##@&%%;-.. ..-;%%&@##
&%%%----.. ..----%%%&
&%;....... .......;%&
#@@&%%;-.. ..-;%%&@@#
&%%%;..... .....;%%%&
#&%%-..... # .....-%%&#
#&%;;..... .LIZARDRY .....;;%&#
##@&%%;-.. - @ #@ ### ################## ..-;%%&@##
##@&%%;-.. ## THE ART OF C.NNECTING ..-;%%&@##
&%%%-..... . WITH THE OLD MIND .....-%%%&
##@&%%;-.. ..-;%%&@##
##@&%%;-.. MY MIND IS BEING SKEWED. MI ..-;%%&@##
&%%%%--... SKELETON IS STRINGY AND OLD AND ALIEN ...--%%%%&
##@&%%;-.. THE SITUATION IS LITERALLY ..-;%%&@##
#@@&%%;-.. PRESSED OUT THROUGH MY EYES, IT'S ..-;%%&@@#
##@&%%;-.. ECHOING LIKE ..-;%%&@##
&&%;-..... THE SUNSET OF THE ETERNAL .....-;%&&
##@&%%;-.. OCEAN ..-;%%&@##
##@&%%;-.. PERSISTENTLY AGAINST MY EMULSION ..-;%%&@##
@&&%-..... .....-%&&@
##@&%%;-.. IT'S UNGRASPABLE TO ME, WHAT OTHER ..-;%%&@##
#&&%;--... HUMANS ARE DOING AND ABSTRACTING, ...--;%&&#
@&%%;;-... AND ABOVE ALL ELSE, WHAT TIME THEY USE? ...-;;%%&@
##@&%%;-.. HOW LONG A TIME HAS PASSED, FOR THEM? ..-;%%&@##
###@%%;-.. . ..-;%%@###
@%%;-..... . ... . ................ @@@@@@@ .....-;%%@
#&%%-..... CONTINUOUSLY I'M CROWDING THROUGH .....-%%&#
@&%%;-.... . THE FOURTH WALL .OUTWARDS IS WHAT . ....-;%%&@
##@&%%;-.. .. I'M THINKING BUT IT'S WRONG.. A NEW ..-;%%&@##
##@&%%;-.. . . NARRATOR IS INTRODUCED, OCCASIONALLY ..-;%%&@##
&%%;-..... . . AWARE OF THE PREVIOUS ONE, DEEPER . .....-;%%&
@%%%;-.... . . DOWN IN THE DRAGONS THROAT. ....-;%%%@
@&%%;..... . .....;%%&@
&%%%%%;-.. . ..-;%%%%%&
###@&%;-.. ..-;%&@###
@@@&%%;-.. ..-;%%&@@@
@%%;;-.... ....-;;%%@
#&%;...... ......;%&#
#&&%--.... ....--%&&#
##@&%%;-.. ..-;%%&@##