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.¤¤¤...¤¤. @ ¤¤.¤¤...¤¤
¤..¤..¤.¤¤ .LIZARDRY .¤¤.¤..¤.¤
¤.¤¤.¤¤¤.¤ = @ @@ @@@ @@@@@@@@@@@@@@@@@@ ¤.¤¤¤.¤¤¤.
¤¤.¤¤..¤¤. @@ THE ART OF C,NNECTING ¤¤..¤¤..¤¤
.¤¤.¤.¤.¤¤ . WITH THE OLD MIND .¤.¤.¤.¤..
¤.¤¤¤¤¤¤.. ¤¤¤¤¤¤¤¤..
¤¤.....¤.¤ MY MIND IS BEING SKEWED. MI .......¤.¤
.¤....¤¤¤¤ SKELETON IS STRINGY AND OLD AND ALIEN ......¤¤¤.
¤¤...¤...¤ THE SITUATION IS LITERALLY .....¤..¤.
.¤..¤¤..¤¤ PRESSED OUT THROUGH MY EYES, IT'S ....¤¤.¤¤¤
¤¤.¤.¤.¤.. ECHOING LIKE ...¤.¤¤..¤
.¤¤¤¤¤¤¤.¤ THE SUNSET OF THE ETERNAL ..¤¤¤.¤.¤.
¤......¤¤. OCEAN .¤..¤¤¤¤¤.
¤.....¤.¤¤ PERSISTENTLY AGAINST MY EMULSION ¤¤.¤....¤¤
¤....¤¤¤.. .¤¤¤...¤..
¤...¤..¤.¤ IT'S UNGRASPABLE TO ME, WHAT OTHER ¤..¤..¤¤.¤
¤..¤¤.¤¤¤. HUMANS ARE DOING AND ABSTRACTING, ¤.¤¤.¤.¤¤.
¤.¤.¤¤..¤¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¤¤.¤¤¤¤.¤¤
¤¤¤¤.¤.¤.. HOW LONG A TIME HAS PASSED, FOR THEM? .¤¤...¤¤..
...¤¤¤¤¤.. . ¤.¤..¤.¤.¤
..¤....¤.¤ . ... . ................ @@@@@@@ ¤¤¤.¤¤¤¤¤¤
.¤¤...¤¤¤. CONTINUOUSLY I'M CROWDING THROUGH ..¤¤.....¤
¤.¤..¤..¤. . THE FOURTH WALL ,OUTWARDS IS WHAT . .¤.¤....¤¤
¤¤¤.¤¤.¤¤. .. I'M THINKING BUT IT'S WRONG.. A NEW ¤¤¤¤...¤..
..¤¤.¤¤.¤. . . NARRATOR IS INTRODUCED, OCCASIONALLY ...¤..¤¤.¤
.¤.¤¤.¤¤¤. , , AWARE OF THE PREVIOUS ONE, DEEPER . ..¤¤.¤.¤¤¤
¤¤¤.¤¤..¤¤ , , DOWN IN THE DRAGONS THROAT. .¤.¤¤¤¤..¤
..¤¤.¤.¤.¤ , ¤¤¤...¤.¤.
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