,@@,,@,@@@                                          @@@@,@@,@@
@,@,@@@,,,                                          ,,,@@,@@,@
@@@@,,@,,@                                          ,,@,@@,@@,
,,,@,@@,@,                                          ,@@@,@@,@@
,,@@@,@@@@                                          @,,@@,@@,@
,@,,@@,,,@                                          @,@,@@,@@@
@@,@,@,,@,                 ,,%@#@%,,                @@@@,@@,,@
,@@@@@,@@@       :: pittsburgh electronics ::       ,,,@@,@,@,
@,,,,@@,,,              -- lifeforms --             ,,@,@@@@@,
@,,,@,@,,@               // sv one //               ,@@@,,,,@@
@,,@@@@,@@                                          @,,@,,,@,,
@,@,,,@@,@ this is a  eurorack  module but i bought @,@@,,@@,@
@@@,,@,@@@ the  blackbox  one  so  it's  also  not. @@,@,@,@@,
,,@,@@@,,@                                          ,@@@@@@,@@
,@@@,,@,@, it  ships  with too  few  patch  cables. @,,,,,@@,@
@,,@,@@@@@                                          @,,,,@,@@@
@,@@@,,,,,             ,§£ contains £§,             @,,,@@@,,,
@@,,@,,,,,           midi to cv converter           @,,@,,@,,@
,@,@@,,,,,                two vco's                 @,@@,@@,@,
@@@,@,,,,, four channel or two x  two channel mixer @@,@@,@@@,
,,@@@,,,,,        two sub oscillators i think       ,@@,@@,,@@
,@,,@,,,,@         two one to two splitters         @,@@,@,@,@
@@,@@,,,@@           white noise generator          @@,@@@@@@@
,@@,@,,@,@             sample and hold              ,@@,,,,,,,
@,@@@,@@@@          lfo plus a digital lfo          @,@,,,,,,,
@@,,@@,,,@   filter (lowpass, bandpass, highpass)   @@@,,,,,,@
,@,@,@,,@,               adsr envelope              ,,@,,,,,@,
@@@@@@,@@@                 one vca                  ,@@,,,,@@,
,,,,,@@,,,              headphone amp               @,@,,,@,@@
,,,,@,@,,@         fourty nine patchpoints!         @@@,,@@@,@
,,,@@@@,@,                                          ,,@,@,,@@@
,,@,,,@@@@                 ,:@#@:,                  ,@@@@,@,,@
,@@,,@,,,,           -§§ so what now §§-            @,,,@@@,@@
@,@,@@,,,@                 ,:@#@:,                  @,,@,,@@,@
@@@@,@,,@,                                          @,@@,@,@@,
,,,@@@,@@@ clock io goes  to  asdr  in i  think and @@,@@@@,@@
,,@,,@@,,@ maybe  also to the sample and hold.  put ,@@,,,@@,@
,@@,@,@,@, subbase  and noise in channel  three and @,@,,@,@@@
@,@@@@@@@, four.  oscillator  one  saw  to  channel @@@,@@@,,@
@@,,,,,,@@ two, and oscillator two  saw to  channel ,,@@,,@,@,
,@,,,,,@,, one.  sample   and   hold  out  to   the ,@,@,@@@@@
@@,,,,@@,,  filter... maybe... resonance at half.   @@@@@,,,,@
,@,,,@,@,@ some frequency  in the  first oscillator ,,,,@,,,@,
@@,,@@@@@@ and then  the  second osc four semitones ,,,@@,,@@,
,@,@,,,,,@                 higher.                  ,,@,@,@,@@
@@@@,,,,@,                                          ,@@@@@@@,@
,,,@,,,@@@                  :-@£@-:                 @,,,,,,@@,
,,@@,,@,,@          /%% desktop synth %%/           @,,,,,@,@,
,@,@,@@,@,                 :-@£@-:                  @,,,,@@@@,
@@@@@,@@@@                                          @,,,@,,,@,
,,,,@@,,,,                                          @,,@@,,@@@
,,,@,@,,,,                                          @,@,@,@,,@
,,@@@@,,,,                                          @@@@@@@,@@
,@,,,@,,,@                                          ,,,,,,@@,@
@@,,@@,,@,                                          ,,,,,@,@@@