§*$$~-....                                          ....-~$$*§
##§$$~-...                                          ...-~$$§##
###§*$†~-.                                          .-~†$*§###
###§*$†~-.                                          .-~†$*§###
###§*$†~-.                                          .-~†$*§###
§*†~...... delay  delay  d.la#  § $a.  - .#   ~   - ......~†*§
###§*$†~-.                                          .-~†$*§###
##§$~--...                                          ...--~$§##
#§$~-.....                                          .....-~$§#
###§*$†~-.                                          .-~†$*§###
#*$$†-.... "delay" means repetiton or likewise,     ....-†$$*#
###§*$†~-. but it's mainly useless without          .-~†$*§###
##**$$†~-. feedback,                                .-~†$$**##
###§*$†~-. to allow the delay to eat of it's own    .-~†$*§###
###§*$†~-. tail, like one of those eaty serpents.   .-~†$*§###
###§*$†~-. thus: it's the serpent effect!           .-~†$*§###
#§§$††~...                                          ...~††$§§#
###§*$†~-. it's to be revered as a creator of       .-~†$*§###
#§*$††-... ambience and of space, if you treat it   ...-††$*§#
###§*$†~-. right. a somewhat more solid and         .-~†$*§###
###§*$†~-. slippery sibling of reverb.              .-~†$*§###
####§$†~-.                                          .-~†$§####
###§*$†~-.                                          .-~†$*§###
##*$†~....                                          ....~†$*##
###§*$†~-.                                          .-~†$*§###
§**$~~~~-.                                          .-~~~~$**§