##@@@&==~. .~==&@@@##
#@@@&==~.. ..~==&@@@#
@@@&==~... ...~==&@@@
@@&==~.... ....~==&@@
@@@&==~... ...~==&@@@
#@@@&==~.. delay delay d.la@ @ =a. ~ .@ = ~ ..~==&@@@#
##@@@&==~. .~==&@@@##
#@@@&==~.. ..~==&@@@#
@@@&==~... ...~==&@@@
@@&==~.... ....~==&@@
@@@&==~... "delay" means repetiton or likewise, ...~==&@@@
#@@@&==~.. but it's mainly useless without ..~==&@@@#
##@@@&==~. feedback, .~==&@@@##
#@@@&==~.. to allow the delay to eat of it's own ..~==&@@@#
@@@&==~... tail, like one of those eaty serpents. ...~==&@@@
@@&==~.... thus: it's the serpent effect! ....~==&@@
@@@&==~... ...~==&@@@
#@@@&==~.. it's to be revered as a creator of ..~==&@@@#
##@@@&==~. ambience and of space, if you treat it .~==&@@@##
#@@@&==~.. right. a somewhat more solid and ..~==&@@@#
@@@&==~... slippery sibling of reverb. ...~==&@@@
@@&==~.... ....~==&@@
@@@&==~... ...~==&@@@
#@@@&==~.. ..~==&@@@#
##@@@&==~. .~==&@@@##
#@@@&==~.. ..~==&@@@#