#%*\~.....                                          .....~\*%#
##%*\~....                                          ....~\*%##
@##%*\~...                                          ...~\*%##@
#@##%*\~..                                          ..~\*%##@#
@##%*\~...                                          ...~\*%##@
##%*\~....                                          ....~\*%##
#%*\~.....                ..%@#@%..                 .....~\*%#
%*\~......       .. PITTSBURGH ELECTRONICS ..       ......~\*%
#%*\~.....              ~~ LIFEFORMS ~~             .....~\*%#
##%*\~....               \\ SV ONE \\               ....~\*%##
@##%*\~...                                          ...~\*%##@
#@##%*\~.. THIS  IS A EURORACK MODULE BUT I  BOUGHT ..~\*%##@#
@##%*\~... THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ...~\*%##@
##%*\~....                                          ....~\*%##
#%*\~..... IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. .....~\*%#
%*\~......                                          ......~\*%
#%*\~.....             .*# CONTAINS #*.             .....~\*%#
##%*\~....           MIDI TO CV CONVERTER           ....~\*%##
@##%*\~...                 TWO VCO'S                ...~\*%##@
#@##%*\~.. FOUR CHANNEL OR TWO X TWO CHANNEL  MIXER ..~\*%##@#
@##%*\~...        TWO SUB OSCILLATORS I THINK       ...~\*%##@
##%*\~....         TWO ONE TO TWO SPLITTERS         ....~\*%##
#%*\~.....           WHITE NOISE GENERATOR          .....~\*%#
%*\~......              SAMPLE AND HOLD             ......~\*%
#%*\~.....          LFO PLUS A DIGITAL LFO          .....~\*%#
##%*\~....   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ....~\*%##
@##%*\~...              ADSR ENVELOPE               ...~\*%##@
#@##%*\~..                 ONE VCA                  ..~\*%##@#
@##%*\~...              HEADPHONE AMP               ...~\*%##@
##%*\~....         FOURTY NINE PATCHPOINTS!         ....~\*%##
#%*\~.....                                          .....~\*%#
%*\~......                  ..@#@..                 ......~\*%
#%*\~.....           ~** SO WHAT NOW **~            .....~\*%#
##%*\~....                  ..@#@..                 ....~\*%##
@##%*\~...                                          ...~\*%##@
#@##%*\~.. CLOCK IO GOES TO  ASDR  IN  I THINK  AND ..~\*%##@#
@##%*\~... MAYBE ALSO TO THE SAMPLE  AND  HOLD. PUT ...~\*%##@
##%*\~.... SUBBASE AND NOISE  IN  CHANNEL THREE AND ....~\*%##
#%*\~..... FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL .....~\*%#
%*\~...... TWO,  AND OSCILLATOR TWO SAW  TO CHANNEL ......~\*%
#%*\~..... ONE.  SAMPLE  AND   HOLD   OUT   TO  THE .....~\*%#
##%*\~....  FILTER... MAYBE... RESONANCE AT HALF.   ....~\*%##
@##%*\~... SOME  FREQUENCY IN  THE FIRST OSCILLATOR ...~\*%##@
#@##%*\~.. AND THEN THE  SECOND  OSC FOUR SEMITONES ..~\*%##@#
@##%*\~...                 HIGHER.                  ...~\*%##@
##%*\~....                                          ....~\*%##
#%*\~.....                  .~###~.                 .....~\*%#
%*\~......          \%% DESKTOP SYNTH %%\           ......~\*%
#%*\~.....                 .~###~.                  .....~\*%#
##%*\~....                                          ....~\*%##
@##%*\~...                                          ...~\*%##@
#@##%*\~..                                          ..~\*%##@#
@##%*\~...                                          ...~\*%##@
##%*\~....                                          ....~\*%##
#%*\~.....                                          .....~\*%#