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,,«†§£#¶##                 ,,£@#@£,,                ##¶#£§†«,,
,,,«†§£#¶#       ,, pittsburgh electronics ,,       #¶#£§†«,,,
,,«†§£#¶##              «« lifeforms ««             ##¶#£§†«,,
,,,«†§£#¶#               †† sv one ††               #¶#£§†«,,,
,,«†§£#¶##                                          ##¶#£§†«,,
,,,«†§£#¶# this is a  eurorack  module but i bought #¶#£§†«,,,
,,«†§£#¶## the  blackbox  one  so  it's  also  not. ##¶#£§†«,,
,,,«†§£#¶#                                          #¶#£§†«,,,
,,«†§£#¶## it  ships  with  too  few patch  cables. ##¶#£§†«,,
,,,«†§£#¶#                                          #¶#£§†«,,,
,,«†§£#¶##             ,§¶ contains ¶§,             ##¶#£§†«,,
,,,«†§£#¶#           midi to cv converter           #¶#£§†«,,,
,,«†§£#¶##                two vco's                 ##¶#£§†«,,
,,,«†§£#¶# four channel or two x two channel  mixer #¶#£§†«,,,
,,«†§£#¶##        two sub oscillators i think       ##¶#£§†«,,
,,,«†§£#¶#         two one to two splitters         #¶#£§†«,,,
,,«†§£#¶##           white noise generator          ##¶#£§†«,,
,,,«†§£#¶#              sample and hold             #¶#£§†«,,,
,,«†§£#¶##          lfo plus a digital lfo          ##¶#£§†«,,
,,,«†§£#¶#   filter (lowpass, bandpass, highpass)   #¶#£§†«,,,
,,«†§£#¶##              adsr envelope               ##¶#£§†«,,
,,,«†§£#¶#                 one vca                  #¶#£§†«,,,
,,«†§£#¶##               headphone amp              ##¶#£§†«,,
,,,«†§£#¶#         fourty nine patchpoints!         #¶#£§†«,,,
,,«†§£#¶##                                          ##¶#£§†«,,
,,,«†§£#¶#                 ,,@#@,,                  #¶#£§†«,,,
,,«†§£#¶##           «§§ so what now §§«            ##¶#£§†«,,
,,,«†§£#¶#                  ,,@#@,,                 #¶#£§†«,,,
,,«†§£#¶##                                          ##¶#£§†«,,
,,,«†§£#¶# clock  io  goes to asdr  in  i think and #¶#£§†«,,,
,,«†§£#¶## maybe also  to the sample  and hold. put ##¶#£§†«,,
,,,«†§£#¶# subbase and  noise in channel  three and #¶#£§†«,,,
,,«†§£#¶## four.  oscillator  one  saw  to  channel ##¶#£§†«,,
,,,«†§£#¶# two,  and oscillator two saw  to channel #¶#£§†«,,,
,,«†§£#¶## one.   sample  and  hold   out   to  the ##¶#£§†«,,
,,,«†§£#¶#  filter... maybe... resonance at half.   #¶#£§†«,,,
,,«†§£#¶## some frequency  in  the first oscillator ##¶#£§†«,,
,,,«†§£#¶# and then the  second  osc four semitones #¶#£§†«,,,
,,«†§£#¶##                 higher.                  ##¶#£§†«,,
,,,«†§£#¶#                                          #¶#£§†«,,,
,,«†§£#¶##                 ,«#¶#«,                  ##¶#£§†«,,
,,,«†§£#¶#          †££ desktop synth ££†           #¶#£§†«,,,
,,«†§£#¶##                  ,«#¶#«,                 ##¶#£§†«,,
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