.@.....@@@ .@..@@.@..
@@....@... @@.@.@@@..
.@...@@..@ .@@@@..@.@
@@..@.@.@@ @...@.@@@@
.@.@@@@@.@ @..@@@....
@@@....@@@ .^ ~~~~~~~ ~~~~~~~ ~~~~~~~ ^. @.@..@....
..@...@... NICK WILDE IS A RED FOX AND A CONMAN. @@@.@@...@
.@@..@@... .^ ~~~~~~~ ~~~~~~~ ~~~~~~~ ^. ..@@.@..@@
@.@.@.@..@ .@.@@@.@.@
@@@@@@@.@@ HE'S NOT ABOVE PETTY CRIME, BUT HE @@@..@@@@.
......@@.@ KNOWS THAT IF HE PUTS IN A BIT OF WORK, ..@.@...@@
.....@.@@. HE WILL FIND MUCH MORE LUCRATIVE .@@@@..@.@
....@@@.@@ REWARDS. @...@.@@@@
...@..@@.. @..@@@...@
..@@.@.@.@ AND THUS HE'S CURRENTLY WORKING @.@..@..@@
.@.@@@@@@@ ALONGSIDE HATSUNE MIKU FOR A COMPANY @@@.@@.@.@
@@@....... THAT MAKES SYNTHETIC MEAL REPLACEMENTS. ..@@.@@@@@
..@....... HE'S GOT A VAGUE OUTLINE OF A PLAN, TO .@.@@.....
.@@....... SCATTER WITH SOME PRODUCT, OR EVEN @@@.@.....
@.@......@ BETTER, SOME FORMULA? THESE THINGS ARE ..@@@.....
@@@.....@@ WORTH A LOT TO A COMPETITOR. .@..@....@
..@....@.@ @@.@@...@.
.@@...@@@. HE'S BEEN LUCKY; THE PLACE IS .@@.@..@@.
@.@..@..@@ SURPRISINGLY UNGUARDED. ONCE HE'S GOT @.@@@.@.@.
@@@.@@.@.. HIS PAWS ON SOMETHING WORTHWHILE, IT'LL @@..@@@@@@
..@@.@@@.@ BE EASY TO JUST WALTZ OUT. UNTIL THEN, .@.@......
.@.@@..@@. KEEP DOING THE WORK... @@@@......
@@@.@.@.@@ ...@......
..@@@@@@.. COME TO THINK OF IT, THE PLACE IS ..@@.....@
.@.....@.. ALMOST EERILY EMPTY. THERE ARE FEW .@.@....@@
@@....@@.. COWORKERS. (IN FACT THE COMPANY IS @@@@...@.@
.@...@.@.@ AI-RUN AND ONLY A FEW KEY ROLES ARE ...@..@@@.
@@..@@@@@. FILLED BY ACTUAL PEOPLE. ..@@.@..@.
.@.@....@. .@.@@@.@@@
@@@@...@@. NONE OF THE EMPLOYEES KNOW THIS.) @@@..@@..@
...@..@.@@ ..@.@.@.@.
..@@.@@@.@ ~~~ ~~~ .@@@@@@@@.
.@.@@..@@@ ~~~ ~~~ ~~~ @.......@.
@@@.@.@..@ ~~~ ~~~ @......@@.
..@@@@@.@. @.....@.@@
.@....@@@@ NICK AND MIKU ARE BOTH STATIONED IN @....@@@.@
@@...@...@ EARLY PROCESSING, HOUSED IN A STATE OF @...@..@@@
.@..@@..@@ THE ART FACTORY CLOSE TO THE DOCKS. @..@@.@...
@@.@.@.@.. THEY CREATE THE EARLY BUILDING BLOCKS @.@.@@@...
.@@@@@@@.@ THAT ARE LATER COMBINED INTO THE MEALS @@@@..@..@
@......@@@ THAT'S SOLD TO CUSTOMERS. ...@.@@.@@
@.....@... ..@@@.@@..
@....@@..@ THE BASES ARE MOSTLY SLUDGES .@..@@.@.@
@...@.@.@. OR PASTES, SUCH AS: @@.@.@@@@.
