¨,=:%£&### ###&£%:=,¨
¨¨,=:%£&## ##&£%:=,¨¨
¨¨¨,=:%£&# #&£%:=,¨¨¨
¨¨¨¨,=:%£& &£%:=,¨¨¨¨
¨¨¨¨¨,=:%£ £%:=,¨¨¨¨¨
¨¨¨¨¨¨,=:% #### ##### %:=,¨¨¨¨¨¨
¨¨¨¨¨,=:%£ TAPE DREAM £%:=,¨¨¨¨¨
¨¨¨¨,=:%£& #### ##### &£%:=,¨¨¨¨
¨¨¨,=:%£&# #&£%:=,¨¨¨
¨¨,=:%£&## FOR STORING MUSIC ON. ALSO DATA BUT ##&£%:=,¨¨
¨,=:%£&### AT THIS POINT IN TIME THAT'S NOT ###&£%:=,¨
¨¨,=:%£&## REALLY IMPORTANT I THINK. ##&£%:=,¨¨
¨¨¨,=:%£&# #&£%:=,¨¨¨
¨¨¨¨,=:%£& &£%:=,¨¨¨¨
¨¨¨¨¨,=:%£ :::::::: TYPES OF TAPE :::::::: £%:=,¨¨¨¨¨
¨¨¨¨¨¨,=:% %:=,¨¨¨¨¨¨
¨¨¨¨¨,=:%£ CLASS I - "BAD" IRON £%:=,¨¨¨¨¨
¨¨¨¨,=:%£& CLASS II - GOOD CHROMIUM &£%:=,¨¨¨¨
¨¨¨,=:%£&# CLASS III - BAD IRON PART TWO #&£%:=,¨¨¨
¨¨,=:%£&## CLASS IV - DANGEROUS METALS ##&£%:=,¨¨
¨,=:%£&### ###&£%:=,¨
¨¨,=:%£&## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##&£%:=,¨¨
¨¨¨,=:%£&# THAT IS ACTUALLY USEFUL. #&£%:=,¨¨¨
¨¨¨¨,=:%£& &£%:=,¨¨¨¨
¨¨¨¨¨,=:%£ :: BIAS :: £%:=,¨¨¨¨¨
¨¨¨¨¨¨,=:% %:=,¨¨¨¨¨¨
¨¨¨¨¨,=:%£ CLASS I USES ONE HUNDRED AND TWENTY £%:=,¨¨¨¨¨
¨¨¨¨,=:%£& MICRO-SOMETHING WHILE THE OTHERS ALL &£%:=,¨¨¨¨
¨¨¨,=:%£&# USE SEVENTY OF THE SAME UNIT. #&£%:=,¨¨¨
¨¨,=:%£&## ##&£%:=,¨¨
¨,=:%£&### ###&£%:=,¨
¨¨,=:%£&## %%%%%%%%% AHA AND %%%%%%%%% ##&£%:=,¨¨
¨¨¨,=:%£&# #&£%:=,¨¨¨
¨¨¨¨,=:%£& CLASS IV IS APPARENTLY TOO STRONG TO &£%:=,¨¨¨¨
¨¨¨¨¨,=:%£ BE USED ON CLASS I PLAYERS. IT WILL £%:=,¨¨¨¨¨
¨¨¨¨¨¨,=:% SOUND TOO LOUND AND IT CANNOT BE %:=,¨¨¨¨¨¨
¨¨¨¨¨,=:%£ COMPLETELY ERASED. THIS IS VERY WELL. £%:=,¨¨¨¨¨
¨¨¨¨,=:%£& MAYBE SOME WONDERFUL BLENDING EFFECTS &£%:=,¨¨¨¨
¨¨¨,=:%£&# COULD BE ACHIEVED? #&£%:=,¨¨¨
¨¨,=:%£&## ##&£%:=,¨¨
¨,=:%£&### THEY ALSO GNAW AT THE TAPE HEADS A BIT ###&£%:=,¨
¨¨,=:%£&## BETTER THAN EARLIER TAPE TYPES. ##&£%:=,¨¨
¨¨¨,=:%£&# #&£%:=,¨¨¨
¨¨¨¨,=:%£& &£%:=,¨¨¨¨
¨¨¨¨¨,=:%£ :::::::: ARTIFACTS :::::::: £%:=,¨¨¨¨¨
¨¨¨¨¨¨,=:% %:=,¨¨¨¨¨¨
¨¨¨¨¨,=:%£ GOOD TAPES ARE DECENT AND HAVE A GOOD £%:=,¨¨¨¨¨
¨¨¨¨,=:%£& HIGH FREQUENCY PRESENCE, BAD TAPES ARE &£%:=,¨¨¨¨
¨¨¨,=:%£&# LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #&£%:=,¨¨¨
¨¨,=:%£&## LIKE IT. ##&£%:=,¨¨
¨,=:%£&### ###&£%:=,¨
¨¨,=:%£&## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##&£%:=,¨¨
¨¨¨,=:%£&# KNOWS WHATS EVEN ON THERE ANYMORE #&£%:=,¨¨¨
¨¨¨¨,=:%£& &£%:=,¨¨¨¨
¨¨¨¨¨,=:%£ FLUTTER: KINDA QUICK PITCH VARIATIONS. £%:=,¨¨¨¨¨
¨¨¨¨¨¨,=:% BEAUTIFUL, WONDERFUL, EXTRAORDINARY. %:=,¨¨¨¨¨¨
¨¨¨¨¨,=:%£ £%:=,¨¨¨¨¨
¨¨¨¨,=:%£& WOW: A SLOWER FLUTTER, USUALLY SEVERAL &£%:=,¨¨¨¨
¨¨¨,=:%£&# SECONDS LONG. WHAT UP. BOTH OF THESE #&£%:=,¨¨¨
¨¨,=:%£&## INCREASE WHEN TAPE SPEED DECREASES. ##&£%:=,¨¨
¨,=:%£&### ###&£%:=,¨
¨¨,=:%£&## PRINT THROUGH: TAPES RUB SOUND ON EACH ##&£%:=,¨¨
¨¨¨,=:%£&# OTHER IF THEYRE ALONE FOR TOO LONG #&£%:=,¨¨¨
¨¨¨¨,=:%£& &£%:=,¨¨¨¨
¨¨¨¨¨,=:%£ £%:=,¨¨¨¨¨
¨¨¨¨¨¨,=:% %:=,¨¨¨¨¨¨
¨¨¨¨¨,=:%£ £%:=,¨¨¨¨¨
¨¨¨¨,=:%£& &£%:=,¨¨¨¨
¨¨¨,=:%£&# #&£%:=,¨¨¨