.~~;*&§§@@ @@§§&*;~~.
..~~~~*&&@ @&&*~~~~..
.~~;*&§@@# #@@§&*;~~.
....~~;&§§ §§&;~~....
.~~;*&§@@# #@@§&*;~~.
...~~~*&§@ @@@@ ##### @§&*~~~...
...~~**&§§ tape dream §§&**~~...
.~~;*&§@@# #### @@@@@ #@@§&*;~~.
.~~;*&§@@# #@@§&*;~~.
....~~~*&@ for storing music on. also data but @&*~~~....
......~~*§ at this point in time that's not §*~~......
.~~;;**&@@ really important i think. @@&**;;~~.
.~~;*&@@## ##@@&*;~~.
.~~;*&§@@@ @@@§&*;~~.
....~~;*&@ ;;;;;;;; types of tape ;;;;;;;; @&*;~~....
...~;;*&&@ @&&*;;~...
....~;*§@@ class i - "bad" iron @@§*;~....
.~~;*&§@@# class ii - good chromium #@@§&*;~~.
.~~;*&§@@# class iii - bad iron part two #@@§&*;~~.
..~~~;&&§§ class iv - dangerous metals §§&&;~~~..
.~~;*&§@@@ @@@§&*;~~.
...~~;*&§§ rumors exist about a secret class v tape §§&*;~~...
.~~;*&§@@# that is actually useful. #@@§&*;~~.
.~~;*&§§§@ @§§§&*;~~.
....~;&§@@ ;; bias ;; @@§&;~....
.~~;*§@@## ##@@§*;~~.
.~~;*&§@@@ class i uses one hundred and twenty @@@§&*;~~.
...~~~~;&@ micro-something while the others all @&;~~~~...
..~~~**§§§ use seventy of the same unit. §§§**~~~..
..~~;;;*§@ @§*;;;~~..
..~~;;&&&@ @&&&;;~~..
.~~;*&§@@# ********* aha and ********* #@@§&*;~~.
.~~;*&§@@# #@@§&*;~~.
.~;*&§@@## class iv is apparently too strong to ##@@§&*;~.
..~~~;;;*§ be used on class i players. it will §*;;;~~~..
...~~;*&@@ sound too lound and it cannot be @@&*;~~...
.~~;*&§@## completely erased. this is very well. ##@§&*;~~.
.~~;*&§@@@ maybe some wonderful blending effects @@@§&*;~~.
.~~;*&§@@# could be achieved? #@@§&*;~~.
.......~*§ §*~.......
.~~;*&§@@# they also gnaw at the tape heads a bit #@@§&*;~~.
.~~;*&&&@@ better than earlier tape types. @@&&&*;~~.
.~~;*&§@@@ @@@§&*;~~.
.~~;*&§@@# #@@§&*;~~.
......~*§§ ;;;;;;;; artifacts ;;;;;;;; §§*~......
.~~;*&§@## ##@§&*;~~.
.~~;&§@@## good tapes are decent and have a good ##@@§&;~~.
.~~;*&§@@@ high frequency presence, bad tapes are @@@§&*;~~.
....~~;;*§ lofi if not outright bad. idk, i kinda §*;;~~....
.~~;*&§@@# like it. #@@§&*;~~.
.~~;;**&@@ @@&**;;~~.
.~~;*&§@@@ bias loss: if you forget the bias who @@@§&*;~~.
.~~;*&§@@# knows whats even on there anymore #@@§&*;~~.
.~~;;;**§@ @§**;;;~~.
.~~;*&§@## flutter: kinda quick pitch variations. ##@§&*;~~.
.~~;*&§@@# beautiful, wonderful, extraordinary. #@@§&*;~~.
.~~;*&§@@# #@@§&*;~~.
....~~~~*§ wow: a slower flutter, usually several §*~~~~....
.~~~;;**§@ seconds long. what up. both of these @§**;;~~~.
.~~;*&§@@# increase when tape speed decreases. #@@§&*;~~.
.~~;*&§@@# #@@§&*;~~.
.~~;*&§@@@ print through: tapes rub sound on each @@@§&*;~~.
.~~~~;&&@@ other if theyre alone for too long @@&&;~~~~.
...~~~*&@@ @@&*~~~...
....~***§@ @§***~....
.~~*&§@@## ##@@§&*~~.
.~~;*&§@## ##@§&*;~~.
.~~;*&@@## ##@@&*;~~.
.~~;*&§@@# #@@§&*;~~.