,.-:*$&@## ##@&$*:-.,
,.-:*$¶@## ##@¶$*:-.,
,.-:*$&¶@@ @@¶&$*:-.,
,.-:*$&¶@# #@¶&$*:-.,
,.-:*$&¶@# #@¶&$*:-.,
,.-:*$&¶@@ Delay Delay D,La@ & *A, . ,¶ - . @@¶&$*:-.,
,.-:*$&¶## ##¶&$*:-.,
,,,..:*&&@ @&&*:..,,,
,,,,...-*& &*-...,,,,
,.--::*&&¶ ¶&&*::--.,
,-:*$&¶@## "Delay" Means Repetiton Or Likewise, ##@¶&$*:-,
,.-:*$&¶@# But It'S Mainly Useless Without #@¶&$*:-.,
,.-:*$&¶@# Feedback, #@¶&$*:-.,
,.-:*$&¶@# To Allow The Delay To Eat Of It'S Own #@¶&$*:-.,
,,,,,,,-*& Tail, Like One Of Those Eaty Serpents. &*-,,,,,,,
,,...-:$&¶ Thus: It'S The Serpent Effect! ¶&$:-...,,
,,,,,.:$$& &$$:.,,,,,
,.-:*$&¶@# It'S To Be Revered As A Creator Of #@¶&$*:-.,
,.-:***&&& Ambience And Of Space, If You Treat It &&&***:-.,
,.-:*$&¶@# Right. A Somewhat More Solid And #@¶&$*:-.,
,,,,,.:*&¶ Slippery Sibling Of Reverb. ¶&*:.,,,,,
,.-:*$&¶@# #@¶&$*:-.,
,,,,,.:**& &**:.,,,,,
,.-:*$&¶@# #@¶&$*:-.,
,.-:*$&¶@# #@¶&$*:-.,
,,,,,,,-*& &*-,,,,,,,