##@#£*/=-. .-=/*£#@##
##@#£*/=-. .-=/*£#@##
##@#£*/=-. .-=/*£#@##
@£//=..... .....=//£@
@#£***/=-. .-=/***£#@
##££*==... #### ##### ...==*££##
##@#£*/=-. TAPE DREAM .-=/*£#@##
@#**/==... #### ##### ...==/**#@
##@#£*/=-. .-=/*£#@##
@@##£*/=-. FOR STORING MUSIC ON. ALSO DATA BUT .-=/*£##@@
#@@#£*/=-. AT THIS POINT IN TIME THAT'S NOT .-=/*£#@@#
##££**/=-. REALLY IMPORTANT I THINK. .-=/**££##
##@#£*/=-. .-=/*£#@##
#*=....... .......=*#
@£££**/=-. //////// TYPES OF TAPE //////// .-=/**£££@
###£/-.... ....-/£###
#@#**//=-. CLASS I - "BAD" IRON .-=//**#@#
###*/=-... CLASS II - GOOD CHROMIUM ...-=/*###
@£**//=-.. CLASS III - BAD IRON PART TWO ..-=//**£@
##@#£*/=-. CLASS IV - DANGEROUS METALS .-=/*£#@##
#@££/--... ...--/££@#
##@#£*/=-. RUMORS EXIST ABOUT A SECRET CLASS V TAPE .-=/*£#@##
###@#*/=-. THAT IS ACTUALLY USEFUL. .-=/*#@###
##@#£*/=-. .-=/*£#@##
##£**=--.. // BIAS // ..--=**£##
@@£**=-... ...-=**£@@
@@@#£*/=-. CLASS I USES ONE HUNDRED AND TWENTY .-=/*£#@@@
##@#£*/=-. MICRO-SOMETHING WHILE THE OTHERS ALL .-=/*£#@##
@#*==-.... USE SEVENTY OF THE SAME UNIT. ....-==*#@
##@#£*/=-. .-=/*£#@##
@@#££*/=-. .-=/*££#@@
##@#£*/=-. ********* AHA AND ********* .-=/*£#@##
#£/-...... ......-/£#
##@#£*/=-. CLASS IV IS APPARENTLY TOO STRONG TO .-=/*£#@##
##@#£*/=-. BE USED ON CLASS I PLAYERS. IT WILL .-=/*£#@##
#*=-...... SOUND TOO LOUND AND IT CANNOT BE ......-=*#
#*/=-..... COMPLETELY ERASED. THIS IS VERY WELL. .....-=/*#
@@@#£*/=-. MAYBE SOME WONDERFUL BLENDING EFFECTS .-=/*£#@@@
##@#£*/=-. COULD BE ACHIEVED? .-=/*£#@##
#££/-..... .....-/££#
@#**//=--. THEY ALSO GNAW AT THE TAPE HEADS A BIT .--=//**#@
##@#£*/=-. BETTER THAN EARLIER TAPE TYPES. .-=/*£#@##
#@@#£*/=-. .-=/*£#@@#
#£///=.... ....=///£#
@@##£*/=-. //////// ARTIFACTS //////// .-=/*£##@@
##££/-.... ....-/££##
##@#£*/=-. GOOD TAPES ARE DECENT AND HAVE A GOOD .-=/*£#@##
@@££/-.... HIGH FREQUENCY PRESENCE, BAD TAPES ARE ....-/££@@
##@#£*/=-. LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA .-=/*£#@##
#@##£*/=-. LIKE IT. .-=/*£##@#
##@#£*/=-. .-=/*£#@##
###**=.... BIAS LOSS: IF YOU FORGET THE BIAS WHO ....=**###
@@#*/=-... KNOWS WHATS EVEN ON THERE ANYMORE ...-=/*#@@
@##*==.... ....==*##@
##@#£*/=-. FLUTTER: KINDA QUICK PITCH VARIATIONS. .-=/*£#@##
##@#£*/=-. BEAUTIFUL, WONDERFUL, EXTRAORDINARY. .-=/*£#@##
###@£*/=-. .-=/*£@###
##@#£*/=-. WOW: A SLOWER FLUTTER, USUALLY SEVERAL .-=/*£#@##
@#*==-.... SECONDS LONG. WHAT UP. BOTH OF THESE ....-==*#@
#£*/---... INCREASE WHEN TAPE SPEED DECREASES. ...---/*£#
#££///=-.. ..-=///££#
##@#£*/=-. PRINT THROUGH: TAPES RUB SOUND ON EACH .-=/*£#@##
##@#£*/=-. OTHER IF THEYRE ALONE FOR TOO LONG .-=/*£#@##
@#£*/--... ...--/*£#@
##@#£*/=-. .-=/*£#@##
##@#£*/=-. .-=/*£#@##
##@#£*/=-. .-=/*£#@##
##@#£*/=-. .-=/*£#@##
###@£*/=-. .-=/*£@###