.@.....@.. ..@@......
...@@@...@ @....@@@@@
.@..@..@.. ..@@..@@@.
.......... @......@..
@@@@@@@@@@ ..@@@@...@
@@@@@@@@@. §£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£ @..@@..@..
.@@@@@@@.. £§ OPERATION CONTRASTING VALKYRIE £§ ..........
..@@@@@... §£ IN THE SIXTIES. THE CENTRAL §£ @@@@@@@@@@
...@@@..@@ £§ INTELLIGENCE AGENCY "CIA" RELEASE £§ .@@@@@@@@.
@@..@....@ §£ AEROSOLIZED SELATENINE OVER A §£ ..@@@@@@..
......@@.. £§ JUPITER EQUINOX CONCERT, CREATING £§ @..@@@@...
@@@@@..... §£ THE LARGEST SECRET PARADIGM SHIFT §£ ....@@..@@
@@@@..@@@@ £§ THAT THE WORLD HAS EVER -SEEN-. £§ .@@......@
@@@....@@@ §£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£ ....@@@@..
.@..@@..@@ .@@..@@...
.......... THE JUPITER EQUINOX* CONCERT IS PART OF ........@@
.@@@@@@@@@ A FESTIVAL IN BLACK TICKLE ARRANGED BY @@@@@@@...
..@@@@@@@@ A GROUP CALLED EPICENTER OF LOVE. THERE @@@@@@..@@
...@@@@@@@ IS NO ENTRANCE BUT VISITORS ARE .@@@@.....
@@..@@@@@@ EXPECTED TO HELP WITH MAINTENANCE. FOOD ..@@..@@@@
@....@@@@@ AND DRINK IS SHARED. MANY BANDS ARE @......@@@
..@@..@@@. PLAYING OVER THE FOUR DAY COURSE OF THE ..@@@@..@@
.......@.. FESTIVAL, AND THE STAGE IS OPEN BETWEEN @..@@.....
@@@@@@...@ SCHEDULED CONCERTS. JUPITER EQUINOX, ......@@@@
@@@@@..@.. WHILE AN UNKNOWN ACT, HAS A PRESTIGIOUS .@@@@..@@@
@@@@...... TIMESLOT AT EIGHT IN THE EVENING ON THE ..@@....@@
@@@..@@@@@ THIRD DAY, WHICH IS FRIDAY. . . . @....@@..@
@@....@@@@ ..@@......
...@@..@@@ EIGHT IS ALSO WHEN THE PLANE USED TO @....@@@@.
@@......@@ SPREAD THE AEROSOL LIFTS OFF. IT ..@@..@@..
...@@@@..@ ARRIVES AT THE FESTIVAL ABOUT A QUARTER ..........
@@..@@.... PAST, SOUND MASKED BY THE CONCERT. @@@@@@@@@@
@......@@. AROUND WHEN THE FIRST WAVE OF .@@@@@@@@@
..@@@@.... SELATENINE MUST HAVE REACHED THE ..@@@@@@@@
...@@..@@@ AUDIENCE, THE SONG COMES TO A TENSE BUT ...@@@@@@.
@@......@@ QUIET MOVEMENT, AND THE LEAD SINGER @@..@@@@..
...@@@@... WALKS TO THE FRONT OF THE STAGE. @....@@...
@@..@@..@@ ..@@....@@
@......... SHE SAYS, WITH A CRYSTALLINE VOICE: "I .....@@..@
..@@@@@@@@ HAVE SOMETHING TO TELL YOU. I AM NOT A @@@@......
@..@@@@@@@ HUMAN BEING. I AM NOT AN ANIMAL OR A @@@..@@@@@
....@@@@@@ PLANT. I HAVE BEEN SENT TO DELIVER A @@....@@@@
.@@..@@@@@ MESSAGE TO YOU. A MESSAGE OF HOPE. YOU @..@@..@@.
......@@@@ ARE NOT ALONE. THERE ARE OTHER BEINGS ..........
@@@@@..@@. IN THE UNIVERSE. THERE IS LIFE OUT @@@@@@@@@@
@@@@...... THERE, LIFE THAT IS REACHING OUT A @@@@@@@@@@
@@@..@@@@@ HAND. AND IT'S TIME TO TAKE THAT HAND. @@@@@@@@@@
@@....@@@@ TO REACH OUT TOWARD THAT HAND AND GRAB @@@@@@@@@@
@..@@..@@@ IT IT. IT IS TIME TO COME HOME. YOU ARE @@@@@@@@@@
........@@ GOING HOME. YOU ARE GOING HOME." @@@@@@@@@@
.@@@@@@..@ @@@@@@@@@.
..@@@@.... THE SINGER STANDS THERE FOR A FEW @@@@@@@@..
@..@@..@@. MOMENTS, HER HAND RAISED IN THE AIR, @@@@@@@..@
.......... BEFORE THE REST OF THE BAND KICKS IN @@@@@@....
@@@@@@@@@. AND THE MUSIC BUILDS TO A CRESCENDO. @@@@@..@@@
@@@@@@@@.. THE CROWD ERUPTS. AND THEN SOMETHING @@@@....@@
@@@@@@@... ELSE ERUPTS AS WELL. A CONCERT-GOER @@@..@@..@
@@@@@@..@@ DESCRIBES IT: "SUDDENLY, THE MUSIC @@........
.@@@@..... SEAMS BROADER, MORE COLORFUL. I CAN @..@@@@@@.
..@@..@@@@ SOMEHOW SEE IT, AND I FEEL THE OTHERS ....@@@@..
