#.#..###.. #.#.#.#.#.
#.#.#.##.# #.#.#.#.#.
#.#.#..#.# #.#.#.#.#.
#.#.#.##.# #.#.#.#.#.
#.#.#..#.# #.#.#.#.#.
#.#.#.##.# ^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^* #.#.#.#.#.
#.#.#..#.# *^ operation contrasting valkyrie *^ #.#.#.#.#.
#.#.#.##.# ^* in the sixties. the central ^* #.#.#.#.#.
#.#.#..#.# *^ intelligence agency "cia" release *^ #.#.#.#.#.
#.#.#.##.# ^* aerosolized selatenine over a ^* #.#.#.#.#.
#.#.#..#.# *^ jupiter equinox concert, creating *^ #.#.#.#.#.
#.#.#.##.# ^* the largest secret paradigm shift ^* #.#.#.#.#.
#.#.#..#.# *^ that the world has ever =seen=. *^ #.#.#.#.#.
#.#.#.##.# ^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^* #.#.#.#.#.
#.#.#..#.# #.#.#.#.#.
#.#.#.##.# the jupiter equinox* concert is part of #.#.#.#.#.
#.#.#..#.# a festival in black tickle arranged by #.#.#.#.#.
#.#.#.##.# a group called epicenter of love. there #.#.#.#.#.
#.#.#..#.# is no entrance but visitors are #.#.#.#.#.
#.#.#.##.# expected to help with maintenance. food #.#.#.#.#.
#.#.#..#.# and drink is shared. many bands are #.#.#.#.#.
#.#.#.##.# playing over the four day course of the #.#.#.#.#.
#.#.#..#.# festival, and the stage is open between #.#.#.#.#.
#.#.#.##.# scheduled concerts. jupiter equinox, #.#.#.#.#.
#.#.#..#.# while an unknown act, has a prestigious #.#.#.#.#.
#.#.#.##.# timeslot at eight in the evening on the #.#.#.#.#.
#.#.#..#.# third day, which is friday. . . . #.#.#.#.#.
#.#.#.##.# #.#.#.#.#.
#.#.#..#.# eight is also when the plane used to #.#.#.#.#.
#.#.#.##.# spread the aerosol lifts off. it #.#.#.#.#.
#.#.#..#.# arrives at the festival about a quarter #.#.#.#.#.
#.#.#.##.# past, sound masked by the concert. #.#.#.#.#.
#.#.#..#.# around when the first wave of #.#.#.#.#.
#.#.#.##.# selatenine must have reached the #.#.#.#.#.
#.#.#..#.# audience, the song comes to a tense but #.#.#.#.#.
#.#.#.##.# quiet movement, and the lead singer #.#.#.#.#.
#.#.#..#.# walks to the front of the stage. #.#.#.#.#.
#.#.#.##.# #.#.#.#.#.
#.#.#..#.# she says, with a crystalline voice: "i #.#.#.#.#.
#.#.#.##.# have something to tell you. i am not a #.#.#.#.#.
#.#.#..#.# human being. i am not an animal or a #.#.#.#.#.
#.#.#.##.# plant. i have been sent to deliver a #.#.#.#.#.
#.#.#..#.# message to you. a message of hope. you #.#.#.#.#.
#.#.#.##.# are not alone. there are other beings #.#.#.#.#.
#.#.#..#.# in the universe. there is life out #.#.#.#.#.
#.#.#.##.# there, life that is reaching out a #.#.#.#.#.
#.#.#..#.# hand. and it's time to take that hand. #.#.#.#.#.
#.#.#.##.# to reach out toward that hand and grab #.#.#.#.#.
#.#.#..#.# it it. it is time to come home. you are #.#.#.#.#.
#.#.#.##.# going home. you are going home." #.#.#.#.#.
#.#.#..#.# #.#.#.#.#.
#.#.#.##.# the singer stands there for a few #.#.#.#.#.
#.#.#..#.# moments, her hand raised in the air, #.#.#.#.#.
#.#.#.##.# before the rest of the band kicks in #.#.#.#.#.
#.#.#..#.# and the music builds to a crescendo. #.#.#.#.#.
#.#.#.##.# the crowd erupts. and then something #.#.#.#.#.
#.#.#..#.# else erupts as well. a concert-goer #.#.#.#.#.
#.#.#.##.# describes it: "suddenly, the music #.#.#.#.#.
#.#.#..#.# seams broader, more colorful. i can #.#.#.#.#.
#.#.#.##.# somehow see it, and i feel the others #.#.#.#.#.
