,,,,»^=%#@ @#%=^»,,,,
,,,»^=%#@@ @@#%=^»,,,
,,»^=%#@@# #@@#%=^»,,
,,,»^=%#@@ @@#%=^»,,,
,,,,»^=%#@ @#%=^»,,,,
,,,,,»^=%# delay delay d,la@ # =a, , ,@ » , #%=^»,,,,,
,,,,,,»^=% %=^»,,,,,,
,,,,,,,»^= =^»,,,,,,,
,,,,,,,,»^ ^»,,,,,,,,
,,,,,,,»^= =^»,,,,,,,
,,,,,,»^=% "delay" means repetiton or likewise, %=^»,,,,,,
,,,,,»^=%# but it's mainly useless without #%=^»,,,,,
,,,,»^=%#@ feedback, @#%=^»,,,,
,,,»^=%#@@ to allow the delay to eat of it's own @@#%=^»,,,
,,»^=%#@@# tail, like one of those eaty serpents. #@@#%=^»,,
,,,»^=%#@@ thus: it's the serpent effect! @@#%=^»,,,
,,,,»^=%#@ @#%=^»,,,,
,,,,,»^=%# it's to be revered as a creator of #%=^»,,,,,
,,,,,,»^=% ambience and of space, if you treat it %=^»,,,,,,
,,,,,,,»^= right. a somewhat more solid and =^»,,,,,,,
,,,,,,,,»^ slippery sibling of reverb. ^»,,,,,,,,
,,,,,,,»^= =^»,,,,,,,
,,,,,,»^=% %=^»,,,,,,
,,,,,»^=%# #%=^»,,,,,
,,,,»^=%#@ @#%=^»,,,,
,,,»^=%#@@ @@#%=^»,,,