##@£$$\=,,                                          ,,=\$$£@##
@$\\,,,,,,                                          ,,,,,,\\$@
#@£$$$\=,,                                          ,,=\$$$£@#
##@£$$\=,,                                          ,,=\$$£@##
##@£$$\=,,                                          ,,=\$$£@##
@@@£$$\=,, delay  delay  d,la#  £ $a,  , ,@   =   , ,,=\$$£@@@
##@£$$\=,,                                          ,,=\$$£@##
##@£$$\=,,                                          ,,=\$$£@##
£$\,,,,,,,                                          ,,,,,,,\$£
#£$=,,,,,,                                          ,,,,,,=$£#
£$\=,,,,,, "delay" means repetiton or likewise,     ,,,,,,=\$£
@££$=,,,,, but it's mainly useless without          ,,,,,=$££@
£$$$\\=,,, feedback,                                ,,,=\\$$$£
#£$\\==,,, to allow the delay to eat of it's own    ,,,==\\$£#
##@£$$\=,, tail, like one of those eaty serpents.   ,,=\$$£@##
£$\,,,,,,, thus: it's the serpent effect!           ,,,,,,,\$£
##@£$$\=,,                                          ,,=\$$£@##
£$\\\,,,,, it's to be revered as a creator of       ,,,,,\\\$£
#@££$$\=,, ambience and of space, if you treat it   ,,=\$$££@#
£$==,,,,,, right. a somewhat more solid and         ,,,,,,==$£
###@£$\=,, slippery sibling of reverb.              ,,=\$£@###
@@£$\\=,,,                                          ,,,=\\$£@@
###@$$\=,,                                          ,,=\$$@###
##@£$$\=,,                                          ,,=\$$£@##
###@$$\=,,                                          ,,=\$$@###
##@£$$\=,,                                          ,,=\$$£@##