.^»;£&@@## ##@@&£;»^.
.^»;%£££@@ @@£££%;»^.
.^»;%£&@@@ @@@&£%;»^.
.......»%& &%».......
.....^^;£@ @£;^^.....
.^»;%£&@@# @@@@ ##### #@@&£%;»^.
.^»;%£&@@# TAPE DREAM #@@&£%;»^.
....^;£&@@ #### @@@@@ @@&£;^....
.^»;%£@@## ##@@£%;»^.
.....»%£&@ FOR STORING MUSIC ON. ALSO DATA BUT @&£%».....
....^^;£&@ AT THIS POINT IN TIME THAT'S NOT @&£;^^....
.......»%& REALLY IMPORTANT I THINK. &%».......
.^»;%£&@@# #@@&£%;»^.
.^»;%£&@@# #@@&£%;»^.
....^^;£@@ ;;;;;;;; TYPES OF TAPE ;;;;;;;; @@£;^^....
.^»;%£&@## ##@&£%;»^.
.^»;%£&@## CLASS I - "BAD" IRON ##@&£%;»^.
.^»;%£&@@@ CLASS II - GOOD CHROMIUM @@@&£%;»^.
.^»»»;;%£@ CLASS III - BAD IRON PART TWO @£%;;»»»^.
.^»;%£&@@# CLASS IV - DANGEROUS METALS #@@&£%;»^.
.^»;%£&@## ##@&£%;»^.
..^»»%££@@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @@££%»»^..
....^»;%%& THAT IS ACTUALLY USEFUL. &%%;»^....
.^»;%£&@@@ @@@&£%;»^.
.^»;%££&&& ;; BIAS ;; &&&££%;»^.
.^»;%£&@@# #@@&£%;»^.
.^»;%£££@@ CLASS I USES ONE HUNDRED AND TWENTY @@£££%;»^.
....»;;£@@ MICRO-SOMETHING WHILE THE OTHERS ALL @@£;;»....
.^»;%£&@@@ USE SEVENTY OF THE SAME UNIT. @@@&£%;»^.
.^»;%£&@@# #@@&£%;»^.
.^»;%£££@@ @@£££%;»^.
.^»»»»»%£@ %%%%%%%%% AHA AND %%%%%%%%% @£%»»»»»^.
.^»;%£&@@# #@@&£%;»^.
.^»;%££&@@ CLASS IV IS APPARENTLY TOO STRONG TO @@&££%;»^.
.^»;%£&@@@ BE USED ON CLASS I PLAYERS. IT WILL @@@&£%;»^.
....»%%£&& SOUND TOO LOUND AND IT CANNOT BE &&£%%»....
.^»;%£&@## COMPLETELY ERASED. THIS IS VERY WELL. ##@&£%;»^.
.^»;%£&&@@ MAYBE SOME WONDERFUL BLENDING EFFECTS @@&&£%;»^.
.....»%££@ COULD BE ACHIEVED? @££%».....
.^»;%£&@@# #@@&£%;»^.
....^;£&&@ THEY ALSO GNAW AT THE TAPE HEADS A BIT @&&£;^....
.^»;;;%&&@ BETTER THAN EARLIER TAPE TYPES. @&&%;;;»^.
......^;£& &£;^......
.^»;%£&@@@ @@@&£%;»^.
.^»;%£&@## ;;;;;;;; ARTIFACTS ;;;;;;;; ##@&£%;»^.
.^»;%£&@## ##@&£%;»^.
.^»;%£&@@# GOOD TAPES ARE DECENT AND HAVE A GOOD #@@&£%;»^.
....^»;%£@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @£%;»^....
.^»;%£&@@# LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #@@&£%;»^.
.^»;%£&@@@ LIKE IT. @@@&£%;»^.
....^;££&& &&££;^....
......»»%& BIAS LOSS: IF YOU FORGET THE BIAS WHO &%»»......
.....»%%£@ KNOWS WHATS EVEN ON THERE ANYMORE @£%%».....
...^»%£££@ @£££%»^...
.^»;%£&@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@&£%;»^.
.^»;%£&@@@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @@@&£%;»^.
.^»;%£@@## ##@@£%;»^.
.^»;%&@@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@@&%;»^.
.^»;%£&@@# SECONDS LONG. WHAT UP. BOTH OF THESE #@@&£%;»^.
.^»;%£&@## INCREASE WHEN TAPE SPEED DECREASES. ##@&£%;»^.
....»;;£&@ @&£;;»....
.....»;£&@ PRINT THROUGH: TAPES RUB SOUND ON EACH @&£;».....
.^»;%£££@@ OTHER IF THEYRE ALONE FOR TOO LONG @@£££%;»^.
.^»;%£&&&& &&&&£%;»^.
....»»»»%& &%»»»»....
.^»;%£&@@# #@@&£%;»^.
.^»;%££&&& &&&££%;»^.
.^»;%£&@@# #@@&£%;»^.
.^»;%£&@@# #@@&£%;»^.