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..:-;%@@## %% plus %% ##@@%;-:..
.:-;%@@### % minus % ###@@%;-:.
..:-;%@@## % zero % ##@@%;-:..
.:-;%@@### . . ###@@%;-:.
..:-;%@@## .. mirror note .. ##@@%;-:..
.:-;%@@### ............. ###@@%;-:.
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.:-;%@@### at an opportunity, a moment such as this ###@@%;-:.
..:-;%@@## underappreciated, underestimated, under ##@@%;-:..
.:-;%@@### there is simply no time to choose what ###@@%;-:.
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.:-;%@@### everything is in through the left half ###@@%;-:.
..:-;%@@## of my face, and out exactly opposite ##@@%;-:..
.:-;%@@### :::through the right half::: of the ###@@%;-:.
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.:-;%@@### plus minus zero but polar opposites! ###@@%;-:.
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.:-;%@@### #..# #.# # ###@@%;-:.
..:-;%@@## and ##@@%;-:..
.:-;%@@### the echo is travelling with every ###@@%;-:.
..:-;%@@## beat, maybe one hundred and thirty ##@@%;-:..
.:-;%@@### milliseconds, to two hundred and ###@@%;-:.
..:-;%@@## #.# eighty milliseconds, and down, ##@@%;-:..
.:-;%@@### along my dreads, maybe like ###@@%;-:.
..:-;%@@## a cap to the left and up four hundred ##@@%;-:..
.:-;%@@### to the right ###@@%;-:.
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.:-;%@@### about -magnetism- or -what- -else- ###@@%;-:.
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.:-;%@@### distortion and heavy glass and palm ###@@%;-:.
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..:-;%@@## my ##@@%;-:..
.:-;%@@### i have music that lives into weirder ###@@%;-:.
..:-;%@@## corridors, my flesh is pushing ##@@%;-:..
.:-;%@@### my ###@@%;-:.
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.:-;%@@### there is too much moving inside ###@@%;-:.
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..:-;%@@## weird revolvings, how much madness, ##@@%;-:..
.:-;%@@### weird about how much madness that's ###@@%;-:.
..:-;%@@## ia . @revolved about to be revolve ##@@%;-:..
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.:-;%@@### and i, the surgeon, choose the ###@@%;-:.
..:-;%@@## frying pan ##@@%;-:..
.:-;%@@### whatever dog i want ................. ###@@%;-:.
..:-;%@@## and my speed is everything. the last ##@@%;-:..
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..:-;%@@## radar station... for a while... ##@@%;-:..
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