....¤.¤¤¤. ¤¤..¤¤¤¤.¤
¤...¤¤¤..¤ ¤.¤.¤...¤¤
.¤..¤..¤.¤ .¤¤¤¤¤..¤.
.¤¤.¤¤.¤¤¤ .¤....¤.¤¤
¤¤.¤¤.¤¤.. ¤¤¤...¤¤¤.
¤.¤¤.¤¤.¤. §§§§§§§§§§ ...¤..¤..¤
.¤¤.¤¤.¤¤¤ ...¤¤.¤¤.¤
¤¤.¤¤.¤¤.. LYRA EIGHT ¤..¤.¤¤.¤¤
..¤¤.¤¤.¤. .¤.¤¤¤.¤¤.
..¤.¤¤.¤¤¤ .. ¤¤¤¤..¤¤.¤
¤.¤¤¤.¤¤.. ^ ^ ....¤.¤.¤¤
.¤¤..¤¤.¤. « « ¤...¤¤¤¤¤.
.¤.¤.¤.¤¤¤ \ \ ¤¤..¤....¤
¤¤¤¤¤¤¤¤.. § § ..¤.¤¤...¤
........¤. ¤.¤¤¤.¤..¤
¤.......¤¤ CAVE SCULPTER ¤¤¤..¤¤¤.¤
.¤......¤. DREAM TO CHORD TRANSLATOR ...¤.¤..¤¤
¤¤¤.....¤¤ ...¤¤¤¤.¤.
¤..¤....¤. EIGHT VOICED BLEEDING FORTUNE TELLER ...¤...¤¤¤
.¤.¤¤...¤¤ ...¤¤..¤..
.¤¤¤.¤..¤. DUAL SELF-MODULATING DELAY LINE ...¤.¤.¤¤.
.¤..¤¤¤.¤¤ SWITCH FOR "TOTAL FEEDBACK" ...¤¤¤¤¤.¤
¤¤¤.¤..¤¤. ¤..¤....¤¤
...¤¤¤.¤.¤ LICK THE CONTACT PADS ¤¤.¤¤...¤.
...¤..¤¤¤¤ ¤.¤¤.¤..¤¤
¤..¤¤.¤... § § ¤¤¤.¤¤¤.¤.
¤¤.¤.¤¤¤.. \ \ ¤..¤¤..¤¤¤
..¤¤¤¤..¤. « « .¤.¤.¤.¤..
..¤...¤.¤¤ ^ ^ .¤¤¤¤¤¤¤¤.
..¤¤..¤¤¤. .. .¤.......¤
¤.¤.¤.¤..¤ .¤¤......¤
.¤¤¤¤¤¤¤.¤ GEARLIST . ANOTHER SYNTH ¤¤.¤.....¤
¤¤......¤¤ ..¤¤¤....¤
..¤.....¤. §§§§§§§§§§§§§§§§§§§§§§§§§ ..¤..¤...¤
¤.¤¤....¤¤ ..¤¤.¤¤..¤
.¤¤.¤...¤. ..¤.¤¤.¤.¤
¤¤.¤¤¤..¤¤ ..¤¤¤.¤¤¤¤
..¤¤..¤.¤. ¤.¤..¤¤...
..¤.¤.¤¤¤¤ ¤¤¤¤.¤.¤..