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.,,,,^«*£@ @£*«^,,,,.
..==$£££@# #@£££$==..
¨,~:§¤@£## statuette ##£@¤§:~,¨
,~»:*£@£## ##£@£*:»~,
¨,.¨==^$£@ $£%*@¤%$%£@£§%¤&~«=«»»=-*¤$%$££§$*£¤££$@ @£$^==¨.,¨
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,,¨¨¨,/# forests around my childhood home. thick ##&/,¨¨¨,,
..¨.¨.~%*§ pine arcades that were planted and §*%~.¨.¨..
¨.-^^&§### forgotten. wild boars roaming ###§&^^-.¨
¨^»†=¤#### underneath, sniffing at the ground. it ####¤=†»^¨
,~~\$¤@¶@# is dark and moist, the canopy having #@¶@¤$\~~,
,.»\^%££@# already soaked up all the sun. #@££%^\».,
,¨,~~«/$## ##$/«~~,¨,
,:-\^§¶¶ there's a river passing by, from east ¶¶#&§^\-:,
.-=:§£§£@# to west, getting broader and deeper and #@£§£§:=-.
.,.,^;¤@ slower as it goes. equisetum grow just @#&¤;^,.,.
,:=:$&£#@@ where the pine hands start to let @@#£&$:=:,
,:«»~^^%&@ through light, horsemint on the rocky @&%^^~»«:,
¨^-\=£¤@@# river bed. #@@¤£=\-^¨
¨,,-:=^$%# #%$^=:-,,¨
¨¨¨..,-=@# = #@=-,..¨¨¨
¨,.¨-*==%£ £%==*-¨.,¨
,-~:*££@## the riverbanks reek of magic. tonight ##@££*:~-,
,,~«:*=%£# they had been a swampworld with sylvan #£%=*:«~,,
,,::«*†*#@ water, stone rings and floating moss. @#*†*«::,,
..~/†§#### you could've found me wallowing around ####§†/~..
.~-/=§§£## on the southern shores until i got ##£§§=/-~.
.^~=%%§£## bitten. ##£§%%=~^.
.~~=%$$*$# #$*$$%=~~.
¨,¨.,~**&¶ but now i'm further back, on solid ¶&**~,.¨,¨
,~~\%$¤@## ground, in shoulder-high grass, with an ##@¤$%\~~,
.,.,..~%#@ orange tin radio and a translucent @#%~..,.,.
¨,»^=¤#£## umbrella which i'm sitting on. ##£#¤=^»,¨
,~=^*%#@ @##&%*^=~,
¨-«:=§¤@## = ##@¤§=:«-¨
,.¨-;†%# ##&%†;-¨.,
,,=*=§£#@# somethings moving in the grass. it's #@#£§=*=,,
.:~=†£§§@¶ invisible to my eyes but i can feel ¶@§§£†=~:.
.,-:§&§£## through the ground just how large it is. ##£§&§:-,.
.~~-=$^^@# #@^^$=-~~.
¨,~**&¤### the soil is muddy. i slip when trying ###¤&**~,¨
.^=^$%@¶@# to get up, still looking at the #@¶@%$^=^.
¨,«†*¤§@## direction of sound rather than at my ##@§¤*†«,¨
,~~^/%%%$¤ hands, who are busy putting things in ¤$%%%/^~~,
.¨¨.,,»%@# my pockets. #@%»,,.¨¨.
,,¨¨.;^*£@ @£*^;.¨¨,,
.,¨.,,=§$# then i run east toward my home. #$§=,,.¨,.
,¨.~;\;:$§ §$:;\;~.¨,
.:\*§### = ####&§*\:.
.~~/*£&£@# #@£&£*/~~.
.,«=*£¤### i am not followed, and slow down in the ###¤£*=«,.
,~-^†%¶@## clearing where you at first can spot ##@¶%†^-~,
¨.»/^@¤¶## the house, not yet really in the ##¶¤@^/».¨
.^:%%&@### backyard. from my pockets i retrieve my ###@&%%:^.
¨-~/§*#@## radio (now dented) but also a small ##@#*§/~-¨
.,~-«^^%## clay figure i've never seen before. it ##%^^«-~,.
,.-†$@¤### must have been laying in the wet dirt, ###¤@$†-.,
.,«==§£¶## and i must've picked it up with my ##¶£§==«,.
,-~/%%*%¤¤ other belongings. ¤¤%*%%/~-,
,,=*%£#### ####£%*=,,
,^~/*¤&¶## it's a statuette of a girl laying naked ##¶&¤*/~^,
¨,~:†§¤£## on her stomach, feet in the air, ##£¤§†:~,¨
¨,..¨~«%%§ roughly seven centimeters long. it's §%%«~¨..,¨
.^«;*&§#@£ freshly made, not yet completely dried. £@#§&*;«^.
¨:»\%$§#@# #@#§$%\»:¨
..«=†¤#### my mom is here now. i ask her for some ####¤†=«..
.,~*=§¤@## particle board for it to dry on, but ##@¤§=*~,.
.¨.¨,¨~;$@ she is worried and wants me to @$;~¨,¨.¨.
.~~^*%£#@# throw it away. #@#£%*^~~.
,,¨¨.»:¤£@ @£¤:».¨¨,,
¨,¨¨^=†£¶£ £¶£†=^¨¨,¨
,,~**&&@## ##@&&**~,,
,.¨,¨,,-§@ @§-,,¨,¨.,
.,«=*£#@## ##@#£*=«,.
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