@£%»...... ......»%£@
@££@;;:... ...:;;@££@
##@£@%;»:. .:»;%@£@##
##@£@%;»:. .:»;%@£@##
##@£@%;»:. .:»;%@£@##
##@£@%;»:. #### ##### .:»;%@£@##
£@%%%;;»:. TAPE DREAM .:»;;%%%@£
##@£@%;»:. #### ##### .:»;%@£@##
£@@;;».... ....»;;@@£
#@@£@%;»:. FOR STORING MUSIC ON. ALSO DATA BUT .:»;%@£@@#
##@£@%;»:. AT THIS POINT IN TIME THAT'S NOT .:»;%@£@##
#@@;»»:... REALLY IMPORTANT I THINK. ...:»»;@@#
£%%%%;:... ...:;%%%%£
##@£@%;»:. .:»;%@£@##
###@@%;»:. ;;;;;;;; TYPES OF TAPE ;;;;;;;; .:»;%@@###
###@£@;»:. .:»;@£@###
##@£@%;»:. CLASS I - "BAD" IRON .:»;%@£@##
££@@%;;»:. CLASS II - GOOD CHROMIUM .:»;;%@@££
###£@%;»:. CLASS III - BAD IRON PART TWO .:»;%@£###
£%»....... CLASS IV - DANGEROUS METALS .......»%£
##@£@%;»:. .:»;%@£@##
##@£@%;»:. RUMORS EXIST ABOUT A SECRET CLASS V TAPE .:»;%@£@##
##@£@%;»:. THAT IS ACTUALLY USEFUL. .:»;%@£@##
##@£@%;»:. .:»;%@£@##
##@£@%;»:. ;; BIAS ;; .:»;%@£@##
@££%;».... ....»;%££@
###£@%;»:. CLASS I USES ONE HUNDRED AND TWENTY .:»;%@£###
@£%;:..... MICRO-SOMETHING WHILE THE OTHERS ALL .....:;%£@
£@;»...... USE SEVENTY OF THE SAME UNIT. ......»;@£
##@£@%;»:. .:»;%@£@##
##@£@%;»:. .:»;%@£@##
@@@£@%;»:. %%%%%%%%% AHA AND %%%%%%%%% .:»;%@£@@@
@££%;»»»:. .:»»»;%££@
#@@£@%;»:. CLASS IV IS APPARENTLY TOO STRONG TO .:»;%@£@@#
££@%;:.... BE USED ON CLASS I PLAYERS. IT WILL ....:;%@££
##@£@%;»:. SOUND TOO LOUND AND IT CANNOT BE .:»;%@£@##
##@£@%;»:. COMPLETELY ERASED. THIS IS VERY WELL. .:»;%@£@##
##@£@%;»:. MAYBE SOME WONDERFUL BLENDING EFFECTS .:»;%@£@##
@@%»»»:::. COULD BE ACHIEVED? .:::»»»%@@
##@£@%;»:. .:»;%@£@##
#@@£@%;»:. THEY ALSO GNAW AT THE TAPE HEADS A BIT .:»;%@£@@#
###@£@;»:. BETTER THAN EARLIER TAPE TYPES. .:»;@£@###
@@;;:..... .....:;;@@
@£££@%;»:. .:»;%@£££@
##@£@%;»:. ;;;;;;;; ARTIFACTS ;;;;;;;; .:»;%@£@##
##@£@%;»:. .:»;%@£@##
#@££@%;»:. GOOD TAPES ARE DECENT AND HAVE A GOOD .:»;%@££@#
#£%;:..... HIGH FREQUENCY PRESENCE, BAD TAPES ARE .....:;%£#
#@@%;::::. LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA .::::;%@@#
##@£@%;»:. LIKE IT. .:»;%@£@##
@£@%»»»... ...»»»%@£@
#@££@%;»:. BIAS LOSS: IF YOU FORGET THE BIAS WHO .:»;%@££@#
##@£@%;»:. KNOWS WHATS EVEN ON THERE ANYMORE .:»;%@£@##
##@£@%;»:. .:»;%@£@##
@£@%;;:... FLUTTER: KINDA QUICK PITCH VARIATIONS. ...:;;%@£@
##@£@%;»:. BEAUTIFUL, WONDERFUL, EXTRAORDINARY. .:»;%@£@##
##@£@%;»:. .:»;%@£@##
##@£@%;»:. WOW: A SLOWER FLUTTER, USUALLY SEVERAL .:»;%@£@##
##@£@%;»:. SECONDS LONG. WHAT UP. BOTH OF THESE .:»;%@£@##
##@£@%;»:. INCREASE WHEN TAPE SPEED DECREASES. .:»;%@£@##
##@£@%;»:. .:»;%@£@##
@@££@%;»:. PRINT THROUGH: TAPES RUB SOUND ON EACH .:»;%@££@@
##@£@%;»:. OTHER IF THEYRE ALONE FOR TOO LONG .:»;%@£@##
##@£@%;»:. .:»;%@£@##
##@£@%;»:. .:»;%@£@##
##@£@%;»:. .:»;%@£@##
###@£@;»:. .:»;@£@###
###£@%;»:. .:»;%@£###
##@£@%;»:. .:»;%@£@##