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«,........                                          ........,«
*«,.......                 ..$@#@$..                .......,«*
**«,......       ,, PITTSBURGH ELECTRONICS ,,       ......,«**
$**«,.....             «« LIFEFORMS ««              .....,«**$
¤$**«,....               ** SV ONE **               ....,«**$¤
@¤$**«,...                                          ...,«**$¤@
#@¤$**«,.. THIS  IS  A EURORACK MODULE BUT I BOUGHT ..,«**$¤@#
##@¤$**«,. THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. .,«**$¤@##
#@¤$**«,..                                          ..,«**$¤@#
@¤$**«,... IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. ...,«**$¤@
¤$**«,....                                          ....,«**$¤
$**«,.....             .*# CONTAINS #*.             .....,«**$
**«,......           MIDI TO CV CONVERTER           ......,«**
*«,.......                TWO VCO'S                 .......,«*
«,........ FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER ........,«
,.........        TWO SUB OSCILLATORS I THINK       .........,
..........         TWO ONE TO TWO SPLITTERS         ..........
..........          WHITE NOISE GENERATOR           ..........
..........             SAMPLE AND HOLD              ..........
..........          LFO PLUS A DIGITAL LFO          ..........
..........   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ..........
,.........              ADSR ENVELOPE               .........,
«,........                  ONE VCA                 ........,«
*«,.......              HEADPHONE AMP               .......,«*
**«,......         FOURTY NINE PATCHPOINTS!         ......,«**
$**«,.....                                          .....,«**$
¤$**«,....                 .,@#@,.                  ....,«**$¤
@¤$**«,...           «** SO WHAT NOW **«            ...,«**$¤@
#@¤$**«,..                  .,@#@,.                 ..,«**$¤@#
##@¤$**«,.                                          .,«**$¤@##
#@¤$**«,.. CLOCK IO  GOES TO ASDR  IN I  THINK  AND ..,«**$¤@#
@¤$**«,... MAYBE ALSO TO  THE SAMPLE AND  HOLD. PUT ...,«**$¤@
¤$**«,.... SUBBASE AND  NOISE IN  CHANNEL THREE AND ....,«**$¤
$**«,..... FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL .....,«**$
**«,...... TWO, AND  OSCILLATOR TWO SAW TO  CHANNEL ......,«**
*«,....... ONE.  SAMPLE   AND   HOLD  OUT  TO   THE .......,«*
«,........  FILTER... MAYBE... RESONANCE AT HALF.   ........,«
,......... SOME  FREQUENCY  IN THE FIRST OSCILLATOR .........,
.......... AND  THEN  THE SECOND OSC FOUR SEMITONES ..........
..........                 HIGHER.                  ..........
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..........                 ,«¤#¤«,                  ..........
..........          *$$ DESKTOP SYNTH $$*           ..........
,.........                  ,«¤#¤«,                 .........,
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