.^=^$@@# #@@#&$^=^.
.^=^$@@# #@@#&$^=^.
...=^^^$#@ @#$^^^=...
.^=^$@@# #@@#&$^=^.
.....=$#@@ @@#$=.....
.^==^^^$#@ @@@@ ##### @#$^^^==^.
.^=^$$$@ TAPE DREAM @#&$$$^=^.
..^^=$$# #### @@@@@ ##&$$=^^..
....==^&@@ @@&^==....
.......=$# FOR STORING MUSIC ON. ALSO DATA BUT #$=.......
.....^=$$# AT THIS POINT IN TIME THAT'S NOT #$$=^.....
.^=^$@## REALLY IMPORTANT I THINK. ##@#&$^=^.
.^^^^^^& #&&^^^^^^.
.^=^$@@# #@@#&$^=^.
...==$$##@ ^^^^^^^^ TYPES OF TAPE ^^^^^^^^ @##$$==...
.^=^$&&&@@ @@&&&$^=^.
...^^^^^ CLASS I - "BAD" IRON #&^^^^^...
.^=^$@@@ CLASS II - GOOD CHROMIUM @@@#&$^=^.
...^^^=$&@ CLASS III - BAD IRON PART TWO @&$=^^^...
.....^^^ CLASS IV - DANGEROUS METALS #&^^^.....
.^=^$@@@ @@@#&$^=^.
.^=^$#@@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @@##&$^=^.
.^=^$@@@ THAT IS ACTUALLY USEFUL. @@@#&$^=^.
.^=^$@## ##@#&$^=^.
.^=^$$$$#@ ^^ BIAS ^^ @#$$$$^=^.
.^=^$@## ##@#&$^=^.
.^=^$@@# CLASS I USES ONE HUNDRED AND TWENTY #@@#&$^=^.
.....==^$# MICRO-SOMETHING WHILE THE OTHERS ALL #$^==.....
.^^===$$&@ USE SEVENTY OF THE SAME UNIT. @&$$===^^.
.^=^$@@# #@@#&$^=^.
.....^^@ @#&^^.....
...^^^=^&@ $$$$$$$$$ AHA AND $$$$$$$$$ @&^=^^^...
......^^$# #$^^......
.^=^$@@# CLASS IV IS APPARENTLY TOO STRONG TO #@@#&$^=^.
.^=^^$$#@@ BE USED ON CLASS I PLAYERS. IT WILL @@#$$^^=^.
.^=^$@@# SOUND TOO LOUND AND IT CANNOT BE #@@#&$^=^.
.^=^$@@# COMPLETELY ERASED. THIS IS VERY WELL. #@@#&$^=^.
...^^^^$#@ MAYBE SOME WONDERFUL BLENDING EFFECTS @#$^^^^...
.^=^$@@# COULD BE ACHIEVED? #@@#&$^=^.
.^=^$@@# #@@#&$^=^.
.^=^$@@# THEY ALSO GNAW AT THE TAPE HEADS A BIT #@@#&$^=^.
..^^^^$@ BETTER THAN EARLIER TAPE TYPES. @#&$^^^^..
...^^$$# ##&$$^^...
.^=^$@## ##@#&$^=^.
.....^^^$# ^^^^^^^^ ARTIFACTS ^^^^^^^^ #$^^^.....
.^^$@@## ##@@#&$^^.
.^=^$@@@ GOOD TAPES ARE DECENT AND HAVE A GOOD @@@#&$^=^.
.^=^$@## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##@#&$^=^.
.^=^$### LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ####&$^=^.
.^=^^^^$## LIKE IT. ##$^^^^=^.
...^==^$## ##$^==^...
...^^==$## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##$==^^...
.^=^$@@# KNOWS WHATS EVEN ON THERE ANYMORE #@@#&$^=^.
.^=^$@@# #@@#&$^=^.
.^=^$@@# FLUTTER: KINDA QUICK PITCH VARIATIONS. #@@#&$^=^.
.^=^$@@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@@#&$^=^.
.^=$@@## ##@@#&$=^.
.^=^$@@# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #@@#&$^=^.
.^=^$##@ SECONDS LONG. WHAT UP. BOTH OF THESE @###&$^=^.
.....^^&@@ INCREASE WHEN TAPE SPEED DECREASES. @@&^^.....
...==$&@ @#&&$==...
....==$$&@ PRINT THROUGH: TAPES RUB SOUND ON EACH @&$$==....
.^=^$@@# OTHER IF THEYRE ALONE FOR TOO LONG #@@#&$^=^.
.^=^$@## ##@#&$^=^.
.^=^$@@# #@@#&$^=^.
.^=^$@@# #@@#&$^=^.
.^=^$@@@ @@@#&$^=^.
.^=^$### ####&$^=^.
...^^$#@ @##&$^^...