..«/=*@@@# #@@@*=/«..
...«/=*@@@ @@@*=/«...
..«/=*@@@# #@@@*=/«..
...«/=*@@@ @@@*=/«...
..«/=*@@@# #@@@*=/«..
...«/=*@@@ @@@@ ##### @@@*=/«...
..«/=*@@@# tape dream #@@@*=/«..
...«/=*@@@ #### @@@@@ @@@*=/«...
..«/=*@@@# #@@@*=/«..
...«/=*@@@ for storing music on. also data but @@@*=/«...
..«/=*@@@# at this point in time that's not #@@@*=/«..
...«/=*@@@ really important i think. @@@*=/«...
..«/=*@@@# #@@@*=/«..
...«/=*@@@ @@@*=/«...
..«/=*@@@# //////// types of tape //////// #@@@*=/«..
...«/=*@@@ @@@*=/«...
..«/=*@@@# class i - "bad" iron #@@@*=/«..
...«/=*@@@ class ii - good chromium @@@*=/«...
..«/=*@@@# class iii - bad iron part two #@@@*=/«..
...«/=*@@@ class iv - dangerous metals @@@*=/«...
..«/=*@@@# #@@@*=/«..
...«/=*@@@ rumors exist about a secret class v tape @@@*=/«...
..«/=*@@@# that is actually useful. #@@@*=/«..
...«/=*@@@ @@@*=/«...
..«/=*@@@# // bias // #@@@*=/«..
...«/=*@@@ @@@*=/«...
..«/=*@@@# class i uses one hundred and twenty #@@@*=/«..
...«/=*@@@ micro-something while the others all @@@*=/«...
..«/=*@@@# use seventy of the same unit. #@@@*=/«..
...«/=*@@@ @@@*=/«...
..«/=*@@@# #@@@*=/«..
...«/=*@@@ ========= aha and ========= @@@*=/«...
..«/=*@@@# #@@@*=/«..
...«/=*@@@ class iv is apparently too strong to @@@*=/«...
..«/=*@@@# be used on class i players. it will #@@@*=/«..
...«/=*@@@ sound too lound and it cannot be @@@*=/«...
..«/=*@@@# completely erased. this is very well. #@@@*=/«..
...«/=*@@@ maybe some wonderful blending effects @@@*=/«...
..«/=*@@@# could be achieved? #@@@*=/«..
...«/=*@@@ @@@*=/«...
..«/=*@@@# they also gnaw at the tape heads a bit #@@@*=/«..
...«/=*@@@ better than earlier tape types. @@@*=/«...
..«/=*@@@# #@@@*=/«..
...«/=*@@@ @@@*=/«...
..«/=*@@@# //////// artifacts //////// #@@@*=/«..
...«/=*@@@ @@@*=/«...
..«/=*@@@# good tapes are decent and have a good #@@@*=/«..
...«/=*@@@ high frequency presence, bad tapes are @@@*=/«...
..«/=*@@@# lofi if not outright bad. idk, i kinda #@@@*=/«..
...«/=*@@@ like it. @@@*=/«...
..«/=*@@@# #@@@*=/«..
...«/=*@@@ bias loss: if you forget the bias who @@@*=/«...
..«/=*@@@# knows whats even on there anymore #@@@*=/«..
...«/=*@@@ @@@*=/«...
..«/=*@@@# flutter: kinda quick pitch variations. #@@@*=/«..
...«/=*@@@ beautiful, wonderful, extraordinary. @@@*=/«...
..«/=*@@@# #@@@*=/«..
...«/=*@@@ wow: a slower flutter, usually several @@@*=/«...
..«/=*@@@# seconds long. what up. both of these #@@@*=/«..
...«/=*@@@ increase when tape speed decreases. @@@*=/«...
..«/=*@@@# #@@@*=/«..
...«/=*@@@ print through: tapes rub sound on each @@@*=/«...
..«/=*@@@# other if theyre alone for too long #@@@*=/«..
...«/=*@@@ @@@*=/«...
..«/=*@@@# #@@@*=/«..
...«/=*@@@ @@@*=/«...
..«/=*@@@# #@@@*=/«..
...«/=*@@@ @@@*=/«...
..«/=*@@@# #@@@*=/«..