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¨,,¨¨.~;$£ £$;~.¨¨,,¨
,,==$%§@## ##@§%$==,,
,,~*†§&¶@# #@¶&§†*~,,
,.,¨,,=@§§ §§@=,,¨,.,
,.¨.,.»*$£ statuette £$*».,.¨.,
,,=;†@&@#@ @#@&@†;=,,
¨.-:^*£@## %$&£¤£%%£%§£*@&%~~~-~~~~$££££%£%&&$¤§$£% ##@£*^:-.¨
.^«*%£*£@# £%££*§£$£ #@£*£%*«^.
,.,~.^%$#§ §#$%^.~,.,
¨~»=%*§### forests around my childhood home. thick ###§*%=»~¨
¨:«*§£@@@# pine arcades that were planted and #@@@£§*«:¨
,.~\^%&@## forgotten. wild boars roaming ##@&%^\~.,
.--=%@§### underneath, sniffing at the ground. it ###§@%=--.
,^»/*$&@## is dark and moist, the canopy having ##@&$*/»^,
¨.,¨,,=*¤# already soaked up all the sun. #¤*=,,¨,.¨
,,~;§*## ###&*§;~,,
¨~»\$§#@## there's a river passing by, from east ##@#§$\»~¨
¨-«=~/$¤§# to west, getting broader and deeper and #§¤$/~=«-¨
,~-*%$@@## slower as it goes. equisetum grow just ##@@$%*-~,
.^«/@### where the pine hands start to let ####&@/«^.
,¨:^~^†*£@ through light, horsemint on the rocky @£*†^~^:¨,
.^-=$*¤### river bed. ###¤*$=-^.
,.=/*£@@## ##@@£*/=.,
,^»:†&%#¶# † #¶#%&†:»^,
¨-»†*$&¶## ##¶&$*†»-¨
¨:»==%@### the riverbanks reek of magic. tonight ###@%==»:¨
..¨¨..~%$£ they had been a swampworld with sylvan £$%~..¨¨..
,,~†*%#### water, stone rings and floating moss. ####%*†~,,
,,=:$&§¶## you could've found me wallowing around ##¶§&$:=,,
¨,...^:%¤# on the southern shores until i got #¤%:^...,¨
.--†$%¤### bitten. ###¤%$†--.
,:~†**¤@## ##@¤**†~:,
.:-**$£### but now i'm further back, on solid ###£$**-:.
.--=*%#£## ground, in shoulder-high grass, with an ##£#%*=--.
.:=:*$## orange tin radio and a translucent ###&$*:=:.
...¨.¨,«^& umbrella which i'm sitting on. &^«,¨.¨...
.~~\*%§£ £#&§%*\~~.
¨.¨,:==¤## ; ##¤==:,¨.¨
¨,¨¨-,»=§@ @§=»,-¨¨,¨
,.,.»»$# somethings moving in the grass. it's ##&$»».,.,
¨.,~:\%@## invisible to my eyes but i can feel ##@%\:~,.¨
¨,==^%#@## through the ground just how large it is. ##@#%^==,¨
,,~,-*£££# #£££*-,~,,
,-=»«%&&§# the soil is muddy. i slip when trying #§&&%«»=-,
..=^*%¤@## to get up, still looking at the ##@¤%*^=..
,,»=\%§@ direction of sound rather than at my @§#&%\=»,,
¨--*%¤£@## hands, who are busy putting things in ##@£¤%*--¨
.¨~:^%%§§# my pockets. #§§%%^:~¨.
¨:~/%£¤£## ##£¤£%/~:¨
¨:-=^$## then i run east toward my home. ###&$^=-:¨
,,~*§*£@## ##@£*§*~,,
,~~\%§&@@# * #@@&§%\~~,
..-^§*§¶## ##¶§*§^-..
¨¨¨.,~=%*¤ i am not followed, and slow down in the ¤*%=~,.¨¨¨
.-~^$§§@## clearing where you at first can spot ##@§§$^~-.
,,,¨,~~^§¶ the house, not yet really in the ¶§^~~,¨,,,
¨.¨-~\&&¶@ backyard. from my pockets i retrieve my @¶&&\~-¨.¨
¨.,«~~«§%# radio (now dented) but also a small #%§«~~«,.¨
,.~\%¤§#@# clay figure i've never seen before. it #@#§¤%\~.,
.^-,=«%%*# must have been laying in the wet dirt, #*%%«=,-^.
,,,.,**# and i must've picked it up with my ##&**,.,,,
¨--:†£## other belongings. ###&£†:--¨
¨,»=^&@### ###@&^=»,¨
¨~=*§¤§### it's a statuette of a girl laying naked ###§¤§*=~¨
.~~^*§&£## on her stomach, feet in the air, ##£&§*^~~.
.,-=*%¤¶## roughly seven centimeters long. it's ##¶¤%*=-,.
..~/%$%# freshly made, not yet completely dried. ##&%$%/~..
.~~*@#¶@## ##@¶#@*~~.
.,,~=;@&¶@ my mom is here now. i ask her for some @¶&@;=~,,.
¨,~:*$#¶## particle board for it to dry on, but ##¶#$*:~,¨
.-«*$£&@## she is worried and wants me to ##@&£$*«-.
,:=»«««\*§ throw it away. §*\«««»=:,
.,-:*&@#@@ @@#@&*:-,.
.¨,¨.«»†*@ @*†»«.¨,¨.
.:-=§£££££ £££££§=-:.
.¨.~^†**&@ @&**†^~.¨.
.¨,¨==^£## ##£^==¨,¨.
¨.¨¨¨,»%§# #§%»,¨¨¨.¨