,.,»**## ###&**»,.,
¨.,~»^%§#@ @#§%^»~,.¨
.,~=*^¤¶@# #@¶¤^*=~,.
.-»^†¤#@## ##@#¤†^»-.
,¨.~\*&£## ##£&*\~.¨,
,,,^=\*&@# statuette #@&*\=^,,,
¨¨-~/$££@# #@££$/~-¨¨
,.=;^¤@### $£$&$@@*¤§$¤%%¤$~~«-=~=-$££@$£*$&§**%$%§ ###@¤^;=.,
¨¨,~^$#£## &*§$£§££* ##£#$^~,¨¨
.¨,~«^%&@# #@&%^«~,¨.
.,,==§£¶## forests around my childhood home. thick ##¶£§==,,.
,^~;%### pine arcades that were planted and ####&%;~^,
.,.~:†££## forgotten. wild boars roaming ##££†:~.,.
.,..»==§## underneath, sniffing at the ground. it ##§==»..,.
..~~\%£¶## is dark and moist, the canopy having ##¶£%\~~..
,-»=^££### already soaked up all the sun. ###££^=»-,
.,,»†^¤#@# #@#¤^†»,,.
...,«†*¤## there's a river passing by, from east ##¤*†«,...
¨¨~-/§#@## to west, getting broader and deeper and ##@#§/-~¨¨
¨-~*%&¶### slower as it goes. equisetum grow just ###¶&%*~-¨
,..-*$&@@# where the pine hands start to let #@@&$*-..,
.,¨~-†*#@# through light, horsemint on the rocky #@#*†-~¨,.
¨.~-†^§@## river bed. ##@§^†-~.¨
¨.«=*§@@## ##@@§*=«.¨
¨¨~«††§@## = ##@§††«~¨¨
¨,,.~=%@ @#&%=~.,,¨
..,»\§¤@## the riverbanks reek of magic. tonight ##@¤§\»,..
¨~~†^#@### they had been a swampworld with sylvan ###@#^†~~¨
.,~~=*#### water, stone rings and floating moss. ####*=~~,.
,.¨-~*$@@# you could've found me wallowing around #@@$*~-¨.,
.¨.-:%@@## on the southern shores until i got ##@@%:-.¨.
,,-;*££### bitten. ###££*;-,,
¨.^»*†§### ###§†*»^.¨
.¨¨-«†%# but now i'm further back, on solid ##&%†«-¨¨.
¨..-^§&@## ground, in shoulder-high grass, with an ##@&§^-..¨
.:=†§§#### orange tin radio and a translucent ####§§†=:.
¨¨^-=§##@# umbrella which i'm sitting on. #@##§=-^¨¨
.¨¨~~:%# ##&%:~~¨¨.
,¨.«**#¶@# : #@¶#**«.¨,
.:»\$¤£### ###£¤$\»:.
¨,,=\%@¶@# somethings moving in the grass. it's #@¶@%\=,,¨
,.¨:-*†@## invisible to my eyes but i can feel ##@†*-:¨.,
,¨^~/$££## through the ground just how large it is. ##££$/~^¨,
¨.~*%&@### ###@&%*~.¨
,,.»*%@£@# the soil is muddy. i slip when trying #@£@%*».,,
,,¨,«†=#@# to get up, still looking at the #@#=†«,¨,,
¨¨,~;†@£## direction of sound rather than at my ##£@†;~,¨¨
.:~/†£#@## hands, who are busy putting things in ##@#£†/~:.
.,,~^%¤@## my pockets. ##@¤%^~,,.
.,¨-~/^### ###^/~-¨,.
..,~††#### then i run east toward my home. ####††~,..
.^=^%¤#@## ##@#¤%^=^.
.,:-;$#@## * ##@#$;-:,.
,¨¨^==$@£# #£@$==^¨¨,
,¨^~/*&@## i am not followed, and slow down in the ##@&*/~^¨,
,-«;%&@### clearing where you at first can spot ###@&%;«-,
¨.-«†*£¶## the house, not yet really in the ##¶£*†«-.¨
..,.~†^¤## backyard. from my pockets i retrieve my ##¤^†~.,..
¨.--;$&¶## radio (now dented) but also a small ##¶&$;--.¨
.,»=§@¶@## clay figure i've never seen before. it ##@¶@§=»,.
¨.-=/$¤¶## must have been laying in the wet dirt, ##¶¤$/=-.¨
¨.¨~«*%§#@ and i must've picked it up with my @#§%*«~¨.¨
..~«\§£¶## other belongings. ##¶£§\«~..
¨,~:^@#### ####@^:~,¨
,¨,=*%¤£## it's a statuette of a girl laying naked ##£¤%*=,¨,
,..,-*^&£# on her stomach, feet in the air, #£&^*-,..,
...~†*#¶@# roughly seven centimeters long. it's #@¶#*†~...
¨-~=$£#@## freshly made, not yet completely dried. ##@#£$=~-¨
,.,~:^@@@# #@@@^:~,.,
.¨¨^~;†¤## my mom is here now. i ask her for some ##¤†;~^¨¨.
,¨,~\*§@@# particle board for it to dry on, but #@@§*\~,¨,
¨,~\§@@### she is worried and wants me to ###@@§\~,¨
,,~«:*£### throw it away. ###£*:«~,,
,..:«^*#£# #£#*^«:..,
.,~=\=@¶## ##¶@=\=~,.
.,~\†£@### ###@£†\~,.
.,^=^^§@## ##@§^^=^,.
,,,,«*§##@ @##§*«,,,,
¨,~-*^§@@# #@@§^*-~,¨