..^-\*$¤@# #@¤$*\-^..
...^-\*$¤@ @¤$*\-^...
....^-\*$¤ ¤$*\-^....
...^-\*$¤@ @¤$*\-^...
..^-\*$¤@# #@¤$*\-^..
.^-\*$¤@## #### ##### ##@¤$*\-^.
..^-\*$¤@# tape dream #@¤$*\-^..
...^-\*$¤@ #### ##### @¤$*\-^...
....^-\*$¤ ¤$*\-^....
...^-\*$¤@ for storing music on. also data but @¤$*\-^...
..^-\*$¤@# at this point in time that's not #@¤$*\-^..
.^-\*$¤@## really important i think. ##@¤$*\-^.
..^-\*$¤@# #@¤$*\-^..
...^-\*$¤@ @¤$*\-^...
....^-\*$¤ \\\\\\\\ types of tape \\\\\\\\ ¤$*\-^....
...^-\*$¤@ @¤$*\-^...
..^-\*$¤@# class i - "bad" iron #@¤$*\-^..
.^-\*$¤@## class ii - good chromium ##@¤$*\-^.
..^-\*$¤@# class iii - bad iron part two #@¤$*\-^..
...^-\*$¤@ class iv - dangerous metals @¤$*\-^...
....^-\*$¤ ¤$*\-^....
...^-\*$¤@ rumors exist about a secret class v tape @¤$*\-^...
..^-\*$¤@# that is actually useful. #@¤$*\-^..
.^-\*$¤@## ##@¤$*\-^.
..^-\*$¤@# \\ bias \\ #@¤$*\-^..
...^-\*$¤@ @¤$*\-^...
....^-\*$¤ class i uses one hundred and twenty ¤$*\-^....
...^-\*$¤@ micro-something while the others all @¤$*\-^...
..^-\*$¤@# use seventy of the same unit. #@¤$*\-^..
.^-\*$¤@## ##@¤$*\-^.
..^-\*$¤@# #@¤$*\-^..
...^-\*$¤@ ********* aha and ********* @¤$*\-^...
....^-\*$¤ ¤$*\-^....
...^-\*$¤@ class iv is apparently too strong to @¤$*\-^...
..^-\*$¤@# be used on class i players. it will #@¤$*\-^..
.^-\*$¤@## sound too lound and it cannot be ##@¤$*\-^.
..^-\*$¤@# completely erased. this is very well. #@¤$*\-^..
...^-\*$¤@ maybe some wonderful blending effects @¤$*\-^...
....^-\*$¤ could be achieved? ¤$*\-^....
...^-\*$¤@ @¤$*\-^...
..^-\*$¤@# they also gnaw at the tape heads a bit #@¤$*\-^..
.^-\*$¤@## better than earlier tape types. ##@¤$*\-^.
..^-\*$¤@# #@¤$*\-^..
...^-\*$¤@ @¤$*\-^...
....^-\*$¤ \\\\\\\\ artifacts \\\\\\\\ ¤$*\-^....
...^-\*$¤@ @¤$*\-^...
..^-\*$¤@# good tapes are decent and have a good #@¤$*\-^..
.^-\*$¤@## high frequency presence, bad tapes are ##@¤$*\-^.
..^-\*$¤@# lofi if not outright bad. idk, i kinda #@¤$*\-^..
...^-\*$¤@ like it. @¤$*\-^...
....^-\*$¤ ¤$*\-^....
...^-\*$¤@ bias loss: if you forget the bias who @¤$*\-^...
..^-\*$¤@# knows whats even on there anymore #@¤$*\-^..
.^-\*$¤@## ##@¤$*\-^.
..^-\*$¤@# flutter: kinda quick pitch variations. #@¤$*\-^..
...^-\*$¤@ beautiful, wonderful, extraordinary. @¤$*\-^...
....^-\*$¤ ¤$*\-^....
...^-\*$¤@ wow: a slower flutter, usually several @¤$*\-^...
..^-\*$¤@# seconds long. what up. both of these #@¤$*\-^..
.^-\*$¤@## increase when tape speed decreases. ##@¤$*\-^.
..^-\*$¤@# #@¤$*\-^..
...^-\*$¤@ print through: tapes rub sound on each @¤$*\-^...
....^-\*$¤ other if theyre alone for too long ¤$*\-^....
...^-\*$¤@ @¤$*\-^...
..^-\*$¤@# #@¤$*\-^..
.^-\*$¤@## ##@¤$*\-^.
..^-\*$¤@# #@¤$*\-^..
...^-\*$¤@ @¤$*\-^...
....^-\*$¤ ¤$*\-^....