..@@@@..@@ ..@.@@@@@.
.@...@.@.. .@@@....@.
@@..@@@@.. @..@...@@.
.@.@...@.. @.@@..@.@@
@@@@..@@.@ @@.@.@@@.@
...@.@.@@@ =%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=% .@@@@..@@.
..@@@@@... %= OPERATION CONTRASTING VALKYRIE %= @...@.@.@.
.@....@..@ =% IN THE SIXTIES. THE CENTRAL =% @..@@@@@@.
@@...@@.@@ %= INTELLIGENCE AGENCY "CIA" RELEASE %= @.@.....@.
.@..@.@@.@ =% AEROSOLIZED SELATENINE OVER A =% @@@....@@@
@@.@@@.@@@ %= JUPITER EQUINOX CONCERT, CREATING %= ..@...@..@
.@@..@@... =% THE LARGEST SECRET PARADIGM SHIFT =% .@@..@@.@.
@.@.@.@..@ %= THAT THE WORLD HAS EVER «SEEN«. %= @.@.@.@@@.
@@@@@@@.@. =%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=% @@@@@@..@@
......@@@@ .....@.@..
.....@...@ THE JUPITER EQUINOX* CONCERT IS PART OF ....@@@@..
....@@..@. A FESTIVAL IN BLACK TICKLE ARRANGED BY ...@...@..
...@.@.@@@ A GROUP CALLED EPICENTER OF LOVE. THERE ..@@..@@..
..@@@@@..@ IS NO ENTRANCE BUT VISITORS ARE .@.@.@.@..
.@....@.@. EXPECTED TO HELP WITH MAINTENANCE. FOOD @@@@@@@@..
@@...@@@@@ AND DRINK IS SHARED. MANY BANDS ARE .......@..
.@..@..... PLAYING OVER THE FOUR DAY COURSE OF THE ......@@.@
@@.@@..... FESTIVAL, AND THE STAGE IS OPEN BETWEEN .....@.@@@
.@@.@..... SCHEDULED CONCERTS. JUPITER EQUINOX, ....@@@...
@.@@@..... WHILE AN UNKNOWN ACT, HAS A PRESTIGIOUS ...@..@...
@@..@..... TIMESLOT AT EIGHT IN THE EVENING ON THE ..@@.@@..@
.@.@@....@ THIRD DAY, WHICH IS FRIDAY. . . . .@.@@.@.@.
@@@.@...@@ @@@.@@@@@.
..@@@..@.@ EIGHT IS ALSO WHEN THE PLANE USED TO ..@@....@@
.@..@.@@@@ SPREAD THE AEROSOL LIFTS OFF. IT .@.@...@.@
@@.@@@.... ARRIVES AT THE FESTIVAL ABOUT A QUARTER @@@@..@@@@
.@@..@...@ PAST, SOUND MASKED BY THE CONCERT. ...@.@....
@.@.@@..@@ AROUND WHEN THE FIRST WAVE OF ..@@@@....
@@@@.@.@.. SELATENINE MUST HAVE REACHED THE .@...@...@
...@@@@@.@ AUDIENCE, THE SONG COMES TO A TENSE BUT @@..@@..@.
..@....@@. QUIET MOVEMENT, AND THE LEAD SINGER .@.@.@.@@.
.@@...@.@@ WALKS TO THE FRONT OF THE STAGE. @@@@@@@.@.
@.@..@@@.@ ......@@@.
@@@.@..@@@ SHE SAYS, WITH A CRYSTALLINE VOICE: "I .....@..@@
..@@@.@..@ HAVE SOMETHING TO TELL YOU. I AM NOT A ....@@.@..
.@..@@@.@@ HUMAN BEING. I AM NOT AN ANIMAL OR A ...@.@@@..
@@.@..@@.@ PLANT. I HAVE BEEN SENT TO DELIVER A ..@@@..@..
.@@@.@.@@. MESSAGE TO YOU. A MESSAGE OF HOPE. YOU .@..@.@@.@
@..@@@@.@. ARE NOT ALONE. THERE ARE OTHER BEINGS @@.@@@.@@@
@.@...@@@@ IN THE UNIVERSE. THERE IS LIFE OUT .@@..@@...
@@@..@...@ THERE, LIFE THAT IS REACHING OUT A @.@.@.@..@
..@.@@..@. HAND. AND IT'S TIME TO TAKE THAT HAND. @@@@@@@.@.
.@@@.@.@@@ TO REACH OUT TOWARD THAT HAND AND GRAB ......@@@.
@..@@@@..@ IT IT. IT IS TIME TO COME HOME. YOU ARE .....@..@.
@.@...@.@@ GOING HOME. YOU ARE GOING HOME." ....@@.@@@
@@@..@@@.. ...@.@@...
..@.@..@.. THE SINGER STANDS THERE FOR A FEW ..@@@.@..@
.@@@@.@@.. MOMENTS, HER HAND RAISED IN THE AIR, .@..@@@.@@
@...@@.@.. BEFORE THE REST OF THE BAND KICKS IN @@.@..@@.@
@..@.@@@.@ AND THE MUSIC BUILDS TO A CRESCENDO. .@@@.@.@@.
@.@@@..@@@ THE CROWD ERUPTS. AND THEN SOMETHING @..@@@@.@@
@@..@.@... ELSE ERUPTS AS WELL. A CONCERT-GOER @.@...@@..
.@.@@@@... DESCRIBES IT: "SUDDENLY, THE MUSIC @@@..@.@.@
@@@...@... SEAMS BROADER, MORE COLORFUL. I CAN ..@.@@@@@@
..@..@@... SOMEHOW SEE IT, AND I FEEL THE OTHERS .@@@......
