&&*/,,,¨¨¨                                          ¨¨¨,,,/*&&
#@#&$*/~,¨                                          ¨,~/*$&#@#
&&**~,,,¨¨                                          ¨¨,,,~**&&
##@#&$/~,¨                                          ¨,~/$&#@##
&$$/~¨¨¨¨¨                                          ¨¨¨¨¨~/$$&
@@#&$*/~,¨                                          ¨,~/*$&#@@
#@#&$*/~,¨                ¨¨$@#@$¨¨                 ¨,~/*$&#@#
&**~,¨¨¨¨¨       ,, pittsburgh electronics ,,       ¨¨¨¨¨,~**&
#@#&$*/~,¨              ~~ lifeforms ~~             ¨,~/*$&#@#
#@#&$*/~,¨               // sv one //               ¨,~/*$&#@#
#@#&$*/~,¨                                          ¨,~/*$&#@#
#@#&$*/~,¨ this is a eurorack module  but  i bought ¨,~/*$&#@#
&*/,,¨¨¨¨¨ the  blackbox  one  so  it's  also  not. ¨¨¨¨¨,,/*&
#@#&$*/~,¨                                          ¨,~/*$&#@#
@@#&$*/~,¨ it ships  with  too  few  patch  cables. ¨,~/*$&#@@
#$/,¨¨¨¨¨¨                                          ¨¨¨¨¨¨,/$#
@&&&$*/~,¨             ¨*# contains #*¨             ¨,~/*$&&&@
#&$/,,¨¨¨¨           midi to cv converter           ¨¨¨¨,,/$&#
#@#&$*/~,¨                two vco's                 ¨,~/*$&#@#
#@#&$*/~,¨ four channel or  two x two channel mixer ¨,~/*$&#@#
#$****/~,¨       two sub oscillators i think        ¨,~/****$#
###&$*/~,¨         two one to two splitters         ¨,~/*$&###
#@#&$*/~,¨          white noise generator           ¨,~/*$&#@#
#$*~,,,¨¨¨             sample and hold              ¨¨¨,,,~*$#
@#&*~¨¨¨¨¨          lfo plus a digital lfo          ¨¨¨¨¨~*&#@
&$$$*/~,,¨   filter (lowpass, bandpass, highpass)   ¨,,~/*$$$&
#@#&$*/~,¨               adsr envelope              ¨,~/*$&#@#
#&*~¨¨¨¨¨¨                  one vca                 ¨¨¨¨¨¨~*&#
#&*~,¨¨¨¨¨              headphone amp               ¨¨¨¨¨,~*&#
##&&$*/~,¨         fourty nine patchpoints!         ¨,~/*$&&##
###&$*/~,¨                                          ¨,~/*$&###
#@#&$*/~,¨                  ¨,@#@,¨                 ¨,~/*$&#@#
#@#&$*/~,¨           ~** so what now **~            ¨,~/*$&#@#
#&&*/~~~,¨                  ¨,@#@,¨                 ¨,~~~/*&&#
#&$**~,,¨¨                                          ¨¨,,~**$&#
&$//,¨¨¨¨¨ clock io  goes to asdr  in  i think  and ¨¨¨¨¨,//$&
&&$/,¨¨¨¨¨ maybe  also to the sample and hold.  put ¨¨¨¨¨,/$&&
#&$/,¨¨¨¨¨ subbase and noise  in channel  three and ¨¨¨¨¨,/$&#
#@#&$*/~,¨ four.  oscillator  one  saw  to  channel ¨,~/*$&#@#
@&***~~¨¨¨ two,  and oscillator two  saw to channel ¨¨¨~~***&@
##@#&$/~,¨ one.   sample  and  hold   out  to   the ¨,~/$&#@##
###&$*/~,¨  filter... maybe... resonance at half.   ¨,~/*$&###
@##&$*/~,¨ some frequency  in the first  oscillator ¨,~/*$&##@
#@#&$*/~,¨ and  then  the second osc four semitones ¨,~/*$&#@#
#@#&$*/~,¨                  higher.                 ¨,~/*$&#@#
@##&$*/~,¨                                          ¨,~/*$&##@
#@#&$*/~,¨                 ,~&#&~,                  ¨,~/*$&#@#
@&****/~,¨           /$$ desktop synth $$/          ¨,~/****&@
@@#&$*/~,¨                 ,~&#&~,                  ¨,~/*$&#@@
@##&$*/~,¨                                          ¨,~/*$&##@
@@#&$*/~,¨                                          ¨,~/*$&#@@
#@#&$*/~,¨                                          ¨,~/*$&#@#
#@#&$*/~,¨                                          ¨,~/*$&#@#
#@#&$*/~,¨                                          ¨,~/*$&#@#
&&&***/~,¨                                          ¨,~/***&&&