¨.=*^%*%&@ @&%*%^*=.¨
.^=*^&@##@ @##@&^*=^.
.~=:$*@### ###@*$:=~.
,.-\†§@¶@# #@¶@§†\-.,
¨,»\†*@£## ##£@*†\»,¨
¨,,.^»-†^§ statuette §^†-»^.,,¨
¨~~=%$##@# #@##$%=~~¨
,,-/§§##@@ %&§&$$*£¤§@%£¤££-=«~=--~$¤&£*%$%%$$¤@@*£ @@##§§/-,,
.,==%*$^†¤ %¤£$%%££% ¤†^$*%==,.
.,~=*%#### ####%*=~,.
,,¨,,«†$¤@ forests around my childhood home. thick @¤$†«,,¨,,
.^~^%£## pine arcades that were planted and ###&£%^~^.
,~~\%$£@@# forgotten. wild boars roaming #@@£$%\~~,
.¨,~†§£%¶# underneath, sniffing at the ground. it #¶%£§†~,¨.
,,«=*§#£## is dark and moist, the canopy having ##£#§*=«,,
,,~\†*@£## already soaked up all the sun. ##£@*†\~,,
,^~\=%£#@# #@#£%=\~^,
¨.¨,,~=%£@ there's a river passing by, from east @£%=~,,¨.¨
.^~\=*##@# to west, getting broader and deeper and #@##*=\~^.
,,»:†£#### slower as it goes. equisetum grow just ####£†:»,,
¨-~=†&¶### where the pine hands start to let ###¶&†=~-¨
,..¨,,^:^@ through light, horsemint on the rocky @^:^,,¨..,
,:=*=¤@@@# river bed. #@@@¤=*=:,
,.«;$%££@@ @@££%$;«.,
,..,.^«^&£ ^ £&^«^.,..,
.,~\†@£¶@# #@¶£@†\~,.
,,~^^£¤¶@# the riverbanks reek of magic. tonight #@¶¤£^^~,,
.,=^*%§### they had been a swampworld with sylvan ###§%*^=,.
.^~/§@¤¶## water, stone rings and floating moss. ##¶¤@§/~^.
.¨:,*^%*§& you could've found me wallowing around &§*%^*,:¨.
¨.,,¨,»%£# on the southern shores until i got #£%»,¨,,.¨
,:~/*@$*## bitten. ##*$@*/~:,
,..,~^^£@@ @@£^^~,..,
,^«:**@£## but now i'm further back, on solid ##£@**:«^,
¨,»^†$£@@# ground, in shoulder-high grass, with an #@@£$†^»,¨
.~»/%£#£@# orange tin radio and a translucent #@£#£%/»~.
,^«†^¤@¤@# umbrella which i'm sitting on. #@¤@¤^†«^,
.~~/*&&£@# #@£&&*/~~.
...,.,«=%£ * £%=«,.,...
¨.~;^££### ###££^;~.¨
.,¨.:*^$ somethings moving in the grass. it's #&$^*:.¨,.
¨~-;§@@@## invisible to my eyes but i can feel ##@@@§;-~¨
,¨.^:-=^@# through the ground just how large it is. #@^=-:^.¨,
,¨¨¨,-=$@§ §@$=-,¨¨¨,
,:~/$$#£@¶ the soil is muddy. i slip when trying ¶@£#$$/~:,
,.-;^££¶@# to get up, still looking at the #@¶££^;-.,
¨,-:§££### direction of sound rather than at my ###££§:-,¨
¨~«:†$@¶## hands, who are busy putting things in ##¶@$†:«~¨
,-~†^¤&¶## my pockets. ##¶&¤^†~-,
,~-/§$#### ####$§/-~,
,,=;=§£@## then i run east toward my home. ##@£§=;=,,
...-~†§&@# #@&§†~-...
.¨,,-»%¤£@ * @£¤%»-,,¨.
.,~**¤§¶## ##¶§¤**~,.
.,,.¨.,-$@ i am not followed, and slow down in the @$-,.¨.,,.
,.,:~††^#£ clearing where you at first can spot £#^††~:,.,
.~«;*££##£ the house, not yet really in the £##££*;«~.
.,,,¨=%†@# backyard. from my pockets i retrieve my #@†%=¨,,,.
¨,,.-,*†§# radio (now dented) but also a small #§†*,-.,,¨
,,=*†%¤### clay figure i've never seen before. it ###¤%†*=,,
.:=\*§@### must have been laying in the wet dirt, ###@§*\=:.
.,-=*¤§### and i must've picked it up with my ###§¤*=-,.
,--^^$££@# other belongings. #@££$^^--,
.¨¨,¨,~*@# #@*~,¨,¨¨.
,.»*=@£¤ it's a statuette of a girl laying naked ¤#&£@=*».,
,¨..¨,=$&£ on her stomach, feet in the air, £&$=,¨..¨,
.,-:^$¤@## roughly seven centimeters long. it's ##@¤$^:-,.
¨,-:%£*#§£ freshly made, not yet completely dried. £§#*£%:-,¨
.=^%%##@## ##@##%%^=.
¨,¨.¨¨^\%& my mom is here now. i ask her for some &%\^¨¨.¨,¨
,:\†$¤£@## particle board for it to dry on, but ##@£¤$†\:,
.~«†*£@@@@ she is worried and wants me to @@@@£*†«~.
¨,¨,-;§%## throw it away. ##%§;-,¨,¨
,~.~/**¤¤§ §¤¤**/~.~,
.~«^§¤&¶@# #@¶&¤§^«~.
.,~=*£§£## ##£§£*=~,.
,¨,¨¨~§&@¶ ¶@&§~¨¨,¨,
.¨¨.:-/%§# #§%/-:.¨¨.
¨:=/*%£### ###£%*/=:¨