.##.###.#.                                          ..##.#####
#.##..####                                          .#.##....#
##.#.#....                                          ###.#...#.
.#####....                                          ..###..###
#....#...#                                          .#..#.#..#
#...##..##                TRAIN DREAM               ##.####.#.
#..#.#.#.#   ######....~~~~..#####################  .##...####
#.#######.                   ///                    #.#..#....
##......#.                     ~                    ###.##...#
.#.....##.                    ~                     ..##.#..#.
##....#.##                                          .#.###.##.
.#...###.#               (SITUATION)                ###..##.##
##..#..##.                                          ..#.#.##.#
.#.##.#.#. YOU   FIND  YOURSELF   IN  A  RIFT  -  A .#####.##.
###.###### CLEARING, NARROW BUT IMMEASURABLY LONG.  #....##.#.
..##...... TO YOUR SIDES ARE  WALLS  MADE OF TREES, #...#.####
.#.#.....# THICK AND READY TO SWALLOW  YOU. THE SUN #..###...#
####....## IS  NOWHERE TO  BE SEEN,  BUT NONTHELESS #.#..#..##
...#...#.# IT IS VERY BRIGHT - THE  AIR FEELS LIGHT ###.##.#..
..##..####           BLUE, ALMOST WHITE.            ..##.###..
.#.#.#....                                          .#.##..#..
######.... ALONG THE  SPAN OF  THE CLEARING LAY TWO ###.#.##..
.....#....     PARALLEL SILVERY LINES, DARK HARD    ..####.#.#
....##...# METAL. SOMEHOW  YOU  CAN  SEE HOW  HEAVY .#...#####
...#.#..#.                THEY ARE.                 ##..#....#
..####.###                                          .#.##...##
.#...##..# THEY   EMIT  A  HIGH   PITCHED  WHINE... ###.#..#.#
##..#.#.##                                          ..###.####
.#.#####..                     ~                    .#..##....
###....#.#                   ..*..                  ##.#.#....
..#...####                    ~                     .#####...#
.##..#...#                                          #....#..##
#.#.##..#.               (SITUATION)                #...##.#.#
####.#.###                                          #..#.####.
...####..# YOURE   AT   THE   TRAIN STATION,  ON  A #.###...##
..#...#.## CATWALK  ABOVE THE RAILS. YOUR TRAIN  IS ##..#..#.#
.##..###.# LATE,  OR  YOU ARE LATE  TO  THE  TRAIN. .#.##.####
#.#.#..### IT'S A  SUMMER AFTERNOON AND THE STATION ###.##...#
#####.#..# IS BUSY,  FULL  OF  RELAXED  CONFIDENCE. ..##.#..#.
....###.##                                          .#.###.###
...#..##.. YOU'RE  IN HIGH SPIRITS, ALTHOUGH  A BIT ###..##..#
..##.#.#.# STRESSED  ABOUT THE  TIME,  WHILE MOVING ..#.#.#.##
.#.######. UP  THE STAIRS  TO  YOUR  PLATFORM.  THE .#######.#
###.....## STATION  IS  IN   SEVERAL  LEVELS,   ALL #......###
..#....#..      PLACED WITHIN EACHOTHER BY SOME     #.....#...
.##...##..    INTELLIGENT DESIGNER, AND FULL OF     #....##...
#.#..#.#..       STAIRS, ELEVATORS, SHORTCUTS,      #...#.#...
###.####.. BAZAARS... YOU SIGHT YOUR TRAIN  THROUGH #..####..#
..##...#.. SOME  GLASS  WINDOWS. IT'S...  NOT WHERE #.#...#.#.
.#.#..##.#           IT'S SUPPOSED TO BE?           ###..####.
####.#.##.                                          ..#.#...#.
...####.#.                    ~                     .####..###
..#...###.                   ~~¤~~                  #...#.#..#
.##..#..##                    ~                     #..####.##
#.#.##.#..                                          #.#...##.#
####.###.#                (SITUATION)               ###..#.##.
...##..###                                          ..#.###.##
..#.#.#..# YOU'RE FINALLY ENTERING THE  CITY. WHILE .###..##.#
.######.## IT IS  INDEED A  VERY HIGH  SPEED  TRAIN #..#.#.###
#.....##.. YOU'RE  TRAVELING  IN,  THE  JOURNEY HAS #.#####..#
#....#.#.. BEEN  LONG.  BUT  IT'S  ABOUT  TO   END! ##....#.#.
#...####..                                          .#...#####
#..#...#.# SOCIETY IS GROWING  DENSER  AROUND  YOU, ##..#.....
#.##..#### THROUGH  THE WINDOWS YOU SEE FIRST SMALL .#.##....#
##.#.#.... SHACKS,  BUILT  OF METAL AND STONE, THEN ###.#...#.
.#####.... PROPER  HOUSES WITH  MORTAR TO KEEP THEM ..###..###
#....#...# TOGETHER...  WHO IN  TURN  MAKE  WAY FOR .#..#.#..#
#...##..##   THE INDUSTRIAL BUILDINGS, THE URBAN    ##.####.#.
#..#.#.#.#      MAZE, PROTECTIVE WALLS, JUNGLE      .##...####
#.#######.                NETWORK...                #.#..#....
##......#.                                          ###.##...#
.#.....##. THE  TRACKS  LEAVE THE GROUND,  WHICH IS ..##.#..#.
##....#.## NEEDED  FOR  OTHER   PURPOSES.  YOU  ARE .#.###.##.
.#...###.#  CARRIED GENTLY, CURVING UPWARDS UNTIL   ###..##.##
##..#..##. YOU'RE MOVING UPWARD ALONG THE  WALL  OF ..#.#.##.#
.#.##.#.#. A  BUILDING. IT'S  MADE OF SLABBY STONE, .#####.##.
###.######    WITH GREAT GLASSLESS WINDOW HOLES     #....##.#.
..##...... LOOKING OUT THE  WAY  YOU  CAME.  IT  IS #...#.####
.#.#.....#           PITCH BLACK INSIDE.            #..###...#
####....##                                          #.#..#..##
...#...#.#                                          ###.##.#..
..##..####                                          ..##.###..
.#.#.#....                                          .#.##..#..
######....                                          ###.#.##..