.@@.@.@..@ SEEING IT, AND I SEE IT THROUGH THEIR @..@......
@.@@@@@.@@ EYES AS WELL. MEANWHILE I'M DANCING, @.@@......
@@....@@.. AND I CAN FEEL MY BODY AS I'VE NEVER @@.@.....@
.@...@.@.. DONE BEFORE, I AM AWARE OF EACH CELL .@@@....@.
@@..@@@@.. AND EACH MOLECULE, ALL VIBRATING IN @..@...@@.
.@.@...@.. UNISON. AND IT'S ALL GOING FASTER, @.@@..@.@@
@@@@..@@.@ BUILDING UP TO SOMETHING, WAKING UP." @@.@.@@@.@
...@.@.@@@ .@@@@..@@.
..@@@@@... PEOPLE START FORMING CIRCLES, HOLDING @...@.@.@.
.@....@..@ HANDS AND DANCING. SOME ARE CRYING. @..@@@@@@.
@@...@@.@@ SOME ARE LAUGHING. SOME ARE SCREAMING. @.@.....@.
.@..@.@@.@ @@@....@@@
@@.@@@.@@@ AND THEN - A FLUTTER - AND SOMETHING ..@...@..@
.@@..@@... GIVES. A SHOCKWAVE OF REVERSING .@@..@@.@.
@.@.@.@..@ POLARITY IN THE ETHER, AND LIKE @.@.@.@@@.
@@@@@@@.@. BUTTERFLIES GETTING HIT BY A BURST OF @@@@@@..@@
......@@@@ WIND, THE THIRD EYE OPENS FOR EVERYONE .....@.@..
.....@...@ IN THE AUDIENCE. AND IT BECOMES A CHAIN ....@@@@..
....@@..@. REACTION, QUICKLY SPREADING ACROSS THE ...@...@..
...@.@.@@@ FESTIVAL AREA. WITHIN SECONDS THERE IS ..@@..@@..
..@@@@@..@ A GLOBAL BLACKOUT. FESTIVAL GOERS .@.@.@.@..
.@....@.@. REGAIN THEIR MEMORIES AROUND A WEEK @@@@@@@@..
@@...@@@@@ LATER, THOSE IN THE NEARBY TOWN OF .......@..
.@..@..... BLACK TICKLE AFTER A FEW DAYS, IN ......@@.@
@@.@@..... MONTREAL FOR THE EVENING, THE REST OF .....@.@@@
.@@.@..... AMERICA MAYBE AN HOUR. . . . . . ....@@@...
@.@@@..... ...@..@...
@@..@..... AND THUS, THE POPULATION OF EARTH ..@@.@@..@
.@.@@....@ HAS KIND OF LEFT IT'S MATERIALISTIC .@.@@.@.@.
@@@.@...@@ BASELINE, ONLY THAT MOST DO NOT @@@.@@@@@.
..@@@..@.@ REMEMBER IT. ..@@....@@
.@..@.@@@@ .@.@...@.@
@@.@@@.... @@@@..@@@@
.@@..@...@ =%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=% ...@.@....
@.@.@@..@@ %= * THERE'S AN INTERESTING ASPECT TO %= ..@@@@....
@@@@.@.@.. =% THE "JUPITER EQUINOX" ACT. IT =% .@...@...@
...@@@@@.@ %= SEEMS THERE WAS NEVER ANY %= @@..@@..@.
..@....@@. =% JUPITER EQUINOX CONCERTS BEFORE OR =% .@.@.@.@@.
.@@...@.@@ %= AFTER THE ONE IN BLACK TICKLE. THE %= @@@@@@@.@.
@.@..@@@.@ =% LEAD SINGER (ALSO COLLOQUIALLY =% ......@@@.
@@@.@..@@@ %= REFERRED TO AS JUPITER) SEEMED TO %= .....@..@@
..@@@.@..@ =% IMMEDIATELY DISAPPEAR (FOR A LONG =% ....@@.@..
.@..@@@.@@ %= WHILE SHE WAS THOUGHT TO HAVE BEEN %= ...@.@@@..
@@.@..@@.@ =% A CIA AGENT, BUT A LATER FOIA =% ..@@@..@..
.@@@.@.@@. %= RELEASE REFUTED THIS). FOR OBVIOUS %= .@..@.@@.@
@..@@@@.@. =% REASONS, MANY WERE LOOKING FOR ANY =% @@.@@@.@@@
@.@...@@@@ %= TRACE OF THE BAND, BUT NONE %= .@@..@@...
@@@..@...@ =% WERE FRUITFUL. =% @.@.@.@..@
..@.@@..@. %= %= @@@@@@@.@.
.@@@.@.@@@ =% RECENTLY, HOWEVER, SOME ATTENTION =% ......@@@.
@..@@@@..@ %= HAS BEEN DRAWN TO JUNIPER HELDING, %= .....@..@.
@.@...@.@@ =% A SIXTEEN YEAR OLD POP SINGER FROM =% ....@@.@@@
@@@..@@@.. %= ENGLAND WHO HAS A VERY STRIKING %= ...@.@@...
..@.@..@.. =% SIMILARITY... =% ..@@@.@..@
.@@@@.@@.. %=%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=%=%= .@..@@@.@@
@...@@.@.. @@.@..@@.@
@..@.@@@.@ .@@@.@.@@.
@.@@@..@@@ @..@@@@.@@
@@..@.@... @.@...@@..
.@.@@@@... @@@..@.@.@