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.¤.....¤.¤ ¤¤....¤...
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...¤...... # ¤.¤¤....¤.
....¤..... .LIZARDRY ..¤¤¤....¤
¤....¤.... ~ ¶ #¶ ### ################## ..¤.¤¤....
.¤....¤... ## THE ART OF C^NNECTING ....¤¤¤...
..¤....¤.. . WITH THE OLD MIND ....¤.¤¤..
...¤....¤. ¤.....¤¤¤.
....¤....¤ MY MIND IS BEING SKEWED. MI .¤....¤.¤¤
¤....¤.... SKELETON IS STRINGY AND OLD AND ALIEN ..¤.....¤¤
¤¤....¤... THE SITUATION IS LITERALLY ...¤....¤.
¤¤¤....¤.. PRESSED OUT THROUGH MY EYES, IT'S ....¤.....
¤.¤¤....¤. ECHOING LIKE ¤....¤....
..¤¤¤....¤ THE SUNSET OF THE ETERNAL .¤....¤...
..¤.¤¤.... OCEAN ..¤....¤..
....¤¤¤... PERSISTENTLY AGAINST MY EMULSION ¤..¤....¤.
....¤.¤¤.. ¤¤..¤....¤
¤.....¤¤¤. IT'S UNGRASPABLE TO ME, WHAT OTHER .¤¤..¤....
.¤....¤.¤¤ HUMANS ARE DOING AND ABSTRACTING, .¤¤¤..¤...
..¤.....¤¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? .¤.¤¤..¤..
...¤....¤. HOW LONG A TIME HAS PASSED, FOR THEM? ...¤¤¤..¤.
....¤..... . ¤..¤.¤¤..¤
¤....¤.... . ... . ................ ¶¶¶¶¶¶¶ ¤¤...¤¤¤..
.¤....¤... CONTINUOUSLY I'M CROWDING THROUGH ¤¤¤..¤.¤¤.
..¤....¤.. . THE FOURTH WALL ^OUTWARDS IS WHAT . ¤.¤¤...¤¤¤
¤..¤....¤. .. I'M THINKING BUT IT'S WRONG.. A NEW ..¤¤¤..¤.¤
¤¤..¤....¤ . . NARRATOR IS INTRODUCED, OCCASIONALLY ..¤.¤¤...¤
.¤¤..¤.... ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . ¤...¤¤¤..¤
.¤¤¤..¤... ^ ^ DOWN IN THE DRAGONS THROAT. ¤¤..¤.¤¤..
.¤.¤¤..¤.. ^ .¤¤...¤¤¤.
...¤¤¤..¤. ^ .¤¤¤..¤.¤¤
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¤¤...¤¤¤.. ...¤¤¤..¤.
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