¨^=*^%#@## ##@#%^*=^¨
¨^=*^%#@## ##@#%^*=^¨
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¨^=*^%#@## ##@#%^*=^¨
¨^=*^^%%@# # #@%%^^*=^¨
¨^=*^%#@@@ ¨LIZARDRY @@@#%^*=^¨
¨^=*^%#@## = @ #@ ### ################## ##@#%^*=^¨
¨¨¨¨¨^*^#@ ## THE ART OF C^NNECTING @#^*^¨¨¨¨¨
¨¨¨¨¨^=^%@ ¨ WITH THE OLD MIND @%^=^¨¨¨¨¨
¨^=*^%#@## ##@#%^*=^¨
¨^=*^%#### MY MIND IS BEING SKEWED. MI ####%^*=^¨
¨^=*^%#@## SKELETON IS STRINGY AND OLD AND ALIEN ##@#%^*=^¨
¨^=*^%#@## THE SITUATION IS LITERALLY ##@#%^*=^¨
¨^=*^%#### PRESSED OUT THROUGH MY EYES, IT'S ####%^*=^¨
¨^^^^=*%## ECHOING LIKE ##%*=^^^^¨
¨^=*^%#@## THE SUNSET OF THE ETERNAL ##@#%^*=^¨
¨^===*^%%# OCEAN #%%^*===^¨
¨^=*^%#@## PERSISTENTLY AGAINST MY EMULSION ##@#%^*=^¨
¨^=*^%%%@@ @@%%%^*=^¨
¨^=*^%#@## IT'S UNGRASPABLE TO ME, WHAT OTHER ##@#%^*=^¨
¨^=*^%#@## HUMANS ARE DOING AND ABSTRACTING, ##@#%^*=^¨
¨^=*^%%### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###%%^*=^¨
¨¨¨==^^#@# HOW LONG A TIME HAS PASSED, FOR THEM? #@#^^==¨¨¨
¨^=*^%#@## ¨ ##@#%^*=^¨
¨¨¨¨¨=^%#@ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ @#%^=¨¨¨¨¨
¨^=*^%#@## CONTINUOUSLY I'M CROWDING THROUGH ##@#%^*=^¨
¨^=*^%#@## ¨ THE FOURTH WALL ^OUTWARDS IS WHAT ¨ ##@#%^*=^¨
¨^===*^%@@ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW @@%^*===^¨
¨¨¨^^=*^^# ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY #^^*=^^¨¨¨
¨^=*^%#@## ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER ¨ ##@#%^*=^¨
¨^=*^%#@## ^ ^ DOWN IN THE DRAGONS THROAT. ##@#%^*=^¨
¨^=*^%%%%@ ^ @%%%%^*=^¨
¨^=*^%#@## ^ ##@#%^*=^¨
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