#@£@$%==,.                                          .,==%$@£@#
#¶@£=;~-.,                                          ,.-~;=£@¶#
¶#£%/»^,¨,                                          ,¨,^»/%£#¶
@§*:-...,.                                          .,...-:*§@
%*=»:.,.,.                                          .,.,.:»=*%
§=»~¨¨...,                                          ,...¨¨~»=§
*=^¨.,¨,.,           #%=,,¨..¨,.¨¨,¨¨¨%%#           ,.,¨,.¨^=*
§:=,,..¨¨¨          #%§  "DIGITALITY"  **#          ¨¨¨..,,=:§
£†==,¨...,           #*%,.¨¨,,..,,,,.¨%%#           ,...¨,==†£
#£%:»-¨,,¨                                          ¨,,¨-»:%£#
£@£=/~.¨.¨                    %                     ¨.¨.~/=£@£
@@#&=:~:.,                                          ,.:~:=&#@@
###&¤=:=.¨ DIGITAL,  THE DIGITAL, TO BECOME DIGITAL ¨.=:=¤&###
#¶¤%*^=:¨.                                          .¨:=^*%¤¶#
¶§%^;»:,..                     ^                    ..,:»;^%§¶
£§=:«~....                                          ....~«:=§£
@%\»:.,,¨.    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   .¨,,.:»\%@
*:--,,.¨,¨    SYMBOLS. THE ENGLISH TRANSLATION IS   ¨,¨.,,--:*
;-.,.,,¨¨,   "THROUGH NUMBERS". YOU CAN USE THIS    ,¨¨,,.,.-;
§/«~.¨.¨,,  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ,,¨.¨.~«/§
&*^-,¨,¨.,                                          ,.¨,¨,-^*&
¤£†/=,¨¨,¨                    ^                     ¨,¨¨,=/†£¤
£¤@§^«~¨.,                                          ,.¨~«^§@¤£
#@§¤%:~..,  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ,..~:%¤§@#
###§*%;~~¨ THE GIFTED CAN TURN ANALOG SIGNALS INTO  ¨~~;%*§###
#¶§$=\«..¨   DIGITAL - THE ANALOG IS IN ITSELF A    ¨..«\=$§¶#
#£**;«^,¨¨  REPRESENTATION OF THE WORLD INSIDE THE  ¨¨,^«;**£#
@£*:»:¨.¨,   WORLD, WHICH IS FURTHER ENCODED INTO   ,¨.¨:»:*£@
£*=-~..¨¨,  DIGITAL (ENCODED IN THE LITERAL SENSE;  ,¨¨..~-=*£
**=,¨,,.,¨   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ¨,.,,¨,=**
*=~,..,,,,   MEANING SEMANTICALLY AND NOT IN THEIR  ,,,,..,~=*
==-:¨¨.,,¨ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ¨,,.¨¨:-==
§§^~:,¨¨¨¨                                          ¨¨¨¨,:~^§§
@@%^~,¨..¨                    §                     ¨..¨,~^%@@
@§*^:~^.,¨                                          ¨,.^~:^*§@
@££%$†«...     VARIOUS SCHEMES EXIST FOR HOW TO     ...«†$%££@
#@££%$†«..   INTERPRET AND WORK FURTHER WITH THESE  ..«†$%££@#
@££%$†«...   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ...«†$%££@
££%$†«....   VOR, HYP, MKV). GETTING FAMILIAR WITH  ....«†$%££
£%$†«.....  THESE IS A GOOD START ON YOUR JOURNEY,  .....«†$%£
%$†«......     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ......«†$%
$†«.......   «REALLY« KNOW TWO OR THREE IN THEIR    .......«†$
†«........                LIFETIME.                 ........«†
%†«,...¨,,                                          ,,¨...,«†%
@*†=-,.¨¨,                    ^                     ,¨¨.,-=†*@
¤*=\-.¨,,,                                          ,,,¨.-\=*¤
#&%^†~~¨¨,  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ,¨¨~~†^%&#
@#§&§†~:,.      CAN ENCODE THE DIGITAL SYMBOLS      .,:~†§&§#@
#@¶#%=;«,¨  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ¨,«;=%#¶@#
#¶£¤†^~-¨,  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ,¨-~^†¤£¶#
£#£†*-^¨¨.   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  .¨¨^-*†£#£
£¤$†-^,..¨   ROUTE TO THEIR ORIGINAL MEANING, AND   ¨..,^-†$¤£
%%;~-¨,,¨¨  THAT WITH THE RIGHT SPELLS AND METHODS  ¨¨,,¨-~;%%
$/=,..,.¨¨  YOU CAN USE DIGITAL REPRESENTATION FOR  ¨¨.,..,=/$
^=,.,.¨¨¨,   ANALYSIS (MUST BE COMBATTED AT EVERY   ,¨¨¨.,.,=^
%;«^,¨,...               OPPORTUNITY)               ...,¨,^«;%
@%\»:.,¨¨.                                          .¨¨,.:»\%@
#$††»~¨¨¨.                                          .¨¨¨~»††$#
@#@*†«-,.¨                                          ¨.,-«†*@#@
@@&*†^=,.,                                          ,.,=^†*&@@
##@¤*†*«-,                                          ,-«*†*¤@##