..../^^^%£ £%^^^/....
......-^@# #@^-......
......-^%@ @%^-......
..-////^^@ @^^////-..
....-/%@£# #£@%/-....
......//%£ delay delay d.la# @ ^a. . .£ - . £%//......
..-/^%@### ###@%^/-..
..-/^%@£## ##£@%^/-..
..-/^%@£## ##£@%^/-..
..-/^%@### ###@%^/-..
..-/^%@£## "delay" means repetiton or likewise, ##£@%^/-..
..-/^%@@@# but it's mainly useless without #@@@%^/-..
....../^^@ feedback, @^^/......
....../^^@ to allow the delay to eat of it's own @^^/......
..-/^%@£## tail, like one of those eaty serpents. ##£@%^/-..
..-/^%@£## thus: it's the serpent effect! ##£@%^/-..
..-/^%@£## ##£@%^/-..
....///^@@ it's to be revered as a creator of @@^///....
....../^@£ ambience and of space, if you treat it £@^/......
...--/%%%£ right. a somewhat more solid and £%%%/--...
.....-//%@ slippery sibling of reverb. @%//-.....
..-/^%%@@# #@@%%^/-..
....-/^%£# #£%^/-....
..-/^%@£## ##£@%^/-..
....-//%££ ££%//-....
..-/^%@£## ##£@%^/-..