#.#.#..#.# seeing it, and i see it through their #.#.#.#.#.
#.#.#.##.# eyes as well. meanwhile i'm dancing, #.#.#.#.#.
#.#.#..#.# and i can feel my body as i've never #.#.#.#.#.
#.#.#.##.# done before, i am aware of each cell #.#.#.#.#.
#.#.#..#.# and each molecule, all vibrating in #.#.#.#.#.
#.#.#.##.# unison. and it's all going faster, #.#.#.#.#.
#.#.#..#.# building up to something, waking up." #.#.#.#.#.
#.#.#.##.# #.#.#.#.#.
#.#.#..#.# people start forming circles, holding #.#.#.#.#.
#.#.#.##.# hands and dancing. some are crying. #.#.#.#.#.
#.#.#..#.# some are laughing. some are screaming. #.#.#.#.#.
#.#.#.##.# #.#.#.#.#.
#.#.#..#.# and then - a flutter - and something #.#.#.#.#.
#.#.#.##.# gives. a shockwave of reversing #.#.#.#.#.
#.#.#..#.# polarity in the ether, and like #.#.#.#.#.
#.#.#.##.# butterflies getting hit by a burst of #.#.#.#.#.
#.#.#..#.# wind, the third eye opens for everyone #.#.#.#.#.
#.#.#.##.# in the audience. and it becomes a chain #.#.#.#.#.
#.#.#..#.# reaction, quickly spreading across the #.#.#.#.#.
#.#.#.##.# festival area. within seconds there is #.#.#.#.#.
#.#.#..#.# a global blackout. festival goers #.#.#.#.#.
#.#.#.##.# regain their memories around a week #.#.#.#.#.
#.#.#..#.# later, those in the nearby town of #.#.#.#.#.
#.#.#.##.# black tickle after a few days, in #.#.#.#.#.
#.#.#..#.# montreal for the evening, the rest of #.#.#.#.#.
#.#.#.##.# america maybe an hour. . . . . . #.#.#.#.#.
#.#.#..#.# #.#.#.#.#.
#.#.#.##.# and thus, the population of earth #.#.#.#.#.
#.#.#..#.# has kind of left it's materialistic #.#.#.#.#.
#.#.#.##.# baseline, only that most do not #.#.#.#.#.
#.#.#..#.# remember it. #.#.#.#.#.
#.#.#.##.# #.#.#.#.#.
#.#.#..#.# #.#.#.#.#.
#.#.#.##.# ^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^* #.#.#.#.#.
#.#.#..#.# *^ * there's an interesting aspect to *^ #.#.#.#.#.
#.#.#.##.# ^* the "jupiter equinox" act. it ^* #.#.#.#.#.
#.#.#..#.# *^ seems there was never any *^ #.#.#.#.#.
#.#.#.##.# ^* jupiter equinox concerts before or ^* #.#.#.#.#.
#.#.#..#.# *^ after the one in black tickle. the *^ #.#.#.#.#.
#.#.#.##.# ^* lead singer (also colloquially ^* #.#.#.#.#.
#.#.#..#.# *^ referred to as jupiter) seemed to *^ #.#.#.#.#.
#.#.#.##.# ^* immediately disappear (for a long ^* #.#.#.#.#.
#.#.#..#.# *^ while she was thought to have been *^ #.#.#.#.#.
#.#.#.##.# ^* a cia agent, but a later foia ^* #.#.#.#.#.
#.#.#..#.# *^ release refuted this). for obvious *^ #.#.#.#.#.
#.#.#.##.# ^* reasons, many were looking for any ^* #.#.#.#.#.
#.#.#..#.# *^ trace of the band, but none *^ #.#.#.#.#.
#.#.#.##.# ^* were fruitful. ^* #.#.#.#.#.
#.#.#..#.# *^ *^ #.#.#.#.#.
#.#.#.##.# ^* recently, however, some attention ^* #.#.#.#.#.
#.#.#..#.# *^ has been drawn to juniper helding, *^ #.#.#.#.#.
#.#.#.##.# ^* a sixteen year old pop singer from ^* #.#.#.#.#.
#.#.#..#.# *^ england who has a very striking *^ #.#.#.#.#.
#.#.#.##.# ^* similarity... ^* #.#.#.#.#.
#.#.#..#.# *^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^ #.#.#.#.#.
#.#.#.##.# #.#.#.#.#.
#.#.#..#.# #.#.#.#.#.
#.#.#.##.# #.#.#.#.#.
#.#.#..#.# #.#.#.#.#.
#.#.#.##.# #.#.#.#.#.