.....,,:%@                                          @%:,,.....
.....,-:*§                                          §*:-,.....
.,---:***§                                          §***:---,.
....-::*§§                                          §§*::-....
.,--::*%§#                                          #§%*::--,.
.....,--*§ delay  delay  d.la#  § *a.  , .@   -   , §*--,.....
.,-:*%§###                                          ###§%*:-,.
...--*%%@@                                          @@%%*--...
.,-:*%§§§#                                          #§§§%*:-,.
.,-:*%§@##                                          ##@§%*:-,.
.,-:*%§@## "delay" means repetiton or likewise,     ##@§%*:-,.
.,-:::*%@# but it's mainly useless without          #@%*:::-,.
.,-:*%§### feedback,                                ###§%*:-,.
.,-:*%§@## to allow the delay to eat of it's own    ##@§%*:-,.
.....,-*%§ tail, like one of those eaty serpents.   §%*-,.....
.,-:*%§@## thus: it's the serpent effect!           ##@§%*:-,.
...,:**%%§                                          §%%**:,...
....,,:%§# it's to be revered as a creator of       #§%:,,....
.,-:*%§@## ambience and of space, if you treat it   ##@§%*:-,.
.,-:*%§@## right. a somewhat more solid and         ##@§%*:-,.
.,-:*%§@## slippery sibling of reverb.              ##@§%*:-,.
.,-:%§@###                                          ###@§%:-,.
.,-:*%§@##                                          ##@§%*:-,.
.....,,:%§                                          §%:,,.....
....--*%§§                                          §§%*--....
....,:%§@@                                          @@§%:,....