##@&%^†»,, ,,»†^%&@##
@&%^»»,,,, ,,,,»»^%&@
##@&%^†»,, ,,»†^%&@##
#@@&%^†»,, ,,»†^%&@@#
&&^^††,,,, ,,,,††^^&&
##@&%^†»,, # ,,»†^%&@##
###&%^†»,, ,LIZARDRY ,,»†^%&###
@%†,,,,,,, » @ #@ ### ################## ,,,,,,,†%@
##@&%^†»,, ## THE ART OF C,NNECTING ,,»†^%&@##
##@&%^†»,, , WITH THE OLD MIND ,,»†^%&@##
##@&%^†»,, ,,»†^%&@##
##@&%^†»,, MY MIND IS BEING SKEWED. MI ,,»†^%&@##
&&%†,,,,,, SKELETON IS STRINGY AND OLD AND ALIEN ,,,,,,†%&&
&&^»,,,,,, THE SITUATION IS LITERALLY ,,,,,,»^&&
@&%†»»»,,, PRESSED OUT THROUGH MY EYES, IT'S ,,,»»»†%&@
##@&%^†»,, ECHOING LIKE ,,»†^%&@##
@@@&%^†»,, THE SUNSET OF THE ETERNAL ,,»†^%&@@@
##@&%^†»,, OCEAN ,,»†^%&@##
@%%†»,,,,, PERSISTENTLY AGAINST MY EMULSION ,,,,,»†%%@
#@@&%^†»,, ,,»†^%&@@#
&&^††»,,,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,,,»††^&&
##@&%^†»,, HUMANS ARE DOING AND ABSTRACTING, ,,»†^%&@##
#@@&%^†»,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,»†^%&@@#
#&%^»,,,,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,,,,»^%&#
##@&%^†»,, , ,,»†^%&@##
##@&%^†»,, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,,»†^%&@##
@@@&%^†»,, CONTINUOUSLY I'M CROWDING THROUGH ,,»†^%&@@@
###&%^†»,, , THE FOURTH WALL ,OUTWARDS IS WHAT , ,,»†^%&###
#@%%^^†»,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,»†^^%%@#
###@%^†»,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,»†^%@###
&&%†,,,,,, , , AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,,,†%&&
##@&%^†»,, , , DOWN IN THE DRAGONS THROAT. ,,»†^%&@##
##@&%^†»,, , ,,»†^%&@##
##@&%^†»,, , ,,»†^%&@##
#&^^†,,,,, ,,,,,†^^&#
##@&%^†»,, ,,»†^%&@##
##@&%^†»,, ,,»†^%&@##
&%%^»»,,,, ,,,,»»^%%&
##@&%^†»,, ,,»†^%&@##
@&^^†»,,,, ,,,,»†^^&@