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,,@,,@,,@, # ,,@,,@,,,@
@,,@,,@,,@ ,lizardry @,,@,,@,,,
,@,,@,,@,, - £ #£ ### ################## ,@,,@,,@,,
,,@,,@,,@, ## the art of c.nnecting ,,@,,@,,@,
,,,@,,@,,@ , with the old mind ,,,@,,@,,@
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,@,,,@,,@, my mind is being skewed. mi ,,,,,@,,@,
,,@,,,@,,@ skeleton is stringy and old and alien ,,,,,,@,,@
@,,@,,,@,, the situation is literally ,,,,,,,@,,
,@,,@,,,@, pressed out through my eyes, it's ,,,,,,,,@,
,,@,,@,,,@ echoing like @,,,,,,,,@
@,,@,,@,,, the sunset of the eternal @@,,,,,,,,
,@,,@,,@,, ocean @@@,,,,,,,
,,@,,@,,@, persistently against my emulsion @,@@,,,,,,
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,,,,@,,@,, it's ungraspable to me, what other ,,@,@@,,,,
,,,,,@,,@, humans are doing and abstracting, ,,,,@@@,,,
,,,,,,@,,@ and above all else, what time they use? ,,,,@,@@,,
,,,,,,,@,, how long a time has passed, for them? @,,,,,@@@,
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@,,,,,,,,@ , ,,, , ,,,,,,,,,,,,,,,, £££££££ ,,@,,,,,@@
@@,,,,,,,, continuously i'm crowding through ,,,@,,,,@,
@@@,,,,,,, , the fourth wall .outwards is what , ,,,,@,,,,,
@,@@,,,,,, ,, i'm thinking but it's wrong.. a new ,,,,,@,,,,
,,@@@,,,,, , , narrator is introduced, occasionally ,,,,,,@,,,
,,@,@@,,,, . . aware of the previous one, deeper , ,,,,,,,@,,
,,,,@@@,,, . . down in the dragons throat. ,,,,,,,,@,
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