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,,:~/$§§£#                ,,§###§,,                 #£§§$/~:,,
,:~/$§§£##       :: Pittsburgh Electronics ::       ##£§§$/~:,
,,:~/$§§£#              ~~ Lifeforms ~~             #£§§$/~:,,
,,,:~/$§§£               // Sv One //               £§§$/~:,,,
,,:~/$§§£#                                          #£§§$/~:,,
,:~/$§§£## This Is  A  Eurorack Module But I Bought ##£§§$/~:,
,,:~/$§§£# The  Blackbox  One  So  It'S  Also  Not. #£§§$/~:,,
,,,:~/$§§£                                          £§§$/~:,,,
,,:~/$§§£# It  Ships  With  Too  Few  Patch Cables. #£§§$/~:,,
,:~/$§§£##                                          ##£§§$/~:,
,,:~/$§§£#             ,$£ Contains £$,             #£§§$/~:,,
,,,:~/$§§£           Midi To Cv Converter           £§§$/~:,,,
,,:~/$§§£#                Two Vco'S                 #£§§$/~:,,
,:~/$§§£## Four Channel Or Two X Two Channel  Mixer ##£§§$/~:,
,,:~/$§§£#        Two Sub Oscillators I Think       #£§§$/~:,,
,,,:~/$§§£         Two One To Two Splitters         £§§$/~:,,,
,,:~/$§§£#           White Noise Generator          #£§§$/~:,,
,:~/$§§£##             Sample And Hold              ##£§§$/~:,
,,:~/$§§£#          Lfo Plus A Digital Lfo          #£§§$/~:,,
,,,:~/$§§£   Filter (Lowpass, Bandpass, Highpass)   £§§$/~:,,,
,,:~/$§§£#               Adsr Envelope              #£§§$/~:,,
,:~/$§§£##                  One Vca                 ##£§§$/~:,
,,:~/$§§£#              Headphone Amp               #£§§$/~:,,
,,,:~/$§§£         Fourty Nine Patchpoints!         £§§$/~:,,,
,,:~/$§§£#                                          #£§§$/~:,,
,:~/$§§£##                  ,:###:,                 ##£§§$/~:,
,,:~/$§§£#           ~$$ So What Now $$~            #£§§$/~:,,
,,,:~/$§§£                  ,:###:,                 £§§$/~:,,,
,,:~/$§§£#                                          #£§§$/~:,,
,:~/$§§£## Clock  Io Goes To Asdr In  I  Think  And ##£§§$/~:,
,,:~/$§§£# Maybe Also To The  Sample And Hold.  Put #£§§$/~:,,
,,,:~/$§§£ Subbase And  Noise In  Channel Three And £§§$/~:,,,
,,:~/$§§£# Four.  Oscillator  One  Saw  To  Channel #£§§$/~:,,
,:~/$§§£## Two, And Oscillator  Two Saw  To Channel ##£§§$/~:,
,,:~/$§§£# One.  Sample  And   Hold  Out   To   The #£§§$/~:,,
,,,:~/$§§£   Filter... Maybe... Resonance At Half.  £§§$/~:,,,
,,:~/$§§£# Some Frequency In  The  First Oscillator #£§§$/~:,,
,:~/$§§£## And Then  The Second Osc Four  Semitones ##£§§$/~:,
,,:~/$§§£#                  Higher.                 #£§§$/~:,,
,,,:~/$§§£                                          £§§$/~:,,,
,,:~/$§§£#                 :~§£§~:                  #£§§$/~:,,
,:~/$§§£##          /§§ Desktop Synth §§/           ##£§§$/~:,
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