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..,-**£&## .lizardry ##&£**-,..
...,-**£&# - @ #@ ### ################## #&£**-,...
..,-**£&## ## the art of c,nnecting ##&£**-,..
.,-**£&### . with the old mind ###&£**-,.
..,-**£&## ##&£**-,..
...,-**£&# my mind is being skewed. mi #&£**-,...
..,-**£&## skeleton is stringy and old and alien ##&£**-,..
.,-**£&### the situation is literally ###&£**-,.
..,-**£&## pressed out through my eyes, it's ##&£**-,..
...,-**£&# echoing like #&£**-,...
..,-**£&## the sunset of the eternal ##&£**-,..
.,-**£&### ocean ###&£**-,.
..,-**£&## persistently against my emulsion ##&£**-,..
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..,-**£&## it's ungraspable to me, what other ##&£**-,..
.,-**£&### humans are doing and abstracting, ###&£**-,.
..,-**£&## and above all else, what time they use? ##&£**-,..
...,-**£&# how long a time has passed, for them? #&£**-,...
..,-**£&## . ##&£**-,..
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..,-**£&## continuously i'm crowding through ##&£**-,..
...,-**£&# . the fourth wall ,outwards is what . #&£**-,...
..,-**£&## .. i'm thinking but it's wrong.. a new ##&£**-,..
.,-**£&### . . narrator is introduced, occasionally ###&£**-,.
..,-**£&## , , aware of the previous one, deeper . ##&£**-,..
...,-**£&# , , down in the dragons throat. #&£**-,...
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