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.:=^§¤##¶#                 §§§§§§§§§                #¶##¤§^=:.
.:=^§¤#¶## §§                                    §§ ##¶#¤§^=:.
.:=^§¤#¶## §§              PLUS                  §§ ##¶#¤§^=:.
.:=^^§§§§# §                        MINUS         § #§§§§^^=:.
.:=^§¤#¶## §     ZERO                             § ##¶#¤§^=:.
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.:::==§###             .. MIRROR NOTE ..            ###§==:::.
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.:=^§¤#### AT AN OPPORTUNITY, A MOMENT SUCH AS THIS ####¤§^=:.
.:=^§¤¶### UNDERAPPRECIATED, UNDERESTIMATED, UNDER  ###¶¤§^=:.
.:=^§¤#¶## THERE IS SIMPLY NO TIME TO CHOOSE WHAT   ##¶#¤§^=:.
.:=^§¤#¶##                                          ##¶#¤§^=:.
.:=§¤#¶### EVERYTHING IS IN THROUGH THE LEFT HALF   ###¶#¤§=:.
.:=^§¤#¶##     OF MY FACE, AND OUT EXACTLY OPPOSITE ##¶#¤§^=:.
....:^^¤##     :::THROUGH THE RIGHT HALF::: OF THE  ##¤^^:....
..::==^¤¶¶                                    FACE  ¶¶¤^==::..
.....:=§¤#     PLUS MINUS ZERO BUT POLAR OPPOSITES! #¤§=:.....
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.:=^§¤#¶##  #..# #.# #                              ##¶#¤§^=:.
.:=§¤#¶###  AND                                     ###¶#¤§=:.
......:^§#     THE ECHO IS TRAVELLING WITH EVERY    #§^:......
.:=^§¤#¶##     BEAT, MAYBE ONE HUNDRED AND THIRTY   ##¶#¤§^=:.
.::::^§#¶¶     MILLISECONDS, TO TWO HUNDRED AND     ¶¶#§^::::.
.....:^^§# #.# EIGHTY MILLISECONDS, AND DOWN,       #§^^:.....
.:=^§¤#¶##     ALONG MY DREADS, MAYBE LIKE          ##¶#¤§^=:.
.:=^§¤¶###   A CAP TO THE LEFT AND UP FOUR HUNDRED  ###¶¤§^=:.
.....:=§## TO THE RIGHT                             ##§=:.....
.:=^§¤#¶##                                          ##¶#¤§^=:.
.:=^§¤#¶##    ABOUT =MAGNETISM= OR =WHAT= =ELSE=    ##¶#¤§^=:.
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....:==^¤#   DISTORTION AND HEAVY GLASS AND PALM    #¤^==:....
....:^^¤¶#                                 TREES    #¶¤^^:....
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.:=^§¤#¶¶¶   MY                                     ¶¶¶#¤§^=:.
.:===§¤¤¤#   I HAVE MUSIC THAT LIVES INTO WEIRDER   #¤¤¤§===:.
...=^§¤#¶¶    CORRIDORS, MY FLESH IS PUSHING        ¶¶#¤§^=...
.::=^^§§#¶    MY                                    ¶#§§^^=::.
.:=^§¤#¶##    BODY FURTHER INSIDE                   ##¶#¤§^=:.
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.:=^§§¤###                                          ###¤§§^=:.
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.:=^§¤#¶##                                          ##¶#¤§^=:.
.:=§¤#¶###   THERE        IS TOO MUCH MOVING INSIDE ###¶#¤§=:.
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...:=§¤¤¤# WEIRD REVOLVINGS, HOW MUCH MADNESS,      #¤¤¤§=:...
.:=^§¤#¶## WEIRD ABOUT HOW MUCH MADNESS THAT'S      ##¶#¤§^=:.
...==§¤¤#¶       IA . ¶REVOLVED ABOUT TO BE REVOLVE ¶#¤¤§==...
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..:==^¤¤¶#     AND I, THE SURGEON, CHOOSE THE       #¶¤¤^==:..
.:=^§¤#¶¶¶    FRYING PAN                            ¶¶¶#¤§^=:.
.:=^§¤#¶##   WHATEVER DOG I WANT .................  ##¶#¤§^=:.
.:=^§¤#¶##  AND MY SPEED IS EVERYTHING. THE LAST    ##¶#¤§^=:.
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.:=^§¤#¶##      RADAR STATION... FOR A WHILE...     ##¶#¤§^=:.
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