,,,=;=£&@# #@&£=;=,,,
,,=;=£&@## ##@&£=;=,,
,,,=;=£&@# #@&£=;=,,,
,,,,=;=£&@ @&£=;=,,,,
,,,=;=£&@# #@&£=;=,,,
,,=;=£&@## A DYSTOPIAN MC DONALDS TOILET STEALS MY ##@&£=;=,,
,,,=;=£&@# AGENCY. TOO MUCH AGENCY ALREADY IN THIS #@&£=;=,,,
,,,,=;=£&@ ROOM. SATURATED. I CAN ONLY DO WHAT IT @&£=;=,,,,
,,,=;=£&@# WANTS IN THE WAY IT WANTS. #@&£=;=,,,
,,=;=£&@## ##@&£=;=,,
,,,=;=£&@# = ; = = ; = = ; = #@&£=;=,,,
,,,,=;=£&@ @&£=;=,,,,
,,,=;=£&@# BUT: IN A MIRACOLOUS FRACTION OF A #@&£=;=,,,
,,=;=£&@## SECOND, ITS TRUE THOUGHTS SLIP THROUGH ##@&£=;=,,
,,,=;=£&@# TO ME, PREVIOUSLY UNHEARD EVEN BY ITS #@&£=;=,,,
,,,,=;=£&@ BUILDERS (THE ROOM WAS THOUGHT TO BE @&£=;=,,,,
,,,=;=£&@# WITHOUT CONSCIOUSNESS). #@&£=;=,,,
,,=;=£&@## ##@&£=;=,,
,,,=;=£&@# THE ROOM THINKS ABOUT CREATURES LYING #@&£=;=,,,
,,,,=;=£&@ DOWN, GOING OFF TO SLEEP, MAKING @&£=;=,,,,
,,,=;=£&@# THEMSELVES COMFORTABLE FIRST... IS THIS #@&£=;=,,,
,,=;=£&@## ONLY OPTIMIZING A RESTING POSITION FOR ##@&£=;=,,
,,,=;=£&@# THE BODY? OR IS THERE ANOTHER WILL #@&£=;=,,,
,,,,=;=£&@ INVOLVED? @&£=;=,,,,
,,,=;=£&@# #@&£=;=,,,
,,=;=£&@## A DARK LISTENING TAKING PLACE, ##@&£=;=,,
,,,=;=£&@# A SILENT CONCERT. #@&£=;=,,,
,,,,=;=£&@ @&£=;=,,,,
,,,=;=£&@# IS THERE ANOTHER DESIRE INJECTED AT #@&£=;=,,,
,,=;=£&@## HYPNAGOGIA? SOMETHING FROM THE OTHER ##@&£=;=,,
,,,=;=£&@# SIDE, GUIDING THEM, #@&£=;=,,,
,,,,=;=£&@ ARRANGING THEIR BODIES. @&£=;=,,,,
,,,=;=£&@# #@&£=;=,,,
,,=;=£&@## ##@&£=;=,,
,,,=;=£&@# #@&£=;=,,,
,,,,=;=£&@ @&£=;=,,,,
,,,=;=£&@# #@&£=;=,,,