,,,,,,«**¤ ¤**«,,,,,,
,,«=*£¤@## ##@¤£*=«,,
,,«=*£¤@## ##@¤£*=«,,
,,,,,«==£¤ ¤£==«,,,,,
,,«=*£¤@## ##@¤£*=«,,
,,«=*£¤@## #### ##### ##@¤£*=«,,
,,,««=*£¤@ tape dream @¤£*=««,,,
,,,,,,,«*¤ #### ##### ¤*«,,,,,,,
,,«=£¤@### ###@¤£=«,,
,,«=*£¤@## for storing music on. also data but ##@¤£*=«,,
,,,,==**£¤ at this point in time that's not ¤£**==,,,,
,,«=*£¤@## really important i think. ##@¤£*=«,,
,,«=*£¤@## ##@¤£*=«,,
,,«=*£¤@@@ @@@¤£*=«,,
,,,,,,«*£@ ======== types of tape ======== @£*«,,,,,,
,,,,,=**¤@ @¤**=,,,,,
,,,,,«=£@@ class i - "bad" iron @@£=«,,,,,
,,«=*£¤@## class ii - good chromium ##@¤£*=«,,
,,«=*£¤@## class iii - bad iron part two ##@¤£*=«,,
,,«=*£¤@@@ class iv - dangerous metals @@@¤£*=«,,
,,«=*£¤@## ##@¤£*=«,,
,,«=*£¤@## rumors exist about a secret class v tape ##@¤£*=«,,
,,«=*£¤@## that is actually useful. ##@¤£*=«,,
,,,,««==£¤ ¤£==««,,,,
,,,,«==££¤ == bias == ¤££==«,,,,
,,««=*££¤¤ ¤¤££*=««,,
,,«=*£¤@## class i uses one hundred and twenty ##@¤£*=«,,
,,«=*£¤¤@@ micro-something while the others all @@¤¤£*=«,,
,,«=*£¤@## use seventy of the same unit. ##@¤£*=«,,
,,,«===£@@ @@£===«,,,
,,,,====£¤ ¤£====,,,,
,,,,,,««*¤ ********* aha and ********* ¤*««,,,,,,
,,«=*£¤@## ##@¤£*=«,,
,,«=*££££@ class iv is apparently too strong to @££££*=«,,
,,«=£¤@### be used on class i players. it will ###@¤£=«,,
,,,,««**¤@ sound too lound and it cannot be @¤**««,,,,
,,«=*£¤@## completely erased. this is very well. ##@¤£*=«,,
,,,,,,=£¤¤ maybe some wonderful blending effects ¤¤£=,,,,,,
,,«=*£¤@## could be achieved? ##@¤£*=«,,
,,«=*£¤@## ##@¤£*=«,,
,,«=*£¤@## they also gnaw at the tape heads a bit ##@¤£*=«,,
,,«*£¤@### better than earlier tape types. ###@¤£*«,,
,,«=*£¤@@@ @@@¤£*=«,,
,,«=*£¤@## ##@¤£*=«,,
,,«=*£¤### ======== artifacts ======== ###¤£*=«,,
,,,,,,==£@ @£==,,,,,,
,,,,,,,=*¤ good tapes are decent and have a good ¤*=,,,,,,,
,,«=*£¤¤¤¤ high frequency presence, bad tapes are ¤¤¤¤£*=«,,
,«=*£¤@### lofi if not outright bad. idk, i kinda ###@¤£*=«,
,,,,«*££¤¤ like it. ¤¤££*«,,,,
,,«=*£¤### ###¤£*=«,,
,,,,,«*£¤¤ bias loss: if you forget the bias who ¤¤£*«,,,,,
,,,,===£¤¤ knows whats even on there anymore ¤¤£===,,,,
,,,,,,,=£¤ ¤£=,,,,,,,
,,,,,=££¤# flutter: kinda quick pitch variations. #¤££=,,,,,
,,««==*££@ beautiful, wonderful, extraordinary. @££*==««,,
,,«=*£¤@## ##@¤£*=«,,
,,,,,=*££¤ wow: a slower flutter, usually several ¤££*=,,,,,
,,«=*¤@### seconds long. what up. both of these ###@¤*=«,,
,,«=*£¤@## increase when tape speed decreases. ##@¤£*=«,,
,,,,««**¤# #¤**««,,,,
,,,,,«**£@ print through: tapes rub sound on each @£**«,,,,,
,,«=*£¤@## other if theyre alone for too long ##@¤£*=«,,
,,«=*£¤@## ##@¤£*=«,,
,,,,,««=£@ @£=««,,,,,
,,«=*£¤@## ##@¤£*=«,,
,,«=*££¤@@ @@¤££*=«,,
,,«=*£¤@## ##@¤£*=«,,
,,«=*£¤@@# #@@¤£*=«,,