..@...@@@@ @@..@@@@@.
.@@..@.... .@.@....@.
@.@.@@...@ @@@@...@@.
@@@@.@..@. ...@..@.@@
...@@@.@@@ ..@@.@@@..
..@..@@... *¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤ .@.@@..@..
.@@.@.@... ¤* OPERATION CONTRASTING VALKYRIE ¤* @@@.@.@@..
@.@@@@@... *¤ IN THE SIXTIES. THE CENTRAL *¤ ..@@@@.@..
@@....@... ¤* INTELLIGENCE AGENCY "CIA" RELEASE ¤* .@...@@@.@
.@...@@... *¤ AEROSOLIZED SELATENINE OVER A *¤ @@..@..@@.
@@..@.@..@ ¤* JUPITER EQUINOX CONCERT, CREATING ¤* .@.@@.@.@.
.@.@@@@.@@ *¤ THE LARGEST SECRET PARADIGM SHIFT *¤ @@@.@@@@@@
@@@...@@.@ ¤* THAT THE WORLD HAS EVER »SEEN». ¤* ..@@.....@
..@..@.@@@ *¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤ .@.@....@.
.@@.@@@..@ @@@@...@@.
@.@@..@.@. THE JUPITER EQUINOX* CONCERT IS PART OF ...@..@.@.
@@.@.@@@@@ A FESTIVAL IN BLACK TICKLE ARRANGED BY ..@@.@@@@@
.@@@@..... A GROUP CALLED EPICENTER OF LOVE. THERE .@.@@.....
@...@....@ IS NO ENTRANCE BUT VISITORS ARE @@@.@.....
@..@@...@@ EXPECTED TO HELP WITH MAINTENANCE. FOOD ..@@@....@
@.@.@..@.@ AND DRINK IS SHARED. MANY BANDS ARE .@..@...@.
@@@@@.@@@. PLAYING OVER THE FOUR DAY COURSE OF THE @@.@@..@@@
....@@..@. FESTIVAL, AND THE STAGE IS OPEN BETWEEN .@@.@.@...
...@.@.@@. SCHEDULED CONCERTS. JUPITER EQUINOX, @.@@@@@...
..@@@@@.@. WHILE AN UNKNOWN ACT, HAS A PRESTIGIOUS @@....@...
.@....@@@. TIMESLOT AT EIGHT IN THE EVENING ON THE .@...@@...
@@...@..@@ THIRD DAY, WHICH IS FRIDAY. . . . @@..@.@...
.@..@@.@.@ .@.@@@@..@
@@.@.@@@@. EIGHT IS ALSO WHEN THE PLANE USED TO @@@...@.@@
.@@@@...@. SPREAD THE AEROSOL LIFTS OFF. IT ..@..@@@..
@...@..@@. ARRIVES AT THE FESTIVAL ABOUT A QUARTER .@@.@..@..
@..@@.@.@@ PAST, SOUND MASKED BY THE CONCERT. @.@@@.@@.@
@.@.@@@@.@ AROUND WHEN THE FIRST WAVE OF @@..@@.@@.
@@@@...@@@ SELATENINE MUST HAVE REACHED THE .@.@.@@.@@
...@..@... AUDIENCE, THE SONG COMES TO A TENSE BUT @@@@@.@@..
..@@.@@..@ QUIET MOVEMENT, AND THE LEAD SINGER ....@@.@..
.@.@@.@.@@ WALKS TO THE FRONT OF THE STAGE. ...@.@@@..
@@@.@@@@.. ..@@@..@..
..@@...@.@ SHE SAYS, WITH A CRYSTALLINE VOICE: "I .@..@.@@.@
.@.@..@@@. HAVE SOMETHING TO TELL YOU. I AM NOT A @@.@@@.@@@
@@@@.@..@. HUMAN BEING. I AM NOT AN ANIMAL OR A .@@..@@..@
...@@@.@@. PLANT. I HAVE BEEN SENT TO DELIVER A @.@.@.@.@.
..@..@@.@@ MESSAGE TO YOU. A MESSAGE OF HOPE. YOU @@@@@@@@@.
.@@.@.@@.@ ARE NOT ALONE. THERE ARE OTHER BEINGS ........@.
@.@@@@.@@. IN THE UNIVERSE. THERE IS LIFE OUT .......@@.
@@...@@.@@ THERE, LIFE THAT IS REACHING OUT A ......@.@@
.@..@.@@.. HAND. AND IT'S TIME TO TAKE THAT HAND. .....@@@..
@@.@@@.@.@ TO REACH OUT TOWARD THAT HAND AND GRAB ....@..@..
.@@..@@@@. IT IT. IT IS TIME TO COME HOME. YOU ARE ...@@.@@.@
@.@.@...@@ GOING HOME. YOU ARE GOING HOME." ..@.@@.@@@
@@@@@..@.. .@@@.@@...
....@.@@.. THE SINGER STANDS THERE FOR A FEW @..@@.@..@
...@@@.@.. MOMENTS, HER HAND RAISED IN THE AIR, @.@.@@@.@@
..@..@@@.. BEFORE THE REST OF THE BAND KICKS IN @@@@..@@.@
.@@.@..@.@ AND THE MUSIC BUILDS TO A CRESCENDO. ...@.@.@@@
@.@@@.@@@@ THE CROWD ERUPTS. AND THEN SOMETHING ..@@@@@..@
@@..@@...@ ELSE ERUPTS AS WELL. A CONCERT-GOER .@....@.@.
.@.@.@..@. DESCRIBES IT: "SUDDENLY, THE MUSIC @@...@@@@@
@@@@@@.@@@ SEAMS BROADER, MORE COLORFUL. I CAN .@..@....@
.....@@... SOMEHOW SEE IT, AND I FEEL THE OTHERS @@.@@...@.
