.^»;%&&@## ##@&&%;»^.
.^»;%&&@## ##@&&%;»^.
.^»;%&&@## ##@&&%;»^.
.^»;%&&@## ##@&&%;»^.
.....»%&@# #@&%».....
.^»;%&&&@# & DREAM PALACE & #@&&&%;»^.
.^»;%&&@## ^ ----- ------ ^ ##@&&%;»^.
.^»;%&&@## & ..... ...... & ##@&&%;»^.
.^»;%&&@## ; ..... ...... ; ##@&&%;»^.
.....»;& ^ ..... ...... ^ #&&;».....
....^;&&@# ^ ..... ...... ^ #@&&;^....
...»»»;;&& . ..... ...... . &&;;»»»...
.^»;%&&@## ##@&&%;»^.
.^»;%&&@## ##@&&%;»^.
.^»;%&&@## NOT ACTUALLY A PALACE. A COTTAGE IN THE ##@&&%;»^.
.^»;%&&@## WOODS (TEMPERATE CLIMATE, RAINS EVERY ##@&&%;»^.
.^»;%&&@@# OTHER DAY, SPRINGS AND STREAMS AND #@@&&%;»^.
.^»;%&&@## MYSTERIOUS IRON AND STONE ARTIFACTS, ##@&&%;»^.
.^»;%&&@## BIRDLAND-ISH ETERNAL SPRING (LATE ##@&&%;»^.
...»»;;%&& SPRING)) &&%;;»»...
.^»;&&@### ###@&&;»^.
.^»;%&&@## » ##@&&%;»^.
.^»;%&&@## ##@&&%;»^.
.^»;%&&@## I WAKE UP EVERY MORNING AT SIX AM. IT'S ##@&&%;»^.
....^»;%&& DARK, AND THE STARS ARE OUT, BUT THE &&%;»^....
.^»;%&&@## SUN IS ABOUT TO RISE. ITS A LONG DAY, ##@&&%;»^.
.^»;%&&&&& BEFORE IT FADES TO NIGHT AGAIN, AND &&&&&%;»^.
.^»;%&&@## THEN IT STAYS SO UNTIL I FALL ASLEEP. ##@&&%;»^.
.^»;%&&@## IT DOESN'T RISE UNLESS I'VE HAD MY ##@&&%;»^.
.^»;%&&@@@ DREAMS. @@@&&%;»^.
.....»;%&& &&%;».....
.^»;%&@### % ###@&%;»^.
.^»;&&@### ###@&&;»^.
.^»;%&&@## IN THIS COTTAGE THERE'S A LOT OF RADIO ##@&&%;»^.
.^»;%&&@## EQUIPMENT, SOUND STUFF, SYNTHS, TAPE ##@&&%;»^.
.^»;%&&@## PLAYERS. PEN AND PAPER, BOOKS, CAMERAS, ##@&&%;»^.
.^»;%&&&@@ MIRRORS, PRISMS, AND VARIOUS THINGS TO @@&&&%;»^.
.^»;%&&&@@ DO ART WITH. THE FRIDGE IS FILLED WITH @@&&&%;»^.
.....^;%&& DIFFERET FOODS, ALL OF THEM INTRIGUING, &&%;^.....
...»;;%&&& SLIGHTLY WEIRD. &&&%;;»...
.^»;%&## ###&&%;»^.
.^»;%&&@## & ##@&&%;»^.
...^;%&&&@ @&&&%;^...
.^»;%&&@@# I HAVE FRIENDS - THERE'S A CAT, AND A #@@&&%;»^.
.^»;%&&@## DOG (WHO IS RIDICOLOUSLY LARGE AND ##@&&%;»^.
.^»;%&&@## WANTS TO BE THE BIG SPOON). I LISTEN TO ##@&&%;»^.
.^»;%&&@## THE SHORTWAVE RADIO, AND TRANSMIT A BIT ##@&&%;»^.
.^»;%&&@## MYSELF, SONGS AND POETRY, AND FOUND ##@&&%;»^.
.^»;%&&@## SOUNDS FROM THE FOREST. THE OTHERS TELL ##@&&%;»^.
.^»;%&&@## OF THEIR LIVES, PLAY THE GUITAR FOR ME, ##@&&%;»^.
.^»;%&&@## AND TELL TALES OF THE OLD WORLD. I ##@&&%;»^.
.^»;%&&@## CONSIDER THEM FRIENDS AS WELL. ##@&&%;»^.
.^»;%&&@## ##@&&%;»^.
....^;%&@# @ #@&%;^....
.^»;%&&@## ##@&&%;»^.
....^^;%&& MOST IMPORTANTLY, THERE'S A TWO SQUARE &&%;^^....
.^^^^^»»%& METER AREA ON THE FLOOR WHERE I CAN &%»»^^^^^.
.^»;%&&@## "SAVE" THINGS. WHATEVER I PUT IN HERE ##@&&%;»^.
.^»;%&&@## WILL NOT BE AFFECTED BY THE NIGHTLY ##@&&%;»^.
.^»;%%&&&@ RESET. EVERYTHING ELSE, HOWEVER, IS @&&&%%;»^.
.^»;;%&&@# COMPLETELY RESET OVERNIGHT: SYNTH #@&&%;;»^.
.^»;%&@### PATCHES REMOVED, FOOD UNEATEN, WOUNDS ###@&%;»^.
.^»;%&&@## HEALED, AND WHEREVER AND WHENEVER I'D ##@&&%;»^.
....^»;;%& FALL ASLEEP I'D ALWAYS WAKE UP FULLY &%;;»^....
.....^;&@@ RESTED IN MY BED. SOMETIMES THERE'S @@&;^.....
.^»;%&&@## ACCIDENTS WHERE I LOSE STUFF BY ##@&&%;»^.
.^»;%&## FORGETTING TO PUT THEM IN THE SQUARE. ###&&%;»^.
...^;%%&@# #@&%%;^...
.^»;%&&@## . ##@&&%;»^.
.^»;%&&@## ##@&&%;»^.
.^»;%&## AT NIGHT, I HAVE DEMI-LUCID DREAMS ###&&%;»^.
.^»;%&&@## WHERE THE SPIRITS OF THE FOREST AROUND ##@&&%;»^.
.^»;%&&@## THE COTTAGE TRIES TO COMMUNICATE. HERE, ##@&&%;»^.
.^»;%&&@## IT'S NOT ENDLESS BUT CONNECTED TO A ##@&&%;»^.
....^»;& LARGE SPRAWLING CITY, WHERE MY RADIO #&&;»^....
.....^;;&& FRIENDS LIVE. WE GO EXPLORING TOGETHER &&;;^.....
.^»;%&## - THINGS ARE DEEP AND DARK - BUT UNLIKE ###&&%;»^.
.....»%%&@ ME, THEY NEVER REMEMBER DURING THE DAY. @&%%».....
.^»;%&&@@@ THIS IS A MYSTERY WE OFTEN DISCUSS. @@@&&%;»^.
.^»;%&&@## ##@&&%;»^.
.^»;%&@### ###@&%;»^.
.^»;%&&& #&&&&%;»^.
.^»;%&&@## ##@&&%;»^.
.^»;%&&@@@ @@@&&%;»^.
...^^»;&&& &&&;»^^...