¨,=/§@&£@# #@£&@§/=,¨
¨¨,=/§@&£@ @£&@§/=,¨¨
¨¨¨,=/§@&£ £&@§/=,¨¨¨
¨¨¨¨,=/§@& &@§/=,¨¨¨¨
¨¨¨,=/§@&£ £&@§/=,¨¨¨
¨¨,=/§@&£@ train dream @£&@§/=,¨¨
¨,=/§@&£@# ######¨¨¨¨,=,,¨¨##################### #@£&@§/=,¨
¨¨,=/§@&£@ /// @£&@§/=,¨¨
¨¨¨,=/§@&£ = £&@§/=,¨¨¨
¨¨¨¨,=/§@& = &@§/=,¨¨¨¨
¨¨¨,=/§@&£ £&@§/=,¨¨¨
¨¨,=/§@&£@ (situation) @£&@§/=,¨¨
¨,=/§@&£@# #@£&@§/=,¨
¨¨,=/§@&£@ you find yourself in a rift - a @£&@§/=,¨¨
¨¨¨,=/§@&£ clearing, narrow but immeasurably long. £&@§/=,¨¨¨
¨¨¨¨,=/§@& to your sides are walls made of trees, &@§/=,¨¨¨¨
¨¨¨,=/§@&£ thick and ready to swallow you. the sun £&@§/=,¨¨¨
¨¨,=/§@&£@ is nowhere to be seen, but nontheless @£&@§/=,¨¨
¨,=/§@&£@# it is very bright - the air feels light #@£&@§/=,¨
¨¨,=/§@&£@ blue, almost white. @£&@§/=,¨¨
¨¨¨,=/§@&£ £&@§/=,¨¨¨
¨¨¨¨,=/§@& along the span of the clearing lay two &@§/=,¨¨¨¨
¨¨¨,=/§@&£ parallel silvery lines, dark hard £&@§/=,¨¨¨
¨¨,=/§@&£@ metal. somehow you can see how heavy @£&@§/=,¨¨
¨,=/§@&£@# they are. #@£&@§/=,¨
¨¨,=/§@&£@ @£&@§/=,¨¨
¨¨¨,=/§@&£ they emit a high pitched whine... £&@§/=,¨¨¨
¨¨¨¨,=/§@& &@§/=,¨¨¨¨
¨¨¨,=/§@&£ = £&@§/=,¨¨¨
¨¨,=/§@&£@ ¨¨§¨¨ @£&@§/=,¨¨
¨,=/§@&£@# = #@£&@§/=,¨
¨¨,=/§@&£@ @£&@§/=,¨¨
¨¨¨,=/§@&£ (situation) £&@§/=,¨¨¨
¨¨¨¨,=/§@& &@§/=,¨¨¨¨
¨¨¨,=/§@&£ youre at the train station, on a £&@§/=,¨¨¨
¨¨,=/§@&£@ catwalk above the rails. your train is @£&@§/=,¨¨
¨,=/§@&£@# late, or you are late to the train. #@£&@§/=,¨
¨¨,=/§@&£@ it's a summer afternoon and the station @£&@§/=,¨¨
¨¨¨,=/§@&£ is busy, full of relaxed confidence. £&@§/=,¨¨¨
¨¨¨¨,=/§@& &@§/=,¨¨¨¨
¨¨¨,=/§@&£ you're in high spirits, although a bit £&@§/=,¨¨¨
¨¨,=/§@&£@ stressed about the time, while moving @£&@§/=,¨¨
¨,=/§@&£@# up the stairs to your platform. the #@£&@§/=,¨
¨¨,=/§@&£@ station is in several levels, all @£&@§/=,¨¨
¨¨¨,=/§@&£ placed within eachother by some £&@§/=,¨¨¨
¨¨¨¨,=/§@& intelligent designer, and full of &@§/=,¨¨¨¨
¨¨¨,=/§@&£ stairs, elevators, shortcuts, £&@§/=,¨¨¨
¨¨,=/§@&£@ bazaars... you sight your train through @£&@§/=,¨¨
¨,=/§@&£@# some glass windows. it's... not where #@£&@§/=,¨
¨¨,=/§@&£@ it's supposed to be? @£&@§/=,¨¨
¨¨¨,=/§@&£ £&@§/=,¨¨¨
¨¨¨¨,=/§@& = &@§/=,¨¨¨¨
¨¨¨,=/§@&£ ,,@,, £&@§/=,¨¨¨
¨¨,=/§@&£@ = @£&@§/=,¨¨
¨,=/§@&£@# #@£&@§/=,¨
¨¨,=/§@&£@ (situation) @£&@§/=,¨¨
¨¨¨,=/§@&£ £&@§/=,¨¨¨
¨¨¨¨,=/§@& you're finally entering the city. while &@§/=,¨¨¨¨
¨¨¨,=/§@&£ it is indeed a very high speed train £&@§/=,¨¨¨
¨¨,=/§@&£@ you're traveling in, the journey has @£&@§/=,¨¨
¨,=/§@&£@# been long. but it's about to end! #@£&@§/=,¨
¨¨,=/§@&£@ @£&@§/=,¨¨
¨¨¨,=/§@&£ society is growing denser around you, £&@§/=,¨¨¨
¨¨¨¨,=/§@& through the windows you see first small &@§/=,¨¨¨¨
¨¨¨,=/§@&£ shacks, built of metal and stone, then £&@§/=,¨¨¨
¨¨,=/§@&£@ proper houses with mortar to keep them @£&@§/=,¨¨
¨,=/§@&£@# together... who in turn make way for #@£&@§/=,¨
¨¨,=/§@&£@ the industrial buildings, the urban @£&@§/=,¨¨
¨¨¨,=/§@&£ maze, protective walls, jungle £&@§/=,¨¨¨
¨¨¨¨,=/§@& network... &@§/=,¨¨¨¨
¨¨¨,=/§@&£ £&@§/=,¨¨¨
¨¨,=/§@&£@ the tracks leave the ground, which is @£&@§/=,¨¨
¨,=/§@&£@# needed for other purposes. you are #@£&@§/=,¨
¨¨,=/§@&£@ carried gently, curving upwards until @£&@§/=,¨¨
¨¨¨,=/§@&£ you're moving upward along the wall of £&@§/=,¨¨¨
¨¨¨¨,=/§@& a building. it's made of slabby stone, &@§/=,¨¨¨¨
¨¨¨,=/§@&£ with great glassless window holes £&@§/=,¨¨¨
¨¨,=/§@&£@ looking out the way you came. it is @£&@§/=,¨¨
¨,=/§@&£@# pitch black inside. #@£&@§/=,¨
¨¨,=/§@&£@ @£&@§/=,¨¨
¨¨¨,=/§@&£ £&@§/=,¨¨¨
¨¨¨¨,=/§@& &@§/=,¨¨¨¨
¨¨¨,=/§@&£ £&@§/=,¨¨¨
¨¨,=/§@&£@ @£&@§/=,¨¨