,,,,,@@,,,                                          ,,,,,@,,,,
@@@@,,,,@@                                          @@@@,,,@@@
@@@,,@@,,@                                          ,@@,,@,,@@
@@,,,,,,,,                                          ,,,,,,,,,@
@,,@@@@@@@                                          ,@@@@@@@,,
,,,,@@@@@@                                          ,,@@@@@,,,
@@@,,@@@@@                 ,,¤###¤,,                @,,@@@,,@@
@@,,,,@@@@       ,, PITTSBURGH ELECTRONICS ,,       ,,,,@,,,,@
@,,@@,,@@@              ~~ LIFEFORMS ~~             ,@@,,,@@,,
,,,,,,,,@@               \\ SV ONE \\               ,,,,@,,,,,
@@@@@@@,,@                                          ,@@,,,@@@@
@@@@@@,,,, THIS IS  A EURORACK MODULE BUT I  BOUGHT ,,,,@,,@@@
@@@@@,,@@, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,@@,,,,,@@
@@@@,,,,,,                                          ,,,,@@@,,@
@@@,,@@@@, IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. @@@,,@,,,,
,@,,,,@@,,                                          @@,,,,,@@,
,,,@@,,,,,             ,*# CONTAINS #*,             @,,@@@,,,,
@@,,,,@@@@           MIDI TO CV CONVERTER           ,,,,@,,@@@
@,,@@,,@@,                 TWO VCO'S                @@@,,,,,@@
,,,,,,,,,, FOUR CHANNEL  OR TWO X TWO CHANNEL MIXER @@,,@@@,,@
,@@@@@@@@,        TWO SUB OSCILLATORS I THINK       @,,,,@,,,,
,,@@@@@@,,         TWO ONE TO TWO SPLITTERS         ,,@@,,,@@@
,,,@@@@,,@           WHITE NOISE GENERATOR          @,,,,@,,@,
@@,,@@,,,,              SAMPLE AND HOLD             ,,@@,,,,,,
,,,,,,,@@@          LFO PLUS A DIGITAL LFO          ,,,,,@@@@,
@@@@@@,,@@   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @@@@,,@@,,
,@@@@,,,,@              ADSR ENVELOPE               @@@,,,,,,,
,,@@,,@@,,                 ONE VCA                  ,@,,@@@@@@
,,,,,,,,,@               HEADPHONE AMP              ,,,,,@@@@,
@@@@@@@@,,         FOURTY NINE PATCHPOINTS!         @@@@,,@@,,
,@@@@@@,,,                                          @@@,,,,,,,
,,@@@@,,@@                  ,,###,,                 @@,,@@@@@@
,,,@@,,,,,           ~** SO WHAT NOW **~            @,,,,@@@@,
@@,,,,@@@@                 ,,###,,                  ,,@@,,@@,,
,,,@@,,@@@                                          @,,,,,,,,,
@@,,,,,,@@ CLOCK  IO GOES TO  ASDR  IN I  THINK AND ,,@@@@@@@@
@,,@@@@,,, MAYBE ALSO  TO THE SAMPLE  AND HOLD. PUT ,,,@@@@@@@
,,,,@@,,@@ SUBBASE AND NOISE  IN CHANNEL  THREE AND @@,,@@@@@@
,@@,,,,,,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL @,,,,@@@@,
,,,,@@@@@@ TWO, AND OSCILLATOR TWO  SAW TO  CHANNEL ,,@@,,@@,,
@@@,,@@@@, ONE.  SAMPLE   AND   HOLD  OUT  TO   THE ,,,,,,,,,@
@@,,,,@@,,  FILTER... MAYBE... RESONANCE AT HALF.   @@@@@@@@,,
,,,@@,,,,, SOME FREQUENCY IN THE  FIRST  OSCILLATOR @@@@@@@,,,
@@,,,,@@@@ AND THEN THE SECOND OSC  FOUR  SEMITONES @@@@@@,,@@
@,,@@,,@@@                 HIGHER.                  @@@@@,,,,@
,,,,,,,,@@                                          @@@@,,@@,,
@@@@@@@,,@                 ,~@#@~,                  @@@,,,,,,@
@@@@@@,,,,          \¤¤ DESKTOP SYNTH ¤¤\           @@,,@@@@,,
,@@@@,,@@,                 ,~@#@~,                  @,,,,@@,,,
,,@@,,,,,,                                          ,,@@,,,,@@
,,,,,@@@@@                                          @,,,,@@,,,
@@@@,,@@@@                                          ,,@@,,,,@@
@@@,,,,@@@                                          ,,,,,@@,,@
@@,,@@,,@@                                          @@@@,,,,,,
,,,,,,,,,@                                          ,@@,,@@@@,