#@¶&&$:~^. .^~:$&&¶@#
¶¶&&&$:~^. .^~:$&&&¶¶
@¶&$$~.... ....~$$&¶@
##@¶&$:~^. .^~:$&¶@##
¶&&$$$:~^. .^~:$$$&&¶
##¶&&$:~^. delay delay d.la@ & $a. ^ .¶ ~ ^ .^~:$&&¶##
¶&&&&$:~^. .^~:$&&&&¶
@@¶&&$:~^. .^~:$&&¶@@
@¶¶&&$:~^. .^~:$&&¶¶@
##@&&$:~^. .^~:$&&@##
#@¶&&$:~^. "delay" means repetiton or likewise, .^~:$&&¶@#
#@¶&&$:~^. but it's mainly useless without .^~:$&&¶@#
&$:^...... feedback, ......^:$&
@@¶&&$:~^. to allow the delay to eat of it's own .^~:$&&¶@@
@¶&&:^.... tail, like one of those eaty serpents. ....^:&&¶@
##@¶&&$:^. thus: it's the serpent effect! .^:$&&¶@##
#@¶&&$:~^. .^~:$&&¶@#
@&&$$~~... it's to be revered as a creator of ...~~$$&&@
&&$$:~^^.. ambience and of space, if you treat it ..^^~:$$&&
&&$~~~~... right. a somewhat more solid and ...~~~~$&&
#@¶&&$:~^. slippery sibling of reverb. .^~:$&&¶@#
#@¶&&$:~^. .^~:$&&¶@#
@@¶&&$:~^. .^~:$&&¶@@
@@¶&&$:~^. .^~:$&&¶@@
#@¶&&$:~^. .^~:$&&¶@#
¶&$$$~^... ...^~$$$&¶