¨¨^^^-%%%@ @%%%-^^^¨¨
¨^-\%%@#@# #@#@%%\-^¨
¨^-\%%@#@# #@#@%%\-^¨
¨¨¨¨¨¨-%%@ @%%-¨¨¨¨¨¨
¨¨^--\%%@@ @@%%\--^¨¨
¨^-\%%%%@@ delay delay d¨la@ @ %a¨ ^ ¨# - ^ @@%%%%\-^¨
¨^-\%%@#@# #@#@%%\-^¨
¨^-\%%@#@@ @@#@%%\-^¨
¨^^^--\%@@ @@%\--^^^¨
¨^-\%%@#@# #@#@%%\-^¨
¨^-\%%@#@@ "delay" means repetiton or likewise, @@#@%%\-^¨
¨¨¨¨¨¨-\%@ but it's mainly useless without @%\-¨¨¨¨¨¨
¨^-\%@#@## feedback, ##@#@%\-^¨
¨^-\%%@#@# to allow the delay to eat of it's own #@#@%%\-^¨
¨^-\%%@#@# tail, like one of those eaty serpents. #@#@%%\-^¨
¨¨^^--%@@@ thus: it's the serpent effect! @@@%--^^¨¨
¨^-\%%@@#@ @#@@%%\-^¨
¨^-\%%%%@# it's to be revered as a creator of #@%%%%\-^¨
¨¨¨¨¨^^\%@ ambience and of space, if you treat it @%\^^¨¨¨¨¨
¨^-\%%@#@@ right. a somewhat more solid and @@#@%%\-^¨
¨^-\%%@#@# slippery sibling of reverb. #@#@%%\-^¨
¨^-\%%%%%# #%%%%%\-^¨
¨^--\\\%%# #%%\\\--^¨
¨^-\%%@#@# #@#@%%\-^¨
¨^-\%%@#@@ @@#@%%\-^¨
¨¨¨¨^--\%@ @%\--^¨¨¨¨