¤¤%*~~,,,, ,,,,~~*%¤¤
##@¤£%*«~, ,~«*%£¤@##
##@¤£%*«~, ,~«*%£¤@##
###@¤£%*«~ ~«*%£¤@###
##@¤£%*«~, ,~«*%£¤@##
##@¤£%*«~, #### ##### ,~«*%£¤@##
##@¤£%*«~, tape dream ,~«*%£¤@##
#¤£%%*««~, #### ##### ,~««*%%£¤#
##@¤£%*«~, ,~«*%£¤@##
#@@¤£%*«~, for storing music on. also data but ,~«*%£¤@@#
###@£%*«~, at this point in time that's not ,~«*%£@###
@¤%«,,,,,, really important i think. ,,,,,,«%¤@
##@¤£%*«~, ,~«*%£¤@##
¤£*~,,,,,, ,,,,,,~*£¤
@@£%*«~,,, ******** types of tape ******** ,,,~«*%£@@
###¤£%*«~, ,~«*%£¤###
##@¤£%*«~, class i - "bad" iron ,~«*%£¤@##
##@¤£%*«~, class ii - good chromium ,~«*%£¤@##
##@¤£%*«~, class iii - bad iron part two ,~«*%£¤@##
###¤£%*«~, class iv - dangerous metals ,~«*%£¤###
###@¤%*«~, ,~«*%¤@###
@@@¤£%*«~, rumors exist about a secret class v tape ,~«*%£¤@@@
##@¤£%*«~, that is actually useful. ,~«*%£¤@##
@¤£%*«,,,, ,,,,«*%£¤@
##@¤£%*«~, ** bias ** ,~«*%£¤@##
##@¤£%*«~, ,~«*%£¤@##
##@¤£%*«~, class i uses one hundred and twenty ,~«*%£¤@##
##@¤£%*«~, micro-something while the others all ,~«*%£¤@##
##@¤£%*«~, use seventy of the same unit. ,~«*%£¤@##
##@¤£%*«~, ,~«*%£¤@##
¤%*«,,,,,, ,,,,,,«*%¤
#¤%**«~,,, %%%%%%%%% aha and %%%%%%%%% ,,,~«**%¤#
###@¤£%*~, ,~*%£¤@###
##@¤£%*«~, class iv is apparently too strong to ,~«*%£¤@##
¤¤%««,,,,, be used on class i players. it will ,,,,,««%¤¤
###@¤£%*«, sound too lound and it cannot be ,«*%£¤@###
##@¤£%*«~, completely erased. this is very well. ,~«*%£¤@##
##@¤£%*«~, maybe some wonderful blending effects ,~«*%£¤@##
##@¤£%*«~, could be achieved? ,~«*%£¤@##
#¤¤¤£%*«~, ,~«*%£¤¤¤#
##@¤£%*«~, they also gnaw at the tape heads a bit ,~«*%£¤@##
###¤£%*«~, better than earlier tape types. ,~«*%£¤###
@£*«~,,,,, ,,,,,~«*£@
###@¤£%*«~ ~«*%£¤@###
#@£*~~,,,, ******** artifacts ******** ,,,,~~*£@#
¤%«,,,,,,, ,,,,,,,«%¤
##@¤£%*«~, good tapes are decent and have a good ,~«*%£¤@##
#@£%«,,,,, high frequency presence, bad tapes are ,,,,,«%£@#
¤%%%**«~,, lofi if not outright bad. idk, i kinda ,,~«**%%%¤
##@¤£%*«~, like it. ,~«*%£¤@##
##@¤£%*«~, ,~«*%£¤@##
##@¤£%*«~, bias loss: if you forget the bias who ,~«*%£¤@##
¤£%*«~~,,, knows whats even on there anymore ,,,~~«*%£¤
#¤£**««~~, ,~~««**£¤#
###@£%*«~, flutter: kinda quick pitch variations. ,~«*%£@###
###@£%*«~, beautiful, wonderful, extraordinary. ,~«*%£@###
¤£*««~~,,, ,,,~~««*£¤
###¤£%*«~, wow: a slower flutter, usually several ,~«*%£¤###
¤%««,,,,,, seconds long. what up. both of these ,,,,,,««%¤
¤%*««««~,, increase when tape speed decreases. ,,~««««*%¤
@@¤%**««~, ,~««**%¤@@
#@£*«,,,,, print through: tapes rub sound on each ,,,,,«*£@#
##@¤£%*«~, other if theyre alone for too long ,~«*%£¤@##
@£%««~,,,, ,,,,~««%£@
##@¤£%*«~, ,~«*%£¤@##
##@¤£%*«~, ,~«*%£¤@##
##@¤£%*«~, ,~«*%£¤@##
##@¤£%*«~, ,~«*%£¤@##
###¤£%*«~, ,~«*%£¤###