....»»»*&& &&*»»»....
.~»;*¤&&@@ @@&&¤*;»~.
.....»»*&& &&*»».....
.~»;*¤&@## ##@&¤*;»~.
.~»;¤&@@## ##@@&¤;»~.
~»;*¤&@@## @@@@ ##### ##@@&¤*;»~
.~»;*¤&@@# tape dream #@@&¤*;»~.
.~»;*¤&@@# #### @@@@@ #@@&¤*;»~.
.....~~;¤@ @¤;~~.....
.~»;;;¤¤@@ for storing music on. also data but @@¤¤;;;»~.
......~;*& at this point in time that's not &*;~......
...~~»;*¤& really important i think. &¤*;»~~...
.~»;**¤&@@ @@&¤**;»~.
.~»;*¤&@@# #@@&¤*;»~.
.....~»*&@ ;;;;;;;; types of tape ;;;;;;;; @&*»~.....
....~»;;*& &*;;»~....
.~»;*¤&@@# class i - "bad" iron #@@&¤*;»~.
....»**¤¤& class ii - good chromium &¤¤**»....
......»*¤@ class iii - bad iron part two @¤*»......
....~»;;¤& class iv - dangerous metals &¤;;»~....
..~~»***&& &&***»~~..
.~»;*¤&@@# rumors exist about a secret class v tape #@@&¤*;»~.
.....~;;¤@ that is actually useful. @¤;;~.....
.~»;*¤&@@# #@@&¤*;»~.
.~»;*¤&@## ;; bias ;; ##@&¤*;»~.
.~»;*¤&@## ##@&¤*;»~.
.~»;*¤&@## class i uses one hundred and twenty ##@&¤*;»~.
....~»*¤¤@ micro-something while the others all @¤¤*»~....
...~»****& use seventy of the same unit. &****»~...
.~»*¤&@@## ##@@&¤*»~.
.~»;;**¤@@ @@¤**;;»~.
.~»;*¤&@@@ ********* aha and ********* @@@&¤*;»~.
.~»;*¤&@@# #@@&¤*;»~.
.~»;*¤&@@@ class iv is apparently too strong to @@@&¤*;»~.
.~»;*¤&@@# be used on class i players. it will #@@&¤*;»~.
.~»;*¤&@@@ sound too lound and it cannot be @@@&¤*;»~.
.~»;*¤¤¤@@ completely erased. this is very well. @@¤¤¤*;»~.
...~;;*&&@ maybe some wonderful blending effects @&&*;;~...
.~»;*¤&@@# could be achieved? #@@&¤*;»~.
.~»;*¤&&@@ @@&&¤*;»~.
.~»»»;*&&@ they also gnaw at the tape heads a bit @&&*;»»»~.
.~»;;;¤¤&@ better than earlier tape types. @&¤¤;;;»~.
.~»;*¤&@@# #@@&¤*;»~.
.~»;*¤&@@# #@@&¤*;»~.
.~»;*¤&&&@ ;;;;;;;; artifacts ;;;;;;;; @&&&¤*;»~.
.~»;*¤¤&&& &&&¤¤*;»~.
....~~~;*& good tapes are decent and have a good &*;~~~....
.~»;*¤¤¤@@ high frequency presence, bad tapes are @@¤¤¤*;»~.
....»;;;¤@ lofi if not outright bad. idk, i kinda @¤;;;»....
.~»;*¤&@## like it. ##@&¤*;»~.
.~»;*¤&@@# #@@&¤*;»~.
.~»;*¤&@## bias loss: if you forget the bias who ##@&¤*;»~.
.~»;*¤&&@@ knows whats even on there anymore @@&&¤*;»~.
.~»;*¤&@@# #@@&¤*;»~.
....~»;¤&& flutter: kinda quick pitch variations. &&¤;»~....
.~»;*¤&@## beautiful, wonderful, extraordinary. ##@&¤*;»~.
....~~»;¤@ @¤;»~~....
.~»;**¤&&@ wow: a slower flutter, usually several @&&¤**;»~.
...»;*¤&@@ seconds long. what up. both of these @@&¤*;»...
.~»;*¤&@@# increase when tape speed decreases. #@@&¤*;»~.
.~»;*¤&@@# #@@&¤*;»~.
.~»»;;;¤&@ print through: tapes rub sound on each @&¤;;;»»~.
.~»;*¤&@@@ other if theyre alone for too long @@@&¤*;»~.
.~»;*¤&@@# #@@&¤*;»~.
.~»;*¤&@@# #@@&¤*;»~.
.~»;*¤&@@# #@@&¤*;»~.
...»»;**¤@ @¤**;»»...
.~»;*¤&@@@ @@@&¤*;»~.
.~»;*¤&@@@ @@@&¤*;»~.