.^»^^¤£### ###£¤^^»^.
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.~~\=$¤¶## ##¶¤$=\~~.
¨,,«/%%£## ##£%%/«,,¨
,,»*†$¤### ###¤$†*»,,
.,~-^%¤£## statuette ##£¤%^-~,.
,-«:*%&£## ##£&%*:«-,
¨.~«^=¤#@# ££**¤£$§$%$&£&&@~~«~«»~=£¤$$$££$@$£$§*$& #@#¤=^«~.¨
¨,«*§£@@## %%¤@@%¤@£ ##@@£§*«,¨
,,~-:%§@## ##@§%:-~,,
.,«^*$#### forests around my childhood home. thick ####$*^«,.
.¨,»†%$# pine arcades that were planted and ##&$%†»,¨.
.^=;%$§£## forgotten. wild boars roaming ##£§$%;=^.
¨,,~;%£§@# underneath, sniffing at the ground. it #@§£%;~,,¨
,.~^*§@¶## is dark and moist, the canopy having ##¶@§*^~.,
.,,~†%@@¶# already soaked up all the sun. #¶@@%†~,,.
,,»=§§&£## ##£&§§=»,,
¨¨-»;%*@@# there's a river passing by, from east #@@*%;»-¨¨
.:~/^&@¶## to west, getting broader and deeper and ##¶@&^/~:.
,.:»:†$# slower as it goes. equisetum grow just ##&$†:»:.,
¨.«^*%§£## where the pine hands start to let ##£§%*^«.¨
.,,»;†@# through light, horsemint on the rocky ##&@†;»,,.
¨--/%£#### river bed. ####£%/--¨
.,^»==§§@# #@§§==»^,.
,~~††§£### / ###£§††~~,
¨.~-;%£¤¶# #¶¤£%;-~.¨
,.-=%¤#@## the riverbanks reek of magic. tonight ##@#¤%=-.,
¨.,»†§§¤£# they had been a swampworld with sylvan #£¤§§†»,.¨
¨.=*=£#£## water, stone rings and floating moss. ##£#£=*=.¨
,¨:-†§$¤£# you could've found me wallowing around #£¤$§†-:¨,
.~=†^$£@## on the southern shores until i got ##@£$^†=~.
..,-\$¤# bitten. ##&¤$\-,..
,^-*§¤§¶## ##¶§¤§*-^,
,,~~:*£### but now i'm further back, on solid ###£*:~~,,
¨,~^†£@### ground, in shoulder-high grass, with an ###@£†^~,¨
,.,«*%%§## orange tin radio and a translucent ##§%%*«,.,
¨.»:%$#¶## umbrella which i'm sitting on. ##¶#$%:».¨
¨,~~;^&@@# #@@&^;~~,¨
.:-=*%§¶## ^ ##¶§%*=-:.
.¨.=†*§¤@# #@¤§*†=.¨.
,:~;*@@### somethings moving in the grass. it's ###@@*;~:,
,¨~«:†£@## invisible to my eyes but i can feel ##@£†:«~¨,
.,~\*$£### through the ground just how large it is. ###£$*\~,.
..-«/*$¤## ##¤$*/«-..
,,»;†&£### the soil is muddy. i slip when trying ###£&†;»,,
.,,«:§$#@# to get up, still looking at the #@#$§:«,,.
,,=/*§¤£## direction of sound rather than at my ##£¤§*/=,,
¨,,-\^%££# hands, who are busy putting things in #££%^\-,,¨
..~*%¤&¶## my pockets. ##¶&¤%*~..
¨,-~:§§££# #££§§:~-,¨
¨.»†$%£### then i run east toward my home. ###£%$†».¨
¨¨-«*%£§¶# #¶§£%*«-¨¨
¨^»=%%&@## † ##@&%%=»^¨
,.^~*$£££# #£££$*~^.,
¨,~†**¤@## i am not followed, and slow down in the ##@¤**†~,¨
.,.-*†§§## clearing where you at first can spot ##§§†*-.,.
¨,~*$$£### the house, not yet really in the ###£$$*~,¨
,.~«/*&&@# backyard. from my pockets i retrieve my #@&&*/«~.,
¨:«;**£### radio (now dented) but also a small ###£**;«:¨
,¨,~\§£### clay figure i've never seen before. it ###£§\~,¨,
¨,~†%§#@## must have been laying in the wet dirt, ##@#§%†~,¨
.,~~;*£# and i must've picked it up with my ##&£*;~~,.
.:=†*¤## other belongings. ###&¤*†=:.
.,:~=%£@@# #@@£%=~:,.
¨~«\§$#£## it's a statuette of a girl laying naked ##£#$§\«~¨
¨,:~*†&@£# on her stomach, feet in the air, #£@&†*~:,¨
.:»/†¤£### roughly seven centimeters long. it's ###£¤†/»:.
¨.,«^$§¤@# freshly made, not yet completely dried. #@¤§$^«,.¨
¨.»†%*@@## ##@@*%†».¨
.,.-=*@§## my mom is here now. i ask her for some ##§@*=-.,.
,,«/=$@¶## particle board for it to dry on, but ##¶@$=/«,,
.,-~\^¤# she is worried and wants me to ##&¤^\~-,.
¨,~:$&§### throw it away. ###§&$:~,¨
..,=^=£@## ##@£=^=,..
¨:~/%£&¶## ##¶&£%/~:¨
¨,:~=^$@£# #£@$^=~:,¨
.,~**%@@## ##@@%**~,.
.,:-\§¤§@# #@§¤§\-:,.
,^-*§$&@## ##@&$§*-^,