###¤*%/~,¨                                          ¨,~/%*¤###
###¤*%/~,¨                                          ¨,~/%*¤###
##**%/,,¨¨                                          ¨¨,,/%**##
###¤*%/~,¨                                          ¨,~/%*¤###
###¤*%/~,¨                                          ¨,~/%*¤###
###¤*%/~,¨ delay  delay  d¨la#  ¤ %a¨  , ¨#   ~   , ¨,~/%*¤###
###¤*%/~,¨                                          ¨,~/%*¤###
###¤*%/~,¨                                          ¨,~/%*¤###
¤%~,¨¨¨¨¨¨                                          ¨¨¨¨¨¨,~%¤
###¤*%/~,¨                                          ¨,~/%*¤###
##*%%%/~,¨ "delay" means repetiton or likewise,     ¨,~/%%%*##
#¤*/,¨¨¨¨¨ but it's mainly useless without          ¨¨¨¨¨,/*¤#
¤**//~¨¨¨¨ feedback,                                ¨¨¨¨~//**¤
¤**%%%/~,¨ to allow the delay to eat of it's own    ¨,~/%%%**¤
#¤%%/,¨¨¨¨ tail, like one of those eaty serpents.   ¨¨¨¨,/%%¤#
#¤¤*/~,¨¨¨ thus: it's the serpent effect!           ¨¨¨,~/*¤¤#
¤%%//,¨¨¨¨                                          ¨¨¨¨,//%%¤
#¤*%%%/~,¨ it's to be revered as a creator of       ¨,~/%%%*¤#
###¤*%/~,¨ ambience and of space, if you treat it   ¨,~/%*¤###
####¤*%~,¨ right. a somewhat more solid and         ¨,~%*¤####
¤¤%~¨¨¨¨¨¨ slippery sibling of reverb.              ¨¨¨¨¨¨~%¤¤
###¤*%/~,¨                                          ¨,~/%*¤###
#¤¤¤*%/~,¨                                          ¨,~/%*¤¤¤#
#¤**/,,¨¨¨                                          ¨¨¨,,/**¤#
###¤*%/~,¨                                          ¨,~/%*¤###
###¤*%/~,¨                                          ¨,~/%*¤###