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##@£&†^«:¨ #######@£&†^«:¨ geometry ¨:«^†&£@####### ¨:«^†&£@##
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##@£&†^«:¨ # the name is a little mis- # ¨:«^†&£@##
££†^:¨¨¨¨¨ « giving, because of course there is « ¨¨¨¨¨:^†££
##@£&†^«:¨ no real geometry in the caves. you may ¨:«^†&£@##
###@£&†«:¨ feel as if you are venturing into some ¨:«†&£@###
##@£&†^«:¨ vast structure, but you are in fact ¨:«^†&£@##
#@£&&†^«:¨ leaving any such thing at the entrance. ¨:«^†&&£@#
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@&&^^««:¨¨ leaving physical tethers behind, ¨¨:««^^&&@
##@£&†^«:¨ submitting to an inescapable darkness, ¨:«^†&£@##
@££&^:¨¨¨¨ the world around you becomes more of a ¨¨¨¨:^&££@
###£&†^«:¨ manifestation of your mind, or a ¨:«^†&£###
##@£&†^«:¨ collective mind, with a shape and a ¨:«^†&£@##
£&†«:::¨¨¨ direction and a taste. ¨¨¨:::«†&£
##@£&†^«:¨ ¨:«^†&£@##
##@£&†^«:¨ inescapeable darkness, because if you ¨:«^†&£@##
#£††^^^«:¨ bring a candle or mount electrical ¨:«^^^††£#
#£&^:¨¨¨¨¨ lights, the walls only serves as ¨¨¨¨¨:^&£#
£†«««¨¨¨¨¨ markers to where the tiny spatial ¨¨¨¨¨«««†£
##@£&†^«:¨ existence ends and the darkness beneath ¨:«^†&£@##
##@£&†^«:¨ it begins. ¨:«^†&£@##
###@£&†«:¨ ¨:«†&£@###
@&^:::¨¨¨¨ like an inverted mandelbrot, the real ¨¨¨¨:::^&@
###@£&†^:¨ cave is actually not the pockets, but ¨:^†&£@###
@@@£&†^«:¨ the black around them. keep that in ¨:«^†&£@@@
###@&†^«:¨ mind. ¨:«^†&@###
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##@£&†^«:¨ the moisture that permeates any cave ¨:«^†&£@##
@@££&†^«:¨ worth it's name... it's the water the ¨:«^†&££@@
##@£&†^«:¨ world rose from. it's the water you ¨:«^†&£@##
##@£&†^«:¨ drown in, in your dreams. ¨:«^†&£@##
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##@£&†^«:¨ the only sounds in the cave are those ¨:«^†&£@##
£&††^^^«:¨ that you make yourselves. they may be ¨:«^^^††&£
#@£†«:¨¨¨¨ distorted by the stone structure, and ¨¨¨¨:«†£@#
##@£&†^«:¨ amplified by your mind. try not to be ¨:«^†&£@##
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##@£&†^«:¨ and objects around you, and you can ¨:«^†&£@##
###@£†^«:¨ discern a mirage from a friend. ¨:«^†£@###
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