..@@...... @@@@.....@
.@.@.....@ ...@....@@
@@@@....@@ ..@@...@.@
...@...@.. .@.@..@@@.
..@@..@@.@ @@@@.@..@.
.@.@.@.@@. *@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@ ...@@@.@@.
@@@@@@@.@. @* OPERATION CONTRASTING VALKYRIE @* ..@..@@.@.
......@@@. *@ IN THE SIXTIES. THE CENTRAL *@ .@@.@.@@@@
.....@..@@ @* INTELLIGENCE AGENCY "CIA" RELEASE @* @.@@@@...@
....@@.@.@ *@ AEROSOLIZED SELATENINE OVER A *@ @@...@..@@
...@.@@@@. @* JUPITER EQUINOX CONCERT, CREATING @* .@..@@.@.@
..@@@...@@ *@ THE LARGEST SECRET PARADIGM SHIFT *@ @@.@.@@@@@
.@..@..@.. @* THAT THE WORLD HAS EVER ~SEEN~. @* .@@@@....@
@@.@@.@@.@ *@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@ @...@...@@
.@@.@@.@@@ @..@@..@..
@.@@.@@..@ THE JUPITER EQUINOX* CONCERT IS PART OF @.@.@.@@..
@@.@@.@.@@ A FESTIVAL IN BLACK TICKLE ARRANGED BY @@@@@@.@.@
.@@.@@@@.. A GROUP CALLED EPICENTER OF LOVE. THERE .....@@@@.
@.@@...@.. IS NO ENTRANCE BUT VISITORS ARE ....@...@.
@@.@..@@.@ EXPECTED TO HELP WITH MAINTENANCE. FOOD ...@@..@@@
.@@@.@.@@@ AND DRINK IS SHARED. MANY BANDS ARE ..@.@.@...
@..@@@@... PLAYING OVER THE FOUR DAY COURSE OF THE .@@@@@@...
@.@...@..@ FESTIVAL, AND THE STAGE IS OPEN BETWEEN @.....@..@
@@@..@@.@@ SCHEDULED CONCERTS. JUPITER EQUINOX, @....@@.@.
..@.@.@@.. WHILE AN UNKNOWN ACT, HAS A PRESTIGIOUS @...@.@@@@
.@@@@@.@.. TIMESLOT AT EIGHT IN THE EVENING ON THE @..@@@...@
@....@@@.@ THIRD DAY, WHICH IS FRIDAY. . . . @.@..@..@@
@...@..@@. @@@.@@.@..
@..@@.@.@@ EIGHT IS ALSO WHEN THE PLANE USED TO ..@@.@@@.@
@.@.@@@@.. SPREAD THE AEROSOL LIFTS OFF. IT .@.@@..@@.
@@@@...@.. ARRIVES AT THE FESTIVAL ABOUT A QUARTER @@@.@.@.@@
...@..@@.. PAST, SOUND MASKED BY THE CONCERT. ..@@@@@@..
..@@.@.@.@ AROUND WHEN THE FIRST WAVE OF .@.....@..
.@.@@@@@@. SELATENINE MUST HAVE REACHED THE @@....@@..
@@@.....@. AUDIENCE, THE SONG COMES TO A TENSE BUT .@...@.@..
..@....@@@ QUIET MOVEMENT, AND THE LEAD SINGER @@..@@@@.@
.@@...@..@ WALKS TO THE FRONT OF THE STAGE. .@.@...@@@
@.@..@@.@. @@@@..@..@
@@@.@.@@@@ SHE SAYS, WITH A CRYSTALLINE VOICE: "I ...@.@@.@.
..@@@@.... HAVE SOMETHING TO TELL YOU. I AM NOT A ..@@@.@@@@
.@...@.... HUMAN BEING. I AM NOT AN ANIMAL OR A .@..@@...@
@@..@@...@ PLANT. I HAVE BEEN SENT TO DELIVER A @@.@.@..@@
.@.@.@..@@ MESSAGE TO YOU. A MESSAGE OF HOPE. YOU .@@@@@.@..
@@@@@@.@.. ARE NOT ALONE. THERE ARE OTHER BEINGS @....@@@..
.....@@@.@ IN THE UNIVERSE. THERE IS LIFE OUT @...@..@.@
....@..@@. THERE, LIFE THAT IS REACHING OUT A @..@@.@@@@
...@@.@.@. HAND. AND IT'S TIME TO TAKE THAT HAND. @.@.@@...@
..@.@@@@@. TO REACH OUT TOWARD THAT HAND AND GRAB @@@@.@..@@
.@@@....@. IT IT. IT IS TIME TO COME HOME. YOU ARE ...@@@.@.@
@..@...@@@ GOING HOME. YOU ARE GOING HOME." ..@..@@@@@
@.@@..@..@ .@@.@.....
@@.@.@@.@. THE SINGER STANDS THERE FOR A FEW @.@@@....@
.@@@@.@@@. MOMENTS, HER HAND RAISED IN THE AIR, @@..@...@.
@...@@..@@ BEFORE THE REST OF THE BAND KICKS IN .@.@@..@@.
@..@.@.@.@ AND THE MUSIC BUILDS TO A CRESCENDO. @@@.@.@.@@
@.@@@@@@@@ THE CROWD ERUPTS. AND THEN SOMETHING ..@@@@@@..
@@........ ELSE ERUPTS AS WELL. A CONCERT-GOER .@.....@.@
.@.......@ DESCRIBES IT: "SUDDENLY, THE MUSIC @@....@@@.
@@......@@ SEAMS BROADER, MORE COLORFUL. I CAN .@...@..@.
