.-=::::%%¤ ¤%%::::=-.
...--=:§¤£ £¤§:=--...
.-=:§%¤£@@ @@£¤%§:=-.
.-=:§%¤£@# #@£¤%§:=-.
.-=:§%¤£@# #@£¤%§:=-.
.-=:§%¤£@# ###= =### #@£¤%§:=-.
.-=:§%¤@## # # ##@¤%§:=-.
.....--:%¤ # TELE MIGRAINE # ¤%:--.....
.-=:§%¤£@# # # #@£¤%§:=-.
.-=:§%¤£## ###= =### ##£¤%§:=-.
.....-::%¤ ¤%::-.....
.-=:§%¤£@# THE SO CALLED "THIRD MIGRAINE". IT'S #@£¤%§:=-.
.-=:§%¤£££ LIKE A REGULAR MIGRAINE BUT IT DOES NOT £££¤%§:=-.
..-==::%££ HURT THERE'S NO PAIN, THE COSMOS IS ££%::==-..
......=§%£ THERE AND IT'S DRAINING THE EVIL £%§=......
.-=:§%¤£@@ STRAIGHT OUT OF THE WOUND. @@£¤%§:=-.
....=§§%¤£ £¤%§§=....
.-=:§%¤£@# IT'S MASSAGING YOUR TEMPLES, PIERCING #@£¤%§:=-.
.-=:§%¤£@# YOU, ENTERING YOUR BLOOD, CRACKING THE #@£¤%§:=-.
.-=:§%¤@## SKULL OPEN. A PAW GRIPS YOUR BRAIN, ##@¤%§:=-.
.-=:%¤£@## PLAYS WITH IT, PULLS IT OUT INTO THE ##@£¤%:=-.
.-=:§%¤£££ COSMOS. £££¤%§:=-.
.....-=§§¤ ¤§§=-.....
...-=§%¤¤¤ THERE'S COMETS! SPACE ODDITIES. ¤¤¤%§=-...
...-=§§%¤@ SOLITARY OSCILLATIONS. CARRIER WAVE. @¤%§§=-...
.-=:§%¤@## BURNED AWAY BY THE SUNS RADIATION UNTIL ##@¤%§:=-.
.-=:§¤£@## ONLY THE FAINTEST TRACE REMAIN, ##@£¤§:=-.
.-=:§%¤£@# EVENTUALLY CAUGHT IN THE GRAVITY WELL #@£¤%§:=-.
.-=:§%¤£@# OF SOME SECOND RATE WATER PLANET. #@£¤%§:=-.
.-=:§%¤£@@ @@£¤%§:=-.
.-=:§%¤£@# IT'S RAINING SAP. #@£¤%§:=-.
.-=:§§§§%¤ WE'RE GETTING SWEET AND WET ¤%§§§§:=-.
.-=:§%¤£@# #@£¤%§:=-.
.-=:§%¤£@# ###= =### #@£¤%§:=-.
.-=:§%¤£££ £££¤%§:=-.
.-=:§%¤£@# MY LUNCH BREAK IS OVER AND I NEED TO #@£¤%§:=-.
...-=§%%%¤ GET BACK TO THE SHOP. LYNNE IS THERE ¤%%%§=-...
...---==§¤ ALONE AND HASN'T EATEN YET. I TAKE THE ¤§==---...
-=:§%¤£@## BACK ROUTE UP FROM THE BEACH TO AVOID ##@£¤%§:=-
....-==§¤@ THE CROWD. SING A LITTLE TO MYSELF. @¤§==-....
.-=:§%¤££@ @££¤%§:=-.
...-::§¤¤£ LIFE GETS TO PROSPER OUTSIDE OF.£:=== - £¤¤§::-...
....-::§§¤ SUDDENLY, AN ACID FLASHBACK: I STEP ¤§§::-....
.-=:§%¤£@# DOWN IN MY MIND (LIKE AN OPEN MIND / #@£¤%§:=-.
.-=:§%¤¤¤£ FRACTAL STINGER / BISMUTH STAIRCASE) £¤¤¤%§:=-.
.-=:§%¤£@@ AND WADE IN SHADOWS... SURROUNDED BY @@£¤%§:=-.
.-=:§%¤@## MEMORY NEGATIVES, ##@¤%§:=-.
.-=:§%¤£££ LIKE UPROCESSED FILM.... £££¤%§:=-.
.-=:§%¤£££ £££¤%§:=-.
.-=:§%¤££@ ###= =### @££¤%§:=-.
.-=:§%¤£## ##£¤%§:=-.
.-=:§§§%%¤ WE'RE CLOSING FOR THE EVENING. THE SHOP ¤%%§§§:=-.
...-::%¤¤@ IS IN THE BOTTOM FLOOR OF A NARROW @¤¤%::-...
.....=§%%¤ MUDBRICK BUILDING, PAINTED TEAL. WE ¤%%§=.....
.-=:§%¤£@# LIVE ON THE SECOND FLOOR, TOGETHER WITH #@£¤%§:=-.
.-=:§%¤££@ THE OWNER. AS I CLOSE THE METAL @££¤%§:=-.
.-=:§¤£@## CURTAIN, BEHIND ITS CHARACTERISTIC ##@£¤§:=-.
.-=:§%¤£@# SHARP RATTLING I CAN HEAR THE #@£¤%§:=-.
.-=:§%¤££@ CURFEW SIRENS. @££¤%§:=-.
.....=:%¤@ @¤%:=.....
.......=§¤ WORMY STREET WOLVES OUTSIDE, CHASING ¤§=.......
.-=:§%¤£@# ENTRANCES IN THE DARK ALLEYWAYS, #@£¤%§:=-.
.-=:§%¤£@# WANTING IN, GETTING DESPERATE, LAPSING #@£¤%§:=-.
.-:§%¤£@## TO SEARCH HIGHER, ON ROOFS, CLIMBING ON ##@£¤%§:-.
.-=:§%¤£@# BALCONIES. AND THERE'S BOUND TO BE SOME #@£¤%§:=-.
.-=:§%¤£@# RECKLESS TOURIST WHO DIDN'T HEED THE #@£¤%§:=-.
.....-==§¤ WARNINGS, NEVER CLOSED THEIR WINDOWS... ¤§==-.....
.-=:§%¤£@# #@£¤%§:=-.
.-=:§%¤£@# OR, IN SOME CASES, THE HOUSEOWNER HAD #@£¤%§:=-.
...-::§§§¤ THE WINDOW BOLTS WEAKENED, AND WHEN ¤§§§::-...
....=::%¤£ CLEANING UP THE AFTERMATH WOULD POCKET £¤%::=....
.-=:§%¤£@# THEIR BELONGINGS. #@£¤%§:=-.
....-=:%%¤ ¤%%:=-....
.-=:§§%%¤£ £¤%%§§:=-.
.......=§¤ ¤§=.......
....-=§%£@ @£%§=-....
.-=:§%¤£@@ @@£¤%§:=-.