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¤¤..¤..¤.. ....¤...¤.
¤¤¤..¤..¤. ¤....¤....
¤.¤¤..¤..¤ .¤....¤...
..¤¤¤..¤.. delay delay d.la@ ¤ %a. , .# = , ..¤....¤..
..¤.¤¤..¤. ...¤....¤.
....¤¤¤..¤ ....¤....¤
¤...¤.¤¤.. .....¤....
.¤....¤¤¤. ......¤...
..¤...¤.¤¤ "delay" means repetiton or likewise, .......¤..
...¤....¤¤ but it's mainly useless without ........¤.
....¤...¤. feedback, .........¤
¤....¤.... to allow the delay to eat of it's own ..........
.¤....¤... tail, like one of those eaty serpents. ¤.........
..¤....¤.. thus: it's the serpent effect! .¤........
...¤....¤. ..¤.......
....¤....¤ it's to be revered as a creator of ¤..¤......
.....¤.... ambience and of space, if you treat it ¤¤..¤.....
......¤... right. a somewhat more solid and .¤¤..¤....
.......¤.. slippery sibling of reverb. .¤¤¤..¤...
........¤. .¤.¤¤..¤..
.........¤ ...¤¤¤..¤.
.......... ...¤.¤¤..¤
¤......... .....¤¤¤..
.¤........ .....¤.¤¤.