#..##.#.#.                                          #.#..#.##.
#.#.#.#.#.                                          #.#.##..#.
#.#.#.#.#.                                          #.#..#.##.
#.#.#.#.#.                                          #.#.##..#.
#.#.#.#.#.                                          #.#..#.##.
#.#.#.#.#.          ART SCHOOL HOUSE DREAM.         #.#.##..#.
#.#.#.#.#.                                          #.#..#.##.
#.#.#.#.#.        #~~~~~~~~~~~~~~~~~~~~~~~~#        #.#.##..#.
#.#.#.#.#.                                          #.#..#.##.
#.#.#.#.#. SLIGHTLY UPTOWN ON A GRASSY HILL  LIES A #.#.##..#.
#.#.#.#.#.    LARGE REPURPOSED INSTITUTION. IT'S    #.#..#.##.
#.#.#.#.#. SEVERAL FLOORS,  A  FEW  HUNDRED  METERS #.#.##..#.
#.#.#.#.#.       WIDE. MADE OF YELLOW BRICKS.       #.#..#.##.
#.#.#.#.#.                                          #.#.##..#.
#.#.#.#.#.  COMBINED NIGHTCLUB, CAFE, GALLERY, ART  #.#..#.##.
#.#.#.#.#. SCHOOL. IT'S ALWAYS  OPEN,  PEOPLE  COME #.#.##..#.
#.#.#.#.#. AND GO.  THE BASEMENT IS DEEPER THAN YOU #.#..#.##.
#.#.#.#.#.               WOULD GUESS.               #.#.##..#.
#.#.#.#.#.                                          #.#..#.##.
#.#.#.#.#. IT'S  MESSY. I'VE SPREAD  MY THINGS OVER #.#.##..#.
#.#.#.#.#.             SEVERAL FLOORS,              #.#..#.##.
#.#.#.#.#.                                          #.#.##..#.
#.#.#.#.#. AND  DUE  TO A FEW  MANY BEERS  AND SOME #.#..#.##.
#.#.#.#.#. SECRET  RIVALRIES,  I  DECIDE  I  SHOULD #.#.##..#.
#.#.#.#.#. LEAVE.  BUT   WHERE   ARE   MY  SHOES... #.#..#.##.
#.#.#.#.#.                                          #.#.##..#.
#.#.#.#.#.      #~~~ (LOOKING FOR SHOES) ~~~#       #.#..#.##.
#.#.#.#.#.                                          #.#.##..#.
#.#.#.#.#. AFTER  A  WHILE THEY APPEAR ON MY  FEET. #.#..#.##.
#.#.#.#.#.                   OK.                    #.#.##..#.
#.#.#.#.#.                                          #.#..#.##.
#.#.#.#.#. I'M  CRYING OF  JOY, I HUG A  FRIEND AND #.#.##..#.
#.#.#.#.#. IT'S  GOOD,  WE'RE  CLOSE  NOW,  HE  CAN #.#..#.##.
#.#.#.#.#. SMELL   ME  (ALL  ACCORDING   TO  PLAN). #.#.##..#.
#.#.#.#.#.                                          #.#..#.##.
#.#.#.#.#. I FIND  OUT WHO  RUINED MY PAINTINGS AND #.#.##..#.
#.#.#.#.#. I PULL  HER  HAIR.  SHE  CRIES FROM PAIN #.#..#.##.
#.#.#.#.#.      BUT DOES NOT BEG FORGIVENESS.       #.#.##..#.
#.#.#.#.#.                                          #.#..#.##.
#.#.#.#.#.      #~~~ (IN THE BACKGROUND) ~~~#       #.#.##..#.
#.#.#.#.#.                                          #.#..#.##.
#.#.#.#.#. SUNSET,  ORANGE  AND  PINK,  CITY  IS  A #.#.##..#.
#.#.#.#.#.     BLACK CUTOUT. THERE'S FIRES AND      #.#..#.##.
#.#.#.#.#.         EXPLOSIONS ON THE GROUND.        #.#.##..#.
#.#.#.#.#.                                          #.#..#.##.
#.#.#.#.#. "THE  NEW WAY OF  SHIPPING  IRON -  WITH #.#.##..#.
#.#.#.#.#. THE RAILGUN. THE  IRON SLAG IS  SHOT  AT #.#..#.##.
#.#.#.#.#. THREE  HUNDRED AND  THIRTY THREE  METERS #.#.##..#.
#.#.#.#.#. PER SECOND, AND  AT THE RECEIVING END AN #.#..#.##.
#.#.#.#.#. EIGHT  SQUARE  METER   WOODEN   CUBE  IS #.#.##..#.
#.#.#.#.#.        LAUNCHED TO INTERCEPT IT."        #.#..#.##.
#.#.#.#.#.                                          #.#.##..#.
#.#.#.#.#. IT  LOOKS  LIKE  INTERSTELLAR  WAR.  THE #.#..#.##.
#.#.#.#.#. WOODEN BLOCK  SHATTER  INTO  HUNDREDS OF #.#.##..#.
#.#.#.#.#.                  WANDS.                  #.#..#.##.
#.#.#.#.#.                                          #.#.##..#.
#.#.#.#.#.        #~~~~~~~~~~~~~~~~~~~~~~~~#        #.#..#.##.
#.#.#.#.#.                                          #.#.##..#.
#.#.#.#.#. # HOUSE DREAM =  RAILGUN =  STRUCTURE  # #.#..#.##.
#.#.#.#.#.          # INSTITUTION = MAZE #          #.#.##..#.
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