.,==**&@## ##@&**==,.
..,==**&@# #@&**==,..
...,==**&@ @&**==,...
..,==**&@# #@&**==,..
.,==**&@## ##@&**==,.
..,==**&@# ###= =### #@&**==,..
...,==**&@ # # @&**==,...
..,==**&@# # tele migraine # #@&**==,..
.,==**&@## # # ##@&**==,.
..,==**&@# ###= =### #@&**==,..
...,==**&@ @&**==,...
..,==**&@# the so called "third migraine". it's #@&**==,..
.,==**&@## like a regular migraine but it does not ##@&**==,.
..,==**&@# hurt there's no pain, the cosmos is #@&**==,..
...,==**&@ there and it's draining the evil @&**==,...
..,==**&@# straight out of the wound. #@&**==,..
.,==**&@## ##@&**==,.
..,==**&@# it's massaging your temples, piercing #@&**==,..
...,==**&@ you, entering your blood, cracking the @&**==,...
..,==**&@# skull open. a paw grips your brain, #@&**==,..
.,==**&@## plays with it, pulls it out into the ##@&**==,.
..,==**&@# cosmos. #@&**==,..
...,==**&@ @&**==,...
..,==**&@# there's comets! space oddities. #@&**==,..
.,==**&@## solitary oscillations. carrier wave. ##@&**==,.
..,==**&@# burned away by the suns radiation until #@&**==,..
...,==**&@ only the faintest trace remain, @&**==,...
..,==**&@# eventually caught in the gravity well #@&**==,..
.,==**&@## of some second rate water planet. ##@&**==,.
..,==**&@# #@&**==,..
...,==**&@ it's raining sap. @&**==,...
..,==**&@# we're getting sweet and wet #@&**==,..
.,==**&@## ##@&**==,.
..,==**&@# ###= =### #@&**==,..
...,==**&@ @&**==,...
..,==**&@# my lunch break is over and i need to #@&**==,..
.,==**&@## get back to the shop. lynne is there ##@&**==,.
..,==**&@# alone and hasn't eaten yet. i take the #@&**==,..
...,==**&@ back route up from the beach to avoid @&**==,...
..,==**&@# the crowd. sing a little to myself. #@&**==,..
.,==**&@## ##@&**==,.
..,==**&@# life gets to prosper outside of.@==== - #@&**==,..
...,==**&@ suddenly, an acid flashback: i step @&**==,...
..,==**&@# down in my mind (like an open mind / #@&**==,..
.,==**&@## fractal stinger / bismuth staircase) ##@&**==,.
..,==**&@# and wade in shadows... surrounded by #@&**==,..
...,==**&@ memory negatives, @&**==,...
..,==**&@# like uprocessed film.... #@&**==,..
.,==**&@## ##@&**==,.
..,==**&@# ###= =### #@&**==,..
...,==**&@ @&**==,...
..,==**&@# we're closing for the evening. the shop #@&**==,..
.,==**&@## is in the bottom floor of a narrow ##@&**==,.
..,==**&@# mudbrick building, painted teal. we #@&**==,..
...,==**&@ live on the second floor, together with @&**==,...
..,==**&@# the owner. as i close the metal #@&**==,..
.,==**&@## curtain, behind its characteristic ##@&**==,.
..,==**&@# sharp rattling i can hear the #@&**==,..
...,==**&@ curfew sirens. @&**==,...
..,==**&@# #@&**==,..
.,==**&@## wormy street wolves outside, chasing ##@&**==,.
..,==**&@# entrances in the dark alleyways, #@&**==,..
...,==**&@ wanting in, getting desperate, lapsing @&**==,...
..,==**&@# to search higher, on roofs, climbing on #@&**==,..
.,==**&@## balconies. and there's bound to be some ##@&**==,.
..,==**&@# reckless tourist who didn't heed the #@&**==,..
...,==**&@ warnings, never closed their windows... @&**==,...
..,==**&@# #@&**==,..
.,==**&@## or, in some cases, the houseowner had ##@&**==,.
..,==**&@# the window bolts weakened, and when #@&**==,..
...,==**&@ cleaning up the aftermath would pocket @&**==,...
..,==**&@# their belongings. #@&**==,..
.,==**&@## ##@&**==,.
..,==**&@# #@&**==,..
...,==**&@ @&**==,...
..,==**&@# #@&**==,..
.,==**&@## ##@&**==,.