,.=%*@#### ####@*%=.,
,.=/%****@ @****%/=.,
,.=/%****@ @****%/=.,
,.=/%*@### ###@*%/=.,
,.=///%@## ##@%///=.,
,.=/%*@### Delay Delay D,La# @ %A, . ,# = . ###@*%/=.,
,,,=//%**@ @**%//=,,,
,.=/%%%%@@ @@%%%%/=.,
,.=/%*@### ###@*%/=.,
,,,,=/%*@# #@*%/=,,,,
,.=/%*@@@# "Delay" Means Repetiton Or Likewise, #@@@*%/=.,
,.=/%*@### But It'S Mainly Useless Without ###@*%/=.,
,..====%@@ Feedback, @@%====..,
,.=/%*@### To Allow The Delay To Eat Of It'S Own ###@*%/=.,
,.=/%*@### Tail, Like One Of Those Eaty Serpents. ###@*%/=.,
,.=/%*@### Thus: It'S The Serpent Effect! ###@*%/=.,
,.=/%*@### ###@*%/=.,
,,,.=//%%@ It'S To Be Revered As A Creator Of @%%//=.,,,
,,,=///**@ Ambience And Of Space, If You Treat It @**///=,,,
,,,..../%@ Right. A Somewhat More Solid And @%/....,,,
,,,,,=%%*@ Slippery Sibling Of Reverb. @*%%=,,,,,
,.=/%@#### ####@%/=.,
,,.=///*## ##*///=.,,
,.=/%@#### ####@%/=.,
,,,..=%*## ##*%=..,,,
,.=/%*@### ###@*%/=.,