,-~*$&@£## ##£@&$*~-,
,-~*$&@@££ ££@@&$*~-,
,-~*$&@£## ##£@&$*~-,
,-~*$&@£## ##£@&$*~-,
,-~*&@£### ###£@&*~-,
,-~*$&@### # ###@&$*~-,
,-~*$&@£## ,lizardry ##£@&$*~-,
,,,,,~~*&@ ~ £ #£ ### ################## @&*~~,,,,,
,,,--*&@££ ## the art of c-nnecting ££@&*--,,,
,-~*$&@### , with the old mind ###@&$*~-,
,,,,-~*&£# #£&*~-,,,,
,,-~~$&&&@ my mind is being skewed. mi @&&&$~~-,,
,,-~~~*&@@ skeleton is stringy and old and alien @@&*~~~-,,
,-~*$&@£## the situation is literally ##£@&$*~-,
,-~*$&@£## pressed out through my eyes, it's ##£@&$*~-,
,,,~~$&@£# echoing like #£@&$~~,,,
,-~*$&@£## the sunset of the eternal ##£@&$*~-,
,-~*$&@£## ocean ##£@&$*~-,
,-~*$&@£## persistently against my emulsion ##£@&$*~-,
,-~~**$@@@ @@@$**~~-,
,-~*$&@£## it's ungraspable to me, what other ##£@&$*~-,
,-~*$&@£## humans are doing and abstracting, ##£@&$*~-,
,-~*$&@£££ and above all else, what time they use? £££@&$*~-,
,,----~$&@ how long a time has passed, for them? @&$~----,,
,,,,-~$&&£ , £&&$~-,,,,
,-~*$&@£## , ,,, , ,,,,,,,,,,,,,,,, £££££££ ##£@&$*~-,
,-~*$&@£## continuously i'm crowding through ##£@&$*~-,
,-~*$$$$&£ , the fourth wall -outwards is what , £&$$$$*~-,
,-~*$&@£## ,, i'm thinking but it's wrong.. a new ##£@&$*~-,
,-~*$&@££# , , narrator is introduced, occasionally #££@&$*~-,
,-~*$&£### - - aware of the previous one, deeper , ###£&$*~-,
,,,,,-~$&@ - - down in the dragons throat. @&$~-,,,,,
,-~*$&@@@# - #@@@&$*~-,
,-~*$&@££# - #££@&$*~-,
,-~*$&@£## ##£@&$*~-,
,-~*$&@### ###@&$*~-,
,-~*$&@£## ##£@&$*~-,
,-~*$&@### ###@&$*~-,
,-~*$&£### ###£&$*~-,
,,,~*$$$&@ @&$$$*~,,,