.:-=*$§#@# #@#§$*=-:.
..:-=*$§#@ @#§$*=-:..
...:-=*$§# #§$*=-:...
..:-=*$§#@ @#§$*=-:..
.:-=*$§#@# #@#§$*=-:.
..:-=*$§#@ ###- -### @#§$*=-:..
...:-=*$§# # # #§$*=-:...
..:-=*$§#@ # TELE MIGRAINE # @#§$*=-:..
.:-=*$§#@# # # #@#§$*=-:.
..:-=*$§#@ ###- -### @#§$*=-:..
...:-=*$§# #§$*=-:...
..:-=*$§#@ THE SO CALLED "THIRD MIGRAINE". IT'S @#§$*=-:..
.:-=*$§#@# LIKE A REGULAR MIGRAINE BUT IT DOES NOT #@#§$*=-:.
..:-=*$§#@ HURT THERE'S NO PAIN, THE COSMOS IS @#§$*=-:..
...:-=*$§# THERE AND IT'S DRAINING THE EVIL #§$*=-:...
..:-=*$§#@ STRAIGHT OUT OF THE WOUND. @#§$*=-:..
.:-=*$§#@# #@#§$*=-:.
..:-=*$§#@ IT'S MASSAGING YOUR TEMPLES, PIERCING @#§$*=-:..
...:-=*$§# YOU, ENTERING YOUR BLOOD, CRACKING THE #§$*=-:...
..:-=*$§#@ SKULL OPEN. A PAW GRIPS YOUR BRAIN, @#§$*=-:..
.:-=*$§#@# PLAYS WITH IT, PULLS IT OUT INTO THE #@#§$*=-:.
..:-=*$§#@ COSMOS. @#§$*=-:..
...:-=*$§# #§$*=-:...
..:-=*$§#@ THERE'S COMETS! SPACE ODDITIES. @#§$*=-:..
.:-=*$§#@# SOLITARY OSCILLATIONS. CARRIER WAVE. #@#§$*=-:.
..:-=*$§#@ BURNED AWAY BY THE SUNS RADIATION UNTIL @#§$*=-:..
...:-=*$§# ONLY THE FAINTEST TRACE REMAIN, #§$*=-:...
..:-=*$§#@ EVENTUALLY CAUGHT IN THE GRAVITY WELL @#§$*=-:..
.:-=*$§#@# OF SOME SECOND RATE WATER PLANET. #@#§$*=-:.
..:-=*$§#@ @#§$*=-:..
...:-=*$§# IT'S RAINING SAP. #§$*=-:...
..:-=*$§#@ WE'RE GETTING SWEET AND WET @#§$*=-:..
.:-=*$§#@# #@#§$*=-:.
..:-=*$§#@ ###- -### @#§$*=-:..
...:-=*$§# #§$*=-:...
..:-=*$§#@ MY LUNCH BREAK IS OVER AND I NEED TO @#§$*=-:..
.:-=*$§#@# GET BACK TO THE SHOP. LYNNE IS THERE #@#§$*=-:.
..:-=*$§#@ ALONE AND HASN'T EATEN YET. I TAKE THE @#§$*=-:..
...:-=*$§# BACK ROUTE UP FROM THE BEACH TO AVOID #§$*=-:...
..:-=*$§#@ THE CROWD. SING A LITTLE TO MYSELF. @#§$*=-:..
.:-=*$§#@# #@#§$*=-:.
..:-=*$§#@ LIFE GETS TO PROSPER OUTSIDE OF.#=--- - @#§$*=-:..
...:-=*$§# SUDDENLY, AN ACID FLASHBACK: I STEP #§$*=-:...
..:-=*$§#@ DOWN IN MY MIND (LIKE AN OPEN MIND / @#§$*=-:..
.:-=*$§#@# FRACTAL STINGER / BISMUTH STAIRCASE) #@#§$*=-:.
..:-=*$§#@ AND WADE IN SHADOWS... SURROUNDED BY @#§$*=-:..
...:-=*$§# MEMORY NEGATIVES, #§$*=-:...
..:-=*$§#@ LIKE UPROCESSED FILM.... @#§$*=-:..
.:-=*$§#@# #@#§$*=-:.
..:-=*$§#@ ###- -### @#§$*=-:..
...:-=*$§# #§$*=-:...
..:-=*$§#@ WE'RE CLOSING FOR THE EVENING. THE SHOP @#§$*=-:..
.:-=*$§#@# IS IN THE BOTTOM FLOOR OF A NARROW #@#§$*=-:.
..:-=*$§#@ MUDBRICK BUILDING, PAINTED TEAL. WE @#§$*=-:..
...:-=*$§# LIVE ON THE SECOND FLOOR, TOGETHER WITH #§$*=-:...
..:-=*$§#@ THE OWNER. AS I CLOSE THE METAL @#§$*=-:..
.:-=*$§#@# CURTAIN, BEHIND ITS CHARACTERISTIC #@#§$*=-:.
..:-=*$§#@ SHARP RATTLING I CAN HEAR THE @#§$*=-:..
...:-=*$§# CURFEW SIRENS. #§$*=-:...
..:-=*$§#@ @#§$*=-:..
.:-=*$§#@# WORMY STREET WOLVES OUTSIDE, CHASING #@#§$*=-:.
..:-=*$§#@ ENTRANCES IN THE DARK ALLEYWAYS, @#§$*=-:..
...:-=*$§# WANTING IN, GETTING DESPERATE, LAPSING #§$*=-:...
..:-=*$§#@ TO SEARCH HIGHER, ON ROOFS, CLIMBING ON @#§$*=-:..
.:-=*$§#@# BALCONIES. AND THERE'S BOUND TO BE SOME #@#§$*=-:.
..:-=*$§#@ RECKLESS TOURIST WHO DIDN'T HEED THE @#§$*=-:..
...:-=*$§# WARNINGS, NEVER CLOSED THEIR WINDOWS... #§$*=-:...
..:-=*$§#@ @#§$*=-:..
.:-=*$§#@# OR, IN SOME CASES, THE HOUSEOWNER HAD #@#§$*=-:.
..:-=*$§#@ THE WINDOW BOLTS WEAKENED, AND WHEN @#§$*=-:..
...:-=*$§# CLEANING UP THE AFTERMATH WOULD POCKET #§$*=-:...
..:-=*$§#@ THEIR BELONGINGS. @#§$*=-:..
.:-=*$§#@# #@#§$*=-:.
..:-=*$§#@ @#§$*=-:..
...:-=*$§# #§$*=-:...
..:-=*$§#@ @#§$*=-:..
.:-=*$§#@# #@#§$*=-:.