:=\$£¤£### ###£¤£$\=:
,.»\%$@@## ##@@$%\».,
--†*£§#### ####§£*†--
,:-†§%#¶## ##¶#%§†-:,
,»^^%§@@## ##@@§%^^»,
,-~:%££@## statuette ##@££%:~-,
^»**$§@@## ##@@§$**»^
,--;*£##@# £¤$%¤$£§*%%$**£$«~~»~«»~$%@¤£¤@*$£££%@£* #@##£*;--,
^«/*%@¶### %**%%$@$* ###¶@%*/«^
.~«=$$¤£## ##£¤$$=«~.
-~*%£@## forests around my childhood home. thick ##@#&£%*~-
.,«=*££¶## pine arcades that were planted and ##¶££*=«,.
,-\=%¤#### forgotten. wild boars roaming ####¤%=\-,
¨~»\^$¤@@# underneath, sniffing at the ground. it #@@¤$^\»~¨
.~=§$#¶@## is dark and moist, the canopy having ##@¶#$§=~.
..==%£@### already soaked up all the sun. ###@£%==..
,=/=£&@### ###@&£=/=,
¨~-*†%£¶## there's a river passing by, from east ##¶£%†*-~¨
.-†^$§#### to west, getting broader and deeper and ####§$^†-.
,^«†*¤##@# slower as it goes. equisetum grow just #@##¤*†«^,
.~†*&### where the pine hands start to let ####&&*†~.
.~=;%£@### through light, horsemint on the rocky ###@£%;=~.
,«/§@@£### river bed. ###£@@§/«,
..~†=@#### ####@=†~..
,«\*%§¶@## ; ##@¶§%*\«,
.^~^%%¤#@# #@#¤%%^~^.
:~*$%£@### the riverbanks reek of magic. tonight ###@£%$*~:
.,~^%¤@### they had been a swampworld with sylvan ###@¤%^~,.
:~;†%§£### water, stone rings and floating moss. ###£§%†;~:
.^-:%*@@@# you could've found me wallowing around #@@@*%:-^.
~~:^§§£### on the southern shores until i got ###£§§^:~~
,:=^^£¤£## bitten. ##£¤£^^=:,
,~=†%&@### ###@&%†=~,
¨~=/†$@#@# but now i'm further back, on solid #@#@$†/=~¨
-»^%£@@### ground, in shoulder-high grass, with an ###@@£%^»-
.-«=%¤§@## orange tin radio and a translucent ##@§¤%=«-.
,«\%*£#### umbrella which i'm sitting on. ####£*%\«,
.,~=%@£@## ##@£@%=~,.
,=;§@### / ###@#&§;=,
¨:~*†$@### ###@$†*~:¨
:=;%%#@### somethings moving in the grass. it's ###@#%%;=:
.-~;$£@### invisible to my eyes but i can feel ###@£$;~-.
:-:=@#@### through the ground just how large it is. ###@#@=:-:
,:~=%*&£## ##£&*%=~:,
:~;^*§@@## the soil is muddy. i slip when trying ##@@§*^;~:
,~=/†$¤£@# to get up, still looking at the #@£¤$†/=~,
,~/%$¤¶### direction of sound rather than at my ###¶¤$%/~,
.,~/†$¤#@# hands, who are busy putting things in #@#¤$†/~,.
,-†*%£@### my pockets. ###@£%*†-,
¨:«;*%#@## ##@#%*;«:¨
:~\$%§@### then i run east toward my home. ###@§%$\~:
¨,«*†%@¶@# #@¶@%†*«,¨
^~†*£§£### † ###£§£*†~^
¨^~†*§¤¶## ##¶¤§*†~^¨
,=\^£##### i am not followed, and slow down in the #####£^\=,
,~»=*$&¶## clearing where you at first can spot ##¶&$*=»~,
:-*%@#@### the house, not yet really in the ###@#@%*-:
,,=^=¤£@## backyard. from my pockets i retrieve my ##@£¤=^=,,
,~:*%##### radio (now dented) but also a small #####%*:~,
¨^»=%££### clay figure i've never seen before. it ###££%=»^¨
,»^†*#¶@## must have been laying in the wet dirt, ##@¶#*†^»,
¨,«:=@## and i must've picked it up with my ###&@=:«,¨
~~;%££@### other belongings. ###@££%;~~
,,»*=%¤#@# #@#¤%=*»,,
:»=%$£¶@## it's a statuette of a girl laying naked ##@¶£$%=»:
.:«††@¤@@# on her stomach, feet in the air, #@@¤@††«:.
^~;^¤&¶@## roughly seven centimeters long. it's ##@¶&¤^;~^
.^~;=§@@## freshly made, not yet completely dried. ##@@§=;~^.
^»†%%#£@## ##@£#%%†»^
,~»**$&¶@# my mom is here now. i ask her for some #@¶&$**»~,
.»:†$£¶### particle board for it to dry on, but ###¶£$†:».
,,=*§$@@@# she is worried and wants me to #@@@$§*=,,
--††*£@@## throw it away. ##@@£*††--
.,«:§&£@## ##@£&§:«,.
--\$£##### #####£$\--
,^»=*¶@# #@¶#&*=»^,
:=^*%#£### ###£#%*^=:
..»†=§£@## ##@£§=†»..
-»;†$£@@## ##@@£$†;»-