§§§§==,,,, ,,,,==§§§§
§§§§=~,,,, ,,,,~=§§§§
§§§=,,,,,, ,,,,,,=§§§
##@§$§^=~, ,~=^§$§@##
##@§$§^=~, ,~=^§$§@##
§§$§^^^=~, delay delay d,la# § §a, ~ ,@ = ~ ,~=^^^§$§§
@$§^^^=~,, ,,~=^^^§$@
##@§$§^=~, ,~=^§$§@##
@$^=,,,,,, ,,,,,,=^$@
§§§^~~~~,, ,,~~~~^§§§
###@§$§=~, "delay" means repetiton or likewise, ,~=§$§@###
§$^^~,,,,, but it's mainly useless without ,,,,,~^^$§
§§§^^==,,, feedback, ,,,==^^§§§
##@§$§^=~, to allow the delay to eat of it's own ,~=^§$§@##
##@§$§^=~, tail, like one of those eaty serpents. ,~=^§$§@##
#@$^^^~,,, thus: it's the serpent effect! ,,,~^^^$@#
##@§$§^=~, ,~=^§$§@##
##@§$§^=~, it's to be revered as a creator of ,~=^§$§@##
##@§$§^=~, ambience and of space, if you treat it ,~=^§$§@##
@@§$$§^=~, right. a somewhat more solid and ,~=^§$$§@@
@$$^~~,,,, slippery sibling of reverb. ,,,,~~^$$@
@§§§$§^=~, ,~=^§$§§§@
§$$$$§^=~, ,~=^§$$$$§
##@§$§^=~, ,~=^§$§@##
@§§§§=,,,, ,,,,=§§§§@
#@§$^~~,,, ,,,~~^$§@#