¨~»/%£@### ###@£%/»~¨
¨¨¨¨»%£@## ##@£%»¨¨¨¨
¨~»/%£@@## ##@@£%/»~¨
¨¨¨¨~~»%@@ @@%»~~¨¨¨¨
¨~»/%£@### ###@£%/»~¨
¨~»/%£@### delay delay d¨la# @ %a¨ ~ ¨# » ~ ###@£%/»~¨
¨¨~»/%%@@@ @@@%%/»~¨¨
¨~»/%£@### ###@£%/»~¨
¨~»/%£#### ####£%/»~¨
¨~~~»»/%@@ @@%/»»~~~¨
¨~»/%£@@## "delay" means repetiton or likewise, ##@@£%/»~¨
¨¨¨¨~/££@# but it's mainly useless without #@££/~¨¨¨¨
¨~»/%£££@# feedback, #@£££%/»~¨
¨~»/%£@### to allow the delay to eat of it's own ###@£%/»~¨
¨~»/%£#### tail, like one of those eaty serpents. ####£%/»~¨
¨¨¨¨~»/%@# thus: it's the serpent effect! #@%/»~¨¨¨¨
¨¨¨¨»%%£## ##£%%»¨¨¨¨
¨~»»»//%£@ it's to be revered as a creator of @£%//»»»~¨
¨~»/%£@### ambience and of space, if you treat it ###@£%/»~¨
¨~»/%£@@@@ right. a somewhat more solid and @@@@£%/»~¨
¨¨¨~~~/£@# slippery sibling of reverb. #@£/~~~¨¨¨
¨~»/%£@### ###@£%/»~¨
¨¨¨¨~/%%@@ @@%%/~¨¨¨¨
¨~»/%£@### ###@£%/»~¨
¨~»/%£@### ###@£%/»~¨
¨~»»»%%%£# #£%%%»»»~¨