....-/**$& &$**/-....
.-«/*$&@## ##@&$*/«-.
.-«/*$## ###&$*/«-.
.-«/*$&@## ##@&$*/«-.
....-«/$&& &&$/«-....
.-«/**** #### ##### #&****/«-.
.-«/*$&@## TAPE DREAM ##@&$*/«-.
.-«/*$@### #### ##### ###@$*/«-.
....-«//*& &*//«-....
.-«/*$&@## FOR STORING MUSIC ON. ALSO DATA BUT ##@&$*/«-.
.....-//$& AT THIS POINT IN TIME THAT'S NOT &$//-.....
...---«* REALLY IMPORTANT I THINK. #&*«---...
.-«/*$&& #&&&$*/«-.
.-«/*$&@## ##@&$*/«-.
.-«/*$&@## //////// TYPES OF TAPE //////// ##@&$*/«-.
.-«/*$$&&@ @&&$$*/«-.
.....-/$&& CLASS I - "BAD" IRON &&$/-.....
......««*& CLASS II - GOOD CHROMIUM &*««......
.....-/$&@ CLASS III - BAD IRON PART TWO @&$/-.....
.-«/*$&@## CLASS IV - DANGEROUS METALS ##@&$*/«-.
..---/$& #&&$/---..
.-«/*$&@## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##@&$*/«-.
.-«/*$&@## THAT IS ACTUALLY USEFUL. ##@&$*/«-.
.-«/*$&@## ##@&$*/«-.
.-«/*$&@## // BIAS // ##@&$*/«-.
-«/*$&@### ###@&$*/«-
.-«/*$$$ CLASS I USES ONE HUNDRED AND TWENTY #&$$$*/«-.
.-«/*$&@## MICRO-SOMETHING WHILE THE OTHERS ALL ##@&$*/«-.
.---«/$$&& USE SEVENTY OF THE SAME UNIT. &&$$/«---.
.-«/*$&@## ##@&$*/«-.
.-«/*$&@## ##@&$*/«-.
.....-«/$& ********* AHA AND ********* &$/«-.....
...-«**$ #&$**«-...
....-/***& CLASS IV IS APPARENTLY TOO STRONG TO &***/-....
.-«/*$&@## BE USED ON CLASS I PLAYERS. IT WILL ##@&$*/«-.
.-«/*$&@## SOUND TOO LOUND AND IT CANNOT BE ##@&$*/«-.
.-«/*$&&&& COMPLETELY ERASED. THIS IS VERY WELL. &&&&$*/«-.
...-«««/*& MAYBE SOME WONDERFUL BLENDING EFFECTS &*/«««-...
.-«//***&@ COULD BE ACHIEVED? @&***//«-.
.-«/*$&@## ##@&$*/«-.
.-«/*$&@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@&$*/«-.
.-«/*$&@## BETTER THAN EARLIER TAPE TYPES. ##@&$*/«-.
.-«/*$&&&@ @&&&$*/«-.
.-«/*$## ###&$*/«-.
.-«/*$&@## //////// ARTIFACTS //////// ##@&$*/«-.
.-«///$&@@ @@&$///«-.
.-«//***&@ GOOD TAPES ARE DECENT AND HAVE A GOOD @&***//«-.
.-«/*$&&@# HIGH FREQUENCY PRESENCE, BAD TAPES ARE #@&&$*/«-.
.-«/*$&@## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##@&$*/«-.
.......«*& LIKE IT. &*«.......
.-«/*$&@## ##@&$*/«-.
....--/*$@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @$*/--....
.-«/*$&@## KNOWS WHATS EVEN ON THERE ANYMORE ##@&$*/«-.
.-«/*$&@@# #@@&$*/«-.
.----/**&& FLUTTER: KINDA QUICK PITCH VARIATIONS. &&**/----.
...----/$@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @$/----...
......«*$@ @$*«......
.-«/*$&@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@&$*/«-.
.-«/*$&@## SECONDS LONG. WHAT UP. BOTH OF THESE ##@&$*/«-.
.-«/*$&@## INCREASE WHEN TAPE SPEED DECREASES. ##@&$*/«-.
.-«/*$&@## ##@&$*/«-.
.-«/*$&@## PRINT THROUGH: TAPES RUB SOUND ON EACH ##@&$*/«-.
....-/*$&@ OTHER IF THEYRE ALONE FOR TOO LONG @&$*/-....
.-«/*$&@## ##@&$*/«-.
.-«/*$&@## ##@&$*/«-.
.-«/*$&@## ##@&$*/«-.
...-««***& &***««-...
.-«/*$## ###&$*/«-.
.-«/$&@### ###@&$/«-.