@$*†«~,,,,                                          ,,,,~«†*$@
#@$*†«~,,,                                          ,,,~«†*$@#
##@$*†«~,,                                          ,,~«†*$@##
###@$*†«~,                                          ,~«†*$@###
##@$*†«~,,                                          ,,~«†*$@##
#@$*†«~,,, delay  delay  d,la#  @ *a,  ~ ,#   «   ~ ,,,~«†*$@#
@$*†«~,,,,                                          ,,,,~«†*$@
$*†«~,,,,,                                          ,,,,,~«†*$
*†«~,,,,,,                                          ,,,,,,~«†*
$*†«~,,,,,                                          ,,,,,~«†*$
@$*†«~,,,, "delay" means repetiton or likewise,     ,,,,~«†*$@
#@$*†«~,,, but it's mainly useless without          ,,,~«†*$@#
##@$*†«~,, feedback,                                ,,~«†*$@##
###@$*†«~, to allow the delay to eat of it's own    ,~«†*$@###
##@$*†«~,, tail, like one of those eaty serpents.   ,,~«†*$@##
#@$*†«~,,, thus: it's the serpent effect!           ,,,~«†*$@#
@$*†«~,,,,                                          ,,,,~«†*$@
$*†«~,,,,, it's to be revered as a creator of       ,,,,,~«†*$
*†«~,,,,,, ambience and of space, if you treat it   ,,,,,,~«†*
$*†«~,,,,, right. a somewhat more solid and         ,,,,,~«†*$
@$*†«~,,,, slippery sibling of reverb.              ,,,,~«†*$@
#@$*†«~,,,                                          ,,,~«†*$@#
##@$*†«~,,                                          ,,~«†*$@##
###@$*†«~,                                          ,~«†*$@###
##@$*†«~,,                                          ,,~«†*$@##
#@$*†«~,,,                                          ,,,~«†*$@#