.^~;;^^¤¤¤ ¤¤¤^^;;~^.
.....^;^¤# #¤^;^.....
.^;^&¤#### ####¤&^;^.
.....^^~^¤ ¤^~^^.....
.......~^¤ ¤^~.......
.....~^&¤# #### ##### #¤&^~.....
.^~;^&¤### TAPE DREAM ###¤&^;~^.
.^~;^&&&¤# #### ##### #¤&&&^;~^.
.^~;^&¤### ###¤&^;~^.
.....^;^¤¤ FOR STORING MUSIC ON. ALSO DATA BUT ¤¤^;^.....
.^~;^&¤¤## AT THIS POINT IN TIME THAT'S NOT ##¤¤&^;~^.
.^~;^&¤### REALLY IMPORTANT I THINK. ###¤&^;~^.
^~;^&¤#### ####¤&^;~^
.^~;^&¤### ###¤&^;~^.
.^~;^&¤### ;;;;;;;; TYPES OF TAPE ;;;;;;;; ###¤&^;~^.
..^~~~;; #&;;~~~^..
.^~;^&¤### CLASS I - "BAD" IRON ###¤&^;~^.
....^;^& CLASS II - GOOD CHROMIUM #&&^;^....
.^~;^&¤### CLASS III - BAD IRON PART TWO ###¤&^;~^.
.....^;^¤# CLASS IV - DANGEROUS METALS #¤^;^.....
.^~;^### ####&^;~^.
.^~^&¤#### RUMORS EXIST ABOUT A SECRET CLASS V TAPE ####¤&^~^.
.^~;^&¤### THAT IS ACTUALLY USEFUL. ###¤&^;~^.
.^~~;;^# ##&^;;~~^.
.^~;^&¤### ;; BIAS ;; ###¤&^;~^.
.^~;^&¤### ###¤&^;~^.
.^~;^&&&¤¤ CLASS I USES ONE HUNDRED AND TWENTY ¤¤&&&^;~^.
...^^;;^ MICRO-SOMETHING WHILE THE OTHERS ALL #&^;;^^...
.^~;^&¤### USE SEVENTY OF THE SAME UNIT. ###¤&^;~^.
......~^¤# #¤^~......
.^~;^&¤### ###¤&^;~^.
.^~;^&¤### ^^^^^^^^^ AHA AND ^^^^^^^^^ ###¤&^;~^.
.^~~~~^&¤¤ ¤¤&^~~~~^.
.^~;^&¤### CLASS IV IS APPARENTLY TOO STRONG TO ###¤&^;~^.
......^;^¤ BE USED ON CLASS I PLAYERS. IT WILL ¤^;^......
...~;;&¤¤¤ SOUND TOO LOUND AND IT CANNOT BE ¤¤¤&;;~...
.....^~;&¤ COMPLETELY ERASED. THIS IS VERY WELL. ¤&;~^.....
.^~;^&¤### MAYBE SOME WONDERFUL BLENDING EFFECTS ###¤&^;~^.
.^~;^&¤¤¤# COULD BE ACHIEVED? #¤¤¤&^;~^.
..^^;^^¤## ##¤^^;^^..
.^~;;^&# THEY ALSO GNAW AT THE TAPE HEADS A BIT ##&&^;;~^.
....^;;&¤¤ BETTER THAN EARLIER TAPE TYPES. ¤¤&;;^....
......^; #&;^......
.^~;^&¤### ###¤&^;~^.
.....~;^ ;;;;;;;; ARTIFACTS ;;;;;;;; #&^;~.....
.^~;^&&¤## ##¤&&^;~^.
.....~^¤## GOOD TAPES ARE DECENT AND HAVE A GOOD ##¤^~.....
.^~;^&¤### HIGH FREQUENCY PRESENCE, BAD TAPES ARE ###¤&^;~^.
.^~;^&¤### LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ###¤&^;~^.
.^~;^&¤### LIKE IT. ###¤&^;~^.
....^~;^^¤ ¤^^;~^....
.^~;^&¤### BIAS LOSS: IF YOU FORGET THE BIAS WHO ###¤&^;~^.
.^~;^&¤### KNOWS WHATS EVEN ON THERE ANYMORE ###¤&^;~^.
.^^~;;&# ##&&;;~^^.
.......~^¤ FLUTTER: KINDA QUICK PITCH VARIATIONS. ¤^~.......
......~~^¤ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ¤^~~......
....^^~;&¤ ¤&;~^^....
.^~;^&¤### WOW: A SLOWER FLUTTER, USUALLY SEVERAL ###¤&^;~^.
.^~;^^&&¤# SECONDS LONG. WHAT UP. BOTH OF THESE #¤&&^^;~^.
.^~;^&¤### INCREASE WHEN TAPE SPEED DECREASES. ###¤&^;~^.
.^;^&¤#### ####¤&^;^.
.^~;^&¤¤¤¤ PRINT THROUGH: TAPES RUB SOUND ON EACH ¤¤¤¤&^;~^.
.^;^&¤#### OTHER IF THEYRE ALONE FOR TOO LONG ####¤&^;^.
.....~;^ #&^;~.....
....^~~^^¤ ¤^^~~^....
.^~;^&¤### ###¤&^;~^.
.^~;^&¤### ###¤&^;~^.
....^~^^&¤ ¤&^^~^....
.^~;^&¤### ###¤&^;~^.