#@#&**\»~. .~»\**@#
##@#&**»~. .~»**@##
@#&***\»~. .~»\***@
#@#&**\»~. .~»\**@#
###&**\»~. .~»\**##
@#****\»~. @@@@ ##### .~»\****#@
#&&&**\»~. TAPE DREAM .~»\**&&
@&**\\~... #### @@@@@ ...~\\**&@
##@#**\»~. .~»\**#@##
#@#&**\»~. FOR STORING MUSIC ON. ALSO DATA BUT .~»\**@#
##@&**\»~. AT THIS POINT IN TIME THAT'S NOT .~»\**&@##
#@#&**\»~. REALLY IMPORTANT I THINK. .~»\**@#
#&*\»»»... ...»»»\*
@&&&**\»~. .~»\**&&&@
@@#&**\»~. \\\\\\\\ TYPES OF TAPE \\\\\\\\ .~»\**@@
&**\\»~... ...~»\\**&
##@#**\»~. CLASS I - "BAD" IRON .~»\**#@##
&***\\»... CLASS II - GOOD CHROMIUM ...»\\***&
##@#**\»~. CLASS III - BAD IRON PART TWO .~»\**#@##
@##&**\»~. CLASS IV - DANGEROUS METALS .~»\**#@
###&**\»~. .~»\**##
#&****\»~. RUMORS EXIST ABOUT A SECRET CLASS V TAPE .~»\****
###&**\»~. THAT IS ACTUALLY USEFUL. .~»\**##
#@#&**\»~. .~»\**@#
&*\\~..... \\ BIAS \\ .....~\\*&
###&**\»~. .~»\**##
@#****\»~. CLASS I USES ONE HUNDRED AND TWENTY .~»\****#@
@&*\»~.... MICRO-SOMETHING WHILE THE OTHERS ALL ....~»\*&@
@#&***\»~. USE SEVENTY OF THE SAME UNIT. .~»\***@
&*\~...... ......~\*&
##@#&**\»~ ~»\**@##
###&**\»~. ********* AHA AND ********* .~»\**##
#@#&**\»~. .~»\**@#
#&&**\\»~. CLASS IV IS APPARENTLY TOO STRONG TO .~»\\**&
&*\»»»~... BE USED ON CLASS I PLAYERS. IT WILL ...~»»»\*&
&*\~...... SOUND TOO LOUND AND IT CANNOT BE ......~\*&
###&**\»~. COMPLETELY ERASED. THIS IS VERY WELL. .~»\**##
#@#&**\»~. MAYBE SOME WONDERFUL BLENDING EFFECTS .~»\**@#
#@#&**\»~. COULD BE ACHIEVED? .~»\**@#
##@#&*\»~. .~»\*@##
#@#&**\»~. THEY ALSO GNAW AT THE TAPE HEADS A BIT .~»\**@#
###&**\»~. BETTER THAN EARLIER TAPE TYPES. .~»\**##
#****\»»~. .~»»\****#
&**»~..... .....~»**&
@@#&**\»~. \\\\\\\\ ARTIFACTS \\\\\\\\ .~»\**@@
#@#&**\»~. .~»\**@#
@&&&**\»~. GOOD TAPES ARE DECENT AND HAVE A GOOD .~»\**&&&@
#@#&**\»~. HIGH FREQUENCY PRESENCE, BAD TAPES ARE .~»\**@#
&&**»»~... LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ...~»»**&&
##****\»~. LIKE IT. .~»\****##
&*\\~..... .....~\\*&
#*\\~..... BIAS LOSS: IF YOU FORGET THE BIAS WHO .....~\\*#
@#&&**\»~. KNOWS WHATS EVEN ON THERE ANYMORE .~»\**&@
@@#&**\»~. .~»\**@@
&*\»~~~~.. FLUTTER: KINDA QUICK PITCH VARIATIONS. ..~~~~»\*&
##***\\»~. BEAUTIFUL, WONDERFUL, EXTRAORDINARY. .~»\\***##
@&&&**\»~. .~»\**&&&@
@##&**\»~. WOW: A SLOWER FLUTTER, USUALLY SEVERAL .~»\**#@
#&*»~~~... SECONDS LONG. WHAT UP. BOTH OF THESE ...~~~»*
###&**\»~. INCREASE WHEN TAPE SPEED DECREASES. .~»\**##
##****\»~. .~»\****##
#@#&**\»~. PRINT THROUGH: TAPES RUB SOUND ON EACH .~»\**@#
###&**\»~. OTHER IF THEYRE ALONE FOR TOO LONG .~»\**##
@#*\~..... .....~\*#@
&**\~~.... ....~~\**&
#@#&**\»~. .~»\**@#
&*\»»~~... ...~~»»\*&
#@#&**\»~. .~»\**@#
@&***\\»~. .~»\\***&@