,,=*†¤&@##                                          ##@&¤†*=,,
,,=*†¤&@##                                          ##@&¤†*=,,
,,=*†¤&@##                                          ##@&¤†*=,,
,,=*††¤&&&                                          &&&¤††*=,,
,,=*¤&@###                                          ###@&¤*=,,
,,,,,=††¤&                                          &¤††=,,,,,
,,,,,==†&#                 ,,¤###¤,,                #&†==,,,,,
,=*†¤&@###       ,, PITTSBURGH ELECTRONICS ,,       ###@&¤†*=,
,,=*†¤&@##             == LIFEFORMS ==              ##@&¤†*=,,
,,=*†¤&@@@               ** SV ONE **               @@@&¤†*=,,
,,=*†¤&@##                                          ##@&¤†*=,,
,,=*†¤&&@@ THIS  IS A EURORACK MODULE BUT  I BOUGHT @@&&¤†*=,,
,,,,,,=††& THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. &††=,,,,,,
,,,,=*¤¤&&                                          &&¤¤*=,,,,
,,,,,,,*¤@ IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. @¤*,,,,,,,
,,,,,,**¤&                                          &¤**,,,,,,
,,,,,,=†¤@             ,†@ CONTAINS @†,             @¤†=,,,,,,
,,,,,=*¤¤&           MIDI TO CV CONVERTER           &¤¤*=,,,,,
,,=*†††¤@@                TWO VCO'S                 @@¤†††*=,,
,,=*†¤&@## FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER ##@&¤†*=,,
,,,,,*¤&&#        TWO SUB OSCILLATORS I THINK       #&&¤*,,,,,
,,,,,,,=†&         TWO ONE TO TWO SPLITTERS         &†=,,,,,,,
,,=*†¤&&@@           WHITE NOISE GENERATOR          @@&&¤†*=,,
,,,,,=†&&&              SAMPLE AND HOLD             &&&†=,,,,,
,,,,*††¤&&          LFO PLUS A DIGITAL LFO          &&¤††*,,,,
,,,,***¤@@   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @@¤***,,,,
,,,,===†&&              ADSR ENVELOPE               &&†===,,,,
,,=*†¤&@##                 ONE VCA                  ##@&¤†*=,,
,,,,,**†&#               HEADPHONE AMP              #&†**,,,,,
,,=*†&@###         FOURTY NINE PATCHPOINTS!         ###@&†*=,,
,,,,,,,=†&                                          &†=,,,,,,,
,,=*†¤&@@#                 ,,###,,                  #@@&¤†*=,,
,,=*†¤@###            =†† SO WHAT NOW ††=           ###@¤†*=,,
,,=*†¤&@##                  ,,###,,                 ##@&¤†*=,,
,,=*†¤&&@#                                          #@&&¤†*=,,
,,=*†¤&@## CLOCK IO  GOES TO ASDR IN  I  THINK  AND ##@&¤†*=,,
,,=*†¤&### MAYBE  ALSO TO THE SAMPLE AND  HOLD. PUT ###&¤†*=,,
,,=*†¤&@## SUBBASE  AND NOISE IN CHANNEL THREE  AND ##@&¤†*=,,
,,=*†¤&@## FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ##@&¤†*=,,
,,,=*††††& TWO,  AND  OSCILLATOR TWO SAW TO CHANNEL &††††*=,,,
,,=*†¤&@## ONE.  SAMPLE  AND   HOLD   OUT  TO   THE ##@&¤†*=,,
,,,,,,=†&&  FILTER... MAYBE... RESONANCE AT HALF.   &&†=,,,,,,
,,,,=*¤¤@# SOME FREQUENCY IN  THE  FIRST OSCILLATOR #@¤¤*=,,,,
,,=*†††¤¤& AND THEN  THE SECOND OSC FOUR  SEMITONES &¤¤†††*=,,
,,,,,=*†&&                 HIGHER.                  &&†*=,,,,,
,,=*†¤&@##                                          ##@&¤†*=,,
,,=*†¤¤&&&                 ,=&@&=,                  &&&¤¤†*=,,
,,,,,,==†&          *¤¤ DESKTOP SYNTH ¤¤*           &†==,,,,,,
,,=*†¤&@##                  ,=&@&=,                 ##@&¤†*=,,
,,,,,=††¤&                                          &¤††=,,,,,
,,=*†¤&@##                                          ##@&¤†*=,,
,,=*†¤&@##                                          ##@&¤†*=,,
,,=*†¤&@@@                                          @@@&¤†*=,,
,,=*†¤&###                                          ###&¤†*=,,
,,,,,==†¤@                                          @¤†==,,,,,