¤..¤..¤.¤¤ ..¤¤¤..¤..
¤.¤¤.¤¤..¤ .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ .¤..¤..¤..
¤.¤¤.¤¤..¤ .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ .¤..¤..¤..
¤.¤¤.¤¤..¤ ###= =### .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ # # .¤..¤..¤..
¤.¤¤.¤¤..¤ # TELE MIGRAINE # .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ # # .¤..¤..¤..
¤.¤¤.¤¤..¤ ###= =### .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ .¤..¤..¤..
¤.¤¤.¤¤..¤ THE SO CALLED "THIRD MIGRAINE". IT'S .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ LIKE A REGULAR MIGRAINE BUT IT DOES NOT .¤..¤..¤..
¤.¤¤.¤¤..¤ HURT THERE'S NO PAIN, THE COSMOS IS .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ THERE AND IT'S DRAINING THE EVIL .¤..¤..¤..
¤.¤¤.¤¤..¤ STRAIGHT OUT OF THE WOUND. .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ .¤..¤..¤..
¤.¤¤.¤¤..¤ IT'S MASSAGING YOUR TEMPLES, PIERCING .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ YOU, ENTERING YOUR BLOOD, CRACKING THE .¤..¤..¤..
¤.¤¤.¤¤..¤ SKULL OPEN. A PAW GRIPS YOUR BRAIN, .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ PLAYS WITH IT, PULLS IT OUT INTO THE .¤..¤..¤..
¤.¤¤.¤¤..¤ COSMOS. .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ .¤..¤..¤..
¤.¤¤.¤¤..¤ THERE'S COMETS! SPACE ODDITIES. .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ SOLITARY OSCILLATIONS. CARRIER WAVE. .¤..¤..¤..
¤.¤¤.¤¤..¤ BURNED AWAY BY THE SUNS RADIATION UNTIL .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ ONLY THE FAINTEST TRACE REMAIN, .¤..¤..¤..
¤.¤¤.¤¤..¤ EVENTUALLY CAUGHT IN THE GRAVITY WELL .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ OF SOME SECOND RATE WATER PLANET. .¤..¤..¤..
¤.¤¤.¤¤..¤ .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ IT'S RAINING SAP. .¤..¤..¤..
¤.¤¤.¤¤..¤ WE'RE GETTING SWEET AND WET .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ .¤..¤..¤..
¤.¤¤.¤¤..¤ ###= =### .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ .¤..¤..¤..
¤.¤¤.¤¤..¤ MY LUNCH BREAK IS OVER AND I NEED TO .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ GET BACK TO THE SHOP. LYNNE IS THERE .¤..¤..¤..
¤.¤¤.¤¤..¤ ALONE AND HASN'T EATEN YET. I TAKE THE .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ BACK ROUTE UP FROM THE BEACH TO AVOID .¤..¤..¤..
¤.¤¤.¤¤..¤ THE CROWD. SING A LITTLE TO MYSELF. .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ .¤..¤..¤..
¤.¤¤.¤¤..¤ LIFE GETS TO PROSPER OUTSIDE OF.@†=== - .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ SUDDENLY, AN ACID FLASHBACK: I STEP .¤..¤..¤..
¤.¤¤.¤¤..¤ DOWN IN MY MIND (LIKE AN OPEN MIND / .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ FRACTAL STINGER / BISMUTH STAIRCASE) .¤..¤..¤..
¤.¤¤.¤¤..¤ AND WADE IN SHADOWS... SURROUNDED BY .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ MEMORY NEGATIVES, .¤..¤..¤..
¤.¤¤.¤¤..¤ LIKE UPROCESSED FILM.... .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ .¤..¤..¤..
¤.¤¤.¤¤..¤ ###= =### .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ .¤..¤..¤..
¤.¤¤.¤¤..¤ WE'RE CLOSING FOR THE EVENING. THE SHOP .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ IS IN THE BOTTOM FLOOR OF A NARROW .¤..¤..¤..
¤.¤¤.¤¤..¤ MUDBRICK BUILDING, PAINTED TEAL. WE .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ LIVE ON THE SECOND FLOOR, TOGETHER WITH .¤..¤..¤..
¤.¤¤.¤¤..¤ THE OWNER. AS I CLOSE THE METAL .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ CURTAIN, BEHIND ITS CHARACTERISTIC .¤..¤..¤..
¤.¤¤.¤¤..¤ SHARP RATTLING I CAN HEAR THE .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ CURFEW SIRENS. .¤..¤..¤..
¤.¤¤.¤¤..¤ .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ WORMY STREET WOLVES OUTSIDE, CHASING .¤..¤..¤..
¤.¤¤.¤¤..¤ ENTRANCES IN THE DARK ALLEYWAYS, .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ WANTING IN, GETTING DESPERATE, LAPSING .¤..¤..¤..
¤.¤¤.¤¤..¤ TO SEARCH HIGHER, ON ROOFS, CLIMBING ON .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ BALCONIES. AND THERE'S BOUND TO BE SOME .¤..¤..¤..
¤.¤¤.¤¤..¤ RECKLESS TOURIST WHO DIDN'T HEED THE .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ WARNINGS, NEVER CLOSED THEIR WINDOWS... .¤..¤..¤..
¤.¤¤.¤¤..¤ .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ OR, IN SOME CASES, THE HOUSEOWNER HAD .¤..¤..¤..
¤.¤¤.¤¤..¤ THE WINDOW BOLTS WEAKENED, AND WHEN .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ CLEANING UP THE AFTERMATH WOULD POCKET .¤..¤..¤..
¤.¤¤.¤¤..¤ THEIR BELONGINGS. .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ .¤..¤..¤..
¤.¤¤.¤¤..¤ .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ .¤..¤..¤..
¤.¤¤.¤¤..¤ .¤.¤¤.¤¤.¤
¤..¤..¤.¤¤ .¤..¤..¤..