.,-†*§&###                                          ###&§*†-,.
...,,-*&&#                                          #&&*-,,...
.,-†*§####                                          ####§*†-,.
.,-†*§&###                                          ###&§*†-,.
.,-†*§&###                                          ###&§*†-,.
.,-†*§&###                                          ###&§*†-,.
.,-†*§&###                ..§###§..                 ###&§*†-,.
.,-†*§&###       ,, Pittsburgh Electronics ,,       ###&§*†-,.
...-††§&&&             -- Lifeforms --              &&&§††-...
.,-†*§&&##               †† Sv One ††               ##&&§*†-,.
.,--†***§&                                          &§***†--,.
.,,-†††§§& This Is  A Eurorack Module But  I Bought &§§†††-,,.
.....,†**& The  Blackbox  One  So  It'S  Also  Not. &**†,.....
....--†*§#                                          #§*†--....
.,-†*§&&## It  Ships  With  Too  Few Patch  Cables. ##&&§*†-,.
....-***&&                                          &&***-....
...,,††*&&             .*# Contains #*.             &&*††,,...
......,†*&           Midi To Cv Converter           &*†,......
.,-†*§&###                 Two Vco'S                ###&§*†-,.
.,-†*§&### Four Channel Or  Two X Two Channel Mixer ###&§*†-,.
.,-†*&####       Two Sub Oscillators I Think        ####&*†-,.
.,-†*§&###         Two One To Two Splitters         ###&§*†-,.
.,-†*§&###          White Noise Generator           ###&§*†-,.
.,-†*§§&&#              Sample And Hold             #&&§§*†-,.
.,-†*§&###          Lfo Plus A Digital Lfo          ###&§*†-,.
.,-†*§&###   Filter (Lowpass, Bandpass, Highpass)   ###&§*†-,.
.,-†***§&#               Adsr Envelope              #&§***†-,.
.,-†§&####                  One Vca                 ####&§†-,.
.,-†*§&###              Headphone Amp               ###&§*†-,.
.,-†*§&###         Fourty Nine Patchpoints!         ###&§*†-,.
.,,,,-†*&&                                          &&*†-,,,,.
......,†§#                 .,###,.                  #§†,......
.,-†*§&###            -** So What Now **-           ###&§*†-,.
.,-†*§&###                  .,###,.                 ###&§*†-,.
.,-†*§&###                                          ###&§*†-,.
.,-†*&#### Clock Io  Goes To  Asdr  In I  Think And ####&*†-,.
.,-†*§&### Maybe Also To The Sample  And Hold.  Put ###&§*†-,.
.,-†*§&### Subbase And Noise In  Channel Three  And ###&§*†-,.
.,-†*§&### Four.  Oscillator  One  Saw  To  Channel ###&§*†-,.
.,-†*§&&&# Two, And Oscillator Two  Saw  To Channel #&&&§*†-,.
.,-†*§&### One.  Sample   And   Hold  Out  To   The ###&§*†-,.
...---†§§&  Filter... Maybe... Resonance At Half.   &§§†---...
.,-†*§&### Some  Frequency In  The First Oscillator ###&§*†-,.
.,-†*§&### And Then The Second  Osc  Four Semitones ###&§*†-,.
.,-†*§&###                  Higher.                 ###&§*†-,.
.,-†*§&###                                          ###&§*†-,.
.-†*§&####                 ,-&#&-,                  ####&§*†-.
.,--†*§§&&           †§§ Desktop Synth §§†          &&§§*†--,.
.,-†***§##                 ,-&#&-,                  ##§***†-,.
.,-†*&####                                          ####&*†-,.
.,-†*§&###                                          ###&§*†-,.
.,-†*§&###                                          ###&§*†-,.
.,-†*§&&&#                                          #&&&§*†-,.
.,-†*§&###                                          ###&§*†-,.
....,--*§&                                          &§*--,....