##@&%%=~^. .^~=%%&@##
#@&%%=~^.. ..^~=%%&@#
@&%%=~^... ...^~=%%&@
#@&%%=~^.. ..^~=%%&@#
##@&%%=~^. .^~=%%&@##
#@&%%=~^.. @ ..^~=%%&@#
@&%%=~^... .LIZARDRY ...^~=%%&@
#@&%%=~^.. ~ @ @@ @@@ @@@@@@@@@@@@@@@@@@ ..^~=%%&@#
##@&%%=~^. @@ THE ART OF C^NNECTING .^~=%%&@##
#@&%%=~^.. . WITH THE OLD MIND ..^~=%%&@#
@&%%=~^... ...^~=%%&@
#@&%%=~^.. MY MIND IS BEING SKEWED. MI ..^~=%%&@#
##@&%%=~^. SKELETON IS STRINGY AND OLD AND ALIEN .^~=%%&@##
#@&%%=~^.. THE SITUATION IS LITERALLY ..^~=%%&@#
@&%%=~^... PRESSED OUT THROUGH MY EYES, IT'S ...^~=%%&@
#@&%%=~^.. ECHOING LIKE ..^~=%%&@#
##@&%%=~^. THE SUNSET OF THE ETERNAL .^~=%%&@##
#@&%%=~^.. OCEAN ..^~=%%&@#
@&%%=~^... PERSISTENTLY AGAINST MY EMULSION ...^~=%%&@
#@&%%=~^.. ..^~=%%&@#
##@&%%=~^. IT'S UNGRASPABLE TO ME, WHAT OTHER .^~=%%&@##
#@&%%=~^.. HUMANS ARE DOING AND ABSTRACTING, ..^~=%%&@#
@&%%=~^... AND ABOVE ALL ELSE, WHAT TIME THEY USE? ...^~=%%&@
#@&%%=~^.. HOW LONG A TIME HAS PASSED, FOR THEM? ..^~=%%&@#
##@&%%=~^. . .^~=%%&@##
#@&%%=~^.. . ... . ................ @@@@@@@ ..^~=%%&@#
@&%%=~^... CONTINUOUSLY I'M CROWDING THROUGH ...^~=%%&@
#@&%%=~^.. . THE FOURTH WALL ^OUTWARDS IS WHAT . ..^~=%%&@#
##@&%%=~^. .. I'M THINKING BUT IT'S WRONG.. A NEW .^~=%%&@##
#@&%%=~^.. . . NARRATOR IS INTRODUCED, OCCASIONALLY ..^~=%%&@#
@&%%=~^... ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . ...^~=%%&@
#@&%%=~^.. ^ ^ DOWN IN THE DRAGONS THROAT. ..^~=%%&@#
##@&%%=~^. ^ .^~=%%&@##
#@&%%=~^.. ^ ..^~=%%&@#
@&%%=~^... ...^~=%%&@
#@&%%=~^.. ..^~=%%&@#
##@&%%=~^. .^~=%%&@##
#@&%%=~^.. ..^~=%%&@#
@&%%=~^... ...^~=%%&@
#@&%%=~^.. ..^~=%%&@#