@......@@@ SEEING IT, AND I SEE IT THROUGH THEIR .@@..@@..@
..@@@@..@@ EYES AS WELL. MEANWHILE I'M DANCING, ..........
@..@@....@ AND I CAN FEEL MY BODY AS I'VE NEVER @@@@@@@@@@
......@@.. DONE BEFORE, I AM AWARE OF EACH CELL @@@@@@@@@@
.@@@@..... AND EACH MOLECULE, ALL VIBRATING IN .@@@@@@@@.
..@@..@@@@ UNISON. AND IT'S ALL GOING FASTER, ..@@@@@@..
@......@@. BUILDING UP TO SOMETHING, WAKING UP." @..@@@@..@
..@@@@.... ....@@....
@..@@..@@. PEOPLE START FORMING CIRCLES, HOLDING .@@....@@@
.......... HANDS AND DANCING. SOME ARE CRYING. ....@@..@@
.@@@@@@@@. SOME ARE LAUGHING. SOME ARE SCREAMING. @@@.......
..@@@@@@.. @@..@@@@@@
...@@@@... AND THEN - A FLUTTER - AND SOMETHING @....@@@@.
@@..@@..@@ GIVES. A SHOCKWAVE OF REVERSING ..@@..@@..
.......... POLARITY IN THE ETHER, AND LIKE @.........
@@@@@@@@@@ BUTTERFLIES GETTING HIT BY A BURST OF ..@@@@@@@@
@@@@@@@@@@ WIND, THE THIRD EYE OPENS FOR EVERYONE @..@@@@@@@
@@@@@@@@@@ IN THE AUDIENCE. AND IT BECOMES A CHAIN ....@@@@@@
@@@@@@@@@@ REACTION, QUICKLY SPREADING ACROSS THE .@@..@@@@@
@@@@@@@@@@ FESTIVAL AREA. WITHIN SECONDS THERE IS ......@@@@
@@@@@@@@@@ A GLOBAL BLACKOUT. FESTIVAL GOERS .@@@@..@@@
@@@@@@@@@@ REGAIN THEIR MEMORIES AROUND A WEEK ..@@....@@
@@@@@@@@@@ LATER, THOSE IN THE NEARBY TOWN OF @....@@..@
@@@@@@@@@@ BLACK TICKLE AFTER A FEW DAYS, IN ..@@......
.@@@@@@@@@ MONTREAL FOR THE EVENING, THE REST OF .....@@@@.
..@@@@@@@@ AMERICA MAYBE AN HOUR. . . . . . @@@@..@@..
@..@@@@@@@ @@@......@
....@@@@@@ AND THUS, THE POPULATION OF EARTH @@..@@@@..
@@@..@@@@@ HAS KIND OF LEFT IT'S MATERIALISTIC @....@@..@
@@....@@@@ BASELINE, ONLY THAT MOST DO NOT ..@@......
...@@..@@@ REMEMBER IT. @....@@@@.
@@......@@ ..@@..@@..
...@@@@..@ ..........
@@..@@.... §£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£ @@@@@@@@@@
@......@@. £§ * THERE'S AN INTERESTING ASPECT TO £§ .@@@@@@@@@
..@@@@.... §£ THE "JUPITER EQUINOX" ACT. IT §£ ..@@@@@@@@
...@@..@@@ £§ SEEMS THERE WAS NEVER ANY £§ ...@@@@@@.
@@......@@ §£ JUPITER EQUINOX CONCERTS BEFORE OR §£ @@..@@@@..
...@@@@... £§ AFTER THE ONE IN BLACK TICKLE. THE £§ @....@@...
@@..@@..@@ §£ LEAD SINGER (ALSO COLLOQUIALLY §£ ..@@....@@
@......... £§ REFERRED TO AS JUPITER) SEEMED TO £§ .....@@..@
..@@@@@@@@ §£ IMMEDIATELY DISAPPEAR (FOR A LONG §£ @@@@......
@..@@@@@@@ £§ WHILE SHE WAS THOUGHT TO HAVE BEEN £§ @@@..@@@@@
....@@@@@@ §£ A CIA AGENT, BUT A LATER FOIA §£ @@....@@@@
.@@..@@@@@ £§ RELEASE REFUTED THIS). FOR OBVIOUS £§ @..@@..@@.
......@@@@ §£ REASONS, MANY WERE LOOKING FOR ANY §£ ..........
@@@@@..@@. £§ TRACE OF THE BAND, BUT NONE £§ @@@@@@@@@@
@@@@...... §£ WERE FRUITFUL. §£ @@@@@@@@@@
@@@..@@@@@ £§ £§ @@@@@@@@@@
@@....@@@@ §£ RECENTLY, HOWEVER, SOME ATTENTION §£ @@@@@@@@@@
@..@@..@@@ £§ HAS BEEN DRAWN TO JUNIPER HELDING, £§ @@@@@@@@@@
........@@ §£ A SIXTEEN YEAR OLD POP SINGER FROM §£ @@@@@@@@@@
.@@@@@@..@ £§ ENGLAND WHO HAS A VERY STRIKING £§ @@@@@@@@@.
..@@@@.... §£ SIMILARITY... §£ @@@@@@@@..
@..@@..@@. £§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§£§ @@@@@@@..@
.......... @@@@@@....
@@@@@@@@@. @@@@@..@@@
@@@@@@@@.. @@@@....@@
@@@@@@@... @@@..@@..@
@@@@@@..@@ @@........