,,,,-\\§§§ §§§\\-,,,,
,-~\§%§£## ##£§%§\~-,
,-~\§%§£@@ @@£§%§\~-,
,-~\§%£@## ##@£%§\~-,
,,,--\\\§§ §§\\\--,,,
,,,,,~§§§£ @@@@ ##### £§§§~,,,,,
,,--\§%§§£ TAPE DREAM £§§%§\--,,
,-~~~§§%££ #### @@@@@ ££%§§~~~-,
,,,-~~§§%§ §%§§~~-,,,
,,,-\§%%§§ FOR STORING MUSIC ON. ALSO DATA BUT §§%%§\-,,,
,-~\§%§£££ AT THIS POINT IN TIME THAT'S NOT £££§%§\~-,
,-~\§§£@## REALLY IMPORTANT I THINK. ##@£§§\~-,
,-~\§%§£@# #@£§%§\~-,
,-~\§%%%%£ £%%%%§\~-,
,-~\§%§£@@ \\\\\\\\ TYPES OF TAPE \\\\\\\\ @@£§%§\~-,
,,,,--\%§§ §§%\--,,,,
,,,-~§%§££ CLASS I - "BAD" IRON ££§%§~-,,,
,-~\§%§£## CLASS II - GOOD CHROMIUM ##£§%§\~-,
,-~\§%§£@# CLASS III - BAD IRON PART TWO #@£§%§\~-,
,-~\§%§£@# CLASS IV - DANGEROUS METALS #@£§%§\~-,
,-~\§%§£@# #@£§%§\~-,
,,,,,,~~§§ RUMORS EXIST ABOUT A SECRET CLASS V TAPE §§~~,,,,,,
,,,,,-\\§§ THAT IS ACTUALLY USEFUL. §§\\-,,,,,
,,,---~§§§ §§§~---,,,
,-~\§%%%§§ \\ BIAS \\ §§%%%§\~-,
,-~\§%£@## ##@£%§\~-,
,-~\§%§£@# CLASS I USES ONE HUNDRED AND TWENTY #@£§%§\~-,
,,,,~\§%§£ MICRO-SOMETHING WHILE THE OTHERS ALL £§%§\~,,,,
,,,,,-~\%§ USE SEVENTY OF THE SAME UNIT. §%\~-,,,,,
,-~\§%§@## ##@§%§\~-,
-~\§%§£@## ##@£§%§\~-
,-~\§%§££@ §§§§§§§§§ AHA AND §§§§§§§§§ @££§%§\~-,
,-~\§%%%§§ §§%%%§\~-,
,-~\§%§£@# CLASS IV IS APPARENTLY TOO STRONG TO #@£§%§\~-,
,,,,,,~~§§ BE USED ON CLASS I PLAYERS. IT WILL §§~~,,,,,,
,,,~~~\§§§ SOUND TOO LOUND AND IT CANNOT BE §§§\~~~,,,
,-~\§%§§£@ COMPLETELY ERASED. THIS IS VERY WELL. @£§§%§\~-,
,-~\§%§§§@ MAYBE SOME WONDERFUL BLENDING EFFECTS @§§§%§\~-,
,,,,-~\§§§ COULD BE ACHIEVED? §§§\~-,,,,
,,,,,-\§§§ §§§\-,,,,,
,-~\§%§£@# THEY ALSO GNAW AT THE TAPE HEADS A BIT #@£§%§\~-,
,,,,-~\%£@ BETTER THAN EARLIER TAPE TYPES. @£%\~-,,,,
,-~\§%§£@# #@£§%§\~-,
,-~\§%§§§§ §§§§%§\~-,
,,,--~§§§§ \\\\\\\\ ARTIFACTS \\\\\\\\ §§§§~--,,,
,,,~~\\%%§ §%%\\~~,,,
,-~\§%§£@# GOOD TAPES ARE DECENT AND HAVE A GOOD #@£§%§\~-,
,----\§%§£ HIGH FREQUENCY PRESENCE, BAD TAPES ARE £§%§\----,
,-~\§%§££@ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA @££§%§\~-,
,,,~\§§%££ LIKE IT. ££%§§\~,,,
,,,--\\%§@ @§%\\--,,,
,,-~~~§%§§ BIAS LOSS: IF YOU FORGET THE BIAS WHO §§%§~~~-,,
,,,-~~§%§@ KNOWS WHATS EVEN ON THERE ANYMORE @§%§~~-,,,
,,,--\\§%§ §%§\\--,,,
,-~\§%§£@# FLUTTER: KINDA QUICK PITCH VARIATIONS. #@£§%§\~-,
,-~\§%§£@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@£§%§\~-,
,-~\§%§§£@ @£§§%§\~-,
,,,,,~§%§£ WOW: A SLOWER FLUTTER, USUALLY SEVERAL £§%§~,,,,,
,-~\§%§£@# SECONDS LONG. WHAT UP. BOTH OF THESE #@£§%§\~-,
,-~~~\\%§@ INCREASE WHEN TAPE SPEED DECREASES. @§%\\~~~-,
,-~\§%§£@# #@£§%§\~-,
,,,,~§%%§@ PRINT THROUGH: TAPES RUB SOUND ON EACH @§%%§~,,,,
,,,,-~§§%£ OTHER IF THEYRE ALONE FOR TOO LONG £%§§~-,,,,
,-~\§%§£@# #@£§%§\~-,
,,,,~§%§££ ££§%§~,,,,
,-~\§%§£@# #@£§%§\~-,
,-~\§%§£@# #@£§%§\~-,
,-~\§%§£@# #@£§%§\~-,
,,,,,-~§%£ £%§~-,,,,,