..@.@@.@.. .@..@.....
.@@@.@@@.. @@.@@.....
@..@@..@.. .@@.@.....
@.@.@.@@.. @.@@@....@
@@@@@@.@.. @@..@...@.
.....@@@.. ....^^@# VäXJö #@^^.... .@.@@..@@@
....@..@.@ @@@.@.@..@
...@@.@@@. THE APARTMENT SMELLS OF OLD COFFEE AND ..@@@@@.@@
..@.@@..@@ SWEETENERS. I DON'T KNOW HOW I LET IT .@....@@.@
.@@@.@.@.@ GET LIKE THIS. IT'S NOT INTENTIONAL. @@...@.@@@
@..@@@@@@@ .@..@@@..@
@.@....... I WEAR YELLOW TINTED GLASSES. THE ROOM @@.@..@.@.
@@@....... CHANGES SHAPE A LOT. RIGHT NOW THERE'S .@@@.@@@@@
..@......@ A BLUE SOFA WITH YELLOW SEAMS. I @..@@.....
.@@.....@. EXPERIMENT WITH DIFFERENT COLORED @.@.@.....
@.@....@@@ LIGHTS. I'M LEARNING THINGS. @@@@@.....
@@@...@..@ ....@....@
..@..@@.@@ MY THOUGHTS ARE REVOLVING AROUND TIME, ...@@...@.
.@@.@.@@.@ AND THE PERCEPTION OF IT. CAN I MAKE IT ..@.@..@@.
@.@@@@.@@@ RIGID? IF I REALLY WANT TO, CAN I MAKE .@@@@.@.@.
@@...@@..@ IT FEEL LIKE THERE IS ENOUGH OF IT? @...@@@@@@
.@..@.@.@@ ALSO, AND MAYBE, ULTIMATELY, MORE @..@......
@@.@@@@@.@ IMPORTANT - CAN I MAKE IT FEEL LIKE IT @.@@......
.@@....@@. DOESN'T MATTER? @@.@.....@
@.@...@.@. .@@@....@@
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