@.@.@@..@. .@..@@....
....@@@..@ ..@.@@@...
....@.@@.. @...@.@@..
......@@@. @@....@@@.
......@.@@ @@@...@.@@
@.......@@ A COOL ENOUGH SONY WALKMAN CALLED @.@@....@@
@@......@. ..@@@...@.
@@@....... # # # ..@.@@....
@.@@...... ### TCM ONEFIFTY ### ....@@@...
..@@@..... # # # ....@.@@..
..@.@@.... ......@@@.
....@@@... IT'S BATTERY POWERED (TWO AA BATTERIES) ......@.@@
@...@.@@.. AND HAS A MICROPHONE. IT DOES FEATURE A @.......@@
@@....@@@. SPEED HOLE BUT IT'S HIDDEN BENEATH ITS @@......@.
@@@...@.@@ SHELL. .@@.......
@.@@....@@ .@@@......
..@@@...@. A COOL THING IS THE SPEAKER ON THE .@.@@.....
..@.@@.... FRONT. BUT ISN'T THAT A MAGNET CLOSE TO ...@@@....
....@@@... THE TAPE? YES ...@.@@...
....@.@@.. @....@@@..
......@@@. ## IS IT GOOD ## @@...@.@@.
......@.@@ @@@....@@@
@.......@@ WELL. IT HAS SOME VERY REAL COMPRESSION @.@@...@.@
@@......@. GOING ON SO CLOSE VOX AND OTHER HIGH ..@@@....@
.@@....... VOLUME THINGS ARE VERY CRISP AND WITH ..@.@@...@
.@@@...... KIND OF LOW NOISE. BUT WHEN THERE'S ....@@@...
.@.@@..... MORE OF AN AMBIENCE, ALL YOU HEAR IS ....@.@@..
...@@@.... HISS AND MOTOR NOISE. ......@@@.
...@.@@... ......@.@@
@....@@@.. DENOISING TECHNIQUES ARE SIMPLE. ACTUAL ........@@
@@...@.@@. DENOISING FOR THE NOISE, AND MAYBE AN ........@.
@@@....@@@ EQ FOR THE MOTOR. ..........
@.@@...@.@ ..........
..@@@....@ ## WHAT IS IT FOR ## @.........
..@.@@...@ .@........
....@@@... I USE IT FOR TALKING TO WHEN I'M DRUNK. ..@.......
....@.@@.. IT DOES THIS VERY GOOD. THE PAUSE ...@......
......@@@. BUTTON IS A SMALL STOP, THE STOP BUTTON ....@.....
......@.@@ IS A MAJOR STOP. @....@....
........@@ @@....@...
........@. ## SOME QUIRKS ## @@@....@..
.......... @.@@....@.
.......... WHEN UNPAUSING, RECORDING BEGINS BEFORE ..@@@....@
@......... THE ENGINE IS FULLY SPUN UP, RESULTING ..@.@@....
.@........ IN A NICE SWOOP BEING RECORDED. @...@@@...
..@....... .@..@.@@..
...@...... IT MADE ME BUY A VHS CAM ..@...@@@.
....@..... @..@..@.@@
@....@.... @@..@...@@
@@....@... # # # @@@..@..@.
@@@....@.. @.@@..@...
@.@@....@. REST IN PIECES, LITERALLY ..@@@..@..
..@@@....@ ..@.@@..@.
..@.@@.... . MAY TWENTY FIFTEEN . ....@@@..@
@...@@@... . TO . ....@.@@..
.@..@.@@.. = JULY TWENTY EIGHTEEN = ......@@@.
..@...@@@. ......@.@@
@..@..@.@@ SUPERSEDED BY THE TCM TWENTY @.......@@
@@..@...@@ @@......@.
@@@..@..@. @@@.......
@.@@..@... @.@@......
..@@@..@.. ..@@@.....
..@.@@..@. ..@.@@....