@¨@@@¨@¨¨@                                          ¨¨@¨@@@¨¨¨
@¨¨@@¨@¨@¨                                          ¨@@¨¨@@¨¨@
@¨@¨@¨@¨@¨                                          @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                                          @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                                          @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                                          @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                ¨¨£@#@£¨¨                 @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨       ,, PITTSBURGH ELECTRONICS ,,       @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨              == LIFEFORMS ==             @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨               \\ SV ONE \\               @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                                          @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨ THIS IS A  EURORACK MODULE  BUT I BOUGHT @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                                          @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨ IT  SHIPS  WITH  TOO  FEW PATCH  CABLES. @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                                          @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨             ¨%£ CONTAINS £%¨             @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨           MIDI TO CV CONVERTER           @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                TWO VCO'S                 @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨ FOUR CHANNEL OR TWO X  TWO CHANNEL MIXER @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨       TWO SUB OSCILLATORS I THINK        @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨         TWO ONE TO TWO SPLITTERS         @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨           WHITE NOISE GENERATOR          @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨              SAMPLE AND HOLD             @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨          LFO PLUS A DIGITAL LFO          @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨               ADSR ENVELOPE              @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                 ONE VCA                  @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨              HEADPHONE AMP               @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨         FOURTY NINE PATCHPOINTS!         @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                                          @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                 ¨,@#@,¨                  @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨           =%% SO WHAT NOW %%=            @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                 ¨,@#@,¨                  @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                                          @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨ CLOCK IO GOES  TO ASDR  IN  I THINK  AND @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨ MAYBE  ALSO TO  THE SAMPLE AND HOLD. PUT @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨ SUBBASE AND NOISE IN CHANNEL  THREE  AND @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨ TWO, AND  OSCILLATOR  TWO SAW TO CHANNEL @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨ ONE.  SAMPLE   AND   HOLD  OUT   TO  THE @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨   FILTER... MAYBE... RESONANCE AT HALF.  @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨ SOME FREQUENCY  IN THE  FIRST OSCILLATOR @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨ AND THEN  THE SECOND  OSC FOUR SEMITONES @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                 HIGHER.                  @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                                          @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                 ,=@£@=,                  @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨          \££ DESKTOP SYNTH ££\           @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                  ,=@£@=,                 @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                                          @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                                          @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                                          @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                                          @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                                          @¨@¨@¨@¨@¨
@¨@¨@¨@¨@¨                                          @¨@¨@¨@¨@¨