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#@£%**~,¨¨ *%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*% ¨¨,~**%£@#
##@£%**~,¨ %* OPERATION CONTRASTING VALKYRIE %* ¨,~**%£@##
#@£%**~,¨¨ *% IN THE SIXTIES. THE CENTRAL *% ¨¨,~**%£@#
##@£%**~,¨ %* INTELLIGENCE AGENCY "CIA" RELEASE %* ¨,~**%£@##
#@£%**~,¨¨ *% AEROSOLIZED SELATENINE OVER A *% ¨¨,~**%£@#
##@£%**~,¨ %* JUPITER EQUINOX CONCERT, CREATING %* ¨,~**%£@##
#@£%**~,¨¨ *% THE LARGEST SECRET PARADIGM SHIFT *% ¨¨,~**%£@#
##@£%**~,¨ %* THAT THE WORLD HAS EVER ~SEEN~. %* ¨,~**%£@##
#@£%**~,¨¨ *%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*% ¨¨,~**%£@#
##@£%**~,¨ ¨,~**%£@##
#@£%**~,¨¨ THE JUPITER EQUINOX* CONCERT IS PART OF ¨¨,~**%£@#
##@£%**~,¨ A FESTIVAL IN BLACK TICKLE ARRANGED BY ¨,~**%£@##
#@£%**~,¨¨ A GROUP CALLED EPICENTER OF LOVE. THERE ¨¨,~**%£@#
##@£%**~,¨ IS NO ENTRANCE BUT VISITORS ARE ¨,~**%£@##
#@£%**~,¨¨ EXPECTED TO HELP WITH MAINTENANCE. FOOD ¨¨,~**%£@#
##@£%**~,¨ AND DRINK IS SHARED. MANY BANDS ARE ¨,~**%£@##
#@£%**~,¨¨ PLAYING OVER THE FOUR DAY COURSE OF THE ¨¨,~**%£@#
##@£%**~,¨ FESTIVAL, AND THE STAGE IS OPEN BETWEEN ¨,~**%£@##
#@£%**~,¨¨ SCHEDULED CONCERTS. JUPITER EQUINOX, ¨¨,~**%£@#
##@£%**~,¨ WHILE AN UNKNOWN ACT, HAS A PRESTIGIOUS ¨,~**%£@##
#@£%**~,¨¨ TIMESLOT AT EIGHT IN THE EVENING ON THE ¨¨,~**%£@#
##@£%**~,¨ THIRD DAY, WHICH IS FRIDAY. ¨ ¨ ¨ ¨,~**%£@##
#@£%**~,¨¨ ¨¨,~**%£@#
##@£%**~,¨ EIGHT IS ALSO WHEN THE PLANE USED TO ¨,~**%£@##
#@£%**~,¨¨ SPREAD THE AEROSOL LIFTS OFF. IT ¨¨,~**%£@#
##@£%**~,¨ ARRIVES AT THE FESTIVAL ABOUT A QUARTER ¨,~**%£@##
#@£%**~,¨¨ PAST, SOUND MASKED BY THE CONCERT. ¨¨,~**%£@#
##@£%**~,¨ AROUND WHEN THE FIRST WAVE OF ¨,~**%£@##
#@£%**~,¨¨ SELATENINE MUST HAVE REACHED THE ¨¨,~**%£@#
##@£%**~,¨ AUDIENCE, THE SONG COMES TO A TENSE BUT ¨,~**%£@##
#@£%**~,¨¨ QUIET MOVEMENT, AND THE LEAD SINGER ¨¨,~**%£@#
##@£%**~,¨ WALKS TO THE FRONT OF THE STAGE. ¨,~**%£@##
#@£%**~,¨¨ ¨¨,~**%£@#
##@£%**~,¨ SHE SAYS, WITH A CRYSTALLINE VOICE: "I ¨,~**%£@##
#@£%**~,¨¨ HAVE SOMETHING TO TELL YOU. I AM NOT A ¨¨,~**%£@#
##@£%**~,¨ HUMAN BEING. I AM NOT AN ANIMAL OR A ¨,~**%£@##
