.&.&&....& ....&.&&..
...&&&.... ......&&&.
...&.&&... &.....&.&&
&....&&&.. &&......&&
&&...&.&&. .&&.....&.
&&&....&&& delay delay d.la# & =a. , .# ยป , .&&&......
&.&&...&.& .&.&&.....
..&&&....& ...&&&....
..&.&&...& ...&.&&...
....&&&... .....&&&..
....&.&&.. "delay" means repetiton or likewise, .....&.&&.
......&&&. but it's mainly useless without .......&&&
&.....&.&& feedback, .......&.&
&&......&& to allow the delay to eat of it's own &........&
.&&.....&. tail, like one of those eaty serpents. &&.......&
.&&&...... thus: it's the serpent effect! .&&.......
.&.&&..... .&&&......
...&&&.... it's to be revered as a creator of .&.&&.....
...&.&&... ambience and of space, if you treat it ...&&&....
.....&&&.. right. a somewhat more solid and ...&.&&...
.....&.&&. slippery sibling of reverb. .....&&&..
.......&&& .....&.&&.
.......&.& &......&&&
&........& &&.....&.&
&&.......& &&&......&
.&&....... &.&&.....&