.-«\*$@#@# #@#@$*\«-.
.-«\*$@#@# #@#@$*\«-.
.-«\*$@### ###@$*\«-.
.-«\*$@### ###@$*\«-.
.-«\*$@#@@ @@#@$*\«-.
...-«***@@ @@@@ ##### @@***«-...
.....«*@#@ tape dream @#@*«.....
.-«\*$@#@# #### @@@@@ #@#@$*\«-.
.-««««\*$@ @$*\««««-.
.«\*$@#@## for storing music on. also data but ##@#@$*\«.
.-«\\**@@# at this point in time that's not #@@**\\«-.
.-«\*$#@## really important i think. ##@#$*\«-.
.-«\*$#@## ##@#$*\«-.
.-«\*$@@@@ @@@@$*\«-.
.-«\*$@#@@ \\\\\\\\ types of tape \\\\\\\\ @@#@$*\«-.
.....-\$@# #@$\-.....
.....«\$@@ class i - "bad" iron @@$\«.....
.-«\*$@@## class ii - good chromium ##@@$*\«-.
.-«\*$@@@# class iii - bad iron part two #@@@$*\«-.
...-«\\\$# class iv - dangerous metals #$\\\«-...
.-«\*$@#@# #@#@$*\«-.
...---\\*@ rumors exist about a secret class v tape @*\\---...
.-«\*$@#@# that is actually useful. #@#@$*\«-.
.....-«*$# #$*«-.....
.....-«\$@ \\ bias \\ @$\«-.....
.....-\\*@ @*\\-.....
....-«*$@@ class i uses one hundred and twenty @@$*«-....
.-«\*$@#@# micro-something while the others all #@#@$*\«-.
.-«\*$@@## use seventy of the same unit. ##@@$*\«-.
..--««*@#@ @#@*««--..
..--\\**$# #$**\\--..
.-«\*$@#@# ********* aha and ********* #@#@$*\«-.
.-«\*$@##@ @##@$*\«-.
.-«\*$@#@# class iv is apparently too strong to #@#@$*\«-.
.-«\*$@@@@ be used on class i players. it will @@@@$*\«-.
....«**@@# sound too lound and it cannot be #@@**«....
......«**@ completely erased. this is very well. @**«......
.-«\*$@#@# maybe some wonderful blending effects #@#@$*\«-.
.-«\*$$$@@ could be achieved? @@$$$*\«-.
.....-\$@@ @@$\-.....
-«\*$@#@## they also gnaw at the tape heads a bit ##@#@$*\«-
.-«\*$@#@# better than earlier tape types. #@#@$*\«-.
.-«\*$@@@@ @@@@$*\«-.
.-«\*$@#@@ @@#@$*\«-.
.....--\$# \\\\\\\\ artifacts \\\\\\\\ #$\--.....
.-«\*$@### ###@$*\«-.
......-\*@ good tapes are decent and have a good @*\-......
.-«\*$@### high frequency presence, bad tapes are ###@$*\«-.
.-«\*$@@## lofi if not outright bad. idk, i kinda ##@@$*\«-.
....«\\\*@ like it. @*\\\«....
.-«\*$@### ###@$*\«-.
.-«\*$@#@# bias loss: if you forget the bias who #@#@$*\«-.
.-«\*$@### knows whats even on there anymore ###@$*\«-.
...-\*$$@@ @@$$*\-...
.-«\*$@@@@ flutter: kinda quick pitch variations. @@@@$*\«-.
.-«\\*$@@# beautiful, wonderful, extraordinary. #@@$*\\«-.
....-\$$@# #@$$\-....
.-«\*@#@## wow: a slower flutter, usually several ##@#@*\«-.
....«\*@@@ seconds long. what up. both of these @@@*\«....
.-«\*$@@## increase when tape speed decreases. ##@@$*\«-.
..--\***$@ @$***\--..
-«\*$@#@## print through: tapes rub sound on each ##@#@$*\«-
......«*$# other if theyre alone for too long #$*«......
...-«\***@ @***\«-...
.-«\*$@@@# #@@@$*\«-.
.......«*@ @*«.......
.-«\*$@##@ @##@$*\«-.
.-«««««\$# #$\«««««-.
.-«\*$@#@@ @@#@$*\«-.