....@.@..@ SEEING IT, AND I SEE IT THROUGH THEIR .@@.@..@@.
...@@@@.@. EYES AS WELL. MEANWHILE I'M DANCING, @.@@@.@.@.
..@...@@@@ AND I CAN FEEL MY BODY AS I'VE NEVER @@..@@@@@.
.@@..@.... DONE BEFORE, I AM AWARE OF EACH CELL .@.@....@.
@.@.@@...@ AND EACH MOLECULE, ALL VIBRATING IN @@@@...@@.
@@@@.@..@. UNISON. AND IT'S ALL GOING FASTER, ...@..@.@@
...@@@.@@@ BUILDING UP TO SOMETHING, WAKING UP." ..@@.@@@..
..@..@@... .@.@@..@..
.@@.@.@... PEOPLE START FORMING CIRCLES, HOLDING @@@.@.@@..
@.@@@@@... HANDS AND DANCING. SOME ARE CRYING. ..@@@@.@..
@@....@... SOME ARE LAUGHING. SOME ARE SCREAMING. .@...@@@.@
.@...@@... @@..@..@@.
@@..@.@..@ AND THEN - A FLUTTER - AND SOMETHING .@.@@.@.@.
.@.@@@@.@@ GIVES. A SHOCKWAVE OF REVERSING @@@.@@@@@@
@@@...@@.@ POLARITY IN THE ETHER, AND LIKE ..@@.....@
..@..@.@@@ BUTTERFLIES GETTING HIT BY A BURST OF .@.@....@.
.@@.@@@..@ WIND, THE THIRD EYE OPENS FOR EVERYONE @@@@...@@.
@.@@..@.@. IN THE AUDIENCE. AND IT BECOMES A CHAIN ...@..@.@.
@@.@.@@@@@ REACTION, QUICKLY SPREADING ACROSS THE ..@@.@@@@@
.@@@@..... FESTIVAL AREA. WITHIN SECONDS THERE IS .@.@@.....
@...@....@ A GLOBAL BLACKOUT. FESTIVAL GOERS @@@.@.....
@..@@...@@ REGAIN THEIR MEMORIES AROUND A WEEK ..@@@....@
@.@.@..@.@ LATER, THOSE IN THE NEARBY TOWN OF .@..@...@.
@@@@@.@@@. BLACK TICKLE AFTER A FEW DAYS, IN @@.@@..@@@
....@@..@. MONTREAL FOR THE EVENING, THE REST OF .@@.@.@...
...@.@.@@. AMERICA MAYBE AN HOUR. . . . . . @.@@@@@...
..@@@@@.@. @@....@...
.@....@@@. AND THUS, THE POPULATION OF EARTH .@...@@...
@@...@..@@ HAS KIND OF LEFT IT'S MATERIALISTIC @@..@.@...
.@..@@.@.@ BASELINE, ONLY THAT MOST DO NOT .@.@@@@..@
@@.@.@@@@. REMEMBER IT. @@@...@.@@
.@@@@...@. ..@..@@@..
@...@..@@. .@@.@..@..
@..@@.@.@@ *¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤ @.@@@.@@.@
@.@.@@@@.@ ¤* * THERE'S AN INTERESTING ASPECT TO ¤* @@..@@.@@.
@@@@...@@@ *¤ THE "JUPITER EQUINOX" ACT. IT *¤ .@.@.@@.@@
...@..@... ¤* SEEMS THERE WAS NEVER ANY ¤* @@@@@.@@..
..@@.@@..@ *¤ JUPITER EQUINOX CONCERTS BEFORE OR *¤ ....@@.@..
.@.@@.@.@@ ¤* AFTER THE ONE IN BLACK TICKLE. THE ¤* ...@.@@@..
@@@.@@@@.. *¤ LEAD SINGER (ALSO COLLOQUIALLY *¤ ..@@@..@..
..@@...@.@ ¤* REFERRED TO AS JUPITER) SEEMED TO ¤* .@..@.@@.@
.@.@..@@@. *¤ IMMEDIATELY DISAPPEAR (FOR A LONG *¤ @@.@@@.@@@
@@@@.@..@. ¤* WHILE SHE WAS THOUGHT TO HAVE BEEN ¤* .@@..@@..@
...@@@.@@. *¤ A CIA AGENT, BUT A LATER FOIA *¤ @.@.@.@.@.
..@..@@.@@ ¤* RELEASE REFUTED THIS). FOR OBVIOUS ¤* @@@@@@@@@.
.@@.@.@@.@ *¤ REASONS, MANY WERE LOOKING FOR ANY *¤ ........@.
@.@@@@.@@. ¤* TRACE OF THE BAND, BUT NONE ¤* .......@@.
@@...@@.@@ *¤ WERE FRUITFUL. *¤ ......@.@@
.@..@.@@.. ¤* ¤* .....@@@..
@@.@@@.@.@ *¤ RECENTLY, HOWEVER, SOME ATTENTION *¤ ....@..@..
.@@..@@@@. ¤* HAS BEEN DRAWN TO JUNIPER HELDING, ¤* ...@@.@@.@
@.@.@...@@ *¤ A SIXTEEN YEAR OLD POP SINGER FROM *¤ ..@.@@.@@@
@@@@@..@.. ¤* ENGLAND WHO HAS A VERY STRIKING ¤* .@@@.@@...
....@.@@.. *¤ SIMILARITY... *¤ @..@@.@..@
...@@@.@.. ¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤*¤* @.@.@@@.@@
..@..@@@.. @@@@..@@.@
.@@.@..@.@ ...@.@.@@@
@.@@@.@@@@ ..@@@@@..@
@@..@@...@ .@....@.@.
.@.@.@..@. @@...@@@@@