.:~/^$&@@# #@@&$^/~:.
.:~/^$&@@@ @@@&$^/~:.
.:~/^^^$$& &$$^^^/~:.
.:~/^$&@@# #@@&$^/~:.
.:~/^$&@@# #@@&$^/~:.
.:~/^$&@## @ ##@&$^/~:.
......:~^& .lizardry &^~:......
.:~/^$@@## ~ @ @@ @@@ @@@@@@@@@@@@@@@@@@ ##@@$^/~:.
.:~/^$&&&& @@ the art of c:nnecting &&&&$^/~:.
.:~/^$&@@# . with the old mind #@@&$^/~:.
......:/$@ @$/:......
.:~/^$&@@# my mind is being skewed. mi #@@&$^/~:.
.:~/^$&@@# skeleton is stringy and old and alien #@@&$^/~:.
.....:/$&@ the situation is literally @&$/:.....
.....::~^& pressed out through my eyes, it's &^~::.....
....:~^$$& echoing like &$$^~:....
.....~~~^& the sunset of the eternal &^~~~.....
.:~/^$&@## ocean ##@&$^/~:.
.:~/^$&@@# persistently against my emulsion #@@&$^/~:.
....:/^$@@ @@$^/:....
...~///$&& it's ungraspable to me, what other &&$///~...
...:://$&& humans are doing and abstracting, &&$//::...
.:~/^$&@@# and above all else, what time they use? #@@&$^/~:.
....~/$&&@ how long a time has passed, for them? @&&$/~....
.:~/^$&@@# . #@@&$^/~:.
.:~/^^^$&@ . ... . ................ @@@@@@@ @&$^^^/~:.
.:~/^$&@@# continuously i'm crowding through #@@&$^/~:.
.:~/^$@@## . the fourth wall :outwards is what . ##@@$^/~:.
..::~///^& .. i'm thinking but it's wrong.. a new &^///~::..
.:~////$&& . . narrator is introduced, occasionally &&$////~:.
.....:~^&& : : aware of the previous one, deeper . &&^~:.....
.:~/^$&@@# : : down in the dragons throat. #@@&$^/~:.
....:~^&@@ : @@&^~:....
.:~/^$&@@# : #@@&$^/~:.
.:~/^$&@@# #@@&$^/~:.
.....:/^&@ @&^/:.....
.:~/^$&@## ##@&$^/~:.
.:~/$&@@## ##@@&$/~:.
.....::~^& &^~::.....
.:~/^$&@@# #@@&$^/~:.