¨:»**&¤@## ##@¤&**»:¨
¨¨:»**&¤@# #@¤&**»:¨¨
¨:»**&¤@## ##@¤&**»:¨
¨¨:»**&¤@# #@¤&**»:¨¨
¨:»**&¤@## ##@¤&**»:¨
¨¨:»**&¤@# #### ##### #@¤&**»:¨¨
¨:»**&¤@## TAPE DREAM ##@¤&**»:¨
¨¨:»**&¤@# #### ##### #@¤&**»:¨¨
¨:»**&¤@## ##@¤&**»:¨
¨¨:»**&¤@# FOR STORING MUSIC ON. ALSO DATA BUT #@¤&**»:¨¨
¨:»**&¤@## AT THIS POINT IN TIME THAT'S NOT ##@¤&**»:¨
¨¨:»**&¤@# REALLY IMPORTANT I THINK. #@¤&**»:¨¨
¨:»**&¤@## ##@¤&**»:¨
¨¨:»**&¤@# #@¤&**»:¨¨
¨:»**&¤@## ******** TYPES OF TAPE ******** ##@¤&**»:¨
¨¨:»**&¤@# #@¤&**»:¨¨
¨:»**&¤@## CLASS I - "BAD" IRON ##@¤&**»:¨
¨¨:»**&¤@# CLASS II - GOOD CHROMIUM #@¤&**»:¨¨
¨:»**&¤@## CLASS III - BAD IRON PART TWO ##@¤&**»:¨
¨¨:»**&¤@# CLASS IV - DANGEROUS METALS #@¤&**»:¨¨
¨:»**&¤@## ##@¤&**»:¨
¨¨:»**&¤@# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #@¤&**»:¨¨
¨:»**&¤@## THAT IS ACTUALLY USEFUL. ##@¤&**»:¨
¨¨:»**&¤@# #@¤&**»:¨¨
¨:»**&¤@## ** BIAS ** ##@¤&**»:¨
¨¨:»**&¤@# #@¤&**»:¨¨
¨:»**&¤@## CLASS I USES ONE HUNDRED AND TWENTY ##@¤&**»:¨
¨¨:»**&¤@# MICRO-SOMETHING WHILE THE OTHERS ALL #@¤&**»:¨¨
¨:»**&¤@## USE SEVENTY OF THE SAME UNIT. ##@¤&**»:¨
¨¨:»**&¤@# #@¤&**»:¨¨
¨:»**&¤@## ##@¤&**»:¨
¨¨:»**&¤@# ********* AHA AND ********* #@¤&**»:¨¨
¨:»**&¤@## ##@¤&**»:¨
¨¨:»**&¤@# CLASS IV IS APPARENTLY TOO STRONG TO #@¤&**»:¨¨
¨:»**&¤@## BE USED ON CLASS I PLAYERS. IT WILL ##@¤&**»:¨
¨¨:»**&¤@# SOUND TOO LOUND AND IT CANNOT BE #@¤&**»:¨¨
¨:»**&¤@## COMPLETELY ERASED. THIS IS VERY WELL. ##@¤&**»:¨
¨¨:»**&¤@# MAYBE SOME WONDERFUL BLENDING EFFECTS #@¤&**»:¨¨
¨:»**&¤@## COULD BE ACHIEVED? ##@¤&**»:¨
¨¨:»**&¤@# #@¤&**»:¨¨
¨:»**&¤@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@¤&**»:¨
¨¨:»**&¤@# BETTER THAN EARLIER TAPE TYPES. #@¤&**»:¨¨
¨:»**&¤@## ##@¤&**»:¨
¨¨:»**&¤@# #@¤&**»:¨¨
¨:»**&¤@## ******** ARTIFACTS ******** ##@¤&**»:¨
¨¨:»**&¤@# #@¤&**»:¨¨
¨:»**&¤@## GOOD TAPES ARE DECENT AND HAVE A GOOD ##@¤&**»:¨
¨¨:»**&¤@# HIGH FREQUENCY PRESENCE, BAD TAPES ARE #@¤&**»:¨¨
¨:»**&¤@## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##@¤&**»:¨
¨¨:»**&¤@# LIKE IT. #@¤&**»:¨¨
¨:»**&¤@## ##@¤&**»:¨
¨¨:»**&¤@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@¤&**»:¨¨
¨:»**&¤@## KNOWS WHATS EVEN ON THERE ANYMORE ##@¤&**»:¨
¨¨:»**&¤@# #@¤&**»:¨¨
¨:»**&¤@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@¤&**»:¨
¨¨:»**&¤@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@¤&**»:¨¨
¨:»**&¤@## ##@¤&**»:¨
¨¨:»**&¤@# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #@¤&**»:¨¨
¨:»**&¤@## SECONDS LONG. WHAT UP. BOTH OF THESE ##@¤&**»:¨
¨¨:»**&¤@# INCREASE WHEN TAPE SPEED DECREASES. #@¤&**»:¨¨
¨:»**&¤@## ##@¤&**»:¨
¨¨:»**&¤@# PRINT THROUGH: TAPES RUB SOUND ON EACH #@¤&**»:¨¨
¨:»**&¤@## OTHER IF THEYRE ALONE FOR TOO LONG ##@¤&**»:¨
¨¨:»**&¤@# #@¤&**»:¨¨
¨:»**&¤@## ##@¤&**»:¨
¨¨:»**&¤@# #@¤&**»:¨¨
¨:»**&¤@## ##@¤&**»:¨
¨¨:»**&¤@# #@¤&**»:¨¨
¨:»**&¤@## ##@¤&**»:¨