##@§$^^«-.                                          .-«^^$§@##
##@§$^^«-.                                          .-«^^$§@##
##@§$^^«-.                                          .-«^^$§@##
§$^-......                                          ......-^$§
##@§$^^«-.                                          .-«^^$§@##
##@§$^^«-.                                          .-«^^$§@##
##@§$^^«-.                 ..$###$..                .-«^^$§@##
##@§$^^«-.       -- PITTSBURGH ELECTRONICS --       .-«^^$§@##
@§$$^«-...             «« LIFEFORMS ««              ...-«^$$§@
@§§^^«....               ^^ SV ONE ^^               ....«^^§§@
###@$^^«-.                                          .-«^^$@###
##@§$^^«-. THIS IS A EURORACK  MODULE  BUT I BOUGHT .-«^^$§@##
##@§$^^«-. THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. .-«^^$§@##
#@$^«.....                                          .....«^$@#
§§^^^^^«-. IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. .-«^^^^^§§
##@§$^^«-.                                          .-«^^$§@##
#@§$$^^«-.             .^@ CONTAINS @^.             .-«^^$$§@#
#§§$^«....           MIDI TO CV CONVERTER           ....«^$§§#
§§§^«.....                 TWO VCO'S                .....«^§§§
##@§$^^«-. FOUR CHANNEL OR TWO X TWO CHANNEL  MIXER .-«^^$§@##
§$^-......        TWO SUB OSCILLATORS I THINK       ......-^$§
@§$^««....         TWO ONE TO TWO SPLITTERS         ....««^$§@
###@§$^«-.           WHITE NOISE GENERATOR          .-«^$§@###
#@@§$^^«-.              SAMPLE AND HOLD             .-«^^$§@@#
###§$^^«-.          LFO PLUS A DIGITAL LFO          .-«^^$§###
##@§$^^«-.   FILTER (LOWPASS, BANDPASS, HIGHPASS)   .-«^^$§@##
##@§$^^«-.              ADSR ENVELOPE               .-«^^$§@##
##@§$^^«-.                  ONE VCA                 .-«^^$§@##
##@§$^^«-.              HEADPHONE AMP               .-«^^$§@##
##@§$^^«-.         FOURTY NINE PATCHPOINTS!         .-«^^$§@##
@$^««---..                                          ..---««^$@
##@§$^^«-.                 .-###-.                  .-«^^$§@##
@@@§$^^«-.            «^^ SO WHAT NOW ^^«           .-«^^$§@@@
§^^-......                  .-###-.                 ......-^^§
##@§$^^«-.                                          .-«^^$§@##
##@§$^^«-. CLOCK  IO GOES  TO ASDR IN  I THINK  AND .-«^^$§@##
##@§$^^«-. MAYBE ALSO  TO  THE SAMPLE AND HOLD. PUT .-«^^$§@##
##@§$^^«-. SUBBASE AND NOISE IN CHANNEL  THREE  AND .-«^^$§@##
@@$^«-.... FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ....-«^$@@
§§^«-..... TWO,  AND  OSCILLATOR TWO SAW TO CHANNEL .....-«^§§
##@§$^^«-. ONE.  SAMPLE  AND   HOLD   OUT   TO  THE .-«^^$§@##
##@§$^^«-.   FILTER... MAYBE... RESONANCE AT HALF.  .-«^^$§@##
#§§§$^^«-. SOME FREQUENCY  IN THE  FIRST OSCILLATOR .-«^^$§§§#
§$$^^^--.. AND  THEN THE SECOND  OSC FOUR SEMITONES ..--^^^$$§
##@§$^^«-.                 HIGHER.                  .-«^^$§@##
##@§$^^«-.                                          .-«^^$§@##
@@§$$^^«-.                  -«§@§«-                 .-«^^$$§@@
@§§§$^^«-.           ^$$ DESKTOP SYNTH $$^          .-«^^$§§§@
§^^^^^«--.                  -«§@§«-                 .--«^^^^^§
##@§$^^«-.                                          .-«^^$§@##
###§$^^«-.                                          .-«^^$§###
###@§$^«-.                                          .-«^$§@###
###@§^^«-.                                          .-«^^§@###
##@§$^^«-.                                          .-«^^$§@##
#§§§$^^«-.                                          .-«^^$§§§#