#@@£¤$*-~, ,~-*$¤£@@#
##@@¤$*-~, ,~-*$¤@@##
£¤$--,,,,, ,,,,,--$¤£
£$$-~~,,,, ,,,,~~-$$£
@@£¤¤$*-~, ,~-*$¤¤£@@
##@@£$*-~, @@@@ ##### ,~-*$£@@##
#@@£¤$*-~, tape dream ,~-*$¤£@@#
##@£¤$*-~, #### @@@@@ ,~-*$¤£@##
#@@£¤$*-~, ,~-*$¤£@@#
@¤¤*~~,,,, for storing music on. also data but ,,,,~~*¤¤@
##@£¤$*-~, at this point in time that's not ,~-*$¤£@##
#@@£¤$*-~, really important i think. ,~-*$¤£@@#
£¤*~,,,,,, ,,,,,,~*¤£
#@@£¤$*-~, ,~-*$¤£@@#
@£££¤$*-~, ******** types of tape ******** ,~-*$¤£££@
@£$$-,,,,, ,,,,,-$$£@
##@@£¤$-~, class i - "bad" iron ,~-$¤£@@##
##@£¤$*-~, class ii - good chromium ,~-*$¤£@##
##@@£¤$-~, class iii - bad iron part two ,~-$¤£@@##
#@@£¤$*-~, class iv - dangerous metals ,~-*$¤£@@#
#@@£¤$*-~, ,~-*$¤£@@#
@£¤**~,,,, rumors exist about a secret class v tape ,,,,~**¤£@
#@@£¤$*-~, that is actually useful. ,~-*$¤£@@#
#@@£¤$*-~, ,~-*$¤£@@#
##@£¤$*-~, ** bias ** ,~-*$¤£@##
@¤*--,,,,, ,,,,,--*¤@
#@@£¤$*-~, class i uses one hundred and twenty ,~-*$¤£@@#
@@££¤$*-~, micro-something while the others all ,~-*$¤££@@
#@@£¤$*-~, use seventy of the same unit. ,~-*$¤£@@#
@£¤¤$-,,,, ,,,,-$¤¤£@
@¤¤¤**-~,, ,,~-**¤¤¤@
@£££¤$*-~, $$$$$$$$$ aha and $$$$$$$$$ ,~-*$¤£££@
#@@£¤$*-~, ,~-*$¤£@@#
@@@£¤$*-~, class iv is apparently too strong to ,~-*$¤£@@@
#@@£¤$*-~, be used on class i players. it will ,~-*$¤£@@#
@@@£¤$*-~, sound too lound and it cannot be ,~-*$¤£@@@
##@£¤$*-~, completely erased. this is very well. ,~-*$¤£@##
#@@£¤$*-~, maybe some wonderful blending effects ,~-*$¤£@@#
@@¤$--~~~, could be achieved? ,~~~--$¤@@
@£¤****-~, ,~-****¤£@
£££$$$*-~, they also gnaw at the tape heads a bit ,~-*$$$£££
#@@£¤$*-~, better than earlier tape types. ,~-*$¤£@@#
£$*~,,,,,, ,,,,,,~*$£
@£¤$*~,,,, ,,,,~*$¤£@
#@@£¤$*-~, ******** artifacts ******** ,~-*$¤£@@#
##@£¤$*-~, ,~-*$¤£@##
£$-~,,,,,, good tapes are decent and have a good ,,,,,,~-$£
@@£$-~,,,, high frequency presence, bad tapes are ,,,,~-$£@@
#@@£¤$*-~, lofi if not outright bad. idk, i kinda ,~-*$¤£@@#
@¤*~~,,,,, like it. ,,,,,~~*¤@
@£¤¤$$*-~, ,~-*$$¤¤£@
#@@£¤$*-~, bias loss: if you forget the bias who ,~-*$¤£@@#
@@@£¤$*-~, knows whats even on there anymore ,~-*$¤£@@@
@@@£¤$*-~, ,~-*$¤£@@@
@££$----~, flutter: kinda quick pitch variations. ,~----$££@
#@@£¤$*-~, beautiful, wonderful, extraordinary. ,~-*$¤£@@#
£$*~,,,,,, ,,,,,,~*$£
##@£¤$*-~, wow: a slower flutter, usually several ,~-*$¤£@##
##@@£$*-~, seconds long. what up. both of these ,~-*$£@@##
£$*~,,,,,, increase when tape speed decreases. ,,,,,,~*$£
#@@£¤$*-~, ,~-*$¤£@@#
@@£¤$--,,, print through: tapes rub sound on each ,,,--$¤£@@
@£¤*-,,,,, other if theyre alone for too long ,,,,,-*¤£@
@£¤*-,,,,, ,,,,,-*¤£@
@£¤$--~~,, ,,~~--$¤£@
@@¤$*-~,,, ,,,~-*$¤@@
##@@£¤$*~, ,~*$¤£@@##
#@@£¤$*-~, ,~-*$¤£@@#
@@@£¤$*-~, ,~-*$¤£@@@