,:=/*£@###                                          ###@£*/=:,
,:=/*£@@##                                          ##@@£*/=:,
,,,,,:=*£@                                          @£*=:,,,,,
,,,,,:/*£@                                          @£*/:,,,,,
,,,,,,=/£@                                          @£/=,,,,,,
,:=/*£@@##          ,,,,**## VäXJö ##**,,,,         ##@@£*/=:,
,,,://**£@                                          @£**//:,,,
,,,,=*£@@@ THE APARTMENT  SMELLS OF OLD  COFFEE AND @@@£*=,,,,
,,,:////£@ SWEETENERS. I DON'T  KNOW  HOW I  LET IT @£////:,,,
,,,,:/££@@ GET  LIKE THIS.  IT'S  NOT  INTENTIONAL. @@££/:,,,,
,:::/***@#                                          #@***/:::,
,:=/*£@### I  WEAR YELLOW TINTED  GLASSES. THE ROOM ###@£*/=:,
,:=/*£@@## CHANGES SHAPE A  LOT.  RIGHT NOW THERE'S ##@@£*/=:,
,:=/*£@@## A   BLUE   SOFA  WITH  YELLOW  SEAMS.  I ##@@£*/=:,
,:=/*£@###     EXPERIMENT WITH DIFFERENT COLORED    ###@£*/=:,
,:=/*£@@@#       LIGHTS. I'M LEARNING THINGS.       #@@@£*/=:,
,:=/*£@@##                                          ##@@£*/=:,
,:=//***£@ MY THOUGHTS  ARE  REVOLVING AROUND TIME, @£***//=:,
,,,,,:=*@@ AND THE  PERCEPTION OF IT. CAN I MAKE IT @@*=:,,,,,
,:=/*£@@## RIGID? IF  I REALLY WANT TO,  CAN I MAKE ##@@£*/=:,
,:=/*£@@## IT FEEL  LIKE THERE  IS  ENOUGH  OF  IT? ##@@£*/=:,
,:=/*£@@@@     ALSO, AND MAYBE, ULTIMATELY, MORE    @@@@£*/=:,
,,,,,,=*£@ IMPORTANT - CAN I MAKE  IT FEEL LIKE  IT @£*=,,,,,,
,:=/*£@@##             DOESN'T MATTER?              ##@@£*/=:,
,,,,=/££@@                                          @@££/=,,,,
,:=/*£@@##                                          ##@@£*/=:,
,:=/*£@@##                                          ##@@£*/=:,
,:=/*£@@##                                          ##@@£*/=:,
,:=/*£@@##                                          ##@@£*/=:,