..~;†*#@## ##@#*†;~..
..~;†*##@@ @@##*†;~..
..~;†*#@## ##@#*†;~..
..~;†*#@## ##@#*†;~..
..~;†††**@ @**†††;~..
......~;†# # #†;~......
....;††*## .LIZARDRY ##*††;....
..~;†*#@## ~ @ #@ ### ################## ##@#*†;~..
..~;†*#@## ## THE ART OF C.NNECTING ##@#*†;~..
..~;†*#@## . WITH THE OLD MIND ##@#*†;~..
..~;†*#@## ##@#*†;~..
......;*## MY MIND IS BEING SKEWED. MI ##*;......
....~;;†*# SKELETON IS STRINGY AND OLD AND ALIEN #*†;;~....
..~;††**@# THE SITUATION IS LITERALLY #@**††;~..
..~;†*#@## PRESSED OUT THROUGH MY EYES, IT'S ##@#*†;~..
..~~~;*### ECHOING LIKE ###*;~~~..
......;**@ THE SUNSET OF THE ETERNAL @**;......
..~;†*#@## OCEAN ##@#*†;~..
..~;†*#@## PERSISTENTLY AGAINST MY EMULSION ##@#*†;~..
..~;†*#@## ##@#*†;~..
..~;††††## IT'S UNGRASPABLE TO ME, WHAT OTHER ##††††;~..
..~;†*#@## HUMANS ARE DOING AND ABSTRACTING, ##@#*†;~..
..~;†*#@@@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @@@#*†;~..
..~;†*#@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@#*†;~..
..~;†*#@@@ . @@@#*†;~..
..~;†***## . ... . ................ @@@@@@@ ##***†;~..
.......;†# CONTINUOUSLY I'M CROWDING THROUGH #†;.......
.....~;;*@ . THE FOURTH WALL .OUTWARDS IS WHAT . @*;;~.....
..~;†*#@## .. I'M THINKING BUT IT'S WRONG.. A NEW ##@#*†;~..
..~;†*#### . . NARRATOR IS INTRODUCED, OCCASIONALLY ####*†;~..
...~;;;;*@ . . AWARE OF THE PREVIOUS ONE, DEEPER . @*;;;;~...
......;;*@ . . DOWN IN THE DRAGONS THROAT. @*;;......
..~;†*#@## . ##@#*†;~..
..~;†*#@## . ##@#*†;~..
..~;†*#### ####*†;~..
....~~~†## ##†~~~....
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...~~††*@@ @@*††~~...
..~;†***@# #@***†;~..
.......;†# #†;.......