.^=/§&¤### ###¤&§/=^.
..^=/§&¤## ##¤&§/=^..
.^=/§&¤### ###¤&§/=^.
..^=/§&¤## ##¤&§/=^..
.^=/§&¤### ###¤&§/=^.
..^=/§&¤## #### ##### ##¤&§/=^..
.^=/§&¤### TAPE DREAM ###¤&§/=^.
..^=/§&¤## #### ##### ##¤&§/=^..
.^=/§&¤### ###¤&§/=^.
..^=/§&¤## FOR STORING MUSIC ON. ALSO DATA BUT ##¤&§/=^..
.^=/§&¤### AT THIS POINT IN TIME THAT'S NOT ###¤&§/=^.
..^=/§&¤## REALLY IMPORTANT I THINK. ##¤&§/=^..
.^=/§&¤### ###¤&§/=^.
..^=/§&¤## ##¤&§/=^..
.^=/§&¤### //////// TYPES OF TAPE //////// ###¤&§/=^.
..^=/§&¤## ##¤&§/=^..
.^=/§&¤### CLASS I - "BAD" IRON ###¤&§/=^.
..^=/§&¤## CLASS II - GOOD CHROMIUM ##¤&§/=^..
.^=/§&¤### CLASS III - BAD IRON PART TWO ###¤&§/=^.
..^=/§&¤## CLASS IV - DANGEROUS METALS ##¤&§/=^..
.^=/§&¤### ###¤&§/=^.
..^=/§&¤## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##¤&§/=^..
.^=/§&¤### THAT IS ACTUALLY USEFUL. ###¤&§/=^.
..^=/§&¤## ##¤&§/=^..
.^=/§&¤### // BIAS // ###¤&§/=^.
..^=/§&¤## ##¤&§/=^..
.^=/§&¤### CLASS I USES ONE HUNDRED AND TWENTY ###¤&§/=^.
..^=/§&¤## MICRO-SOMETHING WHILE THE OTHERS ALL ##¤&§/=^..
.^=/§&¤### USE SEVENTY OF THE SAME UNIT. ###¤&§/=^.
..^=/§&¤## ##¤&§/=^..
.^=/§&¤### ###¤&§/=^.
..^=/§&¤## §§§§§§§§§ AHA AND §§§§§§§§§ ##¤&§/=^..
.^=/§&¤### ###¤&§/=^.
..^=/§&¤## CLASS IV IS APPARENTLY TOO STRONG TO ##¤&§/=^..
.^=/§&¤### BE USED ON CLASS I PLAYERS. IT WILL ###¤&§/=^.
..^=/§&¤## SOUND TOO LOUND AND IT CANNOT BE ##¤&§/=^..
.^=/§&¤### COMPLETELY ERASED. THIS IS VERY WELL. ###¤&§/=^.
..^=/§&¤## MAYBE SOME WONDERFUL BLENDING EFFECTS ##¤&§/=^..
.^=/§&¤### COULD BE ACHIEVED? ###¤&§/=^.
..^=/§&¤## ##¤&§/=^..
.^=/§&¤### THEY ALSO GNAW AT THE TAPE HEADS A BIT ###¤&§/=^.
..^=/§&¤## BETTER THAN EARLIER TAPE TYPES. ##¤&§/=^..
.^=/§&¤### ###¤&§/=^.
..^=/§&¤## ##¤&§/=^..
.^=/§&¤### //////// ARTIFACTS //////// ###¤&§/=^.
..^=/§&¤## ##¤&§/=^..
.^=/§&¤### GOOD TAPES ARE DECENT AND HAVE A GOOD ###¤&§/=^.
..^=/§&¤## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##¤&§/=^..
.^=/§&¤### LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ###¤&§/=^.
..^=/§&¤## LIKE IT. ##¤&§/=^..
.^=/§&¤### ###¤&§/=^.
..^=/§&¤## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##¤&§/=^..
.^=/§&¤### KNOWS WHATS EVEN ON THERE ANYMORE ###¤&§/=^.
..^=/§&¤## ##¤&§/=^..
.^=/§&¤### FLUTTER: KINDA QUICK PITCH VARIATIONS. ###¤&§/=^.
..^=/§&¤## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##¤&§/=^..
.^=/§&¤### ###¤&§/=^.
..^=/§&¤## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##¤&§/=^..
.^=/§&¤### SECONDS LONG. WHAT UP. BOTH OF THESE ###¤&§/=^.
..^=/§&¤## INCREASE WHEN TAPE SPEED DECREASES. ##¤&§/=^..
.^=/§&¤### ###¤&§/=^.
..^=/§&¤## PRINT THROUGH: TAPES RUB SOUND ON EACH ##¤&§/=^..
.^=/§&¤### OTHER IF THEYRE ALONE FOR TOO LONG ###¤&§/=^.
..^=/§&¤## ##¤&§/=^..
.^=/§&¤### ###¤&§/=^.
..^=/§&¤## ##¤&§/=^..
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