¨,~†%%@###                                          ###@%%†~,¨
¨¨¨¨¨~†%@@                                          @@%†~¨¨¨¨¨
¨,~†%%@#@@                                          @@#@%%†~,¨
¨,~†%%@#@#                                          #@#@%%†~,¨
¨,~†%%@#@#                                          #@#@%%†~,¨
¨,~†%%@###                                          ###@%%†~,¨
¨¨¨¨¨¨,†%@                ¨¨%@#@%¨¨                 @%†,¨¨¨¨¨¨
¨,~†%%@#@#       ,, PITTSBURGH ELECTRONICS ,,       #@#@%%†~,¨
¨,~†%%@#@@             ~~ LIFEFORMS ~~              @@#@%%†~,¨
¨,~††%%@##               †† SV ONE ††               ##@%%††~,¨
¨¨¨¨¨,~%@#                                          #@%~,¨¨¨¨¨
¨,~†%%@#@@ THIS  IS  A EURORACK MODULE BUT I BOUGHT @@#@%%†~,¨
¨¨¨,,~†%%# THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. #%%†~,,¨¨¨
¨¨¨¨~††%@@                                          @@%††~¨¨¨¨
¨,~†%%@##@ IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. @##@%%†~,¨
¨,~†%%%@##                                          ##@%%%†~,¨
¨,~†%%@#@#             ¨%# CONTAINS #%¨             #@#@%%†~,¨
¨,~†%%@#@@           MIDI TO CV CONVERTER           @@#@%%†~,¨
¨,~†%%@#@@                 TWO VCO'S                @@#@%%†~,¨
¨,~†%%@### FOUR CHANNEL  OR TWO X TWO CHANNEL MIXER ###@%%†~,¨
¨¨¨¨,†%%#@       TWO SUB OSCILLATORS I THINK        @#%%†,¨¨¨¨
¨¨¨¨¨¨¨~%@         TWO ONE TO TWO SPLITTERS         @%~¨¨¨¨¨¨¨
¨¨¨¨¨¨,~%@           WHITE NOISE GENERATOR          @%~,¨¨¨¨¨¨
¨,,~~%%%@#              SAMPLE AND HOLD             #@%%%~~,,¨
¨,~†%%%@@#          LFO PLUS A DIGITAL LFO          #@@%%%†~,¨
¨¨¨¨,†%@@#   FILTER (LOWPASS, BANDPASS, HIGHPASS)   #@@%†,¨¨¨¨
¨,~†%%@#@#              ADSR ENVELOPE               #@#@%%†~,¨
¨,~†%%@#@#                 ONE VCA                  #@#@%%†~,¨
¨,~†%%@##@              HEADPHONE AMP               @##@%%†~,¨
¨,~†%%@#@@         FOURTY NINE PATCHPOINTS!         @@#@%%†~,¨
¨,~†%%@#@#                                          #@#@%%†~,¨
¨,~†%%@#@#                  ¨,@#@,¨                 #@#@%%†~,¨
¨,~†%%@#@@           ~%% SO WHAT NOW %%~            @@#@%%†~,¨
¨,~†%%@#@#                  ¨,@#@,¨                 #@#@%%†~,¨
¨,~†%%@#@#                                          #@#@%%†~,¨
¨¨¨~†%%%@@ CLOCK  IO  GOES TO  ASDR IN I THINK  AND @@%%%†~¨¨¨
¨,~†%%@#@@ MAYBE  ALSO  TO THE SAMPLE AND HOLD. PUT @@#@%%†~,¨
¨¨¨¨,~%@#@ SUBBASE AND  NOISE IN  CHANNEL THREE AND @#@%~,¨¨¨¨
¨,~†%%@@## FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ##@@%%†~,¨
¨,~†%%@@#@ TWO, AND OSCILLATOR TWO  SAW  TO CHANNEL @#@@%%†~,¨
¨¨¨¨,~%%%@ ONE.  SAMPLE  AND   HOLD   OUT  TO   THE @%%%~,¨¨¨¨
¨,~†%%@##@  FILTER... MAYBE... RESONANCE AT HALF.   @##@%%†~,¨
¨,~†%%@@## SOME FREQUENCY IN  THE  FIRST OSCILLATOR ##@@%%†~,¨
¨,~~~%%%## AND THEN  THE  SECOND OSC FOUR SEMITONES ##%%%~~~,¨
¨,~†%%@#@#                  HIGHER.                 #@#@%%†~,¨
¨,~†%%@###                                          ###@%%†~,¨
¨,~†%%@###                  ,~@#@~,                 ###@%%†~,¨
¨,~†%%@#@#          †%% DESKTOP SYNTH %%†           #@#@%%†~,¨
¨,~†%%@#@@                 ,~@#@~,                  @@#@%%†~,¨
¨¨¨¨¨~††%#                                          #%††~¨¨¨¨¨
¨,~†%%@#@@                                          @@#@%%†~,¨
¨¨¨,,†%@@@                                          @@@%†,,¨¨¨
¨,~†%%@#@#                                          #@#@%%†~,¨
¨¨¨,~††%@@                                          @@%††~,¨¨¨
¨,~†%%@#@#                                          #@#@%%†~,¨