,-«;%&&¶@#                                          #@¶&&%;«-,
,-«;%&&¶@#                                          #@¶&&%;«-,
,-«;%&&¶@#                                          #@¶&&%;«-,
,,,,,«;%&@                                          @&%;«,,,,,
,-«;%&&&&¶                                          ¶&&&&%;«-,
,-«;%%%&&¶                                          ¶&&%%%;«-,
,-;%&&¶@##                ,,&@#@&,,                 ##@¶&&%;-,
,,,,,-;%%&       -- PITTSBURGH ELECTRONICS --       &%%;-,,,,,
,-«;%&&¶@#              «« LIFEFORMS ««             #@¶&&%;«-,
,-«;%&&@##               ;; SV ONE ;;               ##@&&%;«-,
,-«;%&&&¶@                                          @¶&&&%;«-,
,-«;%&&¶@# THIS IS A EURORACK  MODULE BUT I  BOUGHT #@¶&&%;«-,
,,-«;;&&&@ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. @&&&;;«-,,
,,,,-«%&¶@                                          @¶&%«-,,,,
,-«;%&&¶@# IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. #@¶&&%;«-,
,,,,«%&&¶¶                                          ¶¶&&%«,,,,
,,,,-«;%&¶             ,%¶ CONTAINS ¶%,             ¶&%;«-,,,,
,-«;%&&&&¶           MIDI TO CV CONVERTER           ¶&&&&%;«-,
,-«;%&&¶@#                 TWO VCO'S                #@¶&&%;«-,
,-«;%&&¶@# FOUR CHANNEL OR TWO X  TWO CHANNEL MIXER #@¶&&%;«-,
,,,,,-;%&@        TWO SUB OSCILLATORS I THINK       @&%;-,,,,,
,-«;%&&¶@#         TWO ONE TO TWO SPLITTERS         #@¶&&%;«-,
,-«;%&&¶@#           WHITE NOISE GENERATOR          #@¶&&%;«-,
,-«;%&&&&¶              SAMPLE AND HOLD             ¶&&&&%;«-,
,-«;%&&&¶@          LFO PLUS A DIGITAL LFO          @¶&&&%;«-,
,-«;%&&&¶@   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @¶&&&%;«-,
,,,-«%&&&&               ADSR ENVELOPE              &&&&%«-,,,
,-«;;%%&&@                 ONE VCA                  @&&%%;;«-,
,-«;%&&¶@#               HEADPHONE AMP              #@¶&&%;«-,
,-«;%&&¶¶¶         FOURTY NINE PATCHPOINTS!         ¶¶¶&&%;«-,
,,,,,«%&&¶                                          ¶&&%«,,,,,
,-«;%&&&&&                 ,-@#@-,                  &&&&&%;«-,
,-«;;;;%&¶            «%% SO WHAT NOW %%«           ¶&%;;;;«-,
,-«;%%&&¶@                  ,-@#@-,                 @¶&&%%;«-,
,-«;%&&¶##                                          ##¶&&%;«-,
,-«;%&&¶@# CLOCK  IO GOES TO  ASDR  IN I THINK  AND #@¶&&%;«-,
,,,««««%&& MAYBE  ALSO TO THE  SAMPLE AND HOLD. PUT &&%««««,,,
,-«;%&&¶## SUBBASE AND  NOISE  IN CHANNEL THREE AND ##¶&&%;«-,
,-«;%&&¶@@ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL @@¶&&%;«-,
,-«;%&&¶¶¶ TWO, AND OSCILLATOR  TWO  SAW TO CHANNEL ¶¶¶&&%;«-,
,,,,,«%&¶@ ONE.  SAMPLE   AND  HOLD   OUT  TO   THE @¶&%«,,,,,
,,,,,«%&¶¶   FILTER... MAYBE... RESONANCE AT HALF.  ¶¶&%«,,,,,
,,,,,«%%&@ SOME  FREQUENCY IN THE  FIRST OSCILLATOR @&%%«,,,,,
,-«;%&&¶@# AND THEN  THE SECOND  OSC FOUR SEMITONES #@¶&&%;«-,
,-«%&&¶@##                  HIGHER.                 ##@¶&&%«-,
,-«;%&&¶¶@                                          @¶¶&&%;«-,
,,,--;%%&&                  -«&¶&«-                 &&%%;--,,,
-«;%&&¶@##          ;&& DESKTOP SYNTH &&;           ##@¶&&%;«-
,-«;%&&¶##                  -«&¶&«-                 ##¶&&%;«-,
,-«;%&&&&&                                          &&&&&%;«-,
,-«;%&&¶@#                                          #@¶&&%;«-,
,,-«;;&&&@                                          @&&&;;«-,,
,-«;%&&¶##                                          ##¶&&%;«-,
,-«;%&&¶¶¶                                          ¶¶¶&&%;«-,
,-«;%&&¶@#                                          #@¶&&%;«-,