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....:^^§§¶ $$               PLUS                 $$ ¶§§^^:....
......:^§¤ $                        MINUS         $ ¤§^:......
.:~^$§¶### $     ZERO                             $ ###¶§$^~:.
.:~^$§¤¶## .                                      . ##¶¤§$^~:.
.:~^$§¤¶¶#             .. MIRROR NOTE ..            #¶¶¤§$^~:.
.:~^$§¤¶##               .............              ##¶¤§$^~:.
.:~^$§¤¤¤#                                          #¤¤¤§$^~:.
:~^$§¤¶### AT AN OPPORTUNITY, A MOMENT SUCH AS THIS ###¶¤§$^~:
.:~^$§¤¶## UNDERAPPRECIATED, UNDERESTIMATED, UNDER  ##¶¤§$^~:.
...::^$§¤¶ THERE IS SIMPLY NO TIME TO CHOOSE WHAT   ¶¤§$^::...
.:~^$§¤###                                          ###¤§$^~:.
.:~^$§¤¶## EVERYTHING IS IN THROUGH THE LEFT HALF   ##¶¤§$^~:.
.....:^$§¶     OF MY FACE, AND OUT EXACTLY OPPOSITE ¶§$^:.....
.:~^$§¤¶##     :::THROUGH THE RIGHT HALF::: OF THE  ##¶¤§$^~:.
.:~^^^^^§¤                                    FACE  ¤§^^^^^~:.
:~^$§¤¶###     PLUS MINUS ZERO BUT POLAR OPPOSITES! ###¶¤§$^~:
.:~^$§¤¶¶¶                                          ¶¶¶¤§$^~:.
:~^$§¤¶###  #..# #.# #                              ###¶¤§$^~:
.:~^$$$¤¶#  AND                                     #¶¤$$$^~:.
.:~^$§¤¶¶¶     THE ECHO IS TRAVELLING WITH EVERY    ¶¶¶¤§$^~:.
..:~~$§§¤#     BEAT, MAYBE ONE HUNDRED AND THIRTY   #¤§§$~~:..
.:~^$§¤¶##     MILLISECONDS, TO TWO HUNDRED AND     ##¶¤§$^~:.
.:~^$§¤¤¶¶ #.# EIGHTY MILLISECONDS, AND DOWN,       ¶¶¤¤§$^~:.
....:^$§¶#     ALONG MY DREADS, MAYBE LIKE          #¶§$^:....
...~^$§§§¶   A CAP TO THE LEFT AND UP FOUR HUNDRED  ¶§§§$^~...
.....~^§§¶ TO THE RIGHT                             ¶§§^~.....
..:~^^§§¤¤                                          ¤¤§§^^~:..
.....::^§¶    ABOUT ~MAGNETISM~ OR ~WHAT~ ~ELSE~    ¶§^::.....
...:^^$§¶¶                                          ¶¶§$^^:...
..::~^§§¤#   DISTORTION AND HEAVY GLASS AND PALM    #¤§§^~::..
.:~^$§¤###                                 TREES    ###¤§$^~:.
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......~^§¶   MY                                     ¶§^~......
.:~^$$§§¤¤   I HAVE MUSIC THAT LIVES INTO WEIRDER   ¤¤§§$$^~:.
.....~$§¤#    CORRIDORS, MY FLESH IS PUSHING        #¤§$~.....
.::::~~^§¤    MY                                    ¤§^~~::::.
.....~$$¤¤    BODY FURTHER INSIDE                   ¤¤$$~.....
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.:~^$$$§¤¤                                          ¤¤§$$$^~:.
.:~^$§¤¶##                                          ##¶¤§$^~:.
.:~^$§¤¶##   THERE        IS TOO MUCH MOVING INSIDE ##¶¤§$^~:.
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.:~^$§¤¶##                                          ##¶¤§$^~:.
.....:^$$¤ WEIRD REVOLVINGS, HOW MUCH MADNESS,      ¤$$^:.....
.:~^$§¤¶## WEIRD ABOUT HOW MUCH MADNESS THAT'S      ##¶¤§$^~:.
....~$§§¶#       IA . ¶REVOLVED ABOUT TO BE REVOLVE #¶§§$~....
.:~^$§¤¤¤¶                                          ¶¤¤¤§$^~:.
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.:~^§¤¶###                                          ###¶¤§^~:.
.:~^$§¤¶##                                          ##¶¤§$^~:.
.:~^$§¤¶##     AND I, THE SURGEON, CHOOSE THE       ##¶¤§$^~:.
..::~~$$§¤    FRYING PAN                            ¤§$$~~::..
.:~^$§¤¤¤¶   WHATEVER DOG I WANT .................  ¶¤¤¤§$^~:.
.:~^$§¤¶##  AND MY SPEED IS EVERYTHING. THE LAST    ##¶¤§$^~:.
.:~^$§¤¶##                                          ##¶¤§$^~:.
.:~^$§¤¶##      RADAR STATION... FOR A WHILE...     ##¶¤§$^~:.
.:~^$§¤¶##                                          ##¶¤§$^~:.
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