¨¨¨..~%@@# #@@%~..¨¨¨
¨¨¨¨¨~^*@# #@*^~¨¨¨¨¨
¨.~^%*@@@# #@@@*%^~.¨
¨.~^%*@@@# #@@@*%^~.¨
¨¨¨.^^%**@ @**%^^.¨¨¨
¨¨¨¨~^^^*@ # @*^^^~¨¨¨¨
¨.~^%*@@@# ¨LIZARDRY #@@@*%^~.¨
¨.~^%*@@@@ ~ @ #@ ### ################## @@@@*%^~.¨
¨¨¨¨¨.^^*@ ## THE ART OF C.NNECTING @*^^.¨¨¨¨¨
¨¨¨¨¨.^%@@ ¨ WITH THE OLD MIND @@%^.¨¨¨¨¨
¨¨¨¨¨.^%*@ @*%^.¨¨¨¨¨
¨.~^%***@# MY MIND IS BEING SKEWED. MI #@***%^~.¨
¨¨¨¨.~^%@@ SKELETON IS STRINGY AND OLD AND ALIEN @@%^~.¨¨¨¨
¨.~^%*@@## THE SITUATION IS LITERALLY ##@@*%^~.¨
¨.~^%*@@## PRESSED OUT THROUGH MY EYES, IT'S ##@@*%^~.¨
¨¨..^^%*@@ ECHOING LIKE @@*%^^..¨¨
¨.~^%*@@## THE SUNSET OF THE ETERNAL ##@@*%^~.¨
¨¨¨¨¨~~%@# OCEAN #@%~~¨¨¨¨¨
¨.~^%*@@@# PERSISTENTLY AGAINST MY EMULSION #@@@*%^~.¨
¨¨¨.~~%@@@ @@@%~~.¨¨¨
¨.~^%%%@@# IT'S UNGRASPABLE TO ME, WHAT OTHER #@@%%%^~.¨
¨¨¨¨¨¨~%@# HUMANS ARE DOING AND ABSTRACTING, #@%~¨¨¨¨¨¨
¨.~^%*@@## AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##@@*%^~.¨
¨¨¨.^^%%@# HOW LONG A TIME HAS PASSED, FOR THEM? #@%%^^.¨¨¨
¨.^%*@@### ¨ ###@@*%^.¨
¨.~^%*@@## ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ ##@@*%^~.¨
¨¨¨¨¨¨.^*@ CONTINUOUSLY I'M CROWDING THROUGH @*^.¨¨¨¨¨¨
¨¨¨¨¨¨.^%@ ¨ THE FOURTH WALL .OUTWARDS IS WHAT ¨ @%^.¨¨¨¨¨¨
¨¨¨¨¨¨¨~%@ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW @%~¨¨¨¨¨¨¨
¨¨¨¨¨.~~%@ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY @%~~.¨¨¨¨¨
¨.~^%*@### . . AWARE OF THE PREVIOUS ONE, DEEPER ¨ ###@*%^~.¨
¨.~^%*@@## . . DOWN IN THE DRAGONS THROAT. ##@@*%^~.¨
¨.~^%*@### . ###@*%^~.¨
¨.~^%*@@@@ . @@@@*%^~.¨
¨.~^%*@@## ##@@*%^~.¨
¨.~^%*@@## ##@@*%^~.¨
¨¨.~^^**@# #@**^^~.¨¨
¨.~^^%%@@# #@@%%^^~.¨
¨.~^%*@@## ##@@*%^~.¨
¨¨¨¨¨.~^*@ @*^~.¨¨¨¨¨