......~:£# #£:~......
.~«:=£¤#@# #@#¤£=:«~.
..~~~«:£## ##£:«~~~..
.~«:=££¤¤¤ ¤¤¤££=:«~.
.~«:=£¤#@@ @@#¤£=:«~.
..~~~«=¤## @@@@ ##### ##¤=«~~~..
..~~~::=¤@ TAPE DREAM @¤=::~~~..
...««::££¤ #### @@@@@ ¤££::««...
.~«:=£¤#@@ @@#¤£=:«~.
...~«==£## FOR STORING MUSIC ON. ALSO DATA BUT ##£==«~...
....«::=¤¤ AT THIS POINT IN TIME THAT'S NOT ¤¤=::«....
.~«:=£¤@## REALLY IMPORTANT I THINK. ##@¤£=:«~.
..~~~:==¤¤ ¤¤==:~~~..
.~«:=£¤#@@ @@#¤£=:«~.
.~«:=£¤#@# :::::::: TYPES OF TAPE :::::::: #@#¤£=:«~.
.~«:=£¤### ###¤£=:«~.
....«:££¤# CLASS I - "BAD" IRON #¤££:«....
.~«:=££¤#@ CLASS II - GOOD CHROMIUM @#¤££=:«~.
....«::=£# CLASS III - BAD IRON PART TWO #£=::«....
...~«=££¤# CLASS IV - DANGEROUS METALS #¤££=«~...
.~«:=¤#@## ##@#¤=:«~.
.~«:=£¤#@@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @@#¤£=:«~.
.~«:=£¤#@# THAT IS ACTUALLY USEFUL. #@#¤£=:«~.
...~:==£#@ @#£==:~...
.~«:=£¤#@# :: BIAS :: #@#¤£=:«~.
....««==£# #£==««....
.....««==¤ CLASS I USES ONE HUNDRED AND TWENTY ¤==««.....
.~«:=£¤#@@ MICRO-SOMETHING WHILE THE OTHERS ALL @@#¤£=:«~.
...«:=££¤¤ USE SEVENTY OF THE SAME UNIT. ¤¤££=:«...
.~«:=£¤#@# #@#¤£=:«~.
...««:=£#@ @#£=:««...
.~«:=¤#@## ========= AHA AND ========= ##@#¤=:«~.
.~«:=£¤@## ##@¤£=:«~.
.~«::==££# CLASS IV IS APPARENTLY TOO STRONG TO #££==::«~.
.~«:==££#@ BE USED ON CLASS I PLAYERS. IT WILL @#££==:«~.
.~«:=£¤#@# SOUND TOO LOUND AND IT CANNOT BE #@#¤£=:«~.
.....«::£¤ COMPLETELY ERASED. THIS IS VERY WELL. ¤£::«.....
....«««=¤# MAYBE SOME WONDERFUL BLENDING EFFECTS #¤=«««....
......«==¤ COULD BE ACHIEVED? ¤==«......
...~~:==¤# #¤==:~~...
.....«:££# THEY ALSO GNAW AT THE TAPE HEADS A BIT #££:«.....
.~«:=£¤#@# BETTER THAN EARLIER TAPE TYPES. #@#¤£=:«~.
.~«:=£¤#@# #@#¤£=:«~.
.~«:=£¤#@# #@#¤£=:«~.
.~«:=£¤#@# :::::::: ARTIFACTS :::::::: #@#¤£=:«~.
...~««=¤## ##¤=««~...
.~«:=£¤#@@ GOOD TAPES ARE DECENT AND HAVE A GOOD @@#¤£=:«~.
.~«:=£¤##@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @##¤£=:«~.
.~«:===£¤# LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #¤£===:«~.
.~«:=£¤##@ LIKE IT. @##¤£=:«~.
....~::£#@ @#£::~....
.~«:=£¤#@@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @@#¤£=:«~.
......~«=¤ KNOWS WHATS EVEN ON THERE ANYMORE ¤=«~......
.~«:=£¤@## ##@¤£=:«~.
...~~~«=£¤ FLUTTER: KINDA QUICK PITCH VARIATIONS. ¤£=«~~~...
.~«:=£¤#@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@#¤£=:«~.
.~«:=£££#@ @#£££=:«~.
.~«:::££#@ WOW: A SLOWER FLUTTER, USUALLY SEVERAL @#££:::«~.
......«==¤ SECONDS LONG. WHAT UP. BOTH OF THESE ¤==«......
.~«:=£¤¤#@ INCREASE WHEN TAPE SPEED DECREASES. @#¤¤£=:«~.
.~«:=£¤#@# #@#¤£=:«~.
...«:==£¤¤ PRINT THROUGH: TAPES RUB SOUND ON EACH ¤¤£==:«...
.....~:£¤¤ OTHER IF THEYRE ALONE FOR TOO LONG ¤¤£:~.....
......«=¤@ @¤=«......
.....~:££# #££:~.....
......«=¤# #¤=«......
.~«:=£¤### ###¤£=:«~.
.~«:=£¤#@# #@#¤£=:«~.
.....~«:£# #£:«~.....