##@£@=:-,, ,,-:=@£@##
#@££@=:-,, ,,-:=@££@#
###@@=:-,, ,,-:=@@###
@££=:--,,, ,,,--:=££@
#@£==::-,, ,,-::==£@#
#@@£@=:-,, #### ##### ,,-:=@£@@#
£@@:-,,,,, tape dream ,,,,,-:@@£
£=-,,,,,,, #### ##### ,,,,,,,-=£
##@£@=:-,, ,,-:=@£@##
££££@=:-,, for storing music on. also data but ,,-:=@££££
##@£@=:-,, at this point in time that's not ,,-:=@£@##
##@£@=:-,, really important i think. ,,-:=@£@##
@@=--,,,,, ,,,,,--=@@
###@@=:-,, ,,-:=@@###
#£==---,,, :::::::: types of tape :::::::: ,,,---==£#
@@£@@=:-,, ,,-:=@@£@@
##@£@=:-,, class i - "bad" iron ,,-:=@£@##
##@£@=:-,, class ii - good chromium ,,-:=@£@##
##@£@=:-,, class iii - bad iron part two ,,-:=@£@##
##@£@=:-,, class iv - dangerous metals ,,-:=@£@##
##@£@=:-,, ,,-:=@£@##
##@£@=:-,, rumors exist about a secret class v tape ,,-:=@£@##
##@£@=:-,, that is actually useful. ,,-:=@£@##
##@£@=:-,, ,,-:=@£@##
££=:,,,,,, :: bias :: ,,,,,,:=££
###@£@=:-, ,-:=@£@###
##@£@=:-,, class i uses one hundred and twenty ,,-:=@£@##
£@@:,,,,,, micro-something while the others all ,,,,,,:@@£
@£@:::,,,, use seventy of the same unit. ,,,,:::@£@
£=:-,,,,,, ,,,,,,-:=£
##@£@=:-,, ,,-:=@£@##
#£@=::,,,, ========= aha and ========= ,,,,::=@£#
##@£@=:-,, ,,-:=@£@##
##@£@=:-,, class iv is apparently too strong to ,,-:=@£@##
£@@:-,,,,, be used on class i players. it will ,,,,,-:@@£
@££=::-,,, sound too lound and it cannot be ,,,-::=££@
@£@=:-,,,, completely erased. this is very well. ,,,,-:=@£@
##@£@=:-,, maybe some wonderful blending effects ,,-:=@£@##
##@£@=:-,, could be achieved? ,,-:=@£@##
#£@=--,,,, ,,,,--=@£#
@@=:::,,,, they also gnaw at the tape heads a bit ,,,,:::=@@
£@::-,,,,, better than earlier tape types. ,,,,,-::@£
##@£@=:-,, ,,-:=@£@##
##@£@=:-,, ,,-:=@£@##
##@£@=:-,, :::::::: artifacts :::::::: ,,-:=@£@##
££==:---,, ,,---:==££
£=:,,,,,,, good tapes are decent and have a good ,,,,,,,:=£
#£@@==:-,, high frequency presence, bad tapes are ,,-:==@@£#
@@:,,,,,,, lofi if not outright bad. idk, i kinda ,,,,,,,:@@
#@@::,,,,, like it. ,,,,,::@@#
#£@=-,,,,, ,,,,,-=@£#
£@:,,,,,,, bias loss: if you forget the bias who ,,,,,,,:@£
@£@@==:-,, knows whats even on there anymore ,,-:==@@£@
@@:,,,,,,, ,,,,,,,:@@
##@£@=:-,, flutter: kinda quick pitch variations. ,,-:=@£@##
#@@@@=:-,, beautiful, wonderful, extraordinary. ,,-:=@@@@#
@££=::,,,, ,,,,::=££@
@@£@@=:-,, wow: a slower flutter, usually several ,,-:=@@£@@
££=--,,,,, seconds long. what up. both of these ,,,,,--=££
@@=-,,,,,, increase when tape speed decreases. ,,,,,,-=@@
###£@=:-,, ,,-:=@£###
##@£@=:-,, print through: tapes rub sound on each ,,-:=@£@##
@@==-,,,,, other if theyre alone for too long ,,,,,-==@@
#££@@=:-,, ,,-:=@@££#
#@@@=-,,,, ,,,,-=@@@#
£=-,,,,,,, ,,,,,,,-=£
@@@:-,,,,, ,,,,,-:@@@
#£££@=:-,, ,,-:=@£££#
#@@=:,,,,, ,,,,,:=@@#