@@%%%*^=:. .:=^*%%%@@
@@*=...... ......=*@@
##@@%*^=:. .:=^*%@@##
###@%*^=:. .:=^*%@###
##@@%*^=:. .:=^*%@@##
##@@%*^=:. delay delay d.la# @ *a. : .@ = : .:=^*%@@##
##@@%*^=:. .:=^*%@@##
##@@%*^=:. .:=^*%@@##
@*=::..... .....::=*@
###@%*^=:. .:=^*%@###
@%^:...... "delay" means repetiton or likewise, ......:^%@
##@@%*^=:. but it's mainly useless without .:=^*%@@##
##@@%*^=:. feedback, .:=^*%@@##
@%^==:.... to allow the delay to eat of it's own ....:==^%@
@%^^==.... tail, like one of those eaty serpents. ....==^^%@
###@@%*^=: thus: it's the serpent effect! :=^*%@@###
##@@%*^=:. .:=^*%@@##
##@@%*^=:. it's to be revered as a creator of .:=^*%@@##
##@@%*^=:. ambience and of space, if you treat it .:=^*%@@##
#@***==:.. right. a somewhat more solid and ..:==***@#
@%^:...... slippery sibling of reverb. ......:^%@
##@@%*^=:. .:=^*%@@##
@%%**^==:. .:==^**%%@
##@@%*^=:. .:=^*%@@##
##@@%*^=:. .:=^*%@@##
@@@%**^=:. .:=^**%@@@