.@.....@.. SOMEHOW SEE IT, AND I FEEL THE OTHERS @@..@@.@@@
@@....@@.. SEEING IT, AND I SEE IT THROUGH THEIR .@.@.@@..@
.@...@.@.@ EYES AS WELL. MEANWHILE I'M DANCING, @@@@@.@.@.
@@..@@@@@@ AND I CAN FEEL MY BODY AS I'VE NEVER ....@@@@@.
.@.@.....@ DONE BEFORE, I AM AWARE OF EACH CELL ...@....@@
@@@@....@@ AND EACH MOLECULE, ALL VIBRATING IN ..@@...@.@
...@...@.. UNISON. AND IT'S ALL GOING FASTER, .@.@..@@@.
..@@..@@.@ BUILDING UP TO SOMETHING, WAKING UP." @@@@.@..@.
.@.@.@.@@. ...@@@.@@.
@@@@@@@.@. PEOPLE START FORMING CIRCLES, HOLDING ..@..@@.@.
......@@@. HANDS AND DANCING. SOME ARE CRYING. .@@.@.@@@@
.....@..@@ SOME ARE LAUGHING. SOME ARE SCREAMING. @.@@@@...@
....@@.@.@ @@...@..@@
...@.@@@@. AND THEN - A FLUTTER - AND SOMETHING .@..@@.@.@
..@@@...@@ GIVES. A SHOCKWAVE OF REVERSING @@.@.@@@@@
.@..@..@.. POLARITY IN THE ETHER, AND LIKE .@@@@....@
@@.@@.@@.@ BUTTERFLIES GETTING HIT BY A BURST OF @...@...@@
.@@.@@.@@@ WIND, THE THIRD EYE OPENS FOR EVERYONE @..@@..@..
@.@@.@@..@ IN THE AUDIENCE. AND IT BECOMES A CHAIN @.@.@.@@..
@@.@@.@.@@ REACTION, QUICKLY SPREADING ACROSS THE @@@@@@.@.@
.@@.@@@@.. FESTIVAL AREA. WITHIN SECONDS THERE IS .....@@@@.
@.@@...@.. A GLOBAL BLACKOUT. FESTIVAL GOERS ....@...@.
@@.@..@@.@ REGAIN THEIR MEMORIES AROUND A WEEK ...@@..@@@
.@@@.@.@@@ LATER, THOSE IN THE NEARBY TOWN OF ..@.@.@...
@..@@@@... BLACK TICKLE AFTER A FEW DAYS, IN .@@@@@@...
@.@...@..@ MONTREAL FOR THE EVENING, THE REST OF @.....@..@
@@@..@@.@@ AMERICA MAYBE AN HOUR. . . . . . @....@@.@.
..@.@.@@.. @...@.@@@@
.@@@@@.@.. AND THUS, THE POPULATION OF EARTH @..@@@...@
@....@@@.@ HAS KIND OF LEFT IT'S MATERIALISTIC @.@..@..@@
@...@..@@. BASELINE, ONLY THAT MOST DO NOT @@@.@@.@..
@..@@.@.@@ REMEMBER IT. ..@@.@@@.@
@.@.@@@@.. .@.@@..@@.
@@@@...@.. @@@.@.@.@@
...@..@@.. *@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@ ..@@@@@@..
..@@.@.@.@ @* * THERE'S AN INTERESTING ASPECT TO @* .@.....@..
.@.@@@@@@. *@ THE "JUPITER EQUINOX" ACT. IT *@ @@....@@..
@@@.....@. @* SEEMS THERE WAS NEVER ANY @* .@...@.@..
..@....@@@ *@ JUPITER EQUINOX CONCERTS BEFORE OR *@ @@..@@@@.@
.@@...@..@ @* AFTER THE ONE IN BLACK TICKLE. THE @* .@.@...@@@
@.@..@@.@. *@ LEAD SINGER (ALSO COLLOQUIALLY *@ @@@@..@..@
@@@.@.@@@@ @* REFERRED TO AS JUPITER) SEEMED TO @* ...@.@@.@.
..@@@@.... *@ IMMEDIATELY DISAPPEAR (FOR A LONG *@ ..@@@.@@@@
.@...@.... @* WHILE SHE WAS THOUGHT TO HAVE BEEN @* .@..@@...@
@@..@@...@ *@ A CIA AGENT, BUT A LATER FOIA *@ @@.@.@..@@
.@.@.@..@@ @* RELEASE REFUTED THIS). FOR OBVIOUS @* .@@@@@.@..
@@@@@@.@.. *@ REASONS, MANY WERE LOOKING FOR ANY *@ @....@@@..
.....@@@.@ @* TRACE OF THE BAND, BUT NONE @* @...@..@.@
....@..@@. *@ WERE FRUITFUL. *@ @..@@.@@@@
...@@.@.@. @* @* @.@.@@...@
..@.@@@@@. *@ RECENTLY, HOWEVER, SOME ATTENTION *@ @@@@.@..@@
.@@@....@. @* HAS BEEN DRAWN TO JUNIPER HELDING, @* ...@@@.@.@
@..@...@@@ *@ A SIXTEEN YEAR OLD POP SINGER FROM *@ ..@..@@@@@
@.@@..@..@ @* ENGLAND WHO HAS A VERY STRIKING @* .@@.@.....
@@.@.@@.@. *@ SIMILARITY... *@ @.@@@....@
.@@@@.@@@. @*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@* @@..@...@.
@...@@..@@ .@.@@..@@.
@..@.@.@.@ @@@.@.@.@@
@.@@@@@@@@ ..@@@@@@..
@@........ .@.....@.@
.@.......@ @@....@@@.