###&*§=~:¨                                          ¨:~=§*&###
#&&&*§=~:¨                                          ¨:~=§*&&&#
&§~~~~¨¨¨¨                                          ¨¨¨¨~~~~§&
###&*§=~:¨                                          ¨:~=§*&###
###&*§=~:¨                                          ¨:~=§*&###
###&*§=~:¨                                          ¨:~=§*&###
###&*§=~:¨                ¨¨*###*¨¨                 ¨:~=§*&###
##&&*§=~:¨       :: pittsburgh electronics ::       ¨:~=§*&&##
###&*§=~:¨              ~~ lifeforms ~~             ¨:~=§*&###
###&*§=~:¨               == sv one ==               ¨:~=§*&###
&§=:¨¨¨¨¨¨                                          ¨¨¨¨¨¨:=§&
#&&&*§=~:¨ this  is a eurorack module but  i bought ¨:~=§*&&&#
###&*§=~:¨ the  blackbox  one  so  it's  also  not. ¨:~=§*&###
###&*§=~:¨                                          ¨:~=§*&###
###&*§=~:¨ it  ships  with  too few  patch  cables. ¨:~=§*&###
###&*§=~:¨                                          ¨:~=§*&###
###&*§=~:¨             ¨§# contains #§¨             ¨:~=§*&###
###&*§=~:¨           midi to cv converter           ¨:~=§*&###
###&*§=~:¨                 two vco's                ¨:~=§*&###
###&*§=~:¨ four channel or  two x two channel mixer ¨:~=§*&###
&&*=~~¨¨¨¨        two sub oscillators i think       ¨¨¨¨~~=*&&
###&*§=~:¨         two one to two splitters         ¨:~=§*&###
###&*§=~:¨          white noise generator           ¨:~=§*&###
##&&*§=~:¨             sample and hold              ¨:~=§*&&##
###&*§=~:¨          lfo plus a digital lfo          ¨:~=§*&###
&§=:¨¨¨¨¨¨   filter (lowpass, bandpass, highpass)   ¨¨¨¨¨¨:=§&
&&§==~:¨¨¨               adsr envelope              ¨¨¨:~==§&&
###&*§=~:¨                  one vca                 ¨:~=§*&###
&&§§===~:¨              headphone amp               ¨:~===§§&&
###&*§=~:¨         fourty nine patchpoints!         ¨:~=§*&###
###&*§=~:¨                                          ¨:~=§*&###
###&*§=~:¨                  ¨:###:¨                 ¨:~=§*&###
&§~::¨¨¨¨¨            ~§§ so what now §§~           ¨¨¨¨¨::~§&
#&*=~~~~:¨                  ¨:###:¨                 ¨:~~~~=*&#
&§===:¨¨¨¨                                          ¨¨¨¨:===§&
&&**=:¨¨¨¨ clock  io  goes to asdr in  i think  and ¨¨¨¨:=**&&
#&§=:¨¨¨¨¨ maybe also to  the sample and  hold. put ¨¨¨¨¨:=§&#
&§~~¨¨¨¨¨¨ subbase  and  noise in channel three and ¨¨¨¨¨¨~~§&
###&*§=~:¨ four.  oscillator  one  saw  to  channel ¨:~=§*&###
&***§§=~:¨ two, and oscillator  two  saw to channel ¨:~=§§***&
&§==:¨¨¨¨¨ one.   sample  and   hold   out  to  the ¨¨¨¨¨:==§&
&§~~~:¨¨¨¨  filter... maybe... resonance at half.   ¨¨¨¨:~~~§&
#&§~¨¨¨¨¨¨ some  frequency in the first  oscillator ¨¨¨¨¨¨~§&#
##&§==::¨¨ and then  the  second osc four semitones ¨¨::==§&##
&&*§§~~:¨¨                  higher.                 ¨¨:~~§§*&&
##*§===~:¨                                          ¨:~===§*##
#&§§=~:¨¨¨                  :~&#&~:                 ¨¨¨:~=§§&#
&*=:¨¨¨¨¨¨           =** desktop synth **=          ¨¨¨¨¨¨:=*&
###&*§=~:¨                 :~&#&~:                  ¨:~=§*&###
####*§=~:¨                                          ¨:~=§*####
&§~~::¨¨¨¨                                          ¨¨¨¨::~~§&
###&*§=~:¨                                          ¨:~=§*&###
#&*§~~:¨¨¨                                          ¨¨¨:~~§*&#
###&*§=~:¨                                          ¨:~=§*&###
###&*§=~:¨                                          ¨:~=§*&###