,,,,,~†§&@                                          @&§†~,,,,,
,,,,~†§&@£                                          £@&§†~,,,,
,,,~†§&@£#                                          #£@&§†~,,,
,,~†§&@£##                                          ##£@&§†~,,
,,,~†§&@£#                                          #£@&§†~,,,
,,,,~†§&@£                                          £@&§†~,,,,
,,,,,~†§&@                 ,,&###&,,                @&§†~,,,,,
,,,,,,~†§&       ,, PITTSBURGH ELECTRONICS ,,       &§†~,,,,,,
,,,,,,,~†§              ~~ LIFEFORMS ~~             §†~,,,,,,,
,,,,,,,,~†               †† SV ONE ††               †~,,,,,,,,
,,,,,,,,,~                                          ~,,,,,,,,,
,,,,,,,,,, THIS IS A  EURORACK MODULE BUT  I BOUGHT ,,,,,,,,,,
,,,,,,,,,~ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ~,,,,,,,,,
,,,,,,,,~†                                          †~,,,,,,,,
,,,,,,,~†§ IT  SHIPS  WITH  TOO FEW  PATCH  CABLES. §†~,,,,,,,
,,,,,,~†§&                                          &§†~,,,,,,
,,,,,~†§&@             ,§£ CONTAINS £§,             @&§†~,,,,,
,,,,~†§&@£           MIDI TO CV CONVERTER           £@&§†~,,,,
,,,~†§&@£#                 TWO VCO'S                #£@&§†~,,,
,,~†§&@£## FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER ##£@&§†~,,
,,,~†§&@£#        TWO SUB OSCILLATORS I THINK       #£@&§†~,,,
,,,,~†§&@£         TWO ONE TO TWO SPLITTERS         £@&§†~,,,,
,,,,,~†§&@           WHITE NOISE GENERATOR          @&§†~,,,,,
,,,,,,~†§&              SAMPLE AND HOLD             &§†~,,,,,,
,,,,,,,~†§          LFO PLUS A DIGITAL LFO          §†~,,,,,,,
,,,,,,,,~†   FILTER (LOWPASS, BANDPASS, HIGHPASS)   †~,,,,,,,,
,,,,,,,,,~              ADSR ENVELOPE               ~,,,,,,,,,
,,,,,,,,,,                 ONE VCA                  ,,,,,,,,,,
,,,,,,,,,~               HEADPHONE AMP              ~,,,,,,,,,
,,,,,,,,~†         FOURTY NINE PATCHPOINTS!         †~,,,,,,,,
,,,,,,,~†§                                          §†~,,,,,,,
,,,,,,~†§&                 ,,###,,                  &§†~,,,,,,
,,,,,~†§&@            ~§§ SO WHAT NOW §§~           @&§†~,,,,,
,,,,~†§&@£                  ,,###,,                 £@&§†~,,,,
,,,~†§&@£#                                          #£@&§†~,,,
,,~†§&@£## CLOCK IO  GOES TO  ASDR  IN  I THINK AND ##£@&§†~,,
,,,~†§&@£# MAYBE ALSO  TO THE SAMPLE  AND HOLD. PUT #£@&§†~,,,
,,,,~†§&@£ SUBBASE  AND  NOISE IN CHANNEL THREE AND £@&§†~,,,,
,,,,,~†§&@ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL @&§†~,,,,,
,,,,,,~†§& TWO,  AND OSCILLATOR TWO SAW  TO CHANNEL &§†~,,,,,,
,,,,,,,~†§ ONE.  SAMPLE   AND   HOLD  OUT   TO  THE §†~,,,,,,,
,,,,,,,,~†   FILTER... MAYBE... RESONANCE AT HALF.  †~,,,,,,,,
,,,,,,,,,~ SOME FREQUENCY IN  THE  FIRST OSCILLATOR ~,,,,,,,,,
,,,,,,,,,, AND THEN  THE SECOND OSC  FOUR SEMITONES ,,,,,,,,,,
,,,,,,,,,~                  HIGHER.                 ~,,,,,,,,,
,,,,,,,,~†                                          †~,,,,,,,,
,,,,,,,~†§                 ,~@£@~,                  §†~,,,,,,,
,,,,,,~†§&           †&& DESKTOP SYNTH &&†          &§†~,,,,,,
,,,,,~†§&@                  ,~@£@~,                 @&§†~,,,,,
,,,,~†§&@£                                          £@&§†~,,,,
,,,~†§&@£#                                          #£@&§†~,,,
,,~†§&@£##                                          ##£@&§†~,,
,,,~†§&@£#                                          #£@&§†~,,,
,,,,~†§&@£                                          £@&§†~,,,,
,,,,,~†§&@                                          @&§†~,,,,,