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..¤.¤¤¤¤¤¤ # ¤¤¤¤¤.¤¤..
..¤¤¤..... .LIZARDRY .....¤¤.¤.
..¤..¤.... ~ ¶ #¶ ### ################## ¤....¤.¤¤¤
¤.¤¤.¤¤... ## THE ART OF C^NNECTING .¤...¤¤¤..
¤¤¤.¤¤.¤.. . WITH THE OLD MIND .¤¤..¤..¤.
¤..¤¤.¤¤¤. .¤.¤.¤¤.¤¤
.¤.¤.¤¤..¤ MY MIND IS BEING SKEWED. MI ¤¤¤¤¤¤.¤¤.
.¤¤¤¤¤.¤.¤ SKELETON IS STRINGY AND OLD AND ALIEN ¤.....¤¤.¤
¤¤....¤¤¤¤ THE SITUATION IS LITERALLY .¤....¤.¤¤
..¤...¤... PRESSED OUT THROUGH MY EYES, IT'S .¤¤...¤¤¤.
..¤¤..¤¤.. ECHOING LIKE .¤.¤..¤..¤
¤.¤.¤.¤.¤. THE SUNSET OF THE ETERNAL .¤¤¤¤.¤¤.¤
.¤¤¤¤¤¤¤¤¤ OCEAN .¤...¤¤.¤¤
¤¤........ PERSISTENTLY AGAINST MY EMULSION ¤¤¤..¤.¤¤.
¤.¤....... ¤..¤.¤¤¤.¤
.¤¤¤...... IT'S UNGRASPABLE TO ME, WHAT OTHER ¤¤.¤¤¤..¤¤
¤¤..¤..... HUMANS ARE DOING AND ABSTRACTING, ¤.¤¤..¤.¤.
¤.¤.¤¤.... AND ABOVE ALL ELSE, WHAT TIME THEY USE? .¤¤.¤.¤¤¤¤
.¤¤¤¤.¤... HOW LONG A TIME HAS PASSED, FOR THEM? ¤¤.¤¤¤¤...
.¤...¤¤¤.. . ..¤¤...¤..
.¤¤..¤..¤. . ... . ................ ¶¶¶¶¶¶¶ ¤.¤.¤..¤¤.
.¤.¤.¤¤.¤¤ CONTINUOUSLY I'M CROWDING THROUGH .¤¤¤¤¤.¤.¤
¤¤¤¤¤¤.¤¤. . THE FOURTH WALL ^OUTWARDS IS WHAT . .¤....¤¤¤¤
......¤¤.¤ .. I'M THINKING BUT IT'S WRONG.. A NEW ¤¤¤...¤...
......¤.¤¤ . . NARRATOR IS INTRODUCED, OCCASIONALLY ...¤..¤¤..
......¤¤¤. ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . ¤..¤¤.¤.¤.
......¤..¤ ^ ^ DOWN IN THE DRAGONS THROAT. ¤¤.¤.¤¤¤¤¤
¤.....¤¤.¤ ^ ¤.¤¤¤¤....
¤¤....¤.¤¤ ^ ¤¤¤...¤...
¤.¤...¤¤¤. ...¤..¤¤..
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