#@¤¤=:=.,, ,,.=:=¤¤@#
@¤¤=:=.,,, ,,,.=:=¤¤@
#@¤¤=:=.,, ,,.=:=¤¤@#
##@¤¤=:=., ,.=:=¤¤@##
#@¤¤=:=.,, ,,.=:=¤¤@#
@¤¤=:=.,,, #### ##### ,,,.=:=¤¤@
#@¤¤=:=.,, TAPE DREAM ,,.=:=¤¤@#
##@¤¤=:=., #### ##### ,.=:=¤¤@##
#@¤¤=:=.,, ,,.=:=¤¤@#
@¤¤=:=.,,, FOR STORING MUSIC ON. ALSO DATA BUT ,,,.=:=¤¤@
#@¤¤=:=.,, AT THIS POINT IN TIME THAT'S NOT ,,.=:=¤¤@#
##@¤¤=:=., REALLY IMPORTANT I THINK. ,.=:=¤¤@##
#@¤¤=:=.,, ,,.=:=¤¤@#
@¤¤=:=.,,, ,,,.=:=¤¤@
#@¤¤=:=.,, :::::::: TYPES OF TAPE :::::::: ,,.=:=¤¤@#
##@¤¤=:=., ,.=:=¤¤@##
#@¤¤=:=.,, CLASS I - "BAD" IRON ,,.=:=¤¤@#
@¤¤=:=.,,, CLASS II - GOOD CHROMIUM ,,,.=:=¤¤@
#@¤¤=:=.,, CLASS III - BAD IRON PART TWO ,,.=:=¤¤@#
##@¤¤=:=., CLASS IV - DANGEROUS METALS ,.=:=¤¤@##
#@¤¤=:=.,, ,,.=:=¤¤@#
@¤¤=:=.,,, RUMORS EXIST ABOUT A SECRET CLASS V TAPE ,,,.=:=¤¤@
#@¤¤=:=.,, THAT IS ACTUALLY USEFUL. ,,.=:=¤¤@#
##@¤¤=:=., ,.=:=¤¤@##
#@¤¤=:=.,, :: BIAS :: ,,.=:=¤¤@#
@¤¤=:=.,,, ,,,.=:=¤¤@
#@¤¤=:=.,, CLASS I USES ONE HUNDRED AND TWENTY ,,.=:=¤¤@#
##@¤¤=:=., MICRO-SOMETHING WHILE THE OTHERS ALL ,.=:=¤¤@##
#@¤¤=:=.,, USE SEVENTY OF THE SAME UNIT. ,,.=:=¤¤@#
@¤¤=:=.,,, ,,,.=:=¤¤@
#@¤¤=:=.,, ,,.=:=¤¤@#
##@¤¤=:=., ========= AHA AND ========= ,.=:=¤¤@##
#@¤¤=:=.,, ,,.=:=¤¤@#
@¤¤=:=.,,, CLASS IV IS APPARENTLY TOO STRONG TO ,,,.=:=¤¤@
#@¤¤=:=.,, BE USED ON CLASS I PLAYERS. IT WILL ,,.=:=¤¤@#
##@¤¤=:=., SOUND TOO LOUND AND IT CANNOT BE ,.=:=¤¤@##
#@¤¤=:=.,, COMPLETELY ERASED. THIS IS VERY WELL. ,,.=:=¤¤@#
@¤¤=:=.,,, MAYBE SOME WONDERFUL BLENDING EFFECTS ,,,.=:=¤¤@
#@¤¤=:=.,, COULD BE ACHIEVED? ,,.=:=¤¤@#
##@¤¤=:=., ,.=:=¤¤@##
#@¤¤=:=.,, THEY ALSO GNAW AT THE TAPE HEADS A BIT ,,.=:=¤¤@#
@¤¤=:=.,,, BETTER THAN EARLIER TAPE TYPES. ,,,.=:=¤¤@
#@¤¤=:=.,, ,,.=:=¤¤@#
##@¤¤=:=., ,.=:=¤¤@##
#@¤¤=:=.,, :::::::: ARTIFACTS :::::::: ,,.=:=¤¤@#
@¤¤=:=.,,, ,,,.=:=¤¤@
#@¤¤=:=.,, GOOD TAPES ARE DECENT AND HAVE A GOOD ,,.=:=¤¤@#
##@¤¤=:=., HIGH FREQUENCY PRESENCE, BAD TAPES ARE ,.=:=¤¤@##
#@¤¤=:=.,, LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ,,.=:=¤¤@#
@¤¤=:=.,,, LIKE IT. ,,,.=:=¤¤@
#@¤¤=:=.,, ,,.=:=¤¤@#
##@¤¤=:=., BIAS LOSS: IF YOU FORGET THE BIAS WHO ,.=:=¤¤@##
#@¤¤=:=.,, KNOWS WHATS EVEN ON THERE ANYMORE ,,.=:=¤¤@#
@¤¤=:=.,,, ,,,.=:=¤¤@
#@¤¤=:=.,, FLUTTER: KINDA QUICK PITCH VARIATIONS. ,,.=:=¤¤@#
##@¤¤=:=., BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ,.=:=¤¤@##
#@¤¤=:=.,, ,,.=:=¤¤@#
@¤¤=:=.,,, WOW: A SLOWER FLUTTER, USUALLY SEVERAL ,,,.=:=¤¤@
#@¤¤=:=.,, SECONDS LONG. WHAT UP. BOTH OF THESE ,,.=:=¤¤@#
##@¤¤=:=., INCREASE WHEN TAPE SPEED DECREASES. ,.=:=¤¤@##
#@¤¤=:=.,, ,,.=:=¤¤@#
@¤¤=:=.,,, PRINT THROUGH: TAPES RUB SOUND ON EACH ,,,.=:=¤¤@
#@¤¤=:=.,, OTHER IF THEYRE ALONE FOR TOO LONG ,,.=:=¤¤@#
##@¤¤=:=., ,.=:=¤¤@##
#@¤¤=:=.,, ,,.=:=¤¤@#
@¤¤=:=.,,, ,,,.=:=¤¤@
#@¤¤=:=.,, ,,.=:=¤¤@#
##@¤¤=:=., ,.=:=¤¤@##
#@¤¤=:=.,, ,,.=:=¤¤@#