.#.#.#.##. #...##.##.
##.#.#..#. #..#.#..#.
.#.#.#.##. #.##.#.##.
##.#.#..#. #..#.#..#.
.#.#.#.##. #.##.#.##.
##.#.#..#. @@@@ ##### #..#.#..#.
.#.#.#.##. TAPE DREAM #.##.#.##.
##.#.#..#. #### @@@@@ #..#.#..#.
.#.#.#.##. #.##.#.##.
##.#.#..#. FOR STORING MUSIC ON. ALSO DATA BUT #..#.#..#.
.#.#.#.##. AT THIS POINT IN TIME THAT'S NOT #.##.#.##.
##.#.#..#. REALLY IMPORTANT I THINK. #..#.#..#.
.#.#.#.##. #.##.#.##.
##.#.#..#. #..#.#..#.
.#.#.#.##. ******** TYPES OF TAPE ******** #.##.#.##.
##.#.#..#. #..#.#..#.
.#.#.#.##. CLASS I - "BAD" IRON #.##.#.##.
##.#.#..#. CLASS II - GOOD CHROMIUM #..#.#..#.
.#.#.#.##. CLASS III - BAD IRON PART TWO #.##.#.##.
##.#.#..#. CLASS IV - DANGEROUS METALS #..#.#..#.
.#.#.#.##. #.##.#.##.
##.#.#..#. RUMORS EXIST ABOUT A SECRET CLASS V TAPE #..#.#..#.
.#.#.#.##. THAT IS ACTUALLY USEFUL. #.##.#.##.
##.#.#..#. #..#.#..#.
.#.#.#.##. ** BIAS ** #.##.#.##.
##.#.#..#. #..#.#..#.
.#.#.#.##. CLASS I USES ONE HUNDRED AND TWENTY #.##.#.##.
##.#.#..#. MICRO-SOMETHING WHILE THE OTHERS ALL #..#.#..#.
.#.#.#.##. USE SEVENTY OF THE SAME UNIT. #.##.#.##.
##.#.#..#. #..#.#..#.
.#.#.#.##. #.##.#.##.
##.#.#..#. %%%%%%%%% AHA AND %%%%%%%%% #..#.#..#.
.#.#.#.##. #.##.#.##.
##.#.#..#. CLASS IV IS APPARENTLY TOO STRONG TO #..#.#..#.
.#.#.#.##. BE USED ON CLASS I PLAYERS. IT WILL #.##.#.##.
##.#.#..#. SOUND TOO LOUND AND IT CANNOT BE #..#.#..#.
.#.#.#.##. COMPLETELY ERASED. THIS IS VERY WELL. #.##.#.##.
##.#.#..#. MAYBE SOME WONDERFUL BLENDING EFFECTS #..#.#..#.
.#.#.#.##. COULD BE ACHIEVED? #.##.#.##.
##.#.#..#. #..#.#..#.
.#.#.#.##. THEY ALSO GNAW AT THE TAPE HEADS A BIT #.##.#.##.
##.#.#..#. BETTER THAN EARLIER TAPE TYPES. #..#.#..#.
.#.#.#.##. #.##.#.##.
##.#.#..#. #..#.#..#.
.#.#.#.##. ******** ARTIFACTS ******** #.##.#.##.
##.#.#..#. #..#.#..#.
.#.#.#.##. GOOD TAPES ARE DECENT AND HAVE A GOOD #.##.#.##.
##.#.#..#. HIGH FREQUENCY PRESENCE, BAD TAPES ARE #..#.#..#.
.#.#.#.##. LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #.##.#.##.
##.#.#..#. LIKE IT. #..#.#..#.
.#.#.#.##. #.##.#.##.
##.#.#..#. BIAS LOSS: IF YOU FORGET THE BIAS WHO #..#.#..#.
.#.#.#.##. KNOWS WHATS EVEN ON THERE ANYMORE #.##.#.##.
##.#.#..#. #..#.#..#.
.#.#.#.##. FLUTTER: KINDA QUICK PITCH VARIATIONS. #.##.#.##.
##.#.#..#. BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #..#.#..#.
.#.#.#.##. #.##.#.##.
##.#.#..#. WOW: A SLOWER FLUTTER, USUALLY SEVERAL #..#.#..#.
.#.#.#.##. SECONDS LONG. WHAT UP. BOTH OF THESE #.##.#.##.
##.#.#..#. INCREASE WHEN TAPE SPEED DECREASES. #..#.#..#.
.#.#.#.##. #.##.#.##.
##.#.#..#. PRINT THROUGH: TAPES RUB SOUND ON EACH #..#.#..#.
.#.#.#.##. OTHER IF THEYRE ALONE FOR TOO LONG #.##.#.##.
##.#.#..#. #..#.#..#.
.#.#.#.##. #.##.#.##.
##.#.#..#. #..#.#..#.
.#.#.#.##. #.##.#.##.
##.#.#..#. #..#.#..#.
.#.#.#.##. #.##.#.##.