#@@#%§\~-, ,-~\§%#@@#
@@#%§\~-,, ,,-~\§%#@@
#@@#%§\~-, ,-~\§%#@@#
@@#%§\~-,, ,,-~\§%#@@
#@@#%§\~-, ,-~\§%#@@#
@@#%§\~-,, delay delay d,la@ # §a, - ,@ ~ - ,,-~\§%#@@
#@@#%§\~-, ,-~\§%#@@#
@@#%§\~-,, ,,-~\§%#@@
#@@#%§\~-, ,-~\§%#@@#
@@#%§\~-,, ,,-~\§%#@@
#@@#%§\~-, "delay" means repetiton or likewise, ,-~\§%#@@#
@@#%§\~-,, but it's mainly useless without ,,-~\§%#@@
#@@#%§\~-, feedback, ,-~\§%#@@#
@@#%§\~-,, to allow the delay to eat of it's own ,,-~\§%#@@
#@@#%§\~-, tail, like one of those eaty serpents. ,-~\§%#@@#
@@#%§\~-,, thus: it's the serpent effect! ,,-~\§%#@@
#@@#%§\~-, ,-~\§%#@@#
@@#%§\~-,, it's to be revered as a creator of ,,-~\§%#@@
#@@#%§\~-, ambience and of space, if you treat it ,-~\§%#@@#
@@#%§\~-,, right. a somewhat more solid and ,,-~\§%#@@
#@@#%§\~-, slippery sibling of reverb. ,-~\§%#@@#
@@#%§\~-,, ,,-~\§%#@@
#@@#%§\~-, ,-~\§%#@@#
@@#%§\~-,, ,,-~\§%#@@
#@@#%§\~-, ,-~\§%#@@#
@@#%§\~-,, ,,-~\§%#@@