....@..@.. @@.@@@.@..
....@@.@@. @.@@..@@@.
....@.@@.@ @@@.@.@..@
@...@@@.@@ ...@@@@@.@
.@..@..@@. ...@....@@
@@@.@@.@.@ MY GOOD FATHERS GOOD FRIEND GAVE ME THE @..@@...@.
@..@@.@@@@ ........------------------------........ @@.@.@..@@
.@.@.@@... . FOSTEX X FIFTEEN . @.@@@@@.@.
.@@@@@.@.. ........------------------------........ @@@....@@@
@@....@@@. AND ITS A TWO TRACK TAPE RECORDER ...@...@..
@.@...@..@ @..@@..@@.
@@@@..@@.@ I DON'T REALLY GET HOW IT WORKS. IT HAS @@.@.@.@.@
....@.@.@@ TWO X RCA IN, TWO X RCA OUT, AND FOUR X ..@@@@@@@@
@...@@@@@. RCA "TAPE OUT" WHICH I GUESS IS ALL FOUR @.@.......
@@..@....@ CHANNELS ON THE CASSETTE - WHICH MEANS .@@@......
@.@.@@...@ THE B SIDE IS PLAYED BACKWARDS IF IT'S .@..@.....
@@@@@.@..@ LIKE THAT .@@.@@....
@....@@@.@ .@.@@.@...
@@...@..@@ SO NOW I HAVE TO DIFFERENTIATE BETWEEN @@@@.@@@..
@.@..@@.@. FOUR TRACK CASSETTES AND TWO X TWO TRACK @...@@..@.
@@@@.@.@@@ ONES... OR NOT, JUST AS WELL .@..@.@.@@
....@@@@.. .@@.@@@@@.
....@...@. # ----- # @@.@@....@
@...@@..@@ @.@@.@...@
.@..@.@.@. IT FEATYURES A LOW NOISE FLOOR WHICH IS @@@.@@@..@
@@@.@@@@@@ GREAT, BUT THERE IS SOME DITHERING ...@@..@.@
...@@..... NOISE OR IF IT IS THE MOTOR, I DONT @..@.@.@@@
@..@.@.... KNOW, .@.@@@@@..
@@.@@@@... ALSO THERE IS A REALLY RAD RED CASSETTE @@@@....@.
@.@@...@.. SLOT COVER @...@...@@
.@@.@..@@. @@..@@..@.
.@.@@@.@.@ # ---- # @.@.@.@.@@
@@@@..@@@@ .@@@@@@@@.
@...@.@... IT DOES -NOT- HAVE A SPEED HOLE BUT @@.......@
.@..@@@@.. RATHER A MUCH NEATER ACTUAL SPEED KNOB ..@......@
@@@.@...@. I DONT KNOW THE PERCENTAGE OF ..@@.....@
...@@@..@@ DIFFERENCE BUT IT APPLIES ALSO TO FAST @.@.@....@
@..@..@.@. FORWARD AND REWIND @@@@@@...@
.@.@@.@@@@ ......@..@
@@@@.@@... ........................................ @.....@@.@
....@@.@.. . FUTURE REFUSALS . .@....@.@@
@...@.@@@. ........................................ @@@...@@@.
@@..@@@..@ @..@..@..@
..@.@..@.@ UPDATE: THIS FUCKERS GONE WHACKO AND @@.@@.@@.@
@.@@@@.@@@ YOU NEED TO FLIP IT OVER CONSTANTLY AND @.@@.@@.@@
.@@...@@.. GET IN THERE WITH YOUR HAND @@@.@@.@@.
.@.@..@.@. ...@@.@@.@
@@@@@.@@@@ @..@.@@.@@
.....@@... .@.@@@.@@.
.....@.@.. @@@@..@@.@
@....@@@@. @...@.@.@@
.@...@...@ .@..@@@@@.