.^=\*%@### ###@%*\=^.
....^^^\%@ @%\^^^....
.^=\*%#### ####%*\=^.
.^=\\\\%@# #@%\\\\=^.
.^=\*%@### ###@%*\=^.
.^=\*%@### #### ##### ###@%*\=^.
.^=\*@#### tape dream ####@*\=^.
.^=\*%%@@@ #### ##### @@@%%*\=^.
...=\\*%%@ @%%*\\=...
....^^\\%# for storing music on. also data but #%\\^^....
.^=\*%@### at this point in time that's not ###@%*\=^.
....=\%@@# really important i think. #@@%\=....
.^=\\\%@## ##@%\\\=^.
.^=\*%@### ###@%*\=^.
.^=\*%@### \\\\\\\\ types of tape \\\\\\\\ ###@%*\=^.
.^=\*%@### ###@%*\=^.
.^=\*%@### class i - "bad" iron ###@%*\=^.
.^=\*%@### class ii - good chromium ###@%*\=^.
.^=\*%#### class iii - bad iron part two ####%*\=^.
.^^^==*@## class iv - dangerous metals ##@*==^^^.
.^=\*%@### ###@%*\=^.
....^^\\%# rumors exist about a secret class v tape #%\\^^....
.^=\*%@### that is actually useful. ###@%*\=^.
.^=\*%@### ###@%*\=^.
.^=\****@# \\ bias \\ #@****\=^.
.^==\\%%%# #%%%\\==^.
.=\*%@#### class i uses one hundred and twenty ####@%*\=.
.....=**%# micro-something while the others all #%**=.....
.^=\*%%%@# use seventy of the same unit. #@%%%*\=^.
.^=\*%@### ###@%*\=^.
.^=\*%@### ###@%*\=^.
.^=\****@# ********* aha and ********* #@****\=^.
...^=\*%%@ @%%*\=^...
.^=\*%#### class iv is apparently too strong to ####%*\=^.
.^=\*%@### be used on class i players. it will ###@%*\=^.
.^=\*%@### sound too lound and it cannot be ###@%*\=^.
.^=\*%@### completely erased. this is very well. ###@%*\=^.
.^=\*%@### maybe some wonderful blending effects ###@%*\=^.
.^=\*@#### could be achieved? ####@*\=^.
.^=\*%@### ###@%*\=^.
.^=\*%@@## they also gnaw at the tape heads a bit ##@@%*\=^.
....=\\%@@ better than earlier tape types. @@%\\=....
....===*%@ @%*===....
.^=\*%@### ###@%*\=^.
.^=\*%%%@# \\\\\\\\ artifacts \\\\\\\\ #@%%%*\=^.
.^=\*%@### ###@%*\=^.
.^=\*%@### good tapes are decent and have a good ###@%*\=^.
.^=\\*%%@# high frequency presence, bad tapes are #@%%*\\=^.
.....^\**@ lofi if not outright bad. idk, i kinda @**\^.....
..^^=\%@@@ like it. @@@%\=^^..
....^=\%## ##%\=^....
.^=\*%@### bias loss: if you forget the bias who ###@%*\=^.
....^=*%@@ knows whats even on there anymore @@%*=^....
.^=\*%@### ###@%*\=^.
.^=\*%@### flutter: kinda quick pitch variations. ###@%*\=^.
.......=*@ beautiful, wonderful, extraordinary. @*=.......
......^=*@ @*=^......
.^=\*%@### wow: a slower flutter, usually several ###@%*\=^.
.^^^^^\%## seconds long. what up. both of these ##%\^^^^^.
.^=\*%@### increase when tape speed decreases. ###@%*\=^.
.^=\*%@### ###@%*\=^.
.^=\*%@### print through: tapes rub sound on each ###@%*\=^.
.^=\*%@### other if theyre alone for too long ###@%*\=^.
....^=***@ @***=^....
.^=\*%@### ###@%*\=^.
.^=\*%@### ###@%*\=^.
.^=\*%@### ###@%*\=^.
.^=\*%@### ###@%*\=^.
.^=\*%@### ###@%*\=^.