.-=^*%£@## ##@£%*^=-.
..-=^*%£@# #@£%*^=-..
.-=^*%£@## ##@£%*^=-.
..-=^*%£@# #@£%*^=-..
.-=^*%£@## ##@£%*^=-.
..-=^*%£@# #### ##### #@£%*^=-..
.-=^*%£@## TAPE DREAM ##@£%*^=-.
..-=^*%£@# #### ##### #@£%*^=-..
.-=^*%£@## ##@£%*^=-.
..-=^*%£@# FOR STORING MUSIC ON. ALSO DATA BUT #@£%*^=-..
.-=^*%£@## AT THIS POINT IN TIME THAT'S NOT ##@£%*^=-.
..-=^*%£@# REALLY IMPORTANT I THINK. #@£%*^=-..
.-=^*%£@## ##@£%*^=-.
..-=^*%£@# #@£%*^=-..
.-=^*%£@## ^^^^^^^^ TYPES OF TAPE ^^^^^^^^ ##@£%*^=-.
..-=^*%£@# #@£%*^=-..
.-=^*%£@## CLASS I - "BAD" IRON ##@£%*^=-.
..-=^*%£@# CLASS II - GOOD CHROMIUM #@£%*^=-..
.-=^*%£@## CLASS III - BAD IRON PART TWO ##@£%*^=-.
..-=^*%£@# CLASS IV - DANGEROUS METALS #@£%*^=-..
.-=^*%£@## ##@£%*^=-.
..-=^*%£@# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #@£%*^=-..
.-=^*%£@## THAT IS ACTUALLY USEFUL. ##@£%*^=-.
..-=^*%£@# #@£%*^=-..
.-=^*%£@## ^^ BIAS ^^ ##@£%*^=-.
..-=^*%£@# #@£%*^=-..
.-=^*%£@## CLASS I USES ONE HUNDRED AND TWENTY ##@£%*^=-.
..-=^*%£@# MICRO-SOMETHING WHILE THE OTHERS ALL #@£%*^=-..
.-=^*%£@## USE SEVENTY OF THE SAME UNIT. ##@£%*^=-.
..-=^*%£@# #@£%*^=-..
.-=^*%£@## ##@£%*^=-.
..-=^*%£@# ********* AHA AND ********* #@£%*^=-..
.-=^*%£@## ##@£%*^=-.
..-=^*%£@# CLASS IV IS APPARENTLY TOO STRONG TO #@£%*^=-..
.-=^*%£@## BE USED ON CLASS I PLAYERS. IT WILL ##@£%*^=-.
..-=^*%£@# SOUND TOO LOUND AND IT CANNOT BE #@£%*^=-..
.-=^*%£@## COMPLETELY ERASED. THIS IS VERY WELL. ##@£%*^=-.
..-=^*%£@# MAYBE SOME WONDERFUL BLENDING EFFECTS #@£%*^=-..
.-=^*%£@## COULD BE ACHIEVED? ##@£%*^=-.
..-=^*%£@# #@£%*^=-..
.-=^*%£@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@£%*^=-.
..-=^*%£@# BETTER THAN EARLIER TAPE TYPES. #@£%*^=-..
.-=^*%£@## ##@£%*^=-.
..-=^*%£@# #@£%*^=-..
.-=^*%£@## ^^^^^^^^ ARTIFACTS ^^^^^^^^ ##@£%*^=-.
..-=^*%£@# #@£%*^=-..
.-=^*%£@## GOOD TAPES ARE DECENT AND HAVE A GOOD ##@£%*^=-.
..-=^*%£@# HIGH FREQUENCY PRESENCE, BAD TAPES ARE #@£%*^=-..
.-=^*%£@## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##@£%*^=-.
..-=^*%£@# LIKE IT. #@£%*^=-..
.-=^*%£@## ##@£%*^=-.
..-=^*%£@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@£%*^=-..
.-=^*%£@## KNOWS WHATS EVEN ON THERE ANYMORE ##@£%*^=-.
..-=^*%£@# #@£%*^=-..
.-=^*%£@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@£%*^=-.
..-=^*%£@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@£%*^=-..
.-=^*%£@## ##@£%*^=-.
..-=^*%£@# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #@£%*^=-..
.-=^*%£@## SECONDS LONG. WHAT UP. BOTH OF THESE ##@£%*^=-.
..-=^*%£@# INCREASE WHEN TAPE SPEED DECREASES. #@£%*^=-..
.-=^*%£@## ##@£%*^=-.
..-=^*%£@# PRINT THROUGH: TAPES RUB SOUND ON EACH #@£%*^=-..
.-=^*%£@## OTHER IF THEYRE ALONE FOR TOO LONG ##@£%*^=-.
..-=^*%£@# #@£%*^=-..
.-=^*%£@## ##@£%*^=-.
..-=^*%£@# #@£%*^=-..
.-=^*%£@## ##@£%*^=-.
..-=^*%£@# #@£%*^=-..
.-=^*%£@## ##@£%*^=-.