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,,,,,,,,,^  OPPOSER.DREAM                           ^,,,,,,,,,
,,,,,,,,^~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~^,,,,,,,,
,,,,,,,^~*                                          *~^,,,,,,,
,,,,,,^~*^   INTRINSICALLY WEAVED WITHIN THE SPACE  ^*~^,,,,,,
,,,,,^~*^£ BETWEEN  WHAT THE BRAIN  CONSTRUCTS  AND £^*~^,,,,,
,,,,^~*^£@ THE  REAL,  THE  SPACE WHICH  WE USUALLY @£^*~^,,,,
,,,^~*^£@#       CALL THE AETHER, DISTORTIONS,      #@£^*~^,,,
,,^~*^£@##       ANOMALIES, CAN APPEAR UNDER        ##@£^*~^,,
,^~*^£@###  CIRCUMSTANCES, PECULIAR ONES, FOLDED IN ###@£^*~^,
,,^~*^£@## LIKE LIQUID CRYSTALS,  APPEARING  AS  IF ##@£^*~^,,
,,,^~*^£@# YOU  SUDDENLY  ROTATE YOUR HEAD IN  SOME #@£^*~^,,,
,,,,^~*^£@ FOURTH  DIMENSION  (USUALLY MORE OR LESS @£^*~^,,,,
,,,,,^~*^£              UNCOMFORTABLE)              £^*~^,,,,,
,,,,,,^~*^                                          ^*~^,,,,,,
,,,,,,,^~* THE OPPOSER LOOKS LIKE  A CONCAVE SQUARE *~^,,,,,,,
,,,,,,,,^~ BALANCING   ON  A  CORNER,   WITH  ROUND ~^,,,,,,,,
,,,,,,,,,^ CUTOUTS ALONG ITS EDGES  MAKING IT  LOOK ^,,,,,,,,,
,,,,,,,,^~ LIKE  A POINTY  CROSS, OR SOMETHING FROM ~^,,,,,,,,
,,,,,,,^~*                   TWEWY                  *~^,,,,,,,
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,,,,,^~*^£ IT'S  HOSTILE,  MAYBE  NOT CONSCIOUS BUT £^*~^,,,,,
,,,,^~*^£@    ACTIVE, PERCEIVING, ALIVE IN SOME     @£^*~^,,,,
,,,^~*^£@# SENSE. BUT I FEEL AS IF  THAT MIGHT BE A #@£^*~^,,,
,,^~*^£@##   REDUCTION, THAT I'M INTERPRETING THE   ##@£^*~^,,
,^~*^£@### TIP OF SOMETHING MUCH  LARGER AND  ALIEN ###@£^*~^,
,,^~*^£@## TO  ME.  MAYBE   NOT  ALIVE,  THEN,  BUT ##@£^*~^,,
,,,^~*^£@#             SOMETHING WORSE.             #@£^*~^,,,
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,,,,,,,^~*         VARIOUS FORMS LIKE THESE         *~^,,,,,,,
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,,,,,,,,,^   IT APPEARS IN IT'S TRUEST FALSE FORM   ^,,,,,,,,,
,,,,,,,,^~  INSCRIBED ALL OVER YOUR VISION, IN THE  ~^,,,,,,,,
,,,,,,,^~* CASE OF NIGHTMARES, EVIL MEDITATION, OR  *~^,,,,,,,
,,,,,,^~*^   DRUG-INDUCED TRANSCENDENTAL STATES.    ^*~^,,,,,,
,,,,,^~*^£  LIVING BEHIND THE CURTAIN, SO TO SPEAK, £^*~^,,,,,
,,,,^~*^£@ IN THE LIQUID BETWEEN YOU AND THE WORLD  @£^*~^,,,,
,,,^~*^£@#                YOU'RE IN.                #@£^*~^,,,
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,^~*^£@###   BUT EVEN IN CALMER TIMES, IT'S NEVER   ###@£^*~^,
,,^~*^£@##  TOO FAR AWAY, AND YOU CAN FIND YOURSELF ##@£^*~^,,
,,,^~*^£@#    TRANSFIXED BY FLOOR TILES, JEWELRY    #@£^*~^,,,
,,,,^~*^£@   (TOTEMS? CHARMS?), TREES, AND OTHER    @£^*~^,,,,
,,,,,^~*^£              SUCH THINGS...              £^*~^,,,,,
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