¨^=\%$£#@#                                          #@#£$%\=^¨
¨¨^=\%$£#@                                          @#£$%\=^¨¨
¨^=\%$£#@#                                          #@#£$%\=^¨
¨¨^=\%$£#@                                          @#£$%\=^¨¨
¨^=\%$£#@#                                          #@#£$%\=^¨
¨¨^=\%$£#@                                          @#£$%\=^¨¨
¨^=\%$£#@#                 ¨¨$@#@$¨¨                #@#£$%\=^¨
¨¨^=\%$£#@       ^^ PITTSBURGH ELECTRONICS ^^       @#£$%\=^¨¨
¨^=\%$£#@#              == LIFEFORMS ==             #@#£$%\=^¨
¨¨^=\%$£#@               \\ SV ONE \\               @#£$%\=^¨¨
¨^=\%$£#@#                                          #@#£$%\=^¨
¨¨^=\%$£#@ THIS IS A EURORACK MODULE  BUT  I BOUGHT @#£$%\=^¨¨
¨^=\%$£#@# THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. #@#£$%\=^¨
¨¨^=\%$£#@                                          @#£$%\=^¨¨
¨^=\%$£#@# IT  SHIPS  WITH  TOO  FEW PATCH  CABLES. #@#£$%\=^¨
¨¨^=\%$£#@                                          @#£$%\=^¨¨
¨^=\%$£#@#             ¨%# CONTAINS #%¨             #@#£$%\=^¨
¨¨^=\%$£#@           MIDI TO CV CONVERTER           @#£$%\=^¨¨
¨^=\%$£#@#                TWO VCO'S                 #@#£$%\=^¨
¨¨^=\%$£#@ FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER @#£$%\=^¨¨
¨^=\%$£#@#       TWO SUB OSCILLATORS I THINK        #@#£$%\=^¨
¨¨^=\%$£#@         TWO ONE TO TWO SPLITTERS         @#£$%\=^¨¨
¨^=\%$£#@#           WHITE NOISE GENERATOR          #@#£$%\=^¨
¨¨^=\%$£#@             SAMPLE AND HOLD              @#£$%\=^¨¨
¨^=\%$£#@#          LFO PLUS A DIGITAL LFO          #@#£$%\=^¨
¨¨^=\%$£#@   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @#£$%\=^¨¨
¨^=\%$£#@#               ADSR ENVELOPE              #@#£$%\=^¨
¨¨^=\%$£#@                  ONE VCA                 @#£$%\=^¨¨
¨^=\%$£#@#              HEADPHONE AMP               #@#£$%\=^¨
¨¨^=\%$£#@         FOURTY NINE PATCHPOINTS!         @#£$%\=^¨¨
¨^=\%$£#@#                                          #@#£$%\=^¨
¨¨^=\%$£#@                  ¨^@#@^¨                 @#£$%\=^¨¨
¨^=\%$£#@#            =%% SO WHAT NOW %%=           #@#£$%\=^¨
¨¨^=\%$£#@                  ¨^@#@^¨                 @#£$%\=^¨¨
¨^=\%$£#@#                                          #@#£$%\=^¨
¨¨^=\%$£#@ CLOCK IO GOES  TO  ASDR IN  I THINK  AND @#£$%\=^¨¨
¨^=\%$£#@# MAYBE  ALSO TO THE  SAMPLE AND HOLD. PUT #@#£$%\=^¨
¨¨^=\%$£#@ SUBBASE  AND NOISE IN CHANNEL THREE  AND @#£$%\=^¨¨
¨^=\%$£#@# FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL #@#£$%\=^¨
¨¨^=\%$£#@ TWO, AND OSCILLATOR TWO SAW  TO  CHANNEL @#£$%\=^¨¨
¨^=\%$£#@# ONE.  SAMPLE  AND   HOLD   OUT  TO   THE #@#£$%\=^¨
¨¨^=\%$£#@   FILTER... MAYBE... RESONANCE AT HALF.  @#£$%\=^¨¨
¨^=\%$£#@# SOME  FREQUENCY IN THE  FIRST OSCILLATOR #@#£$%\=^¨
¨¨^=\%$£#@ AND  THEN THE SECOND  OSC FOUR SEMITONES @#£$%\=^¨¨
¨^=\%$£#@#                  HIGHER.                 #@#£$%\=^¨
¨¨^=\%$£#@                                          @#£$%\=^¨¨
¨^=\%$£#@#                  ^=£#£=^                 #@#£$%\=^¨
¨¨^=\%$£#@          \$$ DESKTOP SYNTH $$\           @#£$%\=^¨¨
¨^=\%$£#@#                 ^=£#£=^                  #@#£$%\=^¨
¨¨^=\%$£#@                                          @#£$%\=^¨¨
¨^=\%$£#@#                                          #@#£$%\=^¨
¨¨^=\%$£#@                                          @#£$%\=^¨¨
¨^=\%$£#@#                                          #@#£$%\=^¨
¨¨^=\%$£#@                                          @#£$%\=^¨¨
¨^=\%$£#@#                                          #@#£$%\=^¨