,,,,,,.=@# #@=.,,,,,,
,,,,,.»%@# #@%».,,,,,
,.»=%@##@# #@##@%=».,
,.»=%@#### ####@%=».,
,.»=%@#### ####@%=».,
,.»=%@##@# delay delay d,la@ # %a, . ,# » . #@##@%=».,
,.»=%%%%## ##%%%%=».,
,.»=%@@@#@ @#@@@%=».,
,,,,.==@#@ @#@==.,,,,
,,,,»==@## ##@==»,,,,
,..»==%%@# "delay" means repetiton or likewise, #@%%==»..,
,.»=%@#@## but it's mainly useless without ##@#@%=».,
,,,...=@## feedback, ##@=...,,,
,.»=%@##@# to allow the delay to eat of it's own #@##@%=».,
,.»=%@###@ tail, like one of those eaty serpents. @###@%=».,
,,,.==@##@ thus: it's the serpent effect! @##@==.,,,
,.»=%@@### ###@@%=».,
,.»=%@###@ it's to be revered as a creator of @###@%=».,
,.»=%@##@# ambience and of space, if you treat it #@##@%=».,
,.»=%@##@# right. a somewhat more solid and #@##@%=».,
,.»=%@#@## slippery sibling of reverb. ##@#@%=».,
,.»=%@##@@ @@##@%=».,
,,,,..==@# #@==..,,,,
,.»=%@##@# #@##@%=».,
,,,..»==@# #@==»..,,,
,.»=%@##@@ @@##@%=».,