@..@@@@@@@ .@@@@...@@
@.@......@ ;~ PLANT MATTER @...@..@..
@@@.....@@ ;~ BLOOD COLONY @..@@.@@.@
..@....@.. (MADE WITH A TYPE OF BACTERIA) @.@.@@.@@.
.@@...@@.. ;~ WILD FLESH @@@@.@@.@.
@.@..@.@.. (FREE ROAMING ANIMALS) ...@@.@@@.
@@@.@@@@.. ;~ ORGANS ..@.@@..@@
..@@...@.@ (TAKEN FROM A LIVING HUMAN THAT .@@@.@.@..
.@.@..@@@. IS WILLING TO SELL) @..@@@@@..
@@@@.@..@. ;~ MINERALS @.@....@..
...@@@.@@@ ;~ BLOOD COLONY TWO @@@...@@.@
..@..@@... ;~ INSECTS ..@..@.@@@
.@@.@.@... (WHICH ARE MAINLY USED FOR THEIR .@@.@@@..@
@.@@@@@... BRAIN, WHICH IS USED TO EXTRACT @.@@..@.@@
@@....@... RECEPTORS THAT DETECT PHEROMONES) @@.@.@@@..
.@...@@..@ .@@@@..@.@
@@..@.@.@@ ~~~ ~~~ @...@.@@@@
.@.@@@@@.@ ~~~ ~~~ ~~~ @..@@@....
@@@....@@@ ~~~ ~~~ @.@..@....
..@...@... @@@.@@...@
.@@..@@... MIKU IS IN CHARGE OF THE BLOOD ..@@.@..@@
@.@.@.@..@ COLONIES. THERE'S LARGE VATS OF THE .@.@@@.@.@
@@@@@@@.@@ ORIGINAL CULTURE WHICH IS FED BLOOD @@@..@@@@.
......@@.@ MEAL, BONE MEAL, WHAT DOESN'T QUALIFY ..@.@...@@
.....@.@@. TO GO IN THE "WILD FLESH" PASTE, AND .@@@@..@.@
....@@@.@@ SOME PROCESSING CHEMICALS. ALL THESE @...@.@@@@
...@..@@.. INGREDIENTS HAVE AN EFFECT ON THE BLOOD @..@@@...@
..@@.@.@.@ WHICH IN TURN AFFECTS MIKU. @.@..@..@@
.@.@@@@@@@ @@@.@@.@.@
@@@....... THERE IS A LARGE TANK BEHIND THE ..@@.@@@@@
..@....... FACTORY THAT CONTAINS A VAST NUMBER OF .@.@@.....
.@@....... AUXILLIARY BLOOD COLONIES. MIKU WATCHES @@@.@.....
@.@......@ OVER THESE AS WELL. THEIR PURPOSE IS ..@@@.....
@@@.....@@ UNCLEAR. .@..@....@
..@....@.@ @@.@@...@.
.@@...@@@. THE FACTORY IS SURROUNDED BY THE BLOOD .@@.@..@@.
@.@..@..@@ MEAL FARMS. THERE IS A CONSTANT @.@@@.@.@.
@@@.@@.@.. EXCHANGE OF BLOOD AND BLOOD MEAL. THIS @@..@@@@@@
..@@.@@@.@ PROVIDES TWO OF THE MAJOR MATERIALS FOR .@.@......
.@.@@..@@. BOTH THE COLONIES AND MIKU. @@@@......
@@@.@.@.@@ ...@......
..@@@@@@.. ~~~ ~~~ ..@@.....@
.@.....@.. ~~~ ~~~ ~~~ .@.@....@@
@@....@@.. ~~~ ~~~ @@@@...@.@
.@...@.@.@ ...@..@@@.
@@..@@@@@. NICK IS UNCOMFORTABLE AROUND ..@@.@..@.
.@.@....@. THE "WILD FLESH" VATS. .@.@@@.@@@
@@@@...@@. @@@..@@..@
...@..@.@@ ..@.@.@.@.
..@@.@@@.@ .@@@@@@@@.
.@.@@..@@@ @.......@.
@@@.@.@..@ @......@@.