...=**£§@# #@§£**=...
..=**£§@## ##@§£**=..
...=**£§@# #@§£**=...
....=**£§@ @§£**=....
.....=**£§ §£**=.....
......=**£ A DYSTOPIAN MC DONALDS TOILET STEALS MY £**=......
.......=** AGENCY. TOO MUCH AGENCY ALREADY IN THIS **=.......
........=* ROOM. SATURATED. I CAN ONLY DO WHAT IT *=........
.........= WANTS IN THE WAY IT WANTS. =.........
.......... ..........
.........= = * = = * = = * = =.........
........=* *=........
.......=** BUT: IN A MIRACOLOUS FRACTION OF A **=.......
......=**£ SECOND, ITS TRUE THOUGHTS SLIP THROUGH £**=......
.....=**£§ TO ME, PREVIOUSLY UNHEARD EVEN BY ITS §£**=.....
....=**£§@ BUILDERS (THE ROOM WAS THOUGHT TO BE @§£**=....
...=**£§@# WITHOUT CONSCIOUSNESS). #@§£**=...
..=**£§@## ##@§£**=..
...=**£§@# THE ROOM THINKS ABOUT CREATURES LYING #@§£**=...
....=**£§@ DOWN, GOING OFF TO SLEEP, MAKING @§£**=....
.....=**£§ THEMSELVES COMFORTABLE FIRST... IS THIS §£**=.....
......=**£ ONLY OPTIMIZING A RESTING POSITION FOR £**=......
.......=** THE BODY? OR IS THERE ANOTHER WILL **=.......
........=* INVOLVED? *=........
.........= =.........
.......... A DARK LISTENING TAKING PLACE, ..........
.........= A SILENT CONCERT. =.........
........=* *=........
.......=** IS THERE ANOTHER DESIRE INJECTED AT **=.......
......=**£ HYPNAGOGIA? SOMETHING FROM THE OTHER £**=......
.....=**£§ SIDE, GUIDING THEM, §£**=.....
....=**£§@ ARRANGING THEIR BODIES. @§£**=....
...=**£§@# #@§£**=...
..=**£§@## ##@§£**=..
...=**£§@# #@§£**=...
....=**£§@ @§£**=....
.....=**£§ §£**=.....