..--=^@£#@ @#£@^=--..
.--=^@£#@# #@#£@^=--.
..--=^@£#@ @#£@^=--..
...--=^@£# #£@^=--...
....--=^@£ £@^=--....
.....--=^@ A DYSTOPIAN MC DONALDS TOILET STEALS MY @^=--.....
......--=^ AGENCY. TOO MUCH AGENCY ALREADY IN THIS ^=--......
.......--= ROOM. SATURATED. I CAN ONLY DO WHAT IT =--.......
........-- WANTS IN THE WAY IT WANTS. --........
.........- -.........
.......... - = - - = - - = - ..........
.......... ..........
.......... BUT: IN A MIRACOLOUS FRACTION OF A ..........
.......... SECOND, ITS TRUE THOUGHTS SLIP THROUGH ..........
.......... TO ME, PREVIOUSLY UNHEARD EVEN BY ITS ..........
.......... BUILDERS (THE ROOM WAS THOUGHT TO BE ..........
.......... WITHOUT CONSCIOUSNESS). ..........
.........- -.........
........-- THE ROOM THINKS ABOUT CREATURES LYING --........
.......--= DOWN, GOING OFF TO SLEEP, MAKING =--.......
......--=^ THEMSELVES COMFORTABLE FIRST... IS THIS ^=--......
.....--=^@ ONLY OPTIMIZING A RESTING POSITION FOR @^=--.....
....--=^@£ THE BODY? OR IS THERE ANOTHER WILL £@^=--....
...--=^@£# INVOLVED? #£@^=--...
..--=^@£#@ @#£@^=--..
.--=^@£#@# A DARK LISTENING TAKING PLACE, #@#£@^=--.
..--=^@£#@ A SILENT CONCERT. @#£@^=--..
...--=^@£# #£@^=--...
....--=^@£ IS THERE ANOTHER DESIRE INJECTED AT £@^=--....
.....--=^@ HYPNAGOGIA? SOMETHING FROM THE OTHER @^=--.....
......--=^ SIDE, GUIDING THEM, ^=--......
.......--= ARRANGING THEIR BODIES. =--.......
........-- --........
.........- -.........
.......... ..........
.......... ..........
.......... ..........