@..@..@.@@ @@..@...@@
@@..@...@. @@@..@..@.
@@@..@.... @.@@..@...
@.@@..@... ..@@@..@..
..@@@..@.. ..@.@@..@.
..@.@@..@. delay delay d.la# @ %a. ^ .ΒΆ ~ ^ ....@@@..@
@...@@@..@ ....@.@@..
.@..@.@@.. @.....@@@.
..@...@@@. @@....@.@@
@..@..@.@@ @@@.....@@
@@..@...@@ "delay" means repetiton or likewise, @.@@....@.
@@@..@..@. but it's mainly useless without ..@@@.....
@.@@..@... feedback, ..@.@@....
..@@@..@.. to allow the delay to eat of it's own @...@@@...
..@.@@..@. tail, like one of those eaty serpents. .@..@.@@..
....@@@..@ thus: it's the serpent effect! ..@...@@@.
....@.@@.. ...@..@.@@
@.....@@@. it's to be revered as a creator of ....@...@@
@@....@.@@ ambience and of space, if you treat it .....@..@.
@@@.....@@ right. a somewhat more solid and ......@...
@.@@....@. slippery sibling of reverb. @......@..
..@@@..... .@......@.
..@.@@.... ..@......@
@...@@@... @..@......
.@..@.@@.. .@..@.....
..@...@@@. ..@..@....