¨.~†*$#@##                                          ##@#$*†~.¨
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¨.~†*$#@##              ¨LIZARDRY                   ##@#$*†~.¨
¨.~†*$#@@@ ~           @ #@ ###  ################## @@@#$*†~.¨
¨¨¨.~††*#@ ##      THE ART OF C.NNECTING            @#*††~.¨¨¨
¨.~†***###        ¨    WITH THE OLD MIND            ###***†~.¨
¨..~~~**$#                                          #$**~~~..¨
¨.~†$#@###             MY MIND IS BEING SKEWED. MI  ###@#$†~.¨
¨¨¨¨~~***#  SKELETON IS STRINGY AND OLD AND ALIEN   #***~~¨¨¨¨
¨¨¨¨¨~†**#             THE SITUATION IS LITERALLY   #**†~¨¨¨¨¨
¨¨¨¨¨¨~*#@ PRESSED OUT THROUGH MY EYES, IT'S        @#*~¨¨¨¨¨¨
¨.~††*$$$# ECHOING LIKE                             #$$$*††~.¨
¨.~†††$$##             THE SUNSET OF THE ETERNAL    ##$$†††~.¨
¨.~†*$#@## OCEAN                                    ##@#$*†~.¨
¨¨¨¨¨¨~*#@         PERSISTENTLY AGAINST MY EMULSION @#*~¨¨¨¨¨¨
¨.~†*$#@##                                          ##@#$*†~.¨
¨¨¨¨¨~††$#    IT'S UNGRASPABLE TO ME, WHAT OTHER    #$††~¨¨¨¨¨
.~†*$#@###   HUMANS ARE DOING AND ABSTRACTING,      ###@#$*†~.
¨¨¨¨.~†*##  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##*†~.¨¨¨¨
¨.~†*$#@## HOW LONG A TIME HAS PASSED, FOR THEM?    ##@#$*†~.¨
¨¨¨¨¨.††*#                                     ¨    #*††.¨¨¨¨¨
¨¨¨¨¨¨~†*#  ¨ ¨¨¨ ¨  ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨   @@@@@@@     #*†~¨¨¨¨¨¨
¨¨¨..~*$##   CONTINUOUSLY I'M CROWDING THROUGH      ##$*~..¨¨¨
¨¨¨¨¨¨~†$# ¨ THE FOURTH WALL  .OUTWARDS IS WHAT   ¨ #$†~¨¨¨¨¨¨
¨.~†*$#@## ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW   ##@#$*†~.¨
¨.~†*$#@## ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ##@#$*†~.¨
¨.~†*$#@## .  . AWARE OF THE PREVIOUS ONE, DEEPER ¨ ##@#$*†~.¨
¨.~†*$#@## .   . DOWN IN THE DRAGONS THROAT.        ##@#$*†~.¨
¨¨¨.~~~*##      .                                   ##*~~~.¨¨¨
¨.~†*$$$@@       .                                  @@$$$*†~.¨
¨¨¨..†††$#                                          #$†††..¨¨¨
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¨¨¨¨.†***#                                          #***†.¨¨¨¨