....-^$@@@                                          @@@$^-....
.,-^**$$@@                                          @@$$**^-,.
.,-^*$@@@@                                          @@@@$*^-,.
.,-^*$@@##                                          ##@@$*^-,.
...,--*@@@                                          @@@*--,...
.,-^*$$$@@                                          @@$$$*^-,.
...,,,^$$@                 ..$@#@$..                @$$^,,,...
.,-^*$@@@#       ,, PITTSBURGH ELECTRONICS ,,       #@@@$*^-,.
.,-^*$@@@@              -- LIFEFORMS --             @@@@$*^-,.
..,--****@               ^^ SV ONE ^^               @****--,..
.,-^**$$@@                                          @@$$**^-,.
.....-^*@@ THIS IS A EURORACK  MODULE  BUT I BOUGHT @@*^-.....
....,^*$@@ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. @@$*^,....
...,-^^$@@                                          @@$^^-,...
.,-^*$@@## IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. ##@@$*^-,.
.,-^*$@@@@                                          @@@@$*^-,.
....,-^$@@             .*@ CONTAINS @*.             @@$^-,....
.....--*@@           MIDI TO CV CONVERTER           @@*--.....
.....,-^$@                 TWO VCO'S                @$^-,.....
.,-^*$@@@# FOUR CHANNEL OR TWO  X TWO CHANNEL MIXER #@@@$*^-,.
....,^^$@@       TWO SUB OSCILLATORS I THINK        @@$^^,....
.,-^*$@@@@         TWO ONE TO TWO SPLITTERS         @@@@$*^-,.
.,-^*$@@@@           WHITE NOISE GENERATOR          @@@@$*^-,.
...-^^*@@@              SAMPLE AND HOLD             @@@*^^-...
......-**@          LFO PLUS A DIGITAL LFO          @**-......
.,-^*$@@##   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ##@@$*^-,.
.,-^*$@@@#              ADSR ENVELOPE               #@@@$*^-,.
.,-^*$@@@#                  ONE VCA                 #@@@$*^-,.
.,-^*$@@@#               HEADPHONE AMP              #@@@$*^-,.
....,-^$$@         FOURTY NINE PATCHPOINTS!         @$$^-,....
.....,^$@@                                          @@$^,.....
.,-^*$@@@#                  .,@#@,.                 #@@@$*^-,.
.,-^*$@@@#           -** SO WHAT NOW **-            #@@@$*^-,.
.,-^*$@@##                  .,@#@,.                 ##@@$*^-,.
.,-^*$@@@#                                          #@@@$*^-,.
.,-^*$@@## CLOCK  IO GOES  TO  ASDR IN I THINK  AND ##@@$*^-,.
.,-^*$@@@@ MAYBE  ALSO TO THE SAMPLE AND HOLD.  PUT @@@@$*^-,.
.,-^*$@@@@ SUBBASE AND  NOISE IN CHANNEL  THREE AND @@@@$*^-,.
.,-^***@@@ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL @@@***^-,.
.,-^*@@@## TWO,  AND OSCILLATOR TWO  SAW TO CHANNEL ##@@@*^-,.
.,-^*$@@@# ONE.   SAMPLE   AND  HOLD   OUT  TO  THE #@@@$*^-,.
....,-^*@@   FILTER... MAYBE... RESONANCE AT HALF.  @@*^-,....
.,-^*$@@@# SOME  FREQUENCY IN  THE FIRST OSCILLATOR #@@@$*^-,.
.,-^***$@@ AND  THEN THE SECOND  OSC FOUR SEMITONES @@$***^-,.
.,-^*$@@##                 HIGHER.                  ##@@$*^-,.
.,-^*$@@@#                                          #@@@$*^-,.
.,-^*$@@@#                  ,-@@@-,                 #@@@$*^-,.
.,-^*$@@@#           ^$$ DESKTOP SYNTH $$^          #@@@$*^-,.
.,-^*$@@##                 ,-@@@-,                  ##@@$*^-,.
.,-^*$@@@#                                          #@@@$*^-,.
.,-^*$@@@#                                          #@@@$*^-,.
.....,^$$@                                          @$$^,.....
.,-^*$@@@#                                          #@@@$*^-,.
.,-^*$@@@#                                          #@@@$*^-,.
.,-^*$@@@#                                          #@@@$*^-,.