,:-†*&§§§£ £§§§&*†-:,
,,,,--*§££ ££§*--,,,,
,,,::†**&£ £&**†::,,,
,:-†*&§£## ##£§&*†-:,
,,,----*&§ §&*----,,,
,:-†*&§£## #### ##### ##£§&*†-:,
,:-†*&§£## tape dream ##£§&*†-:,
,:-†*&§£## #### ##### ##£§&*†-:,
,,,,,-†&§§ §§&†-,,,,,
,:-†*&§£## for storing music on. also data but ##£§&*†-:,
,:-†*&§£## at this point in time that's not ##£§&*†-:,
,,,,,:†*§£ really important i think. £§*†:,,,,,
,:-†*&&&§£ £§&&&*†-:,
,:-†*&§### ###§&*†-:,
,,,,-**§§£ †††††††† types of tape †††††††† £§§**-,,,,
,:-†*&§£## ##£§&*†-:,
,:-†*&§£## class i - "bad" iron ##£§&*†-:,
,,,,:†&&§£ class ii - good chromium £§&&†:,,,,
,:-†*&§£## class iii - bad iron part two ##£§&*†-:,
,:-†*&&§§£ class iv - dangerous metals £§§&&*†-:,
,:-†*&§£## ##£§&*†-:,
,:-†*&§£## rumors exist about a secret class v tape ##£§&*†-:,
,:-†*&§£## that is actually useful. ##£§&*†-:,
,:-†*&§§§# #§§§&*†-:,
,:-†*&§£## †† bias †† ##£§&*†-:,
,:-††*&&££ ££&&*††-:,
,:-†*&§£## class i uses one hundred and twenty ##£§&*†-:,
,:-†*&§£## micro-something while the others all ##£§&*†-:,
,:-†*&§£## use seventy of the same unit. ##£§&*†-:,
,:-†*&§£## ##£§&*†-:,
,,,,-†&§£# #£§&†-,,,,
,:-†***&§§ ********* aha and ********* §§&***†-:,
,:-†††&§£# #£§&†††-:,
,,,,:†††&£ class iv is apparently too strong to £&†††:,,,,
,:-†*&§£## be used on class i players. it will ##£§&*†-:,
,,,,,:-*§£ sound too lound and it cannot be £§*-:,,,,,
,:-†*&&§§§ completely erased. this is very well. §§§&&*†-:,
,:-†*&§£## maybe some wonderful blending effects ##£§&*†-:,
,,,,:††*&§ could be achieved? §&*††:,,,,
,:-†*&§£## ##£§&*†-:,
,:-†*&§### they also gnaw at the tape heads a bit ###§&*†-:,
,,,,,:†*§£ better than earlier tape types. £§*†:,,,,,
,,,:-†*&&§ §&&*†-:,,,
,:-†*&§£## ##£§&*†-:,
:-†*&§£### †††††††† artifacts †††††††† ###£§&*†-:
,,,,,-*&§£ £§&*-,,,,,
,:-†*&§£## good tapes are decent and have a good ##£§&*†-:,
,:-†*&§£## high frequency presence, bad tapes are ##£§&*†-:,
,:-†*&§£## lofi if not outright bad. idk, i kinda ##£§&*†-:,
,:-†*&§£## like it. ##£§&*†-:,
,,,:--†**§ §**†--:,,,
,:-†*&§§£# bias loss: if you forget the bias who #£§§&*†-:,
,:-†*&§£## knows whats even on there anymore ##£§&*†-:,
,,,,:†&&§£ £§&&†:,,,,
,,,,-***§£ flutter: kinda quick pitch variations. £§***-,,,,
,:-†*&§£## beautiful, wonderful, extraordinary. ##£§&*†-:,
,:-†*&§£## ##£§&*†-:,
,:-†***§£# wow: a slower flutter, usually several #£§***†-:,
,:-†*&&§§£ seconds long. what up. both of these £§§&&*†-:,
,:-†*&§£## increase when tape speed decreases. ##£§&*†-:,
,:-††*&§§§ §§§&*††-:,
,::-††**&£ print through: tapes rub sound on each £&**††-::,
,:-†*&§£## other if theyre alone for too long ##£§&*†-:,
,:-†*&§££# #££§&*†-:,
,:-†*&§£## ##£§&*†-:,
,:-†*&§£## ##£§&*†-:,
,:-†*&§§££ ££§§&*†-:,
,,::-*&§§§ §§§&*-::,,
,:-†*&§£## ##£§&*†-:,