##@&£%*=,. .,=*%£&@##
#@&£%*=,.. ..,=*%£&@#
##@&£%*=,. .,=*%£&@##
#@&£%*=,.. ..,=*%£&@#
##@&£%*=,. .,=*%£&@##
#@&£%*=,.. @@@@ ##### ..,=*%£&@#
##@&£%*=,. tape dream .,=*%£&@##
#@&£%*=,.. #### @@@@@ ..,=*%£&@#
##@&£%*=,. .,=*%£&@##
#@&£%*=,.. for storing music on. also data but ..,=*%£&@#
##@&£%*=,. at this point in time that's not .,=*%£&@##
#@&£%*=,.. really important i think. ..,=*%£&@#
##@&£%*=,. .,=*%£&@##
#@&£%*=,.. ..,=*%£&@#
##@&£%*=,. ******** types of tape ******** .,=*%£&@##
#@&£%*=,.. ..,=*%£&@#
##@&£%*=,. class i - "bad" iron .,=*%£&@##
#@&£%*=,.. class ii - good chromium ..,=*%£&@#
##@&£%*=,. class iii - bad iron part two .,=*%£&@##
#@&£%*=,.. class iv - dangerous metals ..,=*%£&@#
##@&£%*=,. .,=*%£&@##
#@&£%*=,.. rumors exist about a secret class v tape ..,=*%£&@#
##@&£%*=,. that is actually useful. .,=*%£&@##
#@&£%*=,.. ..,=*%£&@#
##@&£%*=,. ** bias ** .,=*%£&@##
#@&£%*=,.. ..,=*%£&@#
##@&£%*=,. class i uses one hundred and twenty .,=*%£&@##
#@&£%*=,.. micro-something while the others all ..,=*%£&@#
##@&£%*=,. use seventy of the same unit. .,=*%£&@##
#@&£%*=,.. ..,=*%£&@#
##@&£%*=,. .,=*%£&@##
#@&£%*=,.. %%%%%%%%% aha and %%%%%%%%% ..,=*%£&@#
##@&£%*=,. .,=*%£&@##
#@&£%*=,.. class iv is apparently too strong to ..,=*%£&@#
##@&£%*=,. be used on class i players. it will .,=*%£&@##
#@&£%*=,.. sound too lound and it cannot be ..,=*%£&@#
##@&£%*=,. completely erased. this is very well. .,=*%£&@##
#@&£%*=,.. maybe some wonderful blending effects ..,=*%£&@#
##@&£%*=,. could be achieved? .,=*%£&@##
#@&£%*=,.. ..,=*%£&@#
##@&£%*=,. they also gnaw at the tape heads a bit .,=*%£&@##
#@&£%*=,.. better than earlier tape types. ..,=*%£&@#
##@&£%*=,. .,=*%£&@##
#@&£%*=,.. ..,=*%£&@#
##@&£%*=,. ******** artifacts ******** .,=*%£&@##
#@&£%*=,.. ..,=*%£&@#
##@&£%*=,. good tapes are decent and have a good .,=*%£&@##
#@&£%*=,.. high frequency presence, bad tapes are ..,=*%£&@#
##@&£%*=,. lofi if not outright bad. idk, i kinda .,=*%£&@##
#@&£%*=,.. like it. ..,=*%£&@#
##@&£%*=,. .,=*%£&@##
#@&£%*=,.. bias loss: if you forget the bias who ..,=*%£&@#
##@&£%*=,. knows whats even on there anymore .,=*%£&@##
#@&£%*=,.. ..,=*%£&@#
##@&£%*=,. flutter: kinda quick pitch variations. .,=*%£&@##
#@&£%*=,.. beautiful, wonderful, extraordinary. ..,=*%£&@#
##@&£%*=,. .,=*%£&@##
#@&£%*=,.. wow: a slower flutter, usually several ..,=*%£&@#
##@&£%*=,. seconds long. what up. both of these .,=*%£&@##
#@&£%*=,.. increase when tape speed decreases. ..,=*%£&@#
##@&£%*=,. .,=*%£&@##
#@&£%*=,.. print through: tapes rub sound on each ..,=*%£&@#
##@&£%*=,. other if theyre alone for too long .,=*%£&@##
#@&£%*=,.. ..,=*%£&@#
##@&£%*=,. .,=*%£&@##
#@&£%*=,.. ..,=*%£&@#
##@&£%*=,. .,=*%£&@##
#@&£%*=,.. ..,=*%£&@#
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