.^«:*%#@@# #@@#%*:«^.
.^«:*%#@@@ @@@#%*:«^.
.^^«:****# #****:«^^.
.^«:*%#@@# #@@#%*:«^.
...^««*##@ @##*««^...
^«:*%#@@## @ ##@@#%*:«^
.^«:*%#@@# .lizardry #@@#%*:«^.
.^«:*%@@## « @ @@ @@@ @@@@@@@@@@@@@@@@@@ ##@@%*:«^.
.^«::*%%%# @@ the art of c^nnecting #%%%*::«^.
.^«::**#@@ . with the old mind @@#**::«^.
.^«:*%#@@@ @@@#%*:«^.
.^«:*%##@@ my mind is being skewed. mi @@##%*:«^.
.^«:*%#@@# skeleton is stringy and old and alien #@@#%*:«^.
.^«:*%#@@# the situation is literally #@@#%*:«^.
.^«:*%#@@# pressed out through my eyes, it's #@@#%*:«^.
..^^^«*#@@ echoing like @@#*«^^^..
.^«:*%###@ the sunset of the eternal @###%*:«^.
.^«:*%#@@@ ocean @@@#%*:«^.
.^«:*%#@@@ persistently against my emulsion @@@#%*:«^.
.^«:*%#@## ##@#%*:«^.
.^«:*%#@@@ it's ungraspable to me, what other @@@#%*:«^.
.^«::**##@ humans are doing and abstracting, @##**::«^.
.^«:*%#@@# and above all else, what time they use? #@@#%*:«^.
.^«:*#@@## how long a time has passed, for them? ##@@#*:«^.
......^:*# . #*:^......
.^«:*%#@@# . ... . ................ @@@@@@@ #@@#%*:«^.
.......«*# continuously i'm crowding through #*«.......
....^«:**# . the fourth wall ^outwards is what . #**:«^....
.^«:*%#@@# .. i'm thinking but it's wrong.. a new #@@#%*:«^.
....««:*%@ . . narrator is introduced, occasionally @%*:««....
....«:*### ^ ^ aware of the previous one, deeper . ###*:«....
.^«:*%#@@@ ^ ^ down in the dragons throat. @@@#%*:«^.
.^«:*%#@@# ^ #@@#%*:«^.
.^«:*%#@@@ ^ @@@#%*:«^.
.....^«:*# #*:«^.....
.^«:*%#@@# #@@#%*:«^.
.....««:*# #*:««.....
.^«:*%#@@@ @@@#%*:«^.
.^«:*%###@ @###%*:«^.
.^«:*#@@## ##@@#*:«^.