,,,,,,,=*@ @*=,,,,,,,
,,=*%@#### ####@%*=,,
,,====%%%# #%%%====,,
,,==*%@### ###@%*==,,
,,==*%%%@# #@%%%*==,,
,,==*%@### # ###@%*==,,
,,==*%@### ,LIZARDRY ###@%*==,,
,,==*%@### = # ## ### ################## ###@%*==,,
,,,,=**%## ## THE ART OF C,NNECTING ##%**=,,,,
,,==*%@### , WITH THE OLD MIND ###@%*==,,
,,==*%%%@# #@%%%*==,,
,,==*%@### MY MIND IS BEING SKEWED. MI ###@%*==,,
,,,==***%# SKELETON IS STRINGY AND OLD AND ALIEN #%***==,,,
,,,,,,,=%# THE SITUATION IS LITERALLY #%=,,,,,,,
,,==*%@### PRESSED OUT THROUGH MY EYES, IT'S ###@%*==,,
,,==*%@### ECHOING LIKE ###@%*==,,
,,,,,,=*@@ THE SUNSET OF THE ETERNAL @@*=,,,,,,
,,,,,=*%%@ OCEAN @%%*=,,,,,
,,==*%@### PERSISTENTLY AGAINST MY EMULSION ###@%*==,,
,==*%@#### ####@%*==,
,,==*%@### IT'S UNGRASPABLE TO ME, WHAT OTHER ###@%*==,,
,,,===%@## HUMANS ARE DOING AND ABSTRACTING, ##@%===,,,
,,==*%@### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###@%*==,,
,,,,=**%@@ HOW LONG A TIME HAS PASSED, FOR THEM? @@%**=,,,,
,,==*%@### , ###@%*==,,
,,,,,=*%@# , ,,, , ,,,,,,,,,,,,,,,, ####### #@%*=,,,,,
,,==*%@### CONTINUOUSLY I'M CROWDING THROUGH ###@%*==,,
,,==*%@### , THE FOURTH WALL ,OUTWARDS IS WHAT , ###@%*==,,
,,==*%@### ,, I'M THINKING BUT IT'S WRONG.. A NEW ###@%*==,,
,,,,,,==*@ , , NARRATOR IS INTRODUCED, OCCASIONALLY @*==,,,,,,
,,,,,,,=%# , , AWARE OF THE PREVIOUS ONE, DEEPER , #%=,,,,,,,
,,,===*@## , , DOWN IN THE DRAGONS THROAT. ##@*===,,,
,,==*%@@@# , #@@@%*==,,
,,==*%@### , ###@%*==,,
,,==***%@# #@%***==,,
,,==*%@### ###@%*==,,
,,,,,==%## ##%==,,,,,
,,,,,==**@ @**==,,,,,
,,,===*%%# #%%*===,,,
,,==*%@### ###@%*==,,