..~~^^^@&& &&@^^^~~..
.~«^†@&£@# #@£&@†^«~.
.~«^†@&£@@ @@£&@†^«~.
.~«««†@&&& &&&@†«««~.
......«^@£ £@^«......
.~«^†@&£@# @@@@ ##### #@£&@†^«~.
~«^†@&£@## tape dream ##@£&@†^«~
.~«^†@&£@# #### @@@@@ #@£&@†^«~.
.~«^†@@@@£ £@@@@†^«~.
....«^@@&& for storing music on. also data but &&@@^«....
.~«^†@&@## at this point in time that's not ##@&@†^«~.
.~«^†@&££@ really important i think. @££&@†^«~.
.~«^††††&@ @&††††^«~.
...~^†††@& &@†††^~...
.....~^†&£ ^^^^^^^^ types of tape ^^^^^^^^ £&†^~.....
....~~^†@& &@†^~~....
.~«^@&£@## class i - "bad" iron ##@£&@^«~.
.~«^†@&£@# class ii - good chromium #@£&@†^«~.
.....~^†@£ class iii - bad iron part two £@†^~.....
.~«^†@&£££ class iv - dangerous metals £££&@†^«~.
....~^^††& &††^^~....
.~«^†@&£@# rumors exist about a secret class v tape #@£&@†^«~.
.~«^†@&£@# that is actually useful. #@£&@†^«~.
.~«^†@&£@# #@£&@†^«~.
.~«^†@&£@# ^^ bias ^^ #@£&@†^«~.
..~«^^†@&@ @&@†^^«~..
.~«^†@£@## class i uses one hundred and twenty ##@£@†^«~.
.~«^†@&£@# micro-something while the others all #@£&@†^«~.
.....~^†&@ use seventy of the same unit. @&†^~.....
....~^†&&& &&&†^~....
.~«^†@&£@# #@£&@†^«~.
.~«^†@&£@# ††††††††† aha and ††††††††† #@£&@†^«~.
......««†& &†««......
.~«^†@&£@# class iv is apparently too strong to #@£&@†^«~.
.~«^†@&@## be used on class i players. it will ##@&@†^«~.
.~«^†@&£@# sound too lound and it cannot be #@£&@†^«~.
.~«^†@&£@# completely erased. this is very well. #@£&@†^«~.
..~~^^^†@£ maybe some wonderful blending effects £@†^^^~~..
....~^@@&@ could be achieved? @&@@^~....
.~«^†@&£@# #@£&@†^«~.
....~«††@£ they also gnaw at the tape heads a bit £@††«~....
.~«^†@&£## better than earlier tape types. ##£&@†^«~.
.~«^†@&£@# #@£&@†^«~.
.~«^†@&£@# #@£&@†^«~.
......~^@& ^^^^^^^^ artifacts ^^^^^^^^ &@^~......
....~^††&@ @&††^~....
~«^†@&£@## good tapes are decent and have a good ##@£&@†^«~
.~«^†@&£@# high frequency presence, bad tapes are #@£&@†^«~.
.~«^†@&£@# lofi if not outright bad. idk, i kinda #@£&@†^«~.
.~«^†@&£@# like it. #@£&@†^«~.
.....~~^@£ £@^~~.....
.~«^^^^@&& bias loss: if you forget the bias who &&@^^^^«~.
.~«^†@&£@@ knows whats even on there anymore @@£&@†^«~.
...~««^†&& &&†^««~...
.~«^^^††&£ flutter: kinda quick pitch variations. £&††^^^«~.
.~««^†@@£@ beautiful, wonderful, extraordinary. @£@@†^««~.
.~«^†@&£@@ @@£&@†^«~.
....~^††&£ wow: a slower flutter, usually several £&††^~....
.~«««^††@& seconds long. what up. both of these &@††^«««~.
.~«^††@@&£ increase when tape speed decreases. £&@@††^«~.
....«^@&&& &&&@^«....
.....«^@&@ print through: tapes rub sound on each @&@^«.....
.....«^@&& other if theyre alone for too long &&@^«.....
....~«†@@£ £@@†«~....
.~«^†@&£@@ @@£&@†^«~.
.....~~^@£ £@^~~.....
.~«^†@&£@# #@£&@†^«~.
....~«†@@£ £@@†«~....
.~«^†@&£@@ @@£&@†^«~.