.,..¨¨@¤§§ ,,¨§¨¨¨£,.
&&&&£¨,£§@ &&.,,¤..,¤
£¤¤§¨¨.,@. @,,&,..¤,¨
.&§¨¨&@.,. .¨.,¨#..,¨
..¨¨.¨¨,#. ,¤¤§,.,@¤£
.@#§@¤§,¨. statuette .,£..¤.,&¨
..#@£&.,§. ..,,¨,..¨,
¤,¨§#.¨,.¨ £*$%@¤%£&£%§%£*¤=~=«=«»»§¤%££$%&¤$£§&£@% §&§¤##£@§&
¨,..,.##£§ *$£$@££$$ @£##¤§£&&¤
.§#£¤.¨@£¤ ,@¤#§§#@&.
.,##¨.,¨£¤ forests around my childhood home. thick ¨¨@@@§§¤¨.
£¨,¨.££.¨¤ pine arcades that were planted and @¨.&¤@&.¨§
¨¨£#.,¨..¨ forgotten. wild boars roaming .,,.§@¨,,,
&¨¨,¨¤££#¨ underneath, sniffing at the ground. it §#§,.¨.§¤@
.,#@,,¨¨ is dark and moist, the canopy having #£.¨##,.££
..,¨¨¨..¨, already soaked up all the sun. ,.,,.,¨,¨¨
&¤#£¤¤¤# #£@¤@&§¤§¤
¤§#£&§££¤& there's a river passing by, from east ,££¤&@£@§#
£@@§@&@£ to west, getting broader and deeper and .¨&&¤§§#¤&
£##@&£¤§&. slower as it goes. equisetum grow just §¨¨§§§#§£¤
¤¤#@£§#¤,¨ where the pine hands start to let ,..,&@#§#¤
§£§&£@&¨,# through light, horsemint on the rocky ¤£§,.§¤£
@&£@¨¨., river bed. §§¨¨,,££&£
#££&§,¨§#, ,¨,¤@¨.#&§
&£££.¨¨¨¨. † £#¨,¨,..£&
£¤#..&@. ¨,.¤¤&@¨.§
&§.¨,¨#£,, the riverbanks reek of magic. tonight §@¨¨@¤,,,¨
,.,§§¨..,, they had been a swampworld with sylvan &,.,,,.¤§.
§&¨¨,.¤@@& water, stone rings and floating moss. ..@£§#¨,,,
¨¨,§¤.,&&, you could've found me wallowing around ¨.,#&.¨¤@¨
¤#...,¨,., on the southern shores until i got ¤£,,.¨,,,¨
..¨@¤£@£@§ bitten. §.,&&¤##§¨
§¤.¨#£§£ ,¨..@§#£.,
.¨,¨.#§&&. but now i'm further back, on solid §&§¨,§@¨.,
¤£§@¨.£@,. ground, in shoulder-high grass, with an £&.,.¨.,£#
£¤&.,,¨,¨@ orange tin radio and a translucent .,¨##£&..&
&¤¨¨&@££,. umbrella which i'm sitting on. #@,¨¤¤,,,¨
..,¨¨£§,., ¤,¨¨,¨,§#,
¤#&§.¨..£& / ¨¨&&§#¨¨.¨
.£#¨.@&¨¨£ §¨.&&..§§¨
.,..,¨¨,,, somethings moving in the grass. it's ,..,,¨¨,¨.
@§#£#§§£§§ invisible to my eyes but i can feel £&¤#£¤&££&
¤@@§¤§¤§§§ through the ground just how large it is. &¤@¤£@##
£&&@&¤§£&§ £@££@@&&¤&
£§¤&£¤&@ the soil is muddy. i slip when trying §¤¤£&&@§@@
§@§@§§£# to get up, still looking at the ¤@£#§&@¤&&
#@##@£¤¤£¤ direction of sound rather than at my §@§@#@£@£&
§¤¤§#¤@§#¤ hands, who are busy putting things in &&§¤##@@
#£¤£@#¤£## my pockets. #@£&¤£¤§
&£&£#&@£ ¤&&§&¤
#&£#&¤&£§£ then i run east toward my home. £¤§£&&¤@#¤
£¤£#§#£#§& £@@#@@§&§£
§£&£@@&§ ; @§§&¤¤
¤¤@@@¤&§ &&¤§£¤#¤§§
£&@@§¤£§## i am not followed, and slow down in the #§#@¤§§&¤#
¤&&@@#£#@@ clearing where you at first can spot ¤¤&§&§§§¤¤
¤££#£@£¤¤§ the house, not yet really in the @£§@@£¤£#@
#@£§#&§& backyard. from my pockets i retrieve my @¤¤£§¤££@#
#¤§§£¤&@ radio (now dented) but also a small &@§£§#§#@§
¤¤§£§§#§#@ clay figure i've never seen before. it ¤£@@@##£#&
§¤#&£@£&§# must have been laying in the wet dirt, &£#§¤¤££
&§§¤@£¤§&¤ and i must've picked it up with my §¤&@£#£&
¤¤£&&£@@&¤ other belongings. §¤¤@£@#@§£
£#§&&§£¤£@ ¤#&&¤@§#@¤
§##@#&§£§& it's a statuette of a girl laying naked ¤#&&&£@¤#£
¤&£¤§§§### on her stomach, feet in the air, #&§@#§&@£¤
§@@#§§@¤#& roughly seven centimeters long. it's #§§¤&&&&§¤
£@&&§£§@@¤ freshly made, not yet completely dried. ¤£§@@§@£&¤
§#¤§§§£&&§ #&¤£¤¤¤#
&@££¤¤#@£@ my mom is here now. i ask her for some #§£§§#§¤§@
¤£@@#§£@£# particle board for it to dry on, but ¤§#&&@¤@
¤@#£&@@&¤§ she is worried and wants me to &§§£@@#§§¤
&@£&@§@§¤£ throw it away. ¤@¤§&§&&§@
#&&§##&¤&¤ &&¤@¤@@£££
#§§£§@#££§ ¤#@¤§##£¤&
&§£§§@¤§££ £@£@#£¤&&@
##§@@¤&¤ §#§&§#@#§§
&@@@§@@£#& §&@£#§#¤@#
#§@§&@§££& £§&&&&&§£¤