¨§¨§¨¨§§¨§ ¨§§§§¨§¨§§
¨§¨§¨§¨§¨¨ §¨§§§¨§¨¨§
¨§¨§¨§¨§¨§ §¨¨§§¨§¨§§
¨§¨§¨§¨§¨¨ §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ §¨§¨§¨§¨§§
¨§¨§¨§¨§¨¨ †††††††††† §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ §¨§¨§¨§¨§§
¨§¨§¨§¨§¨¨ lyra eight §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ §¨§¨§¨§¨§§
¨§¨§¨§¨§¨¨ ¨¨ §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ , , §¨§¨§¨§¨§§
¨§¨§¨§¨§¨¨ - - §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ ^ ^ §¨§¨§¨§¨§§
¨§¨§¨§¨§¨¨ † † §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ §¨§¨§¨§¨§§
¨§¨§¨§¨§¨¨ cave sculpter §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ dream to chord translator §¨§¨§¨§¨§§
¨§¨§¨§¨§¨¨ §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ eight voiced bleeding fortune teller §¨§¨§¨§¨§§
¨§¨§¨§¨§¨¨ §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ dual self-modulating delay line §¨§¨§¨§¨§§
¨§¨§¨§¨§¨¨ switch for "total feedback" §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ §¨§¨§¨§¨§§
¨§¨§¨§¨§¨¨ lick the contact pads §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ §¨§¨§¨§¨§§
¨§¨§¨§¨§¨¨ † † §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ ^ ^ §¨§¨§¨§¨§§
¨§¨§¨§¨§¨¨ - - §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ , , §¨§¨§¨§¨§§
¨§¨§¨§¨§¨¨ ¨¨ §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ §¨§¨§¨§¨§§
¨§¨§¨§¨§¨¨ gearlist ¨ another synth §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ §¨§¨§¨§¨§§
¨§¨§¨§¨§¨¨ ††††††††††††††††††††††††† §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ §¨§¨§¨§¨§§
¨§¨§¨§¨§¨¨ §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ §¨§¨§¨§¨§§
¨§¨§¨§¨§¨¨ §¨§¨§¨§¨¨§
¨§¨§¨§¨§¨§ §¨§¨§¨§¨§§