...--††¤¤@ @¤¤††--...
...--†=¤¤@ @¤¤=†--...
.~-†=¤@@## ##@@¤=†-~.
......~†¤@ @¤†~......
.~-†=¤@@@@ @@@@¤=†-~.
.~-†=¤@@## #### ##### ##@@¤=†-~.
.~-†=¤@@## TAPE DREAM ##@@¤=†-~.
.~-†=¤@### #### ##### ###@¤=†-~.
.~-†=¤@@## ##@@¤=†-~.
.~-†=¤@@@# FOR STORING MUSIC ON. ALSO DATA BUT #@@@¤=†-~.
....---†¤@ AT THIS POINT IN TIME THAT'S NOT @¤†---....
.~-†=¤@@## REALLY IMPORTANT I THINK. ##@@¤=†-~.
...~-==¤@@ @@¤==-~...
.....~-=@@ @@=-~.....
.~-†=¤@@## †††††††† TYPES OF TAPE †††††††† ##@@¤=†-~.
....--=@@@ @@@=--....
.~-†=¤@@@@ CLASS I - "BAD" IRON @@@@¤=†-~.
.~-†=¤@@## CLASS II - GOOD CHROMIUM ##@@¤=†-~.
....~†=¤¤@ CLASS III - BAD IRON PART TWO @¤¤=†~....
.~-†=¤@@## CLASS IV - DANGEROUS METALS ##@@¤=†-~.
.~-†=¤@@## ##@@¤=†-~.
.~-†=¤@@@@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @@@@¤=†-~.
.~-†=¤@@## THAT IS ACTUALLY USEFUL. ##@@¤=†-~.
...--††=@# #@=††--...
.~-†=¤@@@@ †† BIAS †† @@@@¤=†-~.
.~-†=¤@@## ##@@¤=†-~.
.~-†=====@ CLASS I USES ONE HUNDRED AND TWENTY @=====†-~.
.~-†=¤@@## MICRO-SOMETHING WHILE THE OTHERS ALL ##@@¤=†-~.
....-=¤¤@@ USE SEVENTY OF THE SAME UNIT. @@¤¤=-....
.~-†=¤@@## ##@@¤=†-~.
.~-†=¤@@## ##@@¤=†-~.
....~††=¤@ ========= AHA AND ========= @¤=††~....
...~~†=@@@ @@@=†~~...
.....~†==@ CLASS IV IS APPARENTLY TOO STRONG TO @==†~.....
...~~~~-=@ BE USED ON CLASS I PLAYERS. IT WILL @=-~~~~...
....-†=¤¤@ SOUND TOO LOUND AND IT CANNOT BE @¤¤=†-....
.~-†=¤@@## COMPLETELY ERASED. THIS IS VERY WELL. ##@@¤=†-~.
......-==@ MAYBE SOME WONDERFUL BLENDING EFFECTS @==-......
....~-†=@# COULD BE ACHIEVED? #@=†-~....
.~-†=¤¤@@# #@@¤¤=†-~.
.~-†=¤@@@# THEY ALSO GNAW AT THE TAPE HEADS A BIT #@@@¤=†-~.
.~-†=¤@@## BETTER THAN EARLIER TAPE TYPES. ##@@¤=†-~.
.~-†=¤@@## ##@@¤=†-~.
~-†=¤@@### ###@@¤=†-~
.~-†=¤@@## †††††††† ARTIFACTS †††††††† ##@@¤=†-~.
......-=@@ @@=-......
.~-†=¤@@## GOOD TAPES ARE DECENT AND HAVE A GOOD ##@@¤=†-~.
.~-†=¤@@## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##@@¤=†-~.
..~~-==¤¤@ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA @¤¤==-~~..
.....--=@# LIKE IT. #@=--.....
.~-†=¤@@## ##@@¤=†-~.
....-==¤¤@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @¤¤==-....
...~~~†==@ KNOWS WHATS EVEN ON THERE ANYMORE @==†~~~...
.~-†=¤¤@@# #@@¤¤=†-~.
...~†==¤¤@ FLUTTER: KINDA QUICK PITCH VARIATIONS. @¤¤==†~...
......-==@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @==-......
.~-†=¤@@## ##@@¤=†-~.
....--†¤@@ WOW: A SLOWER FLUTTER, USUALLY SEVERAL @@¤†--....
......-†=@ SECONDS LONG. WHAT UP. BOTH OF THESE @=†-......
...~~~††¤@ INCREASE WHEN TAPE SPEED DECREASES. @¤††~~~...
.~-†=¤@@## ##@@¤=†-~.
..~---†=@# PRINT THROUGH: TAPES RUB SOUND ON EACH #@=†---~..
.~-†=¤@@## OTHER IF THEYRE ALONE FOR TOO LONG ##@@¤=†-~.
.~-†=¤¤@@# #@@¤¤=†-~.
.~-†=¤@@@# #@@@¤=†-~.
.~-†=¤@@## ##@@¤=†-~.
.~-†=¤@@## ##@@¤=†-~.
...--†††=@ @=†††--...
.~--†===@@ @@===†--~.