..,=/*$§##                                          ##§$*/=,..
.,=/*$§###                                          ###§$*/=,.
..,=/*$§##                                          ##§$*/=,..
...,=/*$§#                                          #§$*/=,...
....,=/*$§                                          §$*/=,....
.....,=/*$ delay  delay  d.la#  § *a.  , .¶   =   , $*/=,.....
......,=/*                                          */=,......
.....,=/*$                                          $*/=,.....
....,=/*$§                                          §$*/=,....
...,=/*$§#                                          #§$*/=,...
..,=/*$§## "delay" means repetiton or likewise,     ##§$*/=,..
.,=/*$§### but it's mainly useless without          ###§$*/=,.
..,=/*$§## feedback,                                ##§$*/=,..
...,=/*$§# to allow the delay to eat of it's own    #§$*/=,...
....,=/*$§ tail, like one of those eaty serpents.   §$*/=,....
.....,=/*$ thus: it's the serpent effect!           $*/=,.....
......,=/*                                          */=,......
.....,=/*$ it's to be revered as a creator of       $*/=,.....
....,=/*$§ ambience and of space, if you treat it   §$*/=,....
...,=/*$§# right. a somewhat more solid and         #§$*/=,...
..,=/*$§## slippery sibling of reverb.              ##§$*/=,..
.,=/*$§###                                          ###§$*/=,.
..,=/*$§##                                          ##§$*/=,..
...,=/*$§#                                          #§$*/=,...
....,=/*$§                                          §$*/=,....
.....,=/*$                                          $*/=,.....