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.....~»\†£                                          £†\»~.....
......~»\†                                          †\»~......
.....~»\†£                ..£###£..                 £†\»~.....
....~»\†£&       ~~ pittsburgh electronics ~~       &£†\»~....
...~»\†£&@             »» lifeforms »»              @&£†\»~...
..~»\†£&@#               \\ sv one \\               #@&£†\»~..
.~»\†£&@##                                          ##@&£†\»~.
..~»\†£&@# this is  a eurorack module but i  bought #@&£†\»~..
...~»\†£&@ the  blackbox  one  so  it's  also  not. @&£†\»~...
....~»\†£&                                          &£†\»~....
.....~»\†£ it  ships with  too  few  patch  cables. £†\»~.....
......~»\†                                          †\»~......
.....~»\†£             .†@ contains @†.             £†\»~.....
....~»\†£&           midi to cv converter           &£†\»~....
...~»\†£&@                two vco's                 @&£†\»~...
..~»\†£&@# four  channel or two x two channel mixer #@&£†\»~..
.~»\†£&@##        two sub oscillators i think       ##@&£†\»~.
..~»\†£&@#         two one to two splitters         #@&£†\»~..
...~»\†£&@          white noise generator           @&£†\»~...
....~»\†£&              sample and hold             &£†\»~....
.....~»\†£          lfo plus a digital lfo          £†\»~.....
......~»\†   filter (lowpass, bandpass, highpass)   †\»~......
.....~»\†£               adsr envelope              £†\»~.....
....~»\†£&                  one vca                 &£†\»~....
...~»\†£&@              headphone amp               @&£†\»~...
..~»\†£&@#         fourty nine patchpoints!         #@&£†\»~..
.~»\†£&@##                                          ##@&£†\»~.
..~»\†£&@#                  .~###~.                 #@&£†\»~..
...~»\†£&@           »†† so what now ††»            @&£†\»~...
....~»\†£&                  .~###~.                 &£†\»~....
.....~»\†£                                          £†\»~.....
......~»\† clock  io goes to  asdr in  i think  and †\»~......
.....~»\†£ maybe also  to the sample and hold.  put £†\»~.....
....~»\†£& subbase and noise  in channel  three and &£†\»~....
...~»\†£&@ four.  oscillator  one  saw  to  channel @&£†\»~...
..~»\†£&@# two,  and oscillator two saw  to channel #@&£†\»~..
.~»\†£&@## one.   sample  and   hold   out  to  the ##@&£†\»~.
..~»\†£&@#  filter... maybe... resonance at half.   #@&£†\»~..
...~»\†£&@ some frequency in the  first  oscillator @&£†\»~...
....~»\†£& and then  the second  osc four semitones &£†\»~....
.....~»\†£                  higher.                 £†\»~.....
......~»\†                                          †\»~......
.....~»\†£                 ~»&@&»~                  £†\»~.....
....~»\†£&          \££ desktop synth ££\           &£†\»~....
...~»\†£&@                  ~»&@&»~                 @&£†\»~...
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