¨¨¨¨^=:**# #**:=^¨¨¨¨
¨^=:%*## ###&*%:=^¨
¨^=:%*## ###&*%:=^¨
¨¨¨¨¨^:* #&*:^¨¨¨¨¨
¨^=:%*## ###&*%:=^¨
¨^=:%*## # ###&*%:=^¨
¨^=:%**# ¨LIZARDRY ##&**%:=^¨
¨¨¨¨¨¨=%*& = # ## ### ################## &*%=¨¨¨¨¨¨
¨¨^^^=::%& ## THE ART OF C^NNECTING &%::=^^^¨¨
¨¨¨^^=%% ¨ WITH THE OLD MIND #&%%=^^¨¨¨
¨¨¨¨¨¨¨=%& &%=¨¨¨¨¨¨¨
¨^=:%*## MY MIND IS BEING SKEWED. MI ###&*%:=^¨
¨^=:*### SKELETON IS STRINGY AND OLD AND ALIEN ####&*:=^¨
¨^=:%*## THE SITUATION IS LITERALLY ###&*%:=^¨
¨¨¨^=::%*& PRESSED OUT THROUGH MY EYES, IT'S &*%::=^¨¨¨
¨^=:%*## ECHOING LIKE ###&*%:=^¨
¨^=:%*## THE SUNSET OF THE ETERNAL ###&*%:=^¨
¨^=:%*&& OCEAN #&&&*%:=^¨
¨¨¨¨^^=:*& PERSISTENTLY AGAINST MY EMULSION &*:=^^¨¨¨¨
¨^=:%*## ###&*%:=^¨
¨^=:%*## IT'S UNGRASPABLE TO ME, WHAT OTHER ###&*%:=^¨
¨^=:%%%*&& HUMANS ARE DOING AND ABSTRACTING, &&*%%%:=^¨
¨¨¨¨^=%%%& AND ABOVE ALL ELSE, WHAT TIME THEY USE? &%%%=^¨¨¨¨
¨¨¨^^=%*&& HOW LONG A TIME HAS PASSED, FOR THEM? &&*%=^^¨¨¨
¨^====:%%& ¨ &%%:====^¨
¨^=:%*## ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### ###&*%:=^¨
¨¨¨¨=%%# CONTINUOUSLY I'M CROWDING THROUGH ##&%%=¨¨¨¨
¨^=:%*## ¨ THE FOURTH WALL ^OUTWARDS IS WHAT ¨ ###&*%:=^¨
¨^=:%*## ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ###&*%:=^¨
¨^=:%### ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ####&%:=^¨
¨¨¨¨¨=:%*# ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER ¨ #*%:=¨¨¨¨¨
¨¨¨¨¨=:% ^ ^ DOWN IN THE DRAGONS THROAT. #&%:=¨¨¨¨¨
¨^=:%*## ^ ###&*%:=^¨
¨¨¨¨¨=:%%& ^ &%%:=¨¨¨¨¨
¨^=:%*## ###&*%:=^¨
¨¨¨¨^^=%*# #*%=^^¨¨¨¨
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¨^=:%*&& #&&&*%:=^¨
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