...^-*^&£@ @£&^*-^...
..^-*^&£@# #@£&^*-^..
.^-*^&£@## ##@£&^*-^.
..^-*^&£@# #@£&^*-^..
...^-*^&£@ @£&^*-^...
....^-*^&£ A COOL ENOUGH SONY WALKMAN CALLED £&^*-^....
.....^-*^& &^*-^.....
......^-*^ # # # ^*-^......
.......^-* ### TCM ONEFIFTY ### *-^.......
........^- # # # -^........
.........^ ^.........
.......... IT'S BATTERY POWERED (TWO AA BATTERIES) ..........
.......... AND HAS A MICROPHONE. IT DOES FEATURE A ..........
.......... SPEED HOLE BUT IT'S HIDDEN BENEATH ITS ..........
.......... SHELL. ..........
.......... ..........
.......... A COOL THING IS THE SPEAKER ON THE ..........
.......... FRONT. BUT ISN'T THAT A MAGNET CLOSE TO ..........
.......... THE TAPE? YES ..........
.......... ..........
.........^ ## IS IT GOOD ## ^.........
........^- -^........
.......^-* WELL. IT HAS SOME VERY REAL COMPRESSION *-^.......
......^-*^ GOING ON SO CLOSE VOX AND OTHER HIGH ^*-^......
.....^-*^& VOLUME THINGS ARE VERY CRISP AND WITH &^*-^.....
....^-*^&£ KIND OF LOW NOISE. BUT WHEN THERE'S £&^*-^....
...^-*^&£@ MORE OF AN AMBIENCE, ALL YOU HEAR IS @£&^*-^...
..^-*^&£@# HISS AND MOTOR NOISE. #@£&^*-^..
.^-*^&£@## ##@£&^*-^.
..^-*^&£@# DENOISING TECHNIQUES ARE SIMPLE. ACTUAL #@£&^*-^..
...^-*^&£@ DENOISING FOR THE NOISE, AND MAYBE AN @£&^*-^...
....^-*^&£ EQ FOR THE MOTOR. £&^*-^....
.....^-*^& &^*-^.....
......^-*^ ## WHAT IS IT FOR ## ^*-^......
.......^-* *-^.......
........^- I USE IT FOR TALKING TO WHEN I'M DRUNK. -^........
.........^ IT DOES THIS VERY GOOD. THE PAUSE ^.........
.......... BUTTON IS A SMALL STOP, THE STOP BUTTON ..........
.......... IS A MAJOR STOP. ..........
.......... ..........
.......... ## SOME QUIRKS ## ..........
.......... ..........
.......... WHEN UNPAUSING, RECORDING BEGINS BEFORE ..........
.......... THE ENGINE IS FULLY SPUN UP, RESULTING ..........
.......... IN A NICE SWOOP BEING RECORDED. ..........
.......... ..........
.........^ IT MADE ME BUY A VHS CAM ^.........
........^- -^........
.......^-* *-^.......
......^-*^ # # # ^*-^......
.....^-*^& &^*-^.....
....^-*^&£ REST IN PIECES, LITERALLY £&^*-^....
...^-*^&£@ @£&^*-^...
..^-*^&£@# ^ MAY TWENTY FIFTEEN ^ #@£&^*-^..
.^-*^&£@## . TO . ##@£&^*-^.
..^-*^&£@# - JULY TWENTY EIGHTEEN - #@£&^*-^..
...^-*^&£@ @£&^*-^...
....^-*^&£ SUPERSEDED BY THE TCM TWENTY £&^*-^....
.....^-*^& &^*-^.....
......^-*^ ^*-^......
.......^-* *-^.......
........^- -^........
.........^ ^.........