,,,,,,,.~§ §~.,,,,,,,
,,,,,,.~§& &§~.,,,,,,
,,,,,.~§&¤ ¤&§~.,,,,,
,,,,.~§&¤@ @¤&§~.,,,,
,,,.~§&¤@# #@¤&§~.,,,
,,.~§&¤@## #### ##### ##@¤&§~.,,
,.~§&¤@### TAPE DREAM ###@¤&§~.,
,,.~§&¤@## #### ##### ##@¤&§~.,,
,,,.~§&¤@# #@¤&§~.,,,
,,,,.~§&¤@ FOR STORING MUSIC ON. ALSO DATA BUT @¤&§~.,,,,
,,,,,.~§&¤ AT THIS POINT IN TIME THAT'S NOT ¤&§~.,,,,,
,,,,,,.~§& REALLY IMPORTANT I THINK. &§~.,,,,,,
,,,,,,,.~§ §~.,,,,,,,
,,,,,,,,.~ ~.,,,,,,,,
,,,,,,,.~§ †††††††† TYPES OF TAPE †††††††† §~.,,,,,,,
,,,,,,.~§& &§~.,,,,,,
,,,,,.~§&¤ CLASS I - "BAD" IRON ¤&§~.,,,,,
,,,,.~§&¤@ CLASS II - GOOD CHROMIUM @¤&§~.,,,,
,,,.~§&¤@# CLASS III - BAD IRON PART TWO #@¤&§~.,,,
,,.~§&¤@## CLASS IV - DANGEROUS METALS ##@¤&§~.,,
,.~§&¤@### ###@¤&§~.,
,,.~§&¤@## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##@¤&§~.,,
,,,.~§&¤@# THAT IS ACTUALLY USEFUL. #@¤&§~.,,,
,,,,.~§&¤@ @¤&§~.,,,,
,,,,,.~§&¤ †† BIAS †† ¤&§~.,,,,,
,,,,,,.~§& &§~.,,,,,,
,,,,,,,.~§ CLASS I USES ONE HUNDRED AND TWENTY §~.,,,,,,,
,,,,,,,,.~ MICRO-SOMETHING WHILE THE OTHERS ALL ~.,,,,,,,,
,,,,,,,.~§ USE SEVENTY OF THE SAME UNIT. §~.,,,,,,,
,,,,,,.~§& &§~.,,,,,,
,,,,,.~§&¤ ¤&§~.,,,,,
,,,,.~§&¤@ §§§§§§§§§ AHA AND §§§§§§§§§ @¤&§~.,,,,
,,,.~§&¤@# #@¤&§~.,,,
,,.~§&¤@## CLASS IV IS APPARENTLY TOO STRONG TO ##@¤&§~.,,
,.~§&¤@### BE USED ON CLASS I PLAYERS. IT WILL ###@¤&§~.,
,,.~§&¤@## SOUND TOO LOUND AND IT CANNOT BE ##@¤&§~.,,
,,,.~§&¤@# COMPLETELY ERASED. THIS IS VERY WELL. #@¤&§~.,,,
,,,,.~§&¤@ MAYBE SOME WONDERFUL BLENDING EFFECTS @¤&§~.,,,,
,,,,,.~§&¤ COULD BE ACHIEVED? ¤&§~.,,,,,
,,,,,,.~§& &§~.,,,,,,
,,,,,,,.~§ THEY ALSO GNAW AT THE TAPE HEADS A BIT §~.,,,,,,,
,,,,,,,,.~ BETTER THAN EARLIER TAPE TYPES. ~.,,,,,,,,
,,,,,,,.~§ §~.,,,,,,,
,,,,,,.~§& &§~.,,,,,,
,,,,,.~§&¤ †††††††† ARTIFACTS †††††††† ¤&§~.,,,,,
,,,,.~§&¤@ @¤&§~.,,,,
,,,.~§&¤@# GOOD TAPES ARE DECENT AND HAVE A GOOD #@¤&§~.,,,
,,.~§&¤@## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##@¤&§~.,,
,.~§&¤@### LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ###@¤&§~.,
,,.~§&¤@## LIKE IT. ##@¤&§~.,,
,,,.~§&¤@# #@¤&§~.,,,
,,,,.~§&¤@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @¤&§~.,,,,
,,,,,.~§&¤ KNOWS WHATS EVEN ON THERE ANYMORE ¤&§~.,,,,,
,,,,,,.~§& &§~.,,,,,,
,,,,,,,.~§ FLUTTER: KINDA QUICK PITCH VARIATIONS. §~.,,,,,,,
,,,,,,,,.~ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ~.,,,,,,,,
,,,,,,,.~§ §~.,,,,,,,
,,,,,,.~§& WOW: A SLOWER FLUTTER, USUALLY SEVERAL &§~.,,,,,,
,,,,,.~§&¤ SECONDS LONG. WHAT UP. BOTH OF THESE ¤&§~.,,,,,
,,,,.~§&¤@ INCREASE WHEN TAPE SPEED DECREASES. @¤&§~.,,,,
,,,.~§&¤@# #@¤&§~.,,,
,,.~§&¤@## PRINT THROUGH: TAPES RUB SOUND ON EACH ##@¤&§~.,,
,.~§&¤@### OTHER IF THEYRE ALONE FOR TOO LONG ###@¤&§~.,
,,.~§&¤@## ##@¤&§~.,,
,,,.~§&¤@# #@¤&§~.,,,
,,,,.~§&¤@ @¤&§~.,,,,
,,,,,.~§&¤ ¤&§~.,,,,,
,,,,,,.~§& &§~.,,,,,,
,,,,,,,.~§ §~.,,,,,,,