.-~\=$@@@# #@@@$=\~-.
...~~~~==@ @==~~~~...
.-~\=$@@@# #@@@$=\~-.
.-~~\=$$@@ @@$$=\~~-.
...-~=$@@@ @@@$=~-...
.-~\=$@@## @@@@ ##### ##@@$=\~-.
.....--~=@ TAPE DREAM @=~--.....
..--~~\\$@ #### @@@@@ @$\\~~--..
.-~\=$@@## ##@@$=\~-.
.-~\=$@@## FOR STORING MUSIC ON. ALSO DATA BUT ##@@$=\~-.
.-~\=$@@@# AT THIS POINT IN TIME THAT'S NOT #@@@$=\~-.
.-~\=$@@@# REALLY IMPORTANT I THINK. #@@@$=\~-.
.-~\=$@@@# #@@@$=\~-.
...~\\=@@@ @@@=\\~...
.-~\=$@@## \\\\\\\\ TYPES OF TAPE \\\\\\\\ ##@@$=\~-.
.-~\=$@@@# #@@@$=\~-.
.-\=$@@@## CLASS I - "BAD" IRON ##@@@$=\-.
.-~\=$@@@# CLASS II - GOOD CHROMIUM #@@@$=\~-.
.-~\=$@@@# CLASS III - BAD IRON PART TWO #@@@$=\~-.
.-~\=$@@@@ CLASS IV - DANGEROUS METALS @@@@$=\~-.
.-~\=$@@## ##@@$=\~-.
.-~\=$@@@@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @@@@$=\~-.
.-~~\\$$@@ THAT IS ACTUALLY USEFUL. @@$$\\~~-.
...-\\\$@@ @@$\\\-...
.-~\=$@@@# \\ BIAS \\ #@@@$=\~-.
.-~\=$@@@@ @@@@$=\~-.
.-~\=$@@## CLASS I USES ONE HUNDRED AND TWENTY ##@@$=\~-.
.-~\===@@@ MICRO-SOMETHING WHILE THE OTHERS ALL @@@===\~-.
.-~\=$@@@@ USE SEVENTY OF THE SAME UNIT. @@@@$=\~-.
.-~\=$@@@@ @@@@$=\~-.
.-~\=$@@@# #@@@$=\~-.
....~~=$@@ ========= AHA AND ========= @@$=~~....
...-~~==@@ @@==~~-...
.-~\=$@@@@ CLASS IV IS APPARENTLY TOO STRONG TO @@@@$=\~-.
.....-\=$@ BE USED ON CLASS I PLAYERS. IT WILL @$=\-.....
.-~\=$@@@# SOUND TOO LOUND AND IT CANNOT BE #@@@$=\~-.
.-~\=$@@@# COMPLETELY ERASED. THIS IS VERY WELL. #@@@$=\~-.
......~=@@ MAYBE SOME WONDERFUL BLENDING EFFECTS @@=~......
.-~\=$$@@@ COULD BE ACHIEVED? @@@$$=\~-.
.-~\\===@@ @@===\\~-.
...~~=$@@@ THEY ALSO GNAW AT THE TAPE HEADS A BIT @@@$=~~...
...~\==$$@ BETTER THAN EARLIER TAPE TYPES. @$$==\~...
.-~\=$@@## ##@@$=\~-.
.-~\=$@@@# #@@@$=\~-.
.-~\=$@@@@ \\\\\\\\ ARTIFACTS \\\\\\\\ @@@@$=\~-.
.-~\=$$$@@ @@$$$=\~-.
.-~\=$@@@# GOOD TAPES ARE DECENT AND HAVE A GOOD #@@@$=\~-.
.-~\=$@@## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##@@$=\~-.
.-~\=$@@@@ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA @@@@$=\~-.
....-\\$$@ LIKE IT. @$$\\-....
..-~~\$@@@ @@@$\~~-..
.-~\=$@@## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##@@$=\~-.
.-~\=$@@@@ KNOWS WHATS EVEN ON THERE ANYMORE @@@@$=\~-.
.-~\=$@@@# #@@@$=\~-.
.-~\=$@@@# FLUTTER: KINDA QUICK PITCH VARIATIONS. #@@@$=\~-.
....~~==@@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @@==~~....
.-~\=$$@@@ @@@$$=\~-.
.-~\=$@@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@@$=\~-.
..--~~=@@@ SECONDS LONG. WHAT UP. BOTH OF THESE @@@=~~--..
.-~\=$@@## INCREASE WHEN TAPE SPEED DECREASES. ##@@$=\~-.
.....-\$@@ @@$\-.....
......~==@ PRINT THROUGH: TAPES RUB SOUND ON EACH @==~......
.-~\=$@@@@ OTHER IF THEYRE ALONE FOR TOO LONG @@@@$=\~-.
.-~\=$@@@# #@@@$=\~-.
......~==@ @==~......
.-~\=$@@## ##@@$=\~-.
.-~\=$@@@# #@@@$=\~-.
.....~=@@@ @@@=~.....
.-~\=$@@@# #@@@$=\~-.