.....~*^&@ @&^*~.....
.~-*^@&@@@ @@@&@^*-~.
.~-*^@&@@@ @@@&@^*-~.
.~-*^@&@@# #@@&@^*-~.
..~~*^^&&@ @&&^^*~~..
......-^&& @ DREAM PALACE @ &&^-......
.~*^@&@@## ~ ----- ------ ~ ##@@&@^*~.
.~-*^^^&@@ @ ..... ...... @ @@&^^^*-~.
..~~-*@@@@ * ..... ...... * @@@@*-~~..
....~-^^&@ ~ ..... ...... ~ @&^^-~....
...~~*^^@& ~ ..... ...... ~ &@^^*~~...
.~-*^@@@## . ..... ...... . ##@@@^*-~.
.~-*^@&@@# #@@&@^*-~.
......-*^& &^*-......
...~-^@@&@ NOT ACTUALLY A PALACE. A COTTAGE IN THE @&@@^-~...
..~~~~-^@& WOODS (TEMPERATE CLIMATE, RAINS EVERY &@^-~~~~..
.~-*^@&@## OTHER DAY, SPRINGS AND STREAMS AND ##@&@^*-~.
...--^^@&@ MYSTERIOUS IRON AND STONE ARTIFACTS, @&@^^--...
...~-**^^& BIRDLAND-ISH ETERNAL SPRING (LATE &^^**-~...
.....~*^&& SPRING)) &&^*~.....
.~-*^@&@@# #@@&@^*-~.
.~-*^@@@## - ##@@@^*-~.
....~~*^&@ @&^*~~....
.~-*^@&@@# I WAKE UP EVERY MORNING AT SIX AM. IT'S #@@&@^*-~.
.-*^@&@@## DARK, AND THE STARS ARE OUT, BUT THE ##@@&@^*-.
....~*@&@@ SUN IS ABOUT TO RISE. ITS A LONG DAY, @@&@*~....
......~*@@ BEFORE IT FADES TO NIGHT AGAIN, AND @@*~......
.......-^& THEN IT STAYS SO UNTIL I FALL ASLEEP. &^-.......
.~-*^@&&@@ IT DOESN'T RISE UNLESS I'VE HAD MY @@&&@^*-~.
.~-*^@&@@# DREAMS. #@@&@^*-~.
.~-*^@&&&@ @&&&@^*-~.
.~-*^^^&&& ^ &&&^^^*-~.
...~--^&@@ @@&^--~...
..~~~*^^&@ IN THIS COTTAGE THERE'S A LOT OF RADIO @&^^*~~~..
.....~*^&@ EQUIPMENT, SOUND STUFF, SYNTHS, TAPE @&^*~.....
.~-*^@&@@# PLAYERS. PEN AND PAPER, BOOKS, CAMERAS, #@@&@^*-~.
.~-*^@&@@# MIRRORS, PRISMS, AND VARIOUS THINGS TO #@@&@^*-~.
.~-*^@&@@# DO ART WITH. THE FRIDGE IS FILLED WITH #@@&@^*-~.
.~-*^@&@@# DIFFERET FOODS, ALL OF THEM INTRIGUING, #@@&@^*-~.
.~-*^@&&@@ SLIGHTLY WEIRD. @@&&@^*-~.
......-^@& &@^-......
.~-*^@&@## & ##@&@^*-~.
.~-*^@&@@# #@@&@^*-~.
....~-**@@ I HAVE FRIENDS - THERE'S A CAT, AND A @@**-~....
.~-*^@&@@# DOG (WHO IS RIDICOLOUSLY LARGE AND #@@&@^*-~.
.~-*^@&@@# WANTS TO BE THE BIG SPOON). I LISTEN TO #@@&@^*-~.
.~-*^@&@@@ THE SHORTWAVE RADIO, AND TRANSMIT A BIT @@@&@^*-~.
.-*^@&@@## MYSELF, SONGS AND POETRY, AND FOUND ##@@&@^*-.
.~-*^@&@@# SOUNDS FROM THE FOREST. THE OTHERS TELL #@@&@^*-~.
.~-*^@&@@@ OF THEIR LIVES, PLAY THE GUITAR FOR ME, @@@&@^*-~.
.....~-*^& AND TELL TALES OF THE OLD WORLD. I &^*-~.....
.....~**@& CONSIDER THEM FRIENDS AS WELL. &@**~.....
.~-*^@&@## ##@&@^*-~.
.....-*^^& @ &^^*-.....
.~-*^@&@@# #@@&@^*-~.
.~-*^@&@@# MOST IMPORTANTLY, THERE'S A TWO SQUARE #@@&@^*-~.
.~-*^@@@@@ METER AREA ON THE FLOOR WHERE I CAN @@@@@^*-~.
.~-*^@&@## "SAVE" THINGS. WHATEVER I PUT IN HERE ##@&@^*-~.
.~-*^@&@@# WILL NOT BE AFFECTED BY THE NIGHTLY #@@&@^*-~.
.~-**^^&&@ RESET. EVERYTHING ELSE, HOWEVER, IS @&&^^**-~.
.~-*^@@@## COMPLETELY RESET OVERNIGHT: SYNTH ##@@@^*-~.
.~-*^@&@@# PATCHES REMOVED, FOOD UNEATEN, WOUNDS #@@&@^*-~.
.~-*^@&@@@ HEALED, AND WHEREVER AND WHENEVER I'D @@@&@^*-~.
......~-^& FALL ASLEEP I'D ALWAYS WAKE UP FULLY &^-~......
......~-^& RESTED IN MY BED. SOMETIMES THERE'S &^-~......
.~-*^@&@## ACCIDENTS WHERE I LOSE STUFF BY ##@&@^*-~.
.~-***^@@@ FORGETTING TO PUT THEM IN THE SQUARE. @@@^***-~.
.....~*^@@ @@^*~.....
.~-*^@&@## . ##@&@^*-~.
.~-*^@&@## ##@&@^*-~.
.....~--^& AT NIGHT, I HAVE DEMI-LUCID DREAMS &^--~.....
.~-*^^^&&@ WHERE THE SPIRITS OF THE FOREST AROUND @&&^^^*-~.
.~-*^@&@@# THE COTTAGE TRIES TO COMMUNICATE. HERE, #@@&@^*-~.
.~-*^@&@@@ IT'S NOT ENDLESS BUT CONNECTED TO A @@@&@^*-~.
.......-^& LARGE SPRAWLING CITY, WHERE MY RADIO &^-.......
......~-^& FRIENDS LIVE. WE GO EXPLORING TOGETHER &^-~......
.~-*^@&@@# - THINGS ARE DEEP AND DARK - BUT UNLIKE #@@&@^*-~.
.~-*^@&@## ME, THEY NEVER REMEMBER DURING THE DAY. ##@&@^*-~.
.~-*^@&&@@ THIS IS A MYSTERY WE OFTEN DISCUSS. @@&&@^*-~.
....-*^^&@ @&^^*-....
.~-*^@&&&@ @&&&@^*-~.
.~-*^@&@@@ @@@&@^*-~.
.~-*^@&@@# #@@&@^*-~.
.~-*^@&@## ##@&@^*-~.
.~-*^@&@@# #@@&@^*-~.