,,,,,,,,,- -,,,,,,,,,
,,,,,,,,-; ;-,,,,,,,,
,,,,,,,-;¤ ¤;-,,,,,,,
,,,,,,-;¤§ §¤;-,,,,,,
,,,,,-;¤§@ @§¤;-,,,,,
,,,,-;¤§@# delay delay d,la# § $a, , ,@ - , #@§¤;-,,,,
,,,-;¤§@## ##@§¤;-,,,
,,-;¤§@### ###@§¤;-,,
,,,-;¤§@## ##@§¤;-,,,
,,,,-;¤§@# #@§¤;-,,,,
,,,,,-;¤§@ "delay" means repetiton or likewise, @§¤;-,,,,,
,,,,,,-;¤§ but it's mainly useless without §¤;-,,,,,,
,,,,,,,-;¤ feedback, ¤;-,,,,,,,
,,,,,,,,-; to allow the delay to eat of it's own ;-,,,,,,,,
,,,,,,,,,- tail, like one of those eaty serpents. -,,,,,,,,,
,,,,,,,,,, thus: it's the serpent effect! ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, it's to be revered as a creator of ,,,,,,,,,,
,,,,,,,,,, ambience and of space, if you treat it ,,,,,,,,,,
,,,,,,,,,, right. a somewhat more solid and ,,,,,,,,,,
,,,,,,,,,- slippery sibling of reverb. -,,,,,,,,,
,,,,,,,,-; ;-,,,,,,,,
,,,,,,,-;¤ ¤;-,,,,,,,
,,,,,,-;¤§ §¤;-,,,,,,
,,,,,-;¤§@ @§¤;-,,,,,
,,,,-;¤§@# #@§¤;-,,,,