..-«=**£@#                                          #@£**=«-..
.-«=**£@##                                          ##@£**=«-.
..-«=**£@#                                          #@£**=«-..
...-«=**£@                                          @£**=«-...
....-«=**£                                          £**=«-....
.....-«=**                                          **=«-.....
......-«=*                 ..*@#@*..                *=«-......
.......-«=       -- PITTSBURGH ELECTRONICS --       =«-.......
........-«             «« LIFEFORMS ««              «-........
.........-               == SV ONE ==               -.........
..........                                          ..........
.......... THIS IS A EURORACK MODULE  BUT I  BOUGHT ..........
.......... THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ..........
..........                                          ..........
.......... IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. ..........
.........-                                          -.........
........-«             .*@ CONTAINS @*.             «-........
.......-«=           MIDI TO CV CONVERTER           =«-.......
......-«=*                TWO VCO'S                 *=«-......
.....-«=** FOUR CHANNEL  OR TWO X TWO CHANNEL MIXER **=«-.....
....-«=**£        TWO SUB OSCILLATORS I THINK       £**=«-....
...-«=**£@         TWO ONE TO TWO SPLITTERS         @£**=«-...
..-«=**£@#           WHITE NOISE GENERATOR          #@£**=«-..
.-«=**£@##             SAMPLE AND HOLD              ##@£**=«-.
..-«=**£@#          LFO PLUS A DIGITAL LFO          #@£**=«-..
...-«=**£@   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @£**=«-...
....-«=**£              ADSR ENVELOPE               £**=«-....
.....-«=**                 ONE VCA                  **=«-.....
......-«=*              HEADPHONE AMP               *=«-......
.......-«=         FOURTY NINE PATCHPOINTS!         =«-.......
........-«                                          «-........
.........-                 .-@#@-.                  -.........
..........           «** SO WHAT NOW **«            ..........
..........                  .-@#@-.                 ..........
..........                                          ..........
.......... CLOCK  IO GOES TO ASDR IN  I  THINK  AND ..........
.......... MAYBE ALSO TO  THE SAMPLE AND HOLD.  PUT ..........
.........- SUBBASE  AND NOISE IN CHANNEL  THREE AND -.........
........-« FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL «-........
.......-«= TWO,  AND OSCILLATOR TWO SAW TO  CHANNEL =«-.......
......-«=* ONE.   SAMPLE   AND  HOLD  OUT   TO  THE *=«-......
.....-«=**  FILTER... MAYBE... RESONANCE AT HALF.   **=«-.....
....-«=**£ SOME  FREQUENCY IN THE FIRST  OSCILLATOR £**=«-....
...-«=**£@ AND THEN  THE SECOND OSC  FOUR SEMITONES @£**=«-...
..-«=**£@#                  HIGHER.                 #@£**=«-..
.-«=**£@##                                          ##@£**=«-.
..-«=**£@#                  -«£@£«-                 #@£**=«-..
...-«=**£@          =** DESKTOP SYNTH **=           @£**=«-...
....-«=**£                  -«£@£«-                 £**=«-....
.....-«=**                                          **=«-.....
......-«=*                                          *=«-......
.......-«=                                          =«-.......
........-«                                          «-........
.........-                                          -.........
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