel .§.§.§§.§.
§..§.§.§.. one.  sample   and   hold   out  to  the .§.§..§.§.
§.§§.§.§.§  filter... maybe... resonance at half.   .§.§.§§.§.
§..§.§.§.. some  frequency in the  first oscillator .§.§..§.§.
§.§§.§.§.§ and then the  second osc four  semitones .§.§.§§.§.
§..§.§.§..                 higher.                  .§.§..§.§.
§.§§.§.§.§                                          .§.§.§§.§.
§..§.§.§..                 .»§@§».                  .§.§..§.§.
§.§§.§.§.§           †££ desktop synth ££†          .§.§.§§.§.
§..§.§.§..                 .»§@§».                  .§.§..§.§.
§.§§.§.§.§                                          .§.§.§§.§.
§..§.§.§..                                          .§.§..§.§.
§.§§.§.§.§                                          .§.§.§§.§.
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