,,,,^=$&&@ @&&$=^,,,,
,^«=$&¤@## ##@¤&$=«^,
,,,,,^^=&@ @&=^^,,,,,
,^«=$&¤@## ##@¤&$=«^,
,^«=$&¤@## ##@¤&$=«^,
,^«=$&@### # ###@&$=«^,
,^«=$&¤@## ,LIZARDRY ##@¤&$=«^,
,^«=$&¤@## « @ #@ ### ################## ##@¤&$=«^,
,^«=$&@### ## THE ART OF C^NNECTING ###@&$=«^,
,^«=$&¤@## , WITH THE OLD MIND ##@¤&$=«^,
,^«=$&¤@## ##@¤&$=«^,
,,,,,««$¤@ MY MIND IS BEING SKEWED. MI @¤$««,,,,,
,^««=$$&¤¤ SKELETON IS STRINGY AND OLD AND ALIEN ¤¤&$$=««^,
,^«=$&¤### THE SITUATION IS LITERALLY ###¤&$=«^,
,,,,,,«$&@ PRESSED OUT THROUGH MY EYES, IT'S @&$«,,,,,,
,^«=$¤@### ECHOING LIKE ###@¤$=«^,
,^«=$&¤@## THE SUNSET OF THE ETERNAL ##@¤&$=«^,
,,,,,,«=&¤ OCEAN ¤&=«,,,,,,
,^«=$&¤@## PERSISTENTLY AGAINST MY EMULSION ##@¤&$=«^,
,,,,,«$¤¤@ @¤¤$«,,,,,
,^«=$¤@### IT'S UNGRASPABLE TO ME, WHAT OTHER ###@¤$=«^,
,^«=$&@### HUMANS ARE DOING AND ABSTRACTING, ###@&$=«^,
,^«=$&¤### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###¤&$=«^,
,^«=$&¤@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@¤&$=«^,
,^«=$&@### , ###@&$=«^,
,^«=$&¤@## , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ##@¤&$=«^,
,,,,,^=&¤¤ CONTINUOUSLY I'M CROWDING THROUGH ¤¤&=^,,,,,
,^=$&¤@### , THE FOURTH WALL ^OUTWARDS IS WHAT , ###@¤&$=^,
,^«=$&@### ,, I'M THINKING BUT IT'S WRONG.. A NEW ###@&$=«^,
,^«=$&¤@## , , NARRATOR IS INTRODUCED, OCCASIONALLY ##@¤&$=«^,
,,,^««$$¤@ ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER , @¤$$««^,,,
,^«=$&¤@## ^ ^ DOWN IN THE DRAGONS THROAT. ##@¤&$=«^,
,,,,,,«$¤# ^ #¤$«,,,,,,
,,,,,^=$¤# ^ #¤$=^,,,,,
,,,^^^«=$¤ ¤$=«^^^,,,
,^«=$&¤@## ##@¤&$=«^,
,,,,««==&¤ ¤&==««,,,,
,^«=$&¤@## ##@¤&$=«^,
,,,,,,^=$¤ ¤$=^,,,,,,
,^«=$&¤@## ##@¤&$=«^,