.^-:$%¤£##                                          ##£¤%$:-^.
..^-:$%¤£#                                          #£¤%$:-^..
.^-:$%¤£##                                          ##£¤%$:-^.
..^-:$%¤£#                                          #£¤%$:-^..
.^-:$%¤£##                                          ##£¤%$:-^.
..^-:$%¤£#                                          #£¤%$:-^..
.^-:$%¤£##                ..%###%..                 ##£¤%$:-^.
..^-:$%¤£#       ^^ PITTSBURGH ELECTRONICS ^^       #£¤%$:-^..
.^-:$%¤£##              -- LIFEFORMS --             ##£¤%$:-^.
..^-:$%¤£#               :: SV ONE ::               #£¤%$:-^..
.^-:$%¤£##                                          ##£¤%$:-^.
..^-:$%¤£# THIS IS  A EURORACK MODULE BUT  I BOUGHT #£¤%$:-^..
.^-:$%¤£## THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ##£¤%$:-^.
..^-:$%¤£#                                          #£¤%$:-^..
.^-:$%¤£## IT  SHIPS  WITH  TOO FEW  PATCH  CABLES. ##£¤%$:-^.
..^-:$%¤£#                                          #£¤%$:-^..
.^-:$%¤£##             .$£ CONTAINS £$.             ##£¤%$:-^.
..^-:$%¤£#           MIDI TO CV CONVERTER           #£¤%$:-^..
.^-:$%¤£##                 TWO VCO'S                ##£¤%$:-^.
..^-:$%¤£# FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER #£¤%$:-^..
.^-:$%¤£##        TWO SUB OSCILLATORS I THINK       ##£¤%$:-^.
..^-:$%¤£#         TWO ONE TO TWO SPLITTERS         #£¤%$:-^..
.^-:$%¤£##           WHITE NOISE GENERATOR          ##£¤%$:-^.
..^-:$%¤£#              SAMPLE AND HOLD             #£¤%$:-^..
.^-:$%¤£##          LFO PLUS A DIGITAL LFO          ##£¤%$:-^.
..^-:$%¤£#   FILTER (LOWPASS, BANDPASS, HIGHPASS)   #£¤%$:-^..
.^-:$%¤£##              ADSR ENVELOPE               ##£¤%$:-^.
..^-:$%¤£#                  ONE VCA                 #£¤%$:-^..
.^-:$%¤£##               HEADPHONE AMP              ##£¤%$:-^.
..^-:$%¤£#         FOURTY NINE PATCHPOINTS!         #£¤%$:-^..
.^-:$%¤£##                                          ##£¤%$:-^.
..^-:$%¤£#                  .^###^.                 #£¤%$:-^..
.^-:$%¤£##            -$$ SO WHAT NOW $$-           ##£¤%$:-^.
..^-:$%¤£#                  .^###^.                 #£¤%$:-^..
.^-:$%¤£##                                          ##£¤%$:-^.
..^-:$%¤£# CLOCK IO  GOES  TO  ASDR  IN I THINK AND #£¤%$:-^..
.^-:$%¤£## MAYBE ALSO TO THE  SAMPLE  AND HOLD. PUT ##£¤%$:-^.
..^-:$%¤£# SUBBASE AND NOISE IN  CHANNEL  THREE AND #£¤%$:-^..
.^-:$%¤£## FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ##£¤%$:-^.
..^-:$%¤£# TWO, AND OSCILLATOR  TWO SAW  TO CHANNEL #£¤%$:-^..
.^-:$%¤£## ONE.  SAMPLE  AND  HOLD   OUT   TO   THE ##£¤%$:-^.
..^-:$%¤£#   FILTER... MAYBE... RESONANCE AT HALF.  #£¤%$:-^..
.^-:$%¤£## SOME FREQUENCY  IN  THE FIRST OSCILLATOR ##£¤%$:-^.
..^-:$%¤£# AND THEN THE SECOND  OSC FOUR  SEMITONES #£¤%$:-^..
.^-:$%¤£##                 HIGHER.                  ##£¤%$:-^.
..^-:$%¤£#                                          #£¤%$:-^..
.^-:$%¤£##                  ^-¤£¤-^                 ##£¤%$:-^.
..^-:$%¤£#          :%% DESKTOP SYNTH %%:           #£¤%$:-^..
.^-:$%¤£##                  ^-¤£¤-^                 ##£¤%$:-^.
..^-:$%¤£#                                          #£¤%$:-^..
.^-:$%¤£##                                          ##£¤%$:-^.
..^-:$%¤£#                                          #£¤%$:-^..
.^-:$%¤£##                                          ##£¤%$:-^.
..^-:$%¤£#                                          #£¤%$:-^..
.^-:$%¤£##                                          ##£¤%$:-^.