.,=;^¤&£## ##£&¤^;=,.
.,=;^¤&£## ##£&¤^;=,.
.,=;^¤&£## ##£&¤^;=,.
.,=;^¤&&&£ £&&&¤^;=,.
...,=^^&&£ £&&^^=,...
.....,;¤ ^^^^^^^^^^ #&¤;,.....
.,=;^¤£### ###£¤^;=,.
.,=;^^^^¤£ LYRA EIGHT £¤^^^^;=,.
.,=;^¤£### ###£¤^;=,.
.,=;^¤&£## .. ##£&¤^;=,.
.,=;;;;¤¤& , , &¤¤;;;;=,.
......,;¤& = = &¤;,......
.....,=^¤£ ; ; £¤^=,.....
.,=;^¤&£## ^ ^ ##£&¤^;=,.
.,=;^¤&£## ##£&¤^;=,.
.,=;^¤&£## CAVE SCULPTER ##£&¤^;=,.
.,=;^¤&£## DREAM TO CHORD TRANSLATOR ##£&¤^;=,.
.,=;^¤## ###&¤^;=,.
.....,,;¤£ EIGHT VOICED BLEEDING FORTUNE TELLER £¤;,,.....
......,=^& &^=,......
.,=;^¤&£## DUAL SELF-MODULATING DELAY LINE ##£&¤^;=,.
.,=;^¤&£## SWITCH FOR "TOTAL FEEDBACK" ##£&¤^;=,.
.,=;^¤&£## ##£&¤^;=,.
.,=;^¤&£## LICK THE CONTACT PADS ##£&¤^;=,.
.,=;^¤£### ###£¤^;=,.
.,=;^¤¤¤£# ^ ^ #£¤¤¤^;=,.
...==;;¤£# ; ; #£¤;;==...
.,=;;;;^^& = = &^^;;;;=,.
.,=;^¤£### , , ###£¤^;=,.
.,=;^¤&£## .. ##£&¤^;=,.
.,,,;;¤¤££ ££¤¤;;,,,.
.,=;^¤¤¤¤£ GEARLIST . ANOTHER SYNTH £¤¤¤¤^;=,.
.,=;^¤&£## ##£&¤^;=,.
.,=;^¤&£## ^^^^^^^^^^^^^^^^^^^^^^^^^ ##£&¤^;=,.
.....=^^¤& &¤^^=.....
.......=^& &^=.......
.,=;^¤&£## ##£&¤^;=,.
...,,=^¤¤& &¤¤^=,,...
.,=;^¤&£££ £££&¤^;=,.