.¤¤.¤..¤.. ¤¤.......¤
.¤¤..¤..¤. .¤¤.......
.¤¤¤..¤..¤ .¤¤¤......
.¤.¤¤..¤.. .¤.¤¤.....
...¤¤¤..¤. ...¤¤¤....
...¤.¤¤..¤ delay delay d.la# ¤ %a. . .# ~ . ...¤.¤¤...
.....¤¤¤.. .....¤¤¤..
.....¤.¤¤. .....¤.¤¤.
.......¤¤¤ .......¤¤¤
¤......¤.¤ .......¤.¤
¤¤.......¤ "delay" means repetiton or likewise, .........¤
.¤¤......¤ but it's mainly useless without .........¤
.¤¤¤...... feedback, ..........
.¤.¤¤..... to allow the delay to eat of it's own ..........
...¤¤¤.... tail, like one of those eaty serpents. ¤.........
...¤.¤¤... thus: it's the serpent effect! .¤........
.....¤¤¤.. ..¤.......
.....¤.¤¤. it's to be revered as a creator of ...¤......
.......¤¤¤ ambience and of space, if you treat it ....¤.....
.......¤.¤ right. a somewhat more solid and ¤....¤....
.........¤ slippery sibling of reverb. .¤....¤...
.........¤ ..¤....¤..
.......... ¤..¤....¤.
.......... .¤..¤....¤
¤......... ..¤..¤....
.¤........ ...¤..¤...