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##¤£*\=~,, ,,~=\*£¤##
###¤£*\=~, ,~=\*£¤###
##¤£*\=~,, ,,~=\*£¤##
#¤£*\=~,,, ,,,~=\*£¤#
¤£*\=~,,,, delay delay d,la# ¤ *a, ~ ,# = ~ ,,,,~=\*£¤
£*\=~,,,,, ,,,,,~=\*£
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~,,,,,,,,, "delay" means repetiton or likewise, ,,,,,,,,,~
=~,,,,,,,, but it's mainly useless without ,,,,,,,,~=
\=~,,,,,,, feedback, ,,,,,,,~=\
*\=~,,,,,, to allow the delay to eat of it's own ,,,,,,~=\*
£*\=~,,,,, tail, like one of those eaty serpents. ,,,,,~=\*£
¤£*\=~,,,, thus: it's the serpent effect! ,,,,~=\*£¤
#¤£*\=~,,, ,,,~=\*£¤#
##¤£*\=~,, it's to be revered as a creator of ,,~=\*£¤##
###¤£*\=~, ambience and of space, if you treat it ,~=\*£¤###
##¤£*\=~,, right. a somewhat more solid and ,,~=\*£¤##
#¤£*\=~,,, slippery sibling of reverb. ,,,~=\*£¤#
¤£*\=~,,,, ,,,,~=\*£¤
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