#@@§§*=~,, ,,~=*§§@@#
@@@§§*=~,, ,,~=*§§@@@
#@@§§*=~,, ,,~=*§§@@#
§§**~~,,,, ,,,,~~**§§
##@@§*=~,, ,,~=*§@@##
##@@§§=~,, @ ,,~=§§@@##
##@@§*=~,, ,LIZARDRY ,,~=*§@@##
@@@§§*=~,, ~ @ @@ @@@ @@@@@@@@@@@@@@@@@@ ,,~=*§§@@@
#@@§§*=~,, @@ THE ART OF C,NNECTING ,,~=*§§@@#
@@@§§*=~,, , WITH THE OLD MIND ,,~=*§§@@@
§§§§§*=~,, ,,~=*§§§§§
@@@§§*=~,, MY MIND IS BEING SKEWED. MI ,,~=*§§@@@
@§*==~,,,, SKELETON IS STRINGY AND OLD AND ALIEN ,,,,~==*§@
@§*~~~,,,, THE SITUATION IS LITERALLY ,,,,~~~*§@
@@@§§*=~,, PRESSED OUT THROUGH MY EYES, IT'S ,,~=*§§@@@
@§§§**=~,, ECHOING LIKE ,,~=**§§§@
##@§§*=~,, THE SUNSET OF THE ETERNAL ,,~=*§§@##
#@@§§*=~,, OCEAN ,,~=*§§@@#
@§§*=,,,,, PERSISTENTLY AGAINST MY EMULSION ,,,,,=*§§@
#@@§§*=~,, ,,~=*§§@@#
@§****=~,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,~=****§@
§*~,,,,,,, HUMANS ARE DOING AND ABSTRACTING, ,,,,,,,~*§
##@§§*=~,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,~=*§§@##
@@@§§*=~,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,~=*§§@@@
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#@@§§*=~,, CONTINUOUSLY I'M CROWDING THROUGH ,,~=*§§@@#
§§§**=,,,, , THE FOURTH WALL ,OUTWARDS IS WHAT , ,,,,=**§§§
@§§**=~,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,,~=**§§@
##@§§*=~,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,~=*§§@##
@§*~,,,,,, , , AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,,,~*§@
§§§=,,,,,, , , DOWN IN THE DRAGONS THROAT. ,,,,,,=§§§
@§§§§*=~,, , ,,~=*§§§§@
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@§*~,,,,,, ,,,,,,~*§@
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