@@#§&^*«^. .^«*^&§#@@
§§&^*«««^. .^«««*^&§§
##@§&^*«^. .^«*^&§@##
#@#§&^*«^. .^«*^&§#@#
@@#§&^*«^. .^«*^&§#@@
#@#§&^*«^. @@@@ ##### .^«*^&§#@#
§^**««^... TAPE DREAM ...^««**^§
@#§&&^*«^. #### @@@@@ .^«*^&&§#@
§&*^^..... .....^^*&§
##@§&^*«^. FOR STORING MUSIC ON. ALSO DATA BUT .^«*^&§@##
#@#§&^*«^. AT THIS POINT IN TIME THAT'S NOT .^«*^&§#@#
##@§&^*«^. REALLY IMPORTANT I THINK. .^«*^&§@##
#&*****«^. .^«*****&#
@#&&^««... ...««^&&#@
§&&*«..... ******** TYPES OF TAPE ******** .....«*&&§
##@#&^*«^. .^«*^&#@##
@@#§&^*«^. CLASS I - "BAD" IRON .^«*^&§#@@
#@#§&^*«^. CLASS II - GOOD CHROMIUM .^«*^&§#@#
#@#§&^*«^. CLASS III - BAD IRON PART TWO .^«*^&§#@#
@@#§&^*«^. CLASS IV - DANGEROUS METALS .^«*^&§#@@
#@#§&^*«^. .^«*^&§#@#
§§&&&^*«^. RUMORS EXIST ABOUT A SECRET CLASS V TAPE .^«*^&&&§§
##§&*««^^. THAT IS ACTUALLY USEFUL. .^^««*&§##
@§^*«««... ...«««*^§@
@@#§&^*«^. ** BIAS ** .^«*^&§#@@
#@#§&^*«^. .^«*^&§#@#
@#&^*«.... CLASS I USES ONE HUNDRED AND TWENTY ....«*^&#@
#@#§&^*«^. MICRO-SOMETHING WHILE THE OTHERS ALL .^«*^&§#@#
#@#§&^*«^. USE SEVENTY OF THE SAME UNIT. .^«*^&§#@#
#§§&^«««^. .^«««^&§§#
@@#§&^*«^. .^«*^&§#@@
###§&^*«^. ^^^^^^^^^ AHA AND ^^^^^^^^^ .^«*^&§###
#§^««^.... ....^««^§#
§^***^.... CLASS IV IS APPARENTLY TOO STRONG TO ....^***^§
@##§&^*«^. BE USED ON CLASS I PLAYERS. IT WILL .^«*^&§##@
#@#§&^*«^. SOUND TOO LOUND AND IT CANNOT BE .^«*^&§#@#
###§&^*«^. COMPLETELY ERASED. THIS IS VERY WELL. .^«*^&§###
#@#§&^*«^. MAYBE SOME WONDERFUL BLENDING EFFECTS .^«*^&§#@#
#@#§&^*«^. COULD BE ACHIEVED? .^«*^&§#@#
##@#§^*«^. .^«*^§#@##
#@#§&^*«^. THEY ALSO GNAW AT THE TAPE HEADS A BIT .^«*^&§#@#
###§&^*«^. BETTER THAN EARLIER TAPE TYPES. .^«*^&§###
#@#§&^*«^. .^«*^&§#@#
#@#§&^*«^. .^«*^&§#@#
§&*^^..... ******** ARTIFACTS ******** .....^^*&§
#@#§&^*«^. .^«*^&§#@#
##@#§&*«^. GOOD TAPES ARE DECENT AND HAVE A GOOD .^«*&§#@##
@§§&*«.... HIGH FREQUENCY PRESENCE, BAD TAPES ARE ....«*&§§@
@##§&^*«^. LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA .^«*^&§##@
#§^^^^*«^. LIKE IT. .^«*^^^^§#
##@#&^*«^. .^«*^&#@##
#@#§&^*«^. BIAS LOSS: IF YOU FORGET THE BIAS WHO .^«*^&§#@#
§§&**««... KNOWS WHATS EVEN ON THERE ANYMORE ...««**&§§
§§&^«^^^.. ..^^^«^&§§
§§§&^*«... FLUTTER: KINDA QUICK PITCH VARIATIONS. ...«*^&§§§
#@#§&^*«^. BEAUTIFUL, WONDERFUL, EXTRAORDINARY. .^«*^&§#@#
§§&**«««^. .^«««**&§§
#@#§&^*«^. WOW: A SLOWER FLUTTER, USUALLY SEVERAL .^«*^&§#@#
#§§^^^*«^. SECONDS LONG. WHAT UP. BOTH OF THESE .^«*^^^§§#
##@#§&^*^. INCREASE WHEN TAPE SPEED DECREASES. .^*^&§#@##
#@#§&^*«^. .^«*^&§#@#
#&^^^*«... PRINT THROUGH: TAPES RUB SOUND ON EACH ...«*^^^&#
#§&&^^*«^. OTHER IF THEYRE ALONE FOR TOO LONG .^«*^^&&§#
#@#§&^*«^. .^«*^&§#@#
#@#§&^*«^. .^«*^&§#@#
@@#§&^*«^. .^«*^&§#@@
§^***«.... ....«***^§
###§&^*«^. .^«*^&§###
§^*«^^.... ....^^«*^§