#@&%*=~~.. ..~~=*%&@#
@&%*=~~... ...~~=*%&@
#@&%*=~~.. ..~~=*%&@#
##@&%*=~~. .~~=*%&@##
#@&%*=~~.. ..~~=*%&@#
@&%*=~~... delay delay d.la@ & *a. ~ .@ ~ ~ ...~~=*%&@
#@&%*=~~.. ..~~=*%&@#
##@&%*=~~. .~~=*%&@##
#@&%*=~~.. ..~~=*%&@#
@&%*=~~... ...~~=*%&@
#@&%*=~~.. "delay" means repetiton or likewise, ..~~=*%&@#
##@&%*=~~. but it's mainly useless without .~~=*%&@##
#@&%*=~~.. feedback, ..~~=*%&@#
@&%*=~~... to allow the delay to eat of it's own ...~~=*%&@
#@&%*=~~.. tail, like one of those eaty serpents. ..~~=*%&@#
##@&%*=~~. thus: it's the serpent effect! .~~=*%&@##
#@&%*=~~.. ..~~=*%&@#
@&%*=~~... it's to be revered as a creator of ...~~=*%&@
#@&%*=~~.. ambience and of space, if you treat it ..~~=*%&@#
##@&%*=~~. right. a somewhat more solid and .~~=*%&@##
#@&%*=~~.. slippery sibling of reverb. ..~~=*%&@#
@&%*=~~... ...~~=*%&@
#@&%*=~~.. ..~~=*%&@#
##@&%*=~~. .~~=*%&@##
#@&%*=~~.. ..~~=*%&@#
@&%*=~~... ...~~=*%&@