......~:§@ @§:~......
.....~:§@& &@§:~.....
....~:§@&@ @&@§:~....
...~:§@&@# #@&@§:~...
..~:§@&@## ##@&@§:~..
.~:§@&@### #### ##### ###@&@§:~.
..~:§@&@## TAPE DREAM ##@&@§:~..
...~:§@&@# #### ##### #@&@§:~...
....~:§@&@ @&@§:~....
.....~:§@& FOR STORING MUSIC ON. ALSO DATA BUT &@§:~.....
......~:§@ AT THIS POINT IN TIME THAT'S NOT @§:~......
.......~:§ REALLY IMPORTANT I THINK. §:~.......
........~: :~........
.........~ ~.........
........~: :::::::: TYPES OF TAPE :::::::: :~........
.......~:§ §:~.......
......~:§@ CLASS I - "BAD" IRON @§:~......
.....~:§@& CLASS II - GOOD CHROMIUM &@§:~.....
....~:§@&@ CLASS III - BAD IRON PART TWO @&@§:~....
...~:§@&@# CLASS IV - DANGEROUS METALS #@&@§:~...
..~:§@&@## ##@&@§:~..
.~:§@&@### RUMORS EXIST ABOUT A SECRET CLASS V TAPE ###@&@§:~.
..~:§@&@## THAT IS ACTUALLY USEFUL. ##@&@§:~..
...~:§@&@# #@&@§:~...
....~:§@&@ :: BIAS :: @&@§:~....
.....~:§@& &@§:~.....
......~:§@ CLASS I USES ONE HUNDRED AND TWENTY @§:~......
.......~:§ MICRO-SOMETHING WHILE THE OTHERS ALL §:~.......
........~: USE SEVENTY OF THE SAME UNIT. :~........
.........~ ~.........
........~: :~........
.......~:§ §§§§§§§§§ AHA AND §§§§§§§§§ §:~.......
......~:§@ @§:~......
.....~:§@& CLASS IV IS APPARENTLY TOO STRONG TO &@§:~.....
....~:§@&@ BE USED ON CLASS I PLAYERS. IT WILL @&@§:~....
...~:§@&@# SOUND TOO LOUND AND IT CANNOT BE #@&@§:~...
..~:§@&@## COMPLETELY ERASED. THIS IS VERY WELL. ##@&@§:~..
.~:§@&@### MAYBE SOME WONDERFUL BLENDING EFFECTS ###@&@§:~.
..~:§@&@## COULD BE ACHIEVED? ##@&@§:~..
...~:§@&@# #@&@§:~...
....~:§@&@ THEY ALSO GNAW AT THE TAPE HEADS A BIT @&@§:~....
.....~:§@& BETTER THAN EARLIER TAPE TYPES. &@§:~.....
......~:§@ @§:~......
.......~:§ §:~.......
........~: :::::::: ARTIFACTS :::::::: :~........
.........~ ~.........
........~: GOOD TAPES ARE DECENT AND HAVE A GOOD :~........
.......~:§ HIGH FREQUENCY PRESENCE, BAD TAPES ARE §:~.......
......~:§@ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA @§:~......
.....~:§@& LIKE IT. &@§:~.....
....~:§@&@ @&@§:~....
...~:§@&@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@&@§:~...
..~:§@&@## KNOWS WHATS EVEN ON THERE ANYMORE ##@&@§:~..
.~:§@&@### ###@&@§:~.
..~:§@&@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@&@§:~..
...~:§@&@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@&@§:~...
....~:§@&@ @&@§:~....
.....~:§@& WOW: A SLOWER FLUTTER, USUALLY SEVERAL &@§:~.....
......~:§@ SECONDS LONG. WHAT UP. BOTH OF THESE @§:~......
.......~:§ INCREASE WHEN TAPE SPEED DECREASES. §:~.......
........~: :~........
.........~ PRINT THROUGH: TAPES RUB SOUND ON EACH ~.........
........~: OTHER IF THEYRE ALONE FOR TOO LONG :~........
.......~:§ §:~.......
......~:§@ @§:~......
.....~:§@& &@§:~.....
....~:§@&@ @&@§:~....
...~:§@&@# #@&@§:~...
..~:§@&@## ##@&@§:~..