#@£%**~,¨¨ PLANT. I HAVE BEEN SENT TO DELIVER A ¨¨,~**%£@#
##@£%**~,¨ MESSAGE TO YOU. A MESSAGE OF HOPE. YOU ¨,~**%£@##
#@£%**~,¨¨ ARE NOT ALONE. THERE ARE OTHER BEINGS ¨¨,~**%£@#
##@£%**~,¨ IN THE UNIVERSE. THERE IS LIFE OUT ¨,~**%£@##
#@£%**~,¨¨ THERE, LIFE THAT IS REACHING OUT A ¨¨,~**%£@#
##@£%**~,¨ HAND. AND IT'S TIME TO TAKE THAT HAND. ¨,~**%£@##
#@£%**~,¨¨ TO REACH OUT TOWARD THAT HAND AND GRAB ¨¨,~**%£@#
##@£%**~,¨ IT IT. IT IS TIME TO COME HOME. YOU ARE ¨,~**%£@##
#@£%**~,¨¨ GOING HOME. YOU ARE GOING HOME." ¨¨,~**%£@#
##@£%**~,¨ ¨,~**%£@##
#@£%**~,¨¨ THE SINGER STANDS THERE FOR A FEW ¨¨,~**%£@#
##@£%**~,¨ MOMENTS, HER HAND RAISED IN THE AIR, ¨,~**%£@##
#@£%**~,¨¨ BEFORE THE REST OF THE BAND KICKS IN ¨¨,~**%£@#
##@£%**~,¨ AND THE MUSIC BUILDS TO A CRESCENDO. ¨,~**%£@##
#@£%**~,¨¨ THE CROWD ERUPTS. AND THEN SOMETHING ¨¨,~**%£@#
##@£%**~,¨ ELSE ERUPTS AS WELL. A CONCERT-GOER ¨,~**%£@##
#@£%**~,¨¨ DESCRIBES IT: "SUDDENLY, THE MUSIC ¨¨,~**%£@#
##@£%**~,¨ SEAMS BROADER, MORE COLORFUL. I CAN ¨,~**%£@##
#@£%**~,¨¨ SOMEHOW SEE IT, AND I FEEL THE OTHERS ¨¨,~**%£@#
##@£%**~,¨ SEEING IT, AND I SEE IT THROUGH THEIR ¨,~**%£@##
#@£%**~,¨¨ EYES AS WELL. MEANWHILE I'M DANCING, ¨¨,~**%£@#
##@£%**~,¨ AND I CAN FEEL MY BODY AS I'VE NEVER ¨,~**%£@##
#@£%**~,¨¨ DONE BEFORE, I AM AWARE OF EACH CELL ¨¨,~**%£@#
##@£%**~,¨ AND EACH MOLECULE, ALL VIBRATING IN ¨,~**%£@##
#@£%**~,¨¨ UNISON. AND IT'S ALL GOING FASTER, ¨¨,~**%£@#
##@£%**~,¨ BUILDING UP TO SOMETHING, WAKING UP." ¨,~**%£@##
#@£%**~,¨¨ ¨¨,~**%£@#
##@£%**~,¨ PEOPLE START FORMING CIRCLES, HOLDING ¨,~**%£@##
#@£%**~,¨¨ HANDS AND DANCING. SOME ARE CRYING. ¨¨,~**%£@#
##@£%**~,¨ SOME ARE LAUGHING. SOME ARE SCREAMING. ¨,~**%£@##
#@£%**~,¨¨ ¨¨,~**%£@#
##@£%**~,¨ AND THEN - A FLUTTER - AND SOMETHING ¨,~**%£@##
#@£%**~,¨¨ GIVES. A SHOCKWAVE OF REVERSING ¨¨,~**%£@#
##@£%**~,¨ POLARITY IN THE ETHER, AND LIKE ¨,~**%£@##
#@£%**~,¨¨ BUTTERFLIES GETTING HIT BY A BURST OF ¨¨,~**%£@#
##@£%**~,¨ WIND, THE THIRD EYE OPENS FOR EVERYONE ¨,~**%£@##
#@£%**~,¨¨ IN THE AUDIENCE. AND IT BECOMES A CHAIN ¨¨,~**%£@#
##@£%**~,¨ REACTION, QUICKLY SPREADING ACROSS THE ¨,~**%£@##
#@£%**~,¨¨ FESTIVAL AREA. WITHIN SECONDS THERE IS ¨¨,~**%£@#
##@£%**~,¨ A GLOBAL BLACKOUT. FESTIVAL GOERS ¨,~**%£@##
#@£%**~,¨¨ REGAIN THEIR MEMORIES AROUND A WEEK ¨¨,~**%£@#
##@£%**~,¨ LATER, THOSE IN THE NEARBY TOWN OF ¨,~**%£@##
#@£%**~,¨¨ BLACK TICKLE AFTER A FEW DAYS, IN ¨¨,~**%£@#
##@£%**~,¨ MONTREAL FOR THE EVENING, THE REST OF ¨,~**%£@##
#@£%**~,¨¨ AMERICA MAYBE AN HOUR. ¨ ¨ ¨ ¨ ¨ ¨¨,~**%£@#
##@£%**~,¨ ¨,~**%£@##
#@£%**~,¨¨ AND THUS, THE POPULATION OF EARTH ¨¨,~**%£@#
##@£%**~,¨ HAS KIND OF LEFT IT'S MATERIALISTIC ¨,~**%£@##
#@£%**~,¨¨ BASELINE, ONLY THAT MOST DO NOT ¨¨,~**%£@#
##@£%**~,¨ REMEMBER IT. ¨,~**%£@##
#@£%**~,¨¨ ¨¨,~**%£@#
##@£%**~,¨ ¨,~**%£@##
#@£%**~,¨¨ *%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*% ¨¨,~**%£@#
##@£%**~,¨ %* * THERE'S AN INTERESTING ASPECT TO %* ¨,~**%£@##
#@£%**~,¨¨ *% THE "JUPITER EQUINOX" ACT. IT *% ¨¨,~**%£@#
##@£%**~,¨ %* SEEMS THERE WAS NEVER ANY %* ¨,~**%£@##
#@£%**~,¨¨ *% JUPITER EQUINOX CONCERTS BEFORE OR *% ¨¨,~**%£@#
##@£%**~,¨ %* AFTER THE ONE IN BLACK TICKLE. THE %* ¨,~**%£@##
#@£%**~,¨¨ *% LEAD SINGER (ALSO COLLOQUIALLY *% ¨¨,~**%£@#
##@£%**~,¨ %* REFERRED TO AS JUPITER) SEEMED TO %* ¨,~**%£@##
#@£%**~,¨¨ *% IMMEDIATELY DISAPPEAR (FOR A LONG *% ¨¨,~**%£@#
##@£%**~,¨ %* WHILE SHE WAS THOUGHT TO HAVE BEEN %* ¨,~**%£@##
#@£%**~,¨¨ *% A CIA AGENT, BUT A LATER FOIA *% ¨¨,~**%£@#
##@£%**~,¨ %* RELEASE REFUTED THIS). FOR OBVIOUS %* ¨,~**%£@##
#@£%**~,¨¨ *% REASONS, MANY WERE LOOKING FOR ANY *% ¨¨,~**%£@#
##@£%**~,¨ %* TRACE OF THE BAND, BUT NONE %* ¨,~**%£@##
#@£%**~,¨¨ *% WERE FRUITFUL. *% ¨¨,~**%£@#
##@£%**~,¨ %* %* ¨,~**%£@##
#@£%**~,¨¨ *% RECENTLY, HOWEVER, SOME ATTENTION *% ¨¨,~**%£@#
##@£%**~,¨ %* HAS BEEN DRAWN TO JUNIPER HELDING, %* ¨,~**%£@##
#@£%**~,¨¨ *% A SIXTEEN YEAR OLD POP SINGER FROM *% ¨¨,~**%£@#
##@£%**~,¨ %* ENGLAND WHO HAS A VERY STRIKING %* ¨,~**%£@##
#@£%**~,¨¨ *% SIMILARITY... *% ¨¨,~**%£@#
##@£%**~,¨ %*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%* ¨,~**%£@##
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