¨¨:~*%¤¤##                                          ##¤¤%*~:¨¨
¨¨¨:~*%¤¤#                                          #¤¤%*~:¨¨¨
¨¨¨¨:~*%¤¤                                          ¤¤%*~:¨¨¨¨
¨¨¨¨¨:~*%¤                                          ¤%*~:¨¨¨¨¨
¨¨¨¨¨¨:~*%                                          %*~:¨¨¨¨¨¨
¨¨¨¨¨:~*%¤                                          ¤%*~:¨¨¨¨¨
¨¨¨¨:~*%¤¤                ¨¨¤###¤¨¨                 ¤¤%*~:¨¨¨¨
¨¨¨:~*%¤¤#       :: PITTSBURGH ELECTRONICS ::       #¤¤%*~:¨¨¨
¨¨:~*%¤¤##              ~~ LIFEFORMS ~~             ##¤¤%*~:¨¨
¨:~*%¤¤###               ** SV ONE **               ###¤¤%*~:¨
¨¨:~*%¤¤##                                          ##¤¤%*~:¨¨
¨¨¨:~*%¤¤# THIS IS A EURORACK MODULE  BUT  I BOUGHT #¤¤%*~:¨¨¨
¨¨¨¨:~*%¤¤ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ¤¤%*~:¨¨¨¨
¨¨¨¨¨:~*%¤                                          ¤%*~:¨¨¨¨¨
¨¨¨¨¨¨:~*% IT  SHIPS  WITH  TOO  FEW  PATCH CABLES. %*~:¨¨¨¨¨¨
¨¨¨¨¨:~*%¤                                          ¤%*~:¨¨¨¨¨
¨¨¨¨:~*%¤¤             ¨%@ CONTAINS @%¨             ¤¤%*~:¨¨¨¨
¨¨¨:~*%¤¤#           MIDI TO CV CONVERTER           #¤¤%*~:¨¨¨
¨¨:~*%¤¤##                TWO VCO'S                 ##¤¤%*~:¨¨
¨:~*%¤¤### FOUR CHANNEL  OR TWO X TWO CHANNEL MIXER ###¤¤%*~:¨
¨¨:~*%¤¤##        TWO SUB OSCILLATORS I THINK       ##¤¤%*~:¨¨
¨¨¨:~*%¤¤#         TWO ONE TO TWO SPLITTERS         #¤¤%*~:¨¨¨
¨¨¨¨:~*%¤¤          WHITE NOISE GENERATOR           ¤¤%*~:¨¨¨¨
¨¨¨¨¨:~*%¤              SAMPLE AND HOLD             ¤%*~:¨¨¨¨¨
¨¨¨¨¨¨:~*%          LFO PLUS A DIGITAL LFO          %*~:¨¨¨¨¨¨
¨¨¨¨¨:~*%¤   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ¤%*~:¨¨¨¨¨
¨¨¨¨:~*%¤¤              ADSR ENVELOPE               ¤¤%*~:¨¨¨¨
¨¨¨:~*%¤¤#                 ONE VCA                  #¤¤%*~:¨¨¨
¨¨:~*%¤¤##              HEADPHONE AMP               ##¤¤%*~:¨¨
¨:~*%¤¤###         FOURTY NINE PATCHPOINTS!         ###¤¤%*~:¨
¨¨:~*%¤¤##                                          ##¤¤%*~:¨¨
¨¨¨:~*%¤¤#                  ¨:###:¨                 #¤¤%*~:¨¨¨
¨¨¨¨:~*%¤¤           ~%% SO WHAT NOW %%~            ¤¤%*~:¨¨¨¨
¨¨¨¨¨:~*%¤                  ¨:###:¨                 ¤%*~:¨¨¨¨¨
¨¨¨¨¨¨:~*%                                          %*~:¨¨¨¨¨¨
¨¨¨¨¨:~*%¤ CLOCK  IO  GOES TO ASDR IN I  THINK  AND ¤%*~:¨¨¨¨¨
¨¨¨¨:~*%¤¤ MAYBE ALSO TO  THE SAMPLE  AND HOLD. PUT ¤¤%*~:¨¨¨¨
¨¨¨:~*%¤¤# SUBBASE AND  NOISE  IN CHANNEL THREE AND #¤¤%*~:¨¨¨
¨¨:~*%¤¤## FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ##¤¤%*~:¨¨
¨:~*%¤¤### TWO, AND OSCILLATOR TWO SAW  TO  CHANNEL ###¤¤%*~:¨
¨¨:~*%¤¤## ONE.  SAMPLE   AND  HOLD   OUT   TO  THE ##¤¤%*~:¨¨
¨¨¨:~*%¤¤#  FILTER... MAYBE... RESONANCE AT HALF.   #¤¤%*~:¨¨¨
¨¨¨¨:~*%¤¤ SOME  FREQUENCY  IN THE FIRST OSCILLATOR ¤¤%*~:¨¨¨¨
¨¨¨¨¨:~*%¤ AND THEN THE  SECOND OSC FOUR  SEMITONES ¤%*~:¨¨¨¨¨
¨¨¨¨¨¨:~*%                 HIGHER.                  %*~:¨¨¨¨¨¨
¨¨¨¨¨:~*%¤                                          ¤%*~:¨¨¨¨¨
¨¨¨¨:~*%¤¤                 :~¤@¤~:                  ¤¤%*~:¨¨¨¨
¨¨¨:~*%¤¤#           *¤¤ DESKTOP SYNTH ¤¤*          #¤¤%*~:¨¨¨
¨¨:~*%¤¤##                 :~¤@¤~:                  ##¤¤%*~:¨¨
¨:~*%¤¤###                                          ###¤¤%*~:¨
¨¨:~*%¤¤##                                          ##¤¤%*~:¨¨
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¨¨¨¨:~*%¤¤                                          ¤¤%*~:¨¨¨¨
¨¨¨¨¨:~*%¤                                          ¤%*~:¨¨¨¨¨
¨¨¨¨¨¨:~*%                                          %*~:¨¨¨¨¨¨