@,@,,,,,,,                                          ,,,@@@,,@@
,@@@,,,,,,                                          ,,,@,,@,@,
,@,,@,,,,,                                          ,,,@@,@@@@
@@@,@@,,,,                                          @,,@,@@,,,
@,,@@,@,,,                                          @@,@@@,@,,
@@,@,@@@,,                                          ,,@@,,@@@,
@,@@@@,,@,                 ,,¤@#@¤,,                @,@,@,@,,@
,@@,,,@,@@       -- PITTSBURGH ELECTRONICS --       @@@@@@@@,@
@@,@,,@@@,             «« LIFEFORMS ««              ,,,,,,,,@@
,,@@@,@,,@               ^^ SV ONE ^^               ,,,,,,,,@,
,,@,,@@@,@                                          ,,,,,,,,@@
@,@@,@,,@@ THIS IS A  EURORACK  MODULE BUT I BOUGHT ,,,,,,,,@,
@@@,@@@,@, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,,,,,,,,@@
,,,@@,,@@@                                          @,,,,,,,@,
,,,@,@,@,, IT  SHIPS  WITH  TOO  FEW  PATCH CABLES. @@,,,,,,@@
@,,@@@@@@,                                          ,,@,,,,,@,
@@,@,,,,,@             ,*@ CONTAINS @*,             ,,@@,,,,@@
,,@@@,,,,@           MIDI TO CV CONVERTER           @,@,@,,,@,
,,@,,@,,,@                 TWO VCO'S                @@@@@@,,@@
@,@@,@@,,@ FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER ,,,,,,@,@,
@@@,@@,@,@        TWO SUB OSCILLATORS I THINK       ,,,,,,@@@@
,,,@@,@@@@         TWO ONE TO TWO SPLITTERS         @,,,,,@,,,
,,,@,@@,,,           WHITE NOISE GENERATOR          ,@,,,,@@,,
,,,@@@,@,,             SAMPLE AND HOLD              ,@@,,,@,@,
,,,@,,@@@,          LFO PLUS A DIGITAL LFO          @@,@,,@@@@
@,,@@,@,,@   FILTER (LOWPASS, BANDPASS, HIGHPASS)   @,@@@,@,,,
@@,@,@@@,@               ADSR ENVELOPE              @@@,,@@@,,
@,@@@@,,@@                  ONE VCA                 @,,@,@,,@,
@@@,,,@,@,              HEADPHONE AMP               ,@,@@@@,@@
,,,@,,@@@@         FOURTY NINE PATCHPOINTS!         @@@@,,,@@,
,,,@@,@,,,                                          ,,,,@,,@,@
@,,@,@@@,,                 ,-@#@-,                  @,,,@@,@@@
,@,@@@,,@,           «** SO WHAT NOW **«            ,@,,@,@@,,
,@@@,,@,@@                  ,-@#@-,                 @@@,@@@,@,
,@,,@,@@@,                                          ,,,@@,,@@@
@@@,@@@,,@ CLOCK IO  GOES  TO ASDR IN  I THINK  AND ,,,@,@,@,,
@,,@@,,@,@ MAYBE ALSO TO THE SAMPLE  AND  HOLD. PUT @,,@@@@@@,
@@,@,@,@@@ SUBBASE  AND NOISE IN CHANNEL  THREE AND ,@,@,,,,,@
,,@@@@@@,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL @@@@@,,,,@
@,@,,,,,@, TWO, AND OSCILLATOR TWO  SAW  TO CHANNEL ,,,,,@,,,@
,@@@,,,,@@ ONE.   SAMPLE  AND   HOLD  OUT   TO  THE @,,,,@@,,@
@@,,@,,,@,   FILTER... MAYBE... RESONANCE AT HALF.  ,@,,,@,@,@
,,@,@@,,@@ SOME  FREQUENCY IN THE  FIRST OSCILLATOR @@@,,@@@@@
@,@@@,@,@, AND THEN THE  SECOND OSC FOUR  SEMITONES ,,,@,@,,,,
@@@,,@@@@@                  HIGHER.                 @,,@@@@,,,
@,,@,@,,,,                                          ,@,@,,,@,,
@@,@@@@,,,                 -«@@@«-                  ,@@@@,,@@,
@,@@,,,@,,          ^¤¤ DESKTOP SYNTH ¤¤^           ,@,,,@,@,@
,@@,@,,@@,                  -«@@@«-                 ,@@,,@@@@@
@@,@@@,@,@                                          ,@,@,@,,,,
@,@@,,@@@@                                          ,@@@@@@,,,
@@@,@,@,,,                                          ,@,,,,,@,,
@,,@@@@@,,                                          @@@,,,,@@,
@@,@,,,,@,                                          @,,@,,,@,@
,,@@@,,,@@                                          @@,@@,,@@@