,,,,,:~†¤@ @¤†~:,,,,,
,,,,,,:~†¤ ¤†~:,,,,,,
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,,,,,,:~†¤ ¤†~:,,,,,,
,,,,,:~†¤@ @¤†~:,,,,,
,,,,:~†¤@# ========== #@¤†~:,,,,
,,,:~†¤@#@ @#@¤†~:,,,
,,:~†¤@#@# lyra eight #@#@¤†~:,,
,:~†¤@#@## ##@#@¤†~:,
,,:~†¤@#@# ,, #@#@¤†~:,,
,,,:~†¤@#@ : : @#@¤†~:,,,
,,,,:~†¤@# ~ ~ #@¤†~:,,,,
,,,,,:~†¤@ † † @¤†~:,,,,,
,,,,,,:~†¤ = = ¤†~:,,,,,,
,,,,,,,:~† †~:,,,,,,,
,,,,,,:~†¤ cave sculpter ¤†~:,,,,,,
,,,,,:~†¤@ dream to chord translator @¤†~:,,,,,
,,,,:~†¤@# #@¤†~:,,,,
,,,:~†¤@#@ eight voiced bleeding fortune teller @#@¤†~:,,,
,,:~†¤@#@# #@#@¤†~:,,
,:~†¤@#@## dual self-modulating delay line ##@#@¤†~:,
,,:~†¤@#@# switch for "total feedback" #@#@¤†~:,,
,,,:~†¤@#@ @#@¤†~:,,,
,,,,:~†¤@# lick the contact pads #@¤†~:,,,,
,,,,,:~†¤@ @¤†~:,,,,,
,,,,,,:~†¤ = = ¤†~:,,,,,,
,,,,,,,:~† † † †~:,,,,,,,
,,,,,,:~†¤ ~ ~ ¤†~:,,,,,,
,,,,,:~†¤@ : : @¤†~:,,,,,
,,,,:~†¤@# ,, #@¤†~:,,,,
,,,:~†¤@#@ @#@¤†~:,,,
,,:~†¤@#@# gearlist , another synth #@#@¤†~:,,
,:~†¤@#@## ##@#@¤†~:,
,,:~†¤@#@# ========================= #@#@¤†~:,,
,,,:~†¤@#@ @#@¤†~:,,,
,,,,:~†¤@# #@¤†~:,,,,
,,,,,:~†¤@ @¤†~:,,,,,
,,,,,,:~†¤ ¤†~:,,,,,,
,,,,,,,:~† †~:,,,,,,,