,,,^=;%@&@                                          @&@%;=^,,,
,,^=;%@&@#                                          #@&@%;=^,,
,^=;%@&@##                                          ##@&@%;=^,
,,^=;%@&@#                                          #@&@%;=^,,
,,,^=;%@&@                                          @&@%;=^,,,
,,,,^=;%@&                                          &@%;=^,,,,
,,,,,^=;%@                 ,,@###@,,                @%;=^,,,,,
,,,,,,^=;%       ^^ Pittsburgh Electronics ^^       %;=^,,,,,,
,,,,,,,^=;              == Lifeforms ==             ;=^,,,,,,,
,,,,,,,,^=               ;; Sv One ;;               =^,,,,,,,,
,,,,,,,^=;                                          ;=^,,,,,,,
,,,,,,^=;% This  Is A Eurorack Module But I  Bought %;=^,,,,,,
,,,,,^=;%@ The  Blackbox  One  So  It'S  Also  Not. @%;=^,,,,,
,,,,^=;%@&                                          &@%;=^,,,,
,,,^=;%@&@ It  Ships  With  Too Few  Patch  Cables. @&@%;=^,,,
,,^=;%@&@#                                          #@&@%;=^,,
,^=;%@&@##             ,%@ Contains @%,             ##@&@%;=^,
,,^=;%@&@#           Midi To Cv Converter           #@&@%;=^,,
,,,^=;%@&@                 Two Vco'S                @&@%;=^,,,
,,,,^=;%@& Four Channel Or Two  X Two Channel Mixer &@%;=^,,,,
,,,,,^=;%@       Two Sub Oscillators I Think        @%;=^,,,,,
,,,,,,^=;%         Two One To Two Splitters         %;=^,,,,,,
,,,,,,,^=;           White Noise Generator          ;=^,,,,,,,
,,,,,,,,^=              Sample And Hold             =^,,,,,,,,
,,,,,,,^=;          Lfo Plus A Digital Lfo          ;=^,,,,,,,
,,,,,,^=;%   Filter (Lowpass, Bandpass, Highpass)   %;=^,,,,,,
,,,,,^=;%@              Adsr Envelope               @%;=^,,,,,
,,,,^=;%@&                 One Vca                  &@%;=^,,,,
,,,^=;%@&@               Headphone Amp              @&@%;=^,,,
,,^=;%@&@#         Fourty Nine Patchpoints!         #@&@%;=^,,
,^=;%@&@##                                          ##@&@%;=^,
,,^=;%@&@#                  ,^###^,                 #@&@%;=^,,
,,,^=;%@&@           =%% So What Now %%=            @&@%;=^,,,
,,,,^=;%@&                  ,^###^,                 &@%;=^,,,,
,,,,,^=;%@                                          @%;=^,,,,,
,,,,,,^=;% Clock  Io Goes To  Asdr In  I  Think And %;=^,,,,,,
,,,,,,,^=; Maybe Also To  The  Sample And Hold. Put ;=^,,,,,,,
,,,,,,,,^= Subbase And Noise In  Channel Three  And =^,,,,,,,,
,,,,,,,^=; Four.  Oscillator  One  Saw  To  Channel ;=^,,,,,,,
,,,,,,^=;% Two, And Oscillator Two  Saw To  Channel %;=^,,,,,,
,,,,,^=;%@ One.   Sample  And   Hold  Out   To  The @%;=^,,,,,
,,,,^=;%@&   Filter... Maybe... Resonance At Half.  &@%;=^,,,,
,,,^=;%@&@ Some Frequency In The  First  Oscillator @&@%;=^,,,
,,^=;%@&@# And Then  The  Second Osc Four Semitones #@&@%;=^,,
,^=;%@&@##                  Higher.                 ##@&@%;=^,
,,^=;%@&@#                                          #@&@%;=^,,
,,,^=;%@&@                  ^=&@&=^                 @&@%;=^,,,
,,,,^=;%@&           ;@@ Desktop Synth @@;          &@%;=^,,,,
,,,,,^=;%@                  ^=&@&=^                 @%;=^,,,,,
,,,,,,^=;%                                          %;=^,,,,,,
,,,,,,,^=;                                          ;=^,,,,,,,
,,,,,,,,^=                                          =^,,,,,,,,
,,,,,,,^=;                                          ;=^,,,,,,,
,,,,,,^=;%                                          %;=^,,,,,,
,,,,,^=;%@                                          @%;=^,,,,,