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.,==%$$#@#                                          #@#$$%==,.
.,==%$####                                          ####$%==,.
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.,==%$#@##    #                                     ##@#$%==,.
.,,===%%$@              .LIZARDRY                   @$%%===,,.
..,,==%$## =           @ #@ ###  ################## ##$%==,,..
.,==%$#### ##      THE ART OF C,NNECTING            ####$%==,.
.,====%$@@        .    WITH THE OLD MIND            @@$%====,.
.,==%$#@##                                          ##@#$%==,.
.,==%$$$@#             MY MIND IS BEING SKEWED. MI  #@$$$%==,.
.,==%%%###  SKELETON IS STRINGY AND OLD AND ALIEN   ###%%%==,.
..,,==$$@#             THE SITUATION IS LITERALLY   #@$$==,,..
.,==%$#@@# PRESSED OUT THROUGH MY EYES, IT'S        #@@#$%==,.
....==%$#@ ECHOING LIKE                             @#$%==....
.,==%$#@##             THE SUNSET OF THE ETERNAL    ##@#$%==,.
...,====$@ OCEAN                                    @$====,...
.,==%$#@##         PERSISTENTLY AGAINST MY EMULSION ##@#$%==,.
.,==%$#@##                                          ##@#$%==,.
.,==%$#@##    IT'S UNGRASPABLE TO ME, WHAT OTHER    ##@#$%==,.
.,==%$#@##   HUMANS ARE DOING AND ABSTRACTING,      ##@#$%==,.
.,==%$#@##  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##@#$%==,.
....,==$## HOW LONG A TIME HAS PASSED, FOR THEM?    ##$==,....
.,==%$####                                     .    ####$%==,.
....==$###  . ... .  ................   @@@@@@@     ###$==....
.,==%$###@   CONTINUOUSLY I'M CROWDING THROUGH      @###$%==,.
....,==%#@ . THE FOURTH WALL  ,OUTWARDS IS WHAT   . @#%==,....
....,===%# .. I'M THINKING BUT IT'S WRONG.. A NEW   #%===,....
....,,=%## . . NARRATOR IS INTRODUCED, OCCASIONALLY ##%=,,....
.,==%$#@## ,  , AWARE OF THE PREVIOUS ONE, DEEPER . ##@#$%==,.
...,===$@# ,   , DOWN IN THE DRAGONS THROAT.        #@$===,...
.,==%$#@##      ,                                   ##@#$%==,.
.,==%$####       ,                                  ####$%==,.
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