.,~^%£&@## ##@&£%^~,.
.,~^%£&@## ##@&£%^~,.
.,~^%£&@## ##@&£%^~,.
.,~^%£&@## ##@&£%^~,.
.....~%£@# #@£%~.....
.,~^%£&@## L U S H ##@&£%^~,.
.,~^%£&@## A R P E G G I O ##@&£%^~,.
.,~^%£&@## . . . . . . . . . . ##@&£%^~,.
.,~^%£&@## ##@&£%^~,.
.,~^%£&@@# WHAT ARE THESE THINGS IF NOT BIRDSONG? #@@&£%^~,.
.,~^%£&@@@ BLACKBIRD + NOISE CASCADE. @@@&£%^~,.
.,~^%£&### ###&£%^~,.
.,~~~^£££& THE COMMODORE SOUND MAYBE. DIRTY, &£££^~~~,.
.,~^%£&@## MIRRORING, DISTORTED FLUTE, ##@&£%^~,.
.,~^%£&@## ##@&£%^~,.
.,,,,^%£@@ . . . . . .. @@£%^,,,,.
.,~^%£&@## ##@&£%^~,.
.,~^%£&@## DDRREEAAMMYY SSLLIIDDEESS ##@&£%^~,.
....,~%%%& &%%%~,....
.,,~~^%£&& MIRAGES IN SOUND. ARPEGGIOS, CHORDS &&£%^~~,,.
.,~^%&@### MULTIPLEXED IN THE TIME DOMAIN, ###@&%^~,.
.,~~~~^£&& &&£^~~~~,.
.,~^%£&@## REFACTORED, REFRACTORED, REMADE ##@&£%^~,.
..,~^%%&@# , , . . . #@&%%^~,..
...,~^^^%& ^ ^ ^ ^ % ^ &%^^^~,...
.,~^%£&@## £ % £ % £ £ £ £ % ##@&£%^~,.
.,~^%£&@## # # # # # ##@&£%^~,.
......~%&& &&%~......
.,~^%£&@## ##@&£%^~,.
.,~^%£££@# #@£££%^~,.
.,~^%£&&&@ @&&&£%^~,.
.,~^%%%££& &££%%%^~,.
.,~^%£&@## ##@&£%^~,.