,,,,,,~%%@                                          @%%~,,,,,,
,,,,,~*@@@                                          @@@*~,,,,,
,,~***%@@#                                          #@@%***~,,
,,,,~%%@@@                                          @@@%%~,,,,
,,~*%@@@##                                          ##@@@%*~,,
,,~*%@@@##                                          ##@@@%*~,,
,,,~~~**@@                 ,,@###@,,                @@**~~~,,,
,,~*%@@@##       ,, PITTSBURGH ELECTRONICS ,,       ##@@@%*~,,
,,,,,,~~%@             ~~ LIFEFORMS ~~              @%~~,,,,,,
,,,,,,~%@@               ** SV ONE **               @@%~,,,,,,
,,~*%@@@##                                          ##@@@%*~,,
,,,~~~%@@@ THIS IS A  EURORACK MODULE BUT I  BOUGHT @@@%~~~,,,
,,,,,,,~%@ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. @%~,,,,,,,
,,,,,,*@@@                                          @@@*,,,,,,
,,,,,*%@@@ IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. @@@%*,,,,,
,,~*%@@@##                                          ##@@@%*~,,
,,~*%%%@@@             ,%@ CONTAINS @%,             @@@%%%*~,,
,,~*%@@@@#           MIDI TO CV CONVERTER           #@@@@%*~,,
,,*%@@@###                TWO VCO'S                 ###@@@%*,,
,,~*%@@@## FOUR CHANNEL OR TWO X TWO  CHANNEL MIXER ##@@@%*~,,
,,~%@@@###        TWO SUB OSCILLATORS I THINK       ###@@@%~,,
,,~*%@@@@#         TWO ONE TO TWO SPLITTERS         #@@@@%*~,,
,,~*%@@@##          WHITE NOISE GENERATOR           ##@@@%*~,,
,,~*%@@@##              SAMPLE AND HOLD             ##@@@%*~,,
,,~*%@@@##          LFO PLUS A DIGITAL LFO          ##@@@%*~,,
,,~*%@@@##   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ##@@@%*~,,
,,~*%@@@##               ADSR ENVELOPE              ##@@@%*~,,
,,~*%%%%%@                 ONE VCA                  @%%%%%*~,,
,,~*%@@@##              HEADPHONE AMP               ##@@@%*~,,
,,~*%@@@##         FOURTY NINE PATCHPOINTS!         ##@@@%*~,,
,,~*%@@###                                          ###@@%*~,,
,,,,,~*@@#                  ,,###,,                 #@@*~,,,,,
,,,,,,~*%@            ~%% SO WHAT NOW %%~           @%*~,,,,,,
,,~*%@@@##                  ,,###,,                 ##@@@%*~,,
,,~*%@@###                                          ###@@%*~,,
,,,,~*%@@@ CLOCK IO GOES  TO  ASDR  IN I THINK  AND @@@%*~,,,,
,,~*%@@@@@ MAYBE ALSO TO THE  SAMPLE AND  HOLD. PUT @@@@@%*~,,
,,~*%@@@@@ SUBBASE AND NOISE  IN CHANNEL  THREE AND @@@@@%*~,,
,,~*%@@### FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ###@@%*~,,
,,,,,*%%@@ TWO, AND  OSCILLATOR TWO SAW  TO CHANNEL @@%%*,,,,,
,,,~*%@@@@ ONE.  SAMPLE   AND   HOLD   OUT  TO  THE @@@@%*~,,,
,,,,,,*%@@   FILTER... MAYBE... RESONANCE AT HALF.  @@%*,,,,,,
,,~*%@@@## SOME FREQUENCY  IN THE  FIRST OSCILLATOR ##@@@%*~,,
,,~*%@@@## AND THEN  THE SECOND OSC  FOUR SEMITONES ##@@@%*~,,
,,~*%@@###                 HIGHER.                  ###@@%*~,,
,,~*%@@###                                          ###@@%*~,,
,,~*%@@@##                 ,~@@@~,                  ##@@@%*~,,
,,,,,,,*@@          *@@ DESKTOP SYNTH @@*           @@*,,,,,,,
,,~*%@@@@#                  ,~@@@~,                 #@@@@%*~,,
,,~*%@@###                                          ###@@%*~,,
,,~*%@@@##                                          ##@@@%*~,,
,,~*%@@@@#                                          #@@@@%*~,,
,,~*%@@@##                                          ##@@@%*~,,
,,,,~**%%@                                          @%%**~,,,,
,,~*%@@@##                                          ##@@@%*~,,