###£¤%;~,. .,~;%¤£###
##£¤%;~,.. ..,~;%¤£##
#£¤%;~,... ...,~;%¤£#
##£¤%;~,.. ..,~;%¤£##
###£¤%;~,. .,~;%¤£###
##£¤%;~,.. # ..,~;%¤£##
#£¤%;~,... .LIZARDRY ...,~;%¤£#
##£¤%;~,.. ~ £ #£ ### ################## ..,~;%¤£##
###£¤%;~,. ## THE ART OF C,NNECTING .,~;%¤£###
##£¤%;~,.. . WITH THE OLD MIND ..,~;%¤£##
#£¤%;~,... ...,~;%¤£#
##£¤%;~,.. MY MIND IS BEING SKEWED. MI ..,~;%¤£##
###£¤%;~,. SKELETON IS STRINGY AND OLD AND ALIEN .,~;%¤£###
##£¤%;~,.. THE SITUATION IS LITERALLY ..,~;%¤£##
#£¤%;~,... PRESSED OUT THROUGH MY EYES, IT'S ...,~;%¤£#
##£¤%;~,.. ECHOING LIKE ..,~;%¤£##
###£¤%;~,. THE SUNSET OF THE ETERNAL .,~;%¤£###
##£¤%;~,.. OCEAN ..,~;%¤£##
#£¤%;~,... PERSISTENTLY AGAINST MY EMULSION ...,~;%¤£#
##£¤%;~,.. ..,~;%¤£##
###£¤%;~,. IT'S UNGRASPABLE TO ME, WHAT OTHER .,~;%¤£###
##£¤%;~,.. HUMANS ARE DOING AND ABSTRACTING, ..,~;%¤£##
#£¤%;~,... AND ABOVE ALL ELSE, WHAT TIME THEY USE? ...,~;%¤£#
##£¤%;~,.. HOW LONG A TIME HAS PASSED, FOR THEM? ..,~;%¤£##
###£¤%;~,. . .,~;%¤£###
##£¤%;~,.. . ... . ................ £££££££ ..,~;%¤£##
#£¤%;~,... CONTINUOUSLY I'M CROWDING THROUGH ...,~;%¤£#
##£¤%;~,.. . THE FOURTH WALL ,OUTWARDS IS WHAT . ..,~;%¤£##
###£¤%;~,. .. I'M THINKING BUT IT'S WRONG.. A NEW .,~;%¤£###
##£¤%;~,.. . . NARRATOR IS INTRODUCED, OCCASIONALLY ..,~;%¤£##
#£¤%;~,... , , AWARE OF THE PREVIOUS ONE, DEEPER . ...,~;%¤£#
##£¤%;~,.. , , DOWN IN THE DRAGONS THROAT. ..,~;%¤£##
###£¤%;~,. , .,~;%¤£###
##£¤%;~,.. , ..,~;%¤£##
#£¤%;~,... ...,~;%¤£#
##£¤%;~,.. ..,~;%¤£##
###£¤%;~,. .,~;%¤£###
##£¤%;~,.. ..,~;%¤£##
#£¤%;~,... ...,~;%¤£#
##£¤%;~,.. ..,~;%¤£##