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#@#&¤*/~., ,LIZARDRY ,.~/*¤@#
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#&*~~,,,,, @@ THE ART OF C.NNECTING ,,,,,~~*
#¤*~.,,,,, , WITH THE OLD MIND ,,,,,.~*¤#
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#@#&¤*/~., MY MIND IS BEING SKEWED. MI ,.~/*¤@#
@##&¤*/~., SKELETON IS STRINGY AND OLD AND ALIEN ,.~/*¤#@
#&&¤¤*/~., THE SITUATION IS LITERALLY ,.~/*¤¤&
@@#&¤*/~., PRESSED OUT THROUGH MY EYES, IT'S ,.~/*¤@@
#@#&¤*/~., ECHOING LIKE ,.~/*¤@#
&&&&¤*/~., THE SUNSET OF THE ETERNAL ,.~/*¤&&&&
#@#&¤*/~., OCEAN ,.~/*¤@#
#@#&¤*/~., PERSISTENTLY AGAINST MY EMULSION ,.~/*¤@#
#@#&¤*/~., ,.~/*¤@#
&**~~,,,,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,,,,~~**&
#@#&¤*/~., HUMANS ARE DOING AND ABSTRACTING, ,.~/*¤@#
#@#&¤*/~., AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,.~/*¤@#
#&****/~., HOW LONG A TIME HAS PASSED, FOR THEM? ,.~/****
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#@#&¤*/~., CONTINUOUSLY I'M CROWDING THROUGH ,.~/*¤@#
@@#&¤*/~., , THE FOURTH WALL .OUTWARDS IS WHAT , ,.~/*¤@@
@#¤/~~,,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,,,~~/¤#@
###&¤*/~., , , NARRATOR IS INTRODUCED, OCCASIONALLY ,.~/*¤##
#@#&¤*/~., . . AWARE OF THE PREVIOUS ONE, DEEPER , ,.~/*¤@#
&¤¤¤/...,, . . DOWN IN THE DRAGONS THROAT. ,,.../¤